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1-34 of 34
- Features Haraway in a playful and engaging exploration of her life, influences, and ideas. Best-known for her ground-breaking work on gender, cyborgs, animals and post-colonialism, Haraway is a passionate and discursive storyteller with a curious and nimble mind. Story Telling For Earthly Survival is a clever and insightful glimpse into the thoughts of a major contemporary figure.
- A film crew crisscrosses England trying to unravel the mystery surrounding a record released 30 years earlier, "Spirit of Eden", that defined the passage from light to shadow of its makers, the band Talk Talk and its lead singer Mark Hollis. From overwhelming obstacles to unpredictable encounters, their journey soon turns into an organic quest. With silence as a horizon line. And punk as a philosophy, thinking that music is accessible to all and that the human spirit is above the technique.
- My father immortalized in family films the most beautiful moments of his life, while my mother's difficulties hit the blind spot of his images. Today, I revisit these images to tell a different story: that of a woman who sees her role as a mother take away her freedom step by step.
- The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jimenez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl's traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.
- One summer, divers locate hidden weapons dating back to WWII in a lake. Louison's grandmother is said to be involved. Along with other comrades, she allegedly refused to surrender her weapons.
- Starting from a security check at the Tel Aviv airport, By The Throat explores a more deeply engraved border, albeit an invisible one, that defines the sounds and words we can pronounce. We carry with us these limits, created by our mother-tongue, becoming ourselves a mobile check-point, wherever we are.
- 'The world escapes me, I can't find my place but in my dreams, I'm it belongs to me', seem to say. Congolese media and their audiences in the choir. A socio- economic portrait of the 'Jet Set' Congoles through the League of Ambianceurs and people of elegance.
- Anarchism and acid house techno
- Michael Blanco arrives in Los Angeles. He dreams of becoming a movie star. There are 900,000 others like him in that city.
- What kind of futures can be read in the impersonal fragments of our reality? Children from Brussels, Athens and Sarajevo roll out strips of adhesive tape onto their streets. They then project the collected dust, sand, insects and glass, and from these images they decipher an imprint of the city and the future.
- Juliette is a young visual artist who lives between Évreux, Paris and Marseille. From hopes to disillusion, from galleys to fantasies, she takes us on the thunderous journey of her thoughts and her life as an artist.
- In the heart of the Alps, in the secrecy of the icy night, men and women go to the aid of migrants who cross the Italian-French border. In solidarity, they organise themselves illegally to escape the police controls and the repression that is rampant on these mountain paths and help those who try to enter France at the risk of their lives.
- The experience of giving life, both are and ordinary, through the words of fathers and mothers to be. The same are filmed and interviewed after the birth of their babies.
- The lonely childhood spent in the orphanages of the GDR of an unknown child found at the end of the war. Then, by purest coincidence, the discovery of a twin brother. Together, Horst and Helmut decide to leave for the West. Today they live in Berlin. But once again they've grown apart, finding themselves too much alike to really get along, as they explain in this double film portrait.
- They have committed serious acts, offenses or crimes. The justice system however considered that they were not responsible when committing these acts.
- The look of a filmmaker at theater in progress. Gerald Frydman has chosen to film the rehearsals of Botho Strauss' play "Trilogie du revoir", as produced in 1984 by the Atelier rue Sainte-Anne Theater in Brussels. At once an introduction to the great German playwright, to his famous play and to the company of players serving the master.
- The portrait of a woman, Marie Denis, a sixty-two-year- old journalist and writer. At the age of forty, she published her first book. At fifty, she joined the feminist movement. The portrait of a woman who wants everything, of a woman and her contradictions, brushed by a woman of another generation.
- On board the Aquarius, as a photographer, Hara meets Max. Max is the leader of the team that rescues migrants at sea. They make a few trips together. Struck by the ban on the boat, which loses its flag allowing it to dock, and condemned to stay on land, Hara decides to make a film. A letter to the child she is expecting from Max. In this letter, Hara's personal memories, her meeting with Max and some stories heard on the boat are woven together. Migrants tell of their journeys, their lost homes. Is there a common link between us? Is there a common history?