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1-7 of 7
- The 1912 Senate Investigation into the sinking of the Titanic.
- A philosophical flume ride through the physical, political and moral borders that inhibit the free movement of people and ideas.
- At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.
- Some children count license plates on long car trips -- Luther counts dead bodies. On a car trip north, a Mother and son Bonnie and Clyde leave a trail of blood and candy that stretches to a decadent and mysterious seaside resort: MOTEL BLUE 19. This unusual blend of humor and terror was developed as a feature film project, and was based on an original stage play by Edgar Oliver, which premiered at La MaMa Theatre in 1991.
- This half-hour program is a playfully provocative dialogue on sexual philosophy, seduction, romance, love, and the perfect kiss. It interweaves computer animation, stylized drama, and the frank disclosures of four on-camera interviews. Featured are the cool sardonic witticisms of author/raconteur Quentin Crisp, the internationally famous entertainer who first captured the public's eye with his autobiography "The Naked Civil Servant". In amusing contrast to Quentin's quips are the exotic popisms of rock personality SPIDER, the lyricist and percussionist for the South African group Via Afrika. Spider's striking musical and visual talents gained wide notice through her performance with the Artists Against Apartheid on the "Sun City" record and video. New York poet and performer Emily XYZ expresses the youth view with a hard edge. Stage, screen and television actor Joe Morton reveals a family man's perspective. "THE KISSING BOOTH" displays a daring narrative range as it jumps from outrageous non-sequitur to brave emotional honesty. The boundaries of morality, dignity and personal freedom are exposed in a humorous and visually striking program.