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- Not everything is as it seems for Cristi, a policeman who plays both sides of the law. Embarking with the beautiful Gilda on a high-stakes heist, both will have to navigate the twists and turns of corruption, treachery and deception.
- It follows Bogdan, who takes part in an armed robbery with three men he barely knows. While fleeing the crime scene, he accidentally runs over a witness who ultimately dies. This will disrupt the very core of his moral being.
- A local talk show host organizes an alcoholic professor and a pensioner known for playing Santa Claus to decide whether there was ever a revolution in their town Vaslui.
- Costi is a family man whose cash-strapped neighbor makes him an intriguing proposition: help him find the fortune reportedly buried somewhere on the grounds of his family's country home in Romania and split the profits.
- Roman returns to the land he has just inherited from his grandfather. Fully decided to sell this vast but desolate property, he is warned by the local cop that his grandfather was a local crime lord and his men will not let go of the land..
- A police officer refuses to arrest a young man for offering drugs to his friends.
- During the production of his new movie, a director wants to add a scene to improve the film's narrative by emphasising the aesthetic of female nudity. Endless negotiations ensue between lunch and dinner. Can they conclude?
- They talk about the beautiful game, but for Laurentiu Ginghina, it's not enough. Football must be modified, streamlined, freed from restraints; corners are to be rounded off, players assigned to zones and subteams, norms revised. In retrospect, he first realized that the rules of football were wrong when he was tackled during a game in his youth, in the summer holidays, on another pitch now covered in snow, but in Vaslui, not Bucharest. The tackle hit so hard it fractured his fibula, a year later his tibia broke too, on New Year's Eve 1987, he had to walk home in the snow and no one helped him. Today he's a local bureaucrat with an uninspiring job, it's no wonder he prefers to talk about the game, his own version of it, to Porumboiu, his friend, the director, who's always listening, asking questions, nearly always in frame. Ginghina's monologues are so rich you might think someone wrote them in advance, they proceed from the same old subject, but never stay in one place. All roads lead to football, but all roads lead away from it too, to land ownership issues, to orange farms in Florida, to political utopia and the traces left by life, to version 2.0, 3.1, 4.7, to infinity.
- Filmmaker Corneliu Porumboiu discusses a snowy soccer match from 1988 with his father, who was the head referee for the game.
- Ana is 30 years old and lives with her parents. As her ex-husband takes their daughter and her nagging mother to the countryside, she prepares for a laidback evening with her friends. Soon she comes to realize she lost her cell phone which prevents her from receiving a much awaited call from her previous night's stand. Her friends, Iulia, Andrei and Marius, arrive and try to watch a movie. The screening is frequently interrupted by an increasingly annoying and rather absurd dialogue that takes place between the thief/finder of the cell phone and Ana.