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- Bethania Wanderley (Maeve Jinkings) has to return to the place where she was born, a decadent sugar cane mill, to prevent the former cane workers from taking over the land. She will have to deal with her past and her prejudices.
- The documentary presents the origin of musical rhythms in Latin America. Ed Mota, Elza Soares, Ivan Lins and Diogo Nogueira are some of the artists representing Brazilian music who participate with their testimonies. The film rescues all that memory and values our musical culture, which was forgotten by most Brazilians.
- O Método unveils, interprets and reveals the tools and knowledge used by experienced documentary filmmakers in the art and craft of representing reality.
- The faces, gestures and talks from beggars and other crazed figures from São Paulo marginalized and underground streets are presented during the festivities of the Carnival season. The images are presented along with texts from philosopher Frantz Fanon.
- "Cidades Possíveis" ("Possible Cities") addresses issues that involve new possibilities of life in Brazilian cities through sustainable and creative practices, presenting concrete cases based on the vision of the various actors involved.
- Marked by its ethnic diversity, today Rio Grande do Sul is home to thousands of Palestinian immigrants, expelled after the UN shared its territory in 1947, allowing the founding of the State of Israel. As a result, the Palestinian diaspora emerges, reaching six million people living in different countries. In Brazil, the discrete Palestinian community seeks to survive, grow and gain social recognition for its economic and social contribution.
- Zeca Baleiro guides us on this musical journey to his home state. With testimonies and performances by local artists from different musical genres, we discover a pulsating and little explored sound panel.
- The documentary analyzes the Brazil's process from June/2013 till Bolsonaro's election, investigating the Lulism crisis, Operation Car-Wash, Dilma Rousseff's impeachment and the rise of new right-wings parties.
- Rio de Janeiro, May 1981. DOI-CODI, the body responsible for the repression during the days of Brazilian military dictatorship, organized the "Mission 115", which aimed to "observe" closely a show in honor of International Labor Day, in the show house Riocentro. However, the mission failed to highlight its main objective: to carry out a terrorist attack by incriminating leftist revolutionary groups and thereby sabotaging the country's re-democratization.
- A reflection on the works and thinking of the last years of production by Torquato, grandson: such as the magazine "Navilouca", the film "Terror da Vermelha", the column "Geleia Geral" and the controversial Cinema Novo X Marginal, among other passages important aspects of Brazilian culture in the 60s and 70s.
- TV mini-series about ongoing social experiences that changed communities through the contact with art (music, visual arts, etc.) in some of the poorest areas in Rio de Janeiro, Brazil.
- The Songs of My Life is a great mosaic of Brazilian music. Through interviews and musical performances we learn the most striking songs that influenced the Brazilian songbook. A great homage to the Brazilian music made by its protagonists.
- One of the most respected names in national cinema, always remembered for his work as cinematographer in the classics of Cinema Novo, Mario Carneiro is honored in this film.