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- A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.
- A portrait of the late gonzo journalist Hunter S. Thompson.
- A "home movie" by Chris Marker of his visit to Tokyo with his girlfriend, actress Arielle Dombaste, beginning with a chat with a live mannequin in a store window, then through the subway and to the market.
- The 92nd Academy Awards for film achievements in 2019 are presented by the Academy of Motion Picture Arts and Sciences.
- French Artist Sophie Calle and American Photographer Greg Shephard's autobiographical account of their road trip across America. It can be seen as an experimental setup of two people and a camera on a cross-country drive, with hot twists.
- Skippy is encouraged by his parents to leave his "poisonous family" and find a new home. Along the way he is hit by a car and then filmed by a documentary filmmaker. Music from a chaotic youth party awakens him as he searches for something beautiful to hold onto.
- Football like you've never seen it before! This hilarious and insightful documentary featuring Christopher Guest and Bill Murray takes you behind the scenes of the 1976 Super Bowl X between the Pittsburgh Steelers and the Dallas Cowboys.
- "I've Been Afraid" blends stories of women who have been threatened.
- Shot to resemble a personal diary film, and starring Shelly Silver herself as the fictional filmmaker heroine, "Suicide" is edgy, dark and funny; an audacious act of flirting with the suggestive autobiographical and autofiction genres.
- Electronic Arts Intermix describes Ed Emshwiller's pioneering experimental concept video as a digital sculpture: "Sunstone is a landmark tape. Symbolic and poetic, it is a pivotal work in the development of an electronic language to articulate three-dimensional space. The opening image is an iconic face, which appears to be electronically 'carved' from stone. A mystical third eye, brilliantly crafted from a digital palette, radiates with vibrant transformations of color and texture. Sculpting electronically, Emshwiller then transforms perspectival representation: the archetypal 'sunstone' is revealed to be one facet of an open, revolving cube, each side of which holds a simultaneously visible, moving video image. Created with complex technology over an eight-month period, this emblematic spinning cube metaphorically describes a three-dimensional, temporal space, both hyperreal and simulated. Emshwiller's humanistic approach to technology ushered in the 1980s with a new electronic vocabulary for conceptualizing and visualizing images in space and time. Reflecting an image-saturated world. SUNSTONE marked a new stage in electronic art."
- The second part of TVTV's Gerald Ford's America documentary series focuses on the Washington D.C. social scene.
- Martha Rosler takes us through an A-Z of the kitchen in this parodic feminist art film.
- This witty and startlingly candid look at the 1972 Republican National Convention is a classic work of guerrilla television, and an alternative time capsule of an era of dramatic change in American politics, media, and culture.
- This doc by video pioneers TVTV examines Guru Maharaj Ji, 16-year-old leader of a cult-like new age group, known to his followers as Lord of the Universe. The 1974 gathering at Houston's Astrodome features Rennie Davis and Abbie Hoffman.
- The film portrays a group of artists who since the early 1960s have completely disrupted our ideas of what art can be. In large part filmed in Venice in 1990, when many of the original Fluxus artists met to hold a large exhibition almost 30 years after the first highly untraditional Fluxus' performances. Features Eric Andersen, Philip Corner, Dick Higgins, Yoko Ono, Nam June Paik, Ben Vautier, and many others.
- Groundbreaking and haunting, this film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri's family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri's family wrapped their memories of that experience in a shroud of silence and forgetting. Ruminating on the difficult nature of representing the past - especially a past that exists outside traditional historic accounts - Tajiri blends interviews, memorabilia, a pilgrimage to the camp where her mother was interned, and the story of her father, who had been drafted pre-Pearl Harbor and returned to find his family's house removed from its site. Throughout, she surveys the impact of images (real images, desired images made real, and unrealized dream images). The film draws from a variety of sources: Hollywood spectacle, government propaganda, newsreels, memories of the living, and spirits of the dead, as well as Tajiri's own intuitions of a place she has never visited, but of which she has a memory. More than simply calling attention to the gaps in the story of the Japanese American internment, this important film raises questions about collective history - questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
- In 1974, Martha Rosler, a pioneer of feminist video art, made this parody of the cooking shows that were already popular at the time on TV and at household fairs. Standing in front of the stove and fridge, this "anti-Julia Child" puts on her apron and goes through an A to Z of kitchen utensils. She lards her alphabet with a pinch of humor, a dash of frustration, and a generous portion of anger-indispensable ingredients in any feminist kitchen.
- Feature-length compilation program presenting 37 out of 41 original fluxfilms produced and directed in the 1960s by Fluxus artists, including George Maciunas, Nam June Paik, Yoko Ono, Robert Watts, Paul Sharits, et al.
- The collection of five previous works by Bill Viola in "The Reflecting Pool: Collected Works, 1977-80", describe the stages of a personal journey using images of transition from day to night, motion to stillness, time to timelessness.
- An extraordinary video sketchbook, a highly original, visually dramatic and frequently humorous collection of one hundred abbreviated "episodes" produced for television. Unfolding as a series of thirty-second vignettes, this enigmatic essay in style is characterized by a deadpan theatricality, symbolist imagery, surrealist juxtapositions and repetition of key visual motifs.
- A portrait of Nam June Paik produced as a 'video catalog' for the exhibition 'The Electronic Super Highway', which premiered at The Museum of Art in Fort Lauderdale, Florida, with recent installations, historical background and interviews.