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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actor
- Producer
- Soundtrack
Two-time Oscar nominee Bruce Dern's tremendous career is made up of playing both modern day heroes and legendary villains. Through decades of lauded performances, Dern has acquired the reputation of being one of the most talented and prolific actors of his generation.
Dern currently appears opposite Kristen Wiig, Allison Janney and his daughter Laura in Apple+ TV's acclaimed comedy series "Palm Royale." He also received critical praise for the last season of the Amazon series "Goliath" opposite Oscar winners Billy Bob Thornton and JK Simmons.
Dern appeared as real-life rancher George Spahn in Quentin Tarantino's 10-time Academy Award nominated "Once Upon a Time in Hollywood." The film also won the Golden Globes & Critics Choice Awards for Best Picture, among others. He also co-starred in the #1 independent film of 2019, "The Peanut Butter Falcon" and he earned rave reviews for Focus Features' "The Mustang." He has recently appeared in several recent independent film projects including "Reminisce," "The Accidental Texan," "Remember Me," "The Artist's Wife," "Emperor," "Badland," "Death in Texas," "Last Call," and "The Gateway."
In 2018, he starred in two high profile independent films - as Joe Kennedy in "Chappaquiddick" and opposite Matthew McConaughey in Sony's "White Boy Rick." In 2017, he appeared with Jane Fonda and Robert Redford in the Netflix film "Our Souls at Night."
On the television side in 2019 - he memorably guested on Showtime's comedy "Black Monday" and was seen in the Stephen King series "Mr. Mercedes" for the AT&T AUDIENCE Network.
In 2015, Dern reteamed with his "Django Unchained" director Quentin Tarantino in the ambitious & critically-acclaimed "The Hateful Eight." In 2013, Dern earned his second Academy Award nomination for his heralded role in Alexander Payne's "Nebraska." That role also garnered him a Best Actor Award from the Cannes Film Festival and the National Board of Review. He was also nominated for a BAFTA, Golden Globe, Independent Spirit Award, Broadcast Film Critics Association Award and Screen Actors Guild Award.
Dern was also nominated for an Emmy in 2011 for his portrayal of polygamist patriarch Frank Harlow in HBO's hit drama "Big Love." A celebrated stage actor, Dern was trained by famed director Elia Kazan at the legendary The Actor's Studio and made his film debut in Kazan's "Wild River" in 1960. In the 60's, Dern also found success as a distinguished television actor. He appeared regularly in contemporary Western TV series, as well as on "Alfred Hitchcock Presents." Mr. Hitchcock was such a fan of Dern's that he cast him in "Marnie" and "Family Plot" (Hitchcock's final film).
Also during the 60's, Dern went on to work with director Roger Corman and appeared in several of his classic and decade defining films including "Wild Angels." He also received critical success during that time for films such as "They Shoot Horses, Don't They?" and "Drive, He Said." Dern goes down in history for his role as Long Hair in "The Cowboys," in which he became the only man ever to kill John Wayne on screen.
Dern went on to star in such classic films like "The King of Marvin Gardens" with Jack Nicholson and Ellen Burstyn as well as playing Tom Buchanan in "The Great Gatsby" (for which he received a Golden Globe nomination). It was his brilliant and powerful performance in Hal Ashby's "Coming Home" that earned him both an Academy Award and Golden Globe nomination.
Dern has starred in over 100 films in his career, including: "Monster," "Hush...Hush, Sweet Charlotte," "Silent Running," "Smile," "Middle Age Crazy," "That Championship Season," "Tattoo," "The 'Burbs," "The Haunting," "All the Pretty Horses," "Masked and Anonymous," "Down in the Valley," "Astronaut Farmer," "The Cake Eaters," "Black Sunday," "After Dark, My Sweet," "Madison," "Diggstown," "Twixt" and "Last Man Standing."
Dern has received several Lifetime Achievement Awards from various film festivals. In 2010, Dern received the prestigious Hollywood Walk of Fame star along with his ex-wife Diane Ladd & daughter Laura Dern, the only family in history to receive their Stars in one ceremony.- Actor
- Producer
- Writer
The towering presence of Canadian actor Donald Sutherland is often noticed, as are his legendary contributions to cinema. He has appeared in almost 200 different shows and films. He is also the father of renowned actor Kiefer Sutherland, among others.
Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He has Scottish, as well as German and English, ancestry. Sutherland worked several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.
Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.
The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.
Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.
Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.
Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrays an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.
Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).
The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He has also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). Recently, he has joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland has also taken a role in the remake of Charles Bronson's film The Mechanic (1972).
Donald Sutherland has made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland is one of Canada's most well-known names and will hopefully continue on being so long after his time.- Actor
- Producer
- Director
Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.- Actor
- Producer
- Stunts
Eugene Allen Hackman was born in San Bernardino, California, the son of Ann Lydia Elizabeth (Gray) and Eugene Ezra Hackman, who operated a newspaper printing press. He is of Pennsylvania Dutch (German), English, and Scottish ancestry, partly by way of Canada, where his mother was born. After several moves, his family settled in Danville, Illinois. Gene grew up in a broken home, which he left at the age of sixteen for a hitch with the US Marines.
Moving to New York after being discharged, he worked in a number of menial jobs before studying journalism and television production on the G.I. Bill at the University of Illinois. Hackman would be over 30 years old when he finally decided to take his chance at acting by enrolling at the Pasadena Playhouse. Legend says that Hackman and friend Dustin Hoffman were voted "least likely to succeed."
Hackman next moved back to New York, where he worked in summer stock and off-Broadway. In 1964 he was cast as the young suitor in the Broadway play "Any Wednesday." This role would lead to him being cast in the small role of Norman in Lilith (1964), starring Warren Beatty. When Beatty was casting for Bonnie and Clyde (1967), he cast Hackman as Buck Barrow, Clyde Barrow's brother. That role earned Hackman a nomination for the Academy Award for Best Supporting Actor, an award for which he would again be nominated in I Never Sang for My Father (1970). In 1972 he won the Oscar for his role as Detective Jimmy "Popeye" Doyle in The French Connection (1971). At 40 years old Hackman was a Hollywood star whose work would rise to new heights with Night Moves (1975) and Bite the Bullet (1975), or fall to new depths with The Poseidon Adventure (1972) and Eureka (1983). Hackman is a versatile actor who can play comedy (the blind man in Young Frankenstein (1974)) or villainy (the evil Lex Luthor in Superman (1978)). He is the doctor who puts his work above people in Extreme Measures (1996) and the captain on the edge of nuclear destruction in Crimson Tide (1995). After initially turning down the role of Little Bill Daggett in Clint Eastwood's Unforgiven (1992), Hackman finally accepted it, as its different slant on the western interested him. For his performance he won the Oscar and Golden Globe and decided that he wasn't tired of westerns after all. He has since appeared in Geronimo: An American Legend (1993), Wyatt Earp (1994), and The Quick and the Dead (1995).- Actor
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Widely regarded as one of greatest stage and screen actors both in his native Great Britain and internationally, twice nominated for the Oscar and recipient of every major theatrical award in the UK and US, Ian Murray McKellen was born on May 25, 1939 in Burnley, Lancashire, England, to Margery Lois (Sutcliffe) and Denis Murray McKellen, a civil engineer and lay preacher. He is of Scottish, Northern Irish, and English descent. During his early childhood, his parents moved with Ian and his older sister, Jean, to the mill town of Wigan. It was in this small town that young Ian rode out World War II. He soon developed a fascination with acting and the theatre, which was encouraged by his parents. They would take him to plays, those by William Shakespeare, in particular. The amateur school productions fostered Ian's growing passion for theatre.
When Ian was of age to begin attending school, he made sure to get roles in all of the productions. At Bolton School in particular, he developed his skills early on. Indeed, his first role in a Shakespearian play was at Bolton, as Malvolio in "Twelfth Night". Ian soon began attending Stratford-upon-Avon theatre festivals, where he saw the greats perform: Laurence Olivier, Wendy Hiller, John Gielgud, Ralph Richardson and Paul Robeson. He continued his education in English Drama, but soon it fell by the wayside as he concentrated more and more on performing. He eventually obtained his Bachelor of Arts in 1961, and began his career in earnest.
McKellen began working in theatre over the next few years. Very few people knew of Ian's homosexuality; he saw no reason to go public, nor had he told his family. They did not seem interested in the subject and so he saw no reason to bring it up. In 1988, Ian publicly came out of the closet on the BBC Radio 4 program, while discussing Margaret Thatcher's "Section 28" legislation, which made the promotion of homosexuality as a family relationship by local authorities an offense. It was reason enough for McKellen to take a stand. He has been active in the gay rights movement ever since.
Ian resides in Limehouse, where he has also lived with his former long-time partner Sean Mathias. The two men have also worked together on the film Bent (1997) as well as in exquisite stage productions. To this day, McKellen works mostly in theatre, and was knighted by Queen Elizabeth II in 1990 for his efforts in the arts. However, he has managed to make several quite successful forays into film. He has appeared in several productions of Shakespeare's works including his well received Richard III (1995), and in a variety of other movies. However, it has only been recently that his star has finally begun to shine in the eyes of North American audiences. Roles in various films, Cold Comfort Farm (1995), Apt Pupil (1998) and Gods and Monsters (1998), riveted audiences. The latter, in particular, created a sensation in Hollywood, and McKellen's role garnered him several of awards and nominations, including a Golden Globe and an Oscar nod. McKellen, as he continues to work extensively on stage, he always keeps in 'solidifying' his 'role' as Laurence Olivier's worthy 'successor' in the best sense too, such as King Lear (2008) / King Lear (2008) directed by Trevor Nunn and in a range of other staggering performances full of generously euphoric delight that have included "Peter Pan" and Noël Coward's "Present Laughter", as well as Samuel Beckett's "Waiting for Godot" and Harold Pinter's "No Man's Land" (National Theatre Live: No Man's Land (2016)), both in acclaimed productions brilliantly directed by Sean Mathias.
McKellen found mainstream success with his performance as Magneto in X-Men (2000) and its sequels. His largest mark on the big screen may be as Gandalf in "The Lord of the Rings" film trilogy directed by Peter Jackson, which he reprised in "The Hobbit" trilogy. He also reprised the role of 'King Lear' with new artistic perspectives in National Theatre Live: King Lear (2018) offering an invaluable mesmerizing experience as a natural force of stage - and screen - of infinite generosity through his unsurpassable interpretation of the titanically vulnerable king.- Actor
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Kurt Vogel Russell was born on March 17, 1951 in Springfield, Massachusetts and raised in Thousand Oaks, California to Louise Julia Russell (née Crone), a dancer & Bing Russell, an actor. He is of English, German, Scottish and Irish descent. His first roles were as a child on television series, including a lead role on the Western series The Travels of Jaimie McPheeters (1963). Russell landed a role in the Elvis Presley movie, It Happened at the World's Fair (1963), when he was eleven years old. Walt Disney himself signed Russell to a 10-year contract, and, according to Robert Osborne, he became the studio's top star of the 1970s. Having voiced adult Copper in the animated Disney film The Fox and the Hound (1981), Russell is one of the few famous child stars in Hollywood who has been able to continue his acting career past his teen years.
Kurt spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC TV movie Elvis (1979), and married the actress who portrayed Priscilla Presley in the film, Season Hubley. He was nominated for an Emmy Award for the role. He followed with roles in a string of well-received films, including Used Cars (1980) and Silkwood (1983), for which he was nominated for the Golden Globe Award for Best Supporting Actor - Motion Picture. During the 1980s, he starred in several films by director Carpenter; they created some of his best-known roles, including the infamous anti-hero Snake Plissken in the futuristic action film Escape from New York (1981) (and later in its sequel Escape from L.A. (1996)), Antarctic helicopter pilot R.J. MacReady in the horror film The Thing (1982), and Jack Burton in the fantasy film Big Trouble in Little China (1986), all of which have since become cult classics.
In 1983, he became reacquainted with Goldie Hawn (who appeared with him in The One and Only, Genuine, Original Family Band (1968)) when they worked together on Swing Shift (1984). The two have lived together ever since. They made another film together, Garry Marshall's comedy Overboard (1987). His other 1980s titles include The Best of Times (1986), Tequila Sunrise (1988), Winter People (1989) and Tango & Cash (1989).
In 1991, he headlined the firefighter drama Backdraft (1991), he starred as Wyatt Earp in the Western film Tombstone (1993), and had a starring role as Colonel Jack O'Neil in the science fiction film Stargate (1994). In the mid-2000s, his portrayal of U.S. Olympic hockey coach Herb Brooks in Miracle (2004) won the praise of critics. In 2006, he appeared in the disaster-thriller Poseidon (2006), and in 2007, in Quentin Tarantino's Death Proof (2007) segment from the film Grindhouse (2007). Russell appeared in The Battered Bastards of Baseball (2014), a documentary about his father and the Portland Mavericks, which debuted at the Sundance Film Festival in 2014. Russell starred in the Western films Bone Tomahawk (2015) and The Hateful Eight (2015), and had a leading role in the dramatization Deepwater Horizon (2016). He also co-starred in the action sequels Furious 7 (2015) and The Fate of the Furious (2017).
Russell and Goldie Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston Russell (from his marriage to Hubley) and Wyatt Russell (with Hawn). He also raised Hawn's children, actors Oliver Hudson and Kate Hudson, who consider him their father. Russell is also an avid gun enthusiast, a hunter and a staunch supporter of the Second Amendment of the United States Constitution. He is also an FAA-licensed private pilot holding single/multi-engine and instrument ratings, and is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.- Actor
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Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.- Actress
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Born in New York City to legendary screen star Henry Fonda and Ontario-born New York socialite Frances Seymour Brokaw, Jane Seymour Fonda was destined early to an uncommon and influential life in the limelight. Although she initially showed little inclination to follow her father's trade, she was prompted by Joshua Logan to appear with her father in the 1954 Omaha Community Theatre production of "The Country Girl". Her interest in acting grew after meeting Lee Strasberg in 1958 and joining the Actors Studio. Her screen debut in Tall Story (1960) (directed by Logan) marked the beginning of a highly successful and respected acting career highlighted by two Academy Awards for her performances in Klute (1971) and Coming Home (1978), and five Oscar nominations for Best Actress in They Shoot Horses, Don't They? (1969), Julia (1977), The China Syndrome (1979), The Morning After (1986) and On Golden Pond (1981), which was the only film she made with her father. Her professional success contrasted with her personal life, which was often laden with scandal and controversy. Her appearance in several risqué movies (including Barbarella (1968)) by then-husband Roger Vadim was followed by what was to become her most debated and controversial period: her espousal of anti-establishment causes and especially her anti-war activities during the Vietnam War. Her political involvement continued with fellow activist and husband Tom Hayden in the late 1970s and early 1980s. In the 1980s she started the aerobic exercise craze with the publication of the "Jane Fonda's Workout Book". She and Hayden divorced, and she married broadcasting mogul Ted Turner in 1991.- Actress
- Soundtrack
Mia Farrow is the daughter of the director John Farrow and the actress and Tarzan-girl Maureen O'Sullivan. She debuted at the movies in 1959 in very small roles. She was noticed for the first time in the film Rosemary's Baby (1968) by Roman Polanski. She showed her talent also on TV and at the theatre, but her final breakthrough was when she met Woody Allen and became his Muse after the film A Midsummer Night's Sex Comedy (1982). After that, Woody Allen wrote many other roles for her.- Actor
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Alan Alda (born under the name Alphonso Joseph D'Abruzzo) is an American actor, comedian, film director, and screenwriter from New York City. His father was the Italian-American actor Robert Alda. Alda's best known role was playing chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983) for 11 seasons. He twice won the "Primetime Emmy Award for Outstanding Lead Actor in a Comedy Series" for this role. Alda was later nominated for the "Academy Award for Best Supporting Actor", for his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). The film depicted Brewster's opposition to the commercial interests of Howard Hughes, and the alleged political corruption which caused the end of Brewster's career.
In 1936, Alda was born in the Bronx, New York City. By that time, his father Robert Alda (1914-1986) had already started performing in vaudeville and burlesque theaters. Alda's mother was former beauty queen Joan Browne. Alda had Italian ancestry on his father's side of the family, and Irish ancestry on his mother's side of the family. Alda spend much of his childhood touring the United States with his father, as his father's acting job required frequent travel.
In 1943, Alda contracted polio. His parents chose to administer a painful treatment regimen, "consisting of applying hot woolen blankets to his limbs and stretching his muscles". This treatment had been developed by the Australian nurse Elizabeth Kenny (1880-1952), and was based on the principle of muscle rehabilitation. Though the treatment was considered controversial, it seemingly helped Alda to recover his mobility.
Alda received his secondary education at Archbishop Stepinac High School, an all-boys Roman Catholic high school located in White Plains, New York, United States. The school was named in honor of Aloysius Stepinac (1898 - 1960), the Archbishop of Zagreb who was hero-worshiped for his conviction for treason by communist Yugoslavia. Alda received his college education at Fordham University, a Jesuit research university located in New York City. He graduated In 1956 with a Bachelor of Arts degree.
During his college years, Alda worked for the radio station WFUV. The station was owned by Fordham University, and was operated by its students. Alda joined the Reserve Officers' Training Corps (ROTC) , a training program intended for prospective commissioned officers of the United States Armed Forces. He subsequently entered the United States Army Reserve. He served for a year at Fort Benning, a United States Army post straddling the Alabama-Georgia border . He then spend 6 months stationed in Korea. His official rank at that time was that of a gunnery officer, though Alda claims that he was placed in charge of a mess tent.
In 1956, Alda was introduced to Jewish-American musician Arlene Weiss (a clarinetist). They soon bonded due to their similar tastes in humor, and started dating each other. They were married on March 15, 1957. They had three daughters, born between 1958 and 1961.
Alda started his acting career in the mid-1950s, as a theatrical actor. He joined the Compass Players (1955-1958), a short-lived improvisational theatre revue which was based in Chicago. He subsequently joined the improvisational group Second City, and the regional theater company Cleveland Play House for its 1958-1959 season. In 1958, he had his first guest star role in television. He appeared in an episode of "The Phil Silvers Show", a military-themed sitcom about a swindler operating within the United States Army.
Alda made his film debut in the comedy-drama film "Gone Are the Days!" (1963). The film was a satire of segregation and bigotry, based on a play written by Ossie Davis (1917-2005). Alda was part of the recurring cast of "That Was the Week That Was" (1963-1965), a political satire series which targeted various political figures of the era. It was based on a British satire series of the same name. Most episodes of the American version are considered lost, though there are surviving audio recordings.
In 1968, Alda had his first starring role in a film. He portrayed sports journalist George Plimpton (1927-2003) in the sports comedy "Paper Lion". The film depicted Plimpton's brief term as a player of the Detroit Lions, and focused on his inexperience and ineptitude as a football player.
Alda played the accountant Morton Krim in the World War II-themed war comedy "The Extraordinary Seaman" (1969). The film depicts four sailors of the United States Navy who have been stranded on an island of the Philippines. They encounter the ghost of a British naval officer who was killed in World War I, and he encourages them to launch an attack on Japanese positions. Due to the ghost's perpetual bad luck, their attack is ill-fated.
Alda next played the male lead in the drama film "Jenny" (1970). In the film, main character Jenny Marsh (played by Marlo Thomas) was impregnated in a one-night-stand and has few options in life. Her acquaintance Delano (played by Alda) agrees to marry her and to claim the child's paternity, in an effort to avoid being drafted for war service. The film depicts the problems of a typical "marriage of convenience" (a marriage contracted for reasons other than that of love and commitment), and Delano's attempts to maintain both his marriage and his long-term relationship with another woman. The film earned 2,825,000 million dollars at the worldwide box office.
Alda also played the main character in the crime film "The Moonshine War" (1970), which was set in Prohibition-era Kentucky. He played John "Son" Martin, a man whose main source of income is the production of moonshine whiskey. An acquaintance in the Internal Revenue Service starts pressuring him for a cut on the profits. When Son refuses, the acquaintance reports his activities to a violent gang leader and his henchmen. Son has to outwit the gang in order to survive. The film was one of several films greenlit by Louis Polk and Herb Solow, the then-new co-leaders of Metro-Goldwyn-Mayer.
Alda had his first role in a horror film, when he played the main character in the occult-themed horror film "The Mephisto Waltz" (1971). He played music journalist Myles Clarkson, who unexpectedly befriends piano virtuoso Duncan Ely (played by Curd Jürgens). He does not realize that Ely is dying due to cancer, and that he intends to perform a body-swapping spell to take over Clarkson's body. Once the spell succeeds, Ely starts a new career in Clarkson's body and kills Clarkson's daughter. Ely fails to realize that his new "wife" Paula Clarkson (played by Jacqueline Bisset) intends to use the same spell to swap bodies with Ely's adult daughter. Bisset was praised for her "chillingly effective" performance, but film critics argued that Alda had been miscast in this role.
Alda had a scarier role in the psychological thriller "To Kill a Clown" (1972), playing disturbed Vietnam War veteran Evelyn Ritchie. Ritchie was once a military officer, but retired after having one of his legs amputated. He agrees to become the landlord of a young married couple, despite his intense dislike for the artistic lifestyle of his tenant Timothy Frischer (played by Heath Lamberts). He starts treating Frischer as a military subordinate, and insists on keeping both of his tenants as prisoners in their residence. The young couple soon learn that Ritchie has sadistic tendencies, and that he had a history of tormenting his subordinates throughout his military career.
Alda had the big break in his career when cast to play chief surgeon Benjamin Franklin "Hawkeye" Pierce in the medical-themed sitcom M*A*S*H (1972-1983). The series depicted life within a "Mobile Army Surgical Hospital" (MASH) during the Korean War (1950-1953). It was based on the novel "MASH: A Novel About Three Army Doctors" (1968) by military surgeon H. Richard Hornberger. The series often questioned the United States' role in the Cold War, and satirized authority figures. Its ratings placed it among the top 10 most viewed shows throughout most of its run, and it was critically acclaimed. Alda appeared in all 256 episodes of the series, which helped him become a household name in the United States. Alda eventually served as the series' producer, creative consultant, and co-writer.
Alda played the male lead in the romantic comedy "Same Time, Next Year" (1978), which was his first film role since the early 1970s. The film depicts an extramarital affair which lasts for 26 years (1951-1977), despite the two lovers only meeting once per year. The film also covers the effects time has on the couple's political ideologies, and how they react to the deaths of various family members. The film was partially shot at the Heritage House Inn in Little River, California. The inn became a popular romantic getaway due to the film's enduring popularity. Alda was nominated for the Golden Globe Award for "Best Actor in a Motion Picture - Musical or Comedy", but the award was instead won by rival actor Warren Beatty.
Alda was part of the ensemble cast in the comedy film "California Suite" (1978). He played successful screenwriter Bill Warren, who is involved in a custody dispute with his ex-wife, the workaholic Hannah Warren (played by Jane Fonda). Both parents claim custody over their adolescent daughter Jenny Warren (played by Dana Plato), and have little regard for Jenny's plans about her own life. The film's cast was nominated for several awards, but Alda was overshadowed by his co-stars.
Alda received his first screenwriting credit for the political drama film "The Seduction of Joe Tynan" (1979). He also played the film's eponymous character. He portrayed an ambitious American senator, whose marriage seems to be deteriorating. He briefly has an extramarital affair with labor lawyer Karen Traynor (played by Meryl Streep), but decides against seeking a divorce. The film earned about 19.6 million dollars at the worldwide box office. Alda was praised more for his ability as a screenwriter than his acting in this film. Streep was nominated for several acting awards for her supporting role, having a breakthrough in her career.
Alda made his directorial debut with the romantic comedy film "The Four Seasons" (1981), depicting the relationships between three upper middle-class married couples. Alda kept for himself the role of Jack Burroughs, a lawyer who has a tendency towards expressing narrow moral attitudes. The film was an unexpected box office hit, earning about 50,4 million dollars at the box office. It was the ninth highest-grossing film of 1981, and won the "Bodil Award for Best Non-European Film". Alda was again nominated for the "Golden Globe Award for Best Actor - Motion Picture Musical or Comedy", but the award was instead won by rival actor Dudley Moore.
Alda had a hiatus in his acting and directing career during the early 1980s, as he had to take care of his terminally-ill parents. He attempted a comeback by directing the comedy film "Sweet Liberty" (1986), which parodies Hollywood filmmaking. Alda kept for himself the role of Michael Burgess, a college professor and historical novelist. Burgess wants to oversee the adaptation of his historically-accurate and realistic novel into a Hollywood film, but soon realizes that the film's screenwriter has turned the film into a historically inaccurate soap opera. He then sets out to sabotage the film. The film only earned 14.2 million dollars at the box office, despite the critical praise for its leading actors. The poor box office performance was attributed to its release time at movie theaters. It was directly competing with two more lucrative films, "Top Gun" and "Short Circuit".
Alda's next directing effort was the romantic comedy "A New Life" (1988), which depicted the problems faced by middle-aged divorced people. Alda played Steve Giardino, a workaholic businessman who received a divorce after more than 25 years of marriage. His attempts to pursue a new romance are complicated by his inexperience at dating and his unwillingness to father children again. Giardino soon suffers a heart attack due to his poor eating habits. He falls in love with the female physician attending to his problem, Dr. Kay Hutton (played by Veronica Hamel). The film was a box-office flop, only earning 7,7 million dollars at the box office. Critics found the film pleasant, but predictable.
Alda played pompous television producer Lester in the comedy-drama film "Crimes and Misdemeanors" (1989). In the film, Lester wants to finance a documentary celebrating his own life and work. He hires his brother-in-law to direct it, documentary filmmaker Clifford "Cliff" Stern (played by Woody Allen). He is unaware that Stern despises him. Stern uses the film to expose Lester's mistreatment of his employees, and Lester's sexual harassment towards actresses. The film earned 18,2 million dollars at the box office. For his role, Alda won the "National Board of Review Award for Best Supporting Actor".
Alda had his final directing credit with the romantic comedy "Betsy's Wedding" (1990). Alda played the main role of Eddie Hopper, a construction contractor who insists on organizing a lavish wedding for his beloved daughter Betsy Hopper (played by Molly Ringwald). Since Eddie can not actually afford the wedding expenses, he requests financial assistance from loan sharks. The film earned 19.7 million dollars at the box office, but its leading actresses (Molly Ringwald and Ally Sheedy) were both nominated for Golden Raspberry Awards. Unlike Alda's previous directing efforts, critics were mostly hostile towards the film.
Alda played the evil mentor Leo Green in the erotic thriller "Whispers in the Dark" (1992). In the film, main character Ann Hecker (a psychiatrist, played by Annabella Sciorra) seeks help from her mentor Leo Green due to suffering from disturbing dreams. Hecker is soon implicated in the murder of her female patient Eve Abergray (played by Deborah Unger), and then in the murder of the police detective investigating the case. She eventually realizes that her mentor has been obsessed with her for years. He committed both murders in a misguided attempt to protect her. This was Alda's first villainous role in a film since the early 1970s. The film only earned 11.1 million dollars at the box office.
In 1993, Alda became the new host of the science-themed television program "Scientific American Frontiers" (1990-2005). The series was a spin-off of the popular science magazine "Scientific American" (1845-). The show typically focused on new technology, and on scientific and medical discoveries. Alda remained the host for 12 years, and was credited with inspiring youngsters to follow scientific careers.
Alda was reduced to the supporting role of the protagonist's confidant in the black comedy film "Manhattan Murder Mystery" (1993). The main plot involved amateur detectives who were investigating the mysterious death of a neighbor, who seemed to have died twice and on two entirely different locations. They eventually realize that they have stumbled on the deaths of two sisters with a close family resemblance, and that the motive for the murders was their family fortune. The film only earned 11.2 million dollars at the box office. Its perceived failure led to the termination of a long-term deal between director Woody Allen and the film studio TriStar Pictures.
Alda had a more comedic role in the political satire film "Canadian Bacon" (1995). The film satirized international relations between Canada and the United States. Alda played an unnamed President of the United States who wants to start a new war to boost his sagging poll numbers, but lacks a credible enemy to serve as an opponent. He finds that Russia is not interested in renewed hostilities, and a proposal to declare war on international terrorism is rejected as absurd. So he uses a flimsy excuse to declare war on Canada, and uses television channels to transmit anti-Canada propaganda to the gullible American population. The film was a box office flop, despite featuring a large cast of Canadian actors. It is mostly remembered as the final film appearance for actor John Candy.
Alda next had a supporting role in the black comedy "Flirting with Disaster" (1996). In the film, an adult, married man searches throughout the United States for the biological parents who gave him up for adoption. He eventually learns that his biological father is Richard Schlichting (played by Alda), a man who has devoted the last 30 years in producing and distributing "lysergic acid diethylamide" (LSD). The family reunion is less than happy, and the protagonist is introduced to a biological brother who despises him. The film earned 14,7 million dollars at the box office.
Alda had another villainous role in the action thriller film "Murder at 1600" (1997), playing national security adviser Alvin Jordan. In the film, Jordan has organized a conspiracy in order to blackmail the President of the United States into resigning, and to start a second Korean War. The conspiracy involved murdering a White House secretary (who had a brief affair with the president) and framing the President for murdering her. The film earned 41,1 million dollars at the worldwide box office, Alda's most profitable film in a decade.
Alda played news anchorman Kevin Hollander in the media-themed thriller "Mad City" (1997). In the film, a fired museum guard takes several people hostage at his former workplace. The news media decides to exploit the situation for profit, and several reporters compete in trying to get the lion's share of the publicity. The situation escalates until the museum guard becomes a suicide bomber. The film only earned 10.5 million dollars at the box office.
Alda's career had declined in the early 2000s, but this situation was only temporary. In 2004, Alda joined the recurring cast of the political television series "The West Wing" (1999-2006). The series depicted the administration of a fictional United States president and his staff. Alda played Republican senator Arnold Vinick for 28 episodes. His character was depicted as a fiscal conservative, who was opposed to corporate welfare and resented to Christian' right's influence on his political party. Vinick became the new Secretary of State in the finale of the series. For his role, Alda won a Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2006.
Alda's film career experienced a revival with his portrayal of career politician Ralph Owen Brewster (1888-1961) in the biographical film "The Aviator" (2004). He was nominated for the "Academy Award for Best Supporting Actor", the first Academy Award nomination in Alda's career. The award was instead won by rival actor Morgan Freeman. The critical acclaim for his role went against years of criticism for his acting abilities. Alda received several new offers for film roles.
Alda remained active as an actor throughout the 2000s and 2010s. He published three different memoirs between 2005 and 2017, covering different aspects of his life and career. In July 2018, he announced in an interview that he had been diagnosed with Parkinson's disease in 2015. While this has not ended his acting career, he feared that the effects could be distracting to viewers of his work.
From 2018 to 2020, Alda had a recurring role in the crime drama television series "Ray Donovan" (2013-2020). The series depicted the life and career of a professional "fixer" of the entertainment industry, in charge of bribes, payoffs, threats, crime-scene clean-up, and other illegal activities. Alda also appeared in the spin-off film "Ray Donovan: The Movie" (2022), which concluded remaining plot-lines from the series. By 2022, Alda was 86-years-old. He may no longer be in his prime, but the aging actor seems to have no plans to retire yet.- Actor
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Alan Arkin was an Academy Award-winning American actor who was also an acclaimed director, producer, author, singer and composer.
He was born Alan Wolf Arkin on March 26, 1934, in Brooklyn, New York. His family were Jewish emigrants from Russia and Germany. In 1946, the Arkins moved from Brooklyn to Los Angeles, California. His father, David I. Arkin, was an artist and writer, who worked as a teacher, and lost his job for merely refusing to answer questions about his political affiliation during the 1950s Red Scare. His father challenged the politically biased dismissal and eventually prevailed, but unfortunately it was after his death. His mother, Beatrice (Wortis) Arkin, a teacher, shared his father's views. Young Arkin was fond of music and acting, he was taking various acting classes from the age of 10. He attended Franklin High School, in Los Angeles, then Los Angeles City College from 1951 - 1953, and Bennington College in Vermont from 1953 - 1954. He sang in a college folk-band, and was involved in a drama class. He dropped out of college to form the folk music group The Tarriers, in which Arkin was the lead singer and played guitar. He co-wrote the 1956 hit "The Banana Boat Song" - a Jamaican calypso folk song, which became better known as Harry Belafonte's popular version, and reached #4 on the Billboard chart. At that time Arkin was a struggling young actor who played bit parts on television and on stage, and made a living as a delivery boy, repairman, pot washer and baby sitter. From 1958 - 1968 he performed and recorded with the children's folk group, The Babysitters. He has also recorded an entire album for the Elektra label titled "Folksongs - Once Over Lightly."
In 1957 Arkin made his first big screen appearance as a lead singer with The Tarriers in Calypso Heat Wave (1957). Then he made his Off-Broadway debut as a singer in "Heloise" (1958). Next year he joined the Compass Theatre in St. Louis, Missouri. There he caught the eye of stage director Bob Sills and became the original member of the "Second City" troupe in Chicago. In 1961 Arkin made his Broadway debut in musical "From the Second City", for which he wrote lyrics and sketches, then starred as David Kolowitz in the Broadway comedy "Enter Laughing" (1963), for which he won a Tony Award. He starred in a Broadway musical "From the Second City production, then returned to Broadway as Harry Berlin in "Luv" (1964). Arkin made his directorial debut with an Off-Broadway hit called "Eh?" (1966), which introduced the young actor, named Dustin Hoffman. He won a Drama Desk Award for his direction of the Off-Broadway production of "Little Murders" (1969), and another Drama Desk Award for "The White House Murder Case" (1970). He also directed the original version of Neil Simon's hilarious smash, "The Sunshine Boys" (1972), which ran over 500 performances.
Arkin earned his first Academy Award nomination as Best Actor for his feature acting debut in a comedy The Russians Are Coming the Russians Are Coming (1966), by director Norman Jewison, co-starring as Lt. Rozanov, a Soviet submariner who is mistaken for a spy after his boat accidentally wrecks aground in New England. Arkin demonstrated his dramatic range as the psychopathic killer Roat in suspense film Wait Until Dark (1967), opposite Audrey Hepburn. He reinvented himself as the sensitive deaf-mute in The Heart Is a Lonely Hunter (1968), for which he received his second Academy Award Nomination as Best Actor in the Leading role. He followed with what remained his best known role as Captain Yossarian in Catch-22 (1970), directed by Mike Nichols and based on the eponymous anti-war novel by Joseph Heller. In it Arkin arguably gave his strongest performance, however, his career suffered because the film initially did not live up to expectations. After a few years of directorial work on television, Arkin made a comeback with an impressive portrayal of doctor Sigmund Freud in The Seven-Per-Cent Solution (1976). In the early 1980s he acted in three movies that were family affairs, written by his wife, Barbara Dana, and co-starring his son, Adam Arkin.
During the 1990s he turned out several notable performances, such as a bitter former baseball player in TNT's Cooperstown (1993), and as a hilarious psychiatrist opposite John Cusack in Grosse Pointe Blank (1997). He won raves for his portrayal of a divorced father who struggles to keep his kids enrolled in the Beverly Hills school system in Slums of Beverly Hills (1998). Arkin gave a brilliant performance opposite Robin Williams in Jakob the Liar (1999), a film about the Nazi occupation of Poland. He also returned to the New York stage co-starring with his son, Tony Arkin and Elaine May in "Power Plays", which he also co-authored. His most recent comeback as a heroin-snorting, sex-crazed, foul-mouthed grandfather in Little Miss Sunshine (2006), earned him his third Academy Award nomination for Best Performance by an Actor in a Supporting Role, and his first Academy Award.
Alan Arkin had been a modern Renaissance man. In addition to his achievements as an actor, director, and producer, he made his mark as a singer-songwriter with his popular-song compositions "Banana Boat Song", "Cuddle Bug," "That's Me," and "Best Time of the Year." Arkin also authored several books, including science-fiction and some children's stories, such as "The Clearing", "The Lemming Condition" and "Cassie Loves Beethoven" among his other publications. He was a father of three sons, Adam Arkin, Matthew Arkin, and Anthony Arkin, and a grandfather of Molly Arkin.
Alan Arkin was a strong supporter of an organic way of living and also a proponent for preservation of the environment and natural habitat. He avoided the show-biz-milieu and was known as an actor who does not really care about prestigious awards, but values having a good job and being acknowledged by his peers. In Arkin's own words he wanted to "Stay home for three months. Living as quietly as humanly possible." Arkin was given an Indian name, Grey Wolf, by his Native American friends in New Mexico.
Alan Arkin died in California on June 29, 2023 at the age of 89. He is survived by his three sons - Adam, Matthew, and Anthony Dana Arkin, and with Dana, Alan Arkin is survived by third wife, Suzanne Newlander Arkin, whom he married in 1999.- Actor
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Distinguished character actor David Hattersley Warner was born on July 29, 1941 in Manchester, England, to Ada Doreen (Hattersley) and Herbert Simon Warner. He was born out of wedlock and raised by each of his parents, eventually settling with his itinerant father and stepmother. He only saw his mother again on her deathbed. As an only child from a dysfunctional family, young David excelled neither at academia nor at athletics. He attended eight schools and "failed his exams at all of them." After a series of odd jobs, he was accepted against all odds at Royal Academy of Dramatic Art (RADA), and became a member of the Royal Shakespeare Company.
When he first took up acting, it was not with the notion of a prospective career, but rather to escape (in his own words) 'a messy childhood.' Warner received some early mentoring from one of his teachers, and made his theatrical debut in 1962 at the Royal Court Theatre as Snout in A Midsummer Night's Dream, directed by Tony Richardson. A year later, he became the youngest-ever actor to play Hamlet at the Royal Shakespeare Company. Comedy may not have been his forte as much as the likes of Falstaff, Lysander and (on several occasions) Henry VI. Eventually becoming disaffected with the theatre (and plagued for some years by stage fright), Warner found himself better served by the celluloid medium. His first big break came on the strength of his small part in A Midsummer Night's Dream, courtesy of Tony Richardson who cast him in his bawdy period romp Tom Jones (1963) as the mendacious, pimple-faced antagonist Blifil, who vied with Albert Finney for the affections of Susannah York. A proper starring turn on the big screen followed in due course with the title role in Morgan! (1966), Warner playing a deranged artist with Marxist leanings who goes to absurd lengths to reclaim his ex-wife (played by Vanessa Redgrave), including blowing up his mother-in-law. In yet another off-beat satire, Work Is a Four Letter Word (1968), Warner played a corporate drop-out who grows psychedelic mushrooms in an automated world of the future. Combined with his two-year stint as Hamlet with the RSC, Warner became a star at age 24.
By the 1970s, he had become one of Britain's most sought-after character actors and went on to enjoy an illustrious and prolific career on both sides of the Atlantic, throughout which he rarely spurned a role offered him. Tall and somewhat ungainly in appearance, Warner excelled at troubled, introspective loners, outcasts and mavericks or downright sinister individuals. The latter have included SS General Reinhardt Heydrich in Holocaust (1978), Jack the Ripper in Time After Time (1979), Picard's sadistic Cardassian torturer Gul Madred in Star Trek: The Next Generation (1987), the villainous ex-Pinkerton man Spicer Lovejoy in Titanic (1997) and the evil geniuses of Time Bandits (1981) (a role turned down by Jonathan Pryce) and Tron (1982). He also essayed the creature to Robert Powell 's Frankenstein (1984).
Less eccentric roles saw him as the doomed photojournalist who literally loses his head in The Omen (1976) (Warner later described the experience of working alongside Gregory Peck as a career highlight), the sympathetic, but equally ill-fated Klingon Chancellor Gorkon in Star Trek VI: The Undiscovered Country (1991) and the sad, likeable fantasist Aldous Gajic, searching for the Grail in Babylon 5 (1993). Warner also appeared in a trio of films for which he was handpicked by the director Sam Peckinpah. Best of these is arguably the comedy western The Ballad of Cable Hogue (1970), with Warner well cast as the roving-eyed, itinerant Reverend Joshua Duncan Sloane. Warner won an Emmy Award for Outstanding Supporting Actor in a Limited Series for his performance as the Roman Senator Pomponius Falco in the miniseries Masada (1981). Following a three-decade long absence, Warner returned to the stage in 2001 for the role of Andrew Undershaft in Shaw's Major Barbara. In 2004, he played the title role in King Lear at the Chichester Theatre Festival in England. More recently, he appeared on TV as Professor Abraham Van Helsing in Penny Dreadful (2014), as Rabbi Max Steiner in Ripper Street (2012) and as Kenneth Branagh's ailing father in Wallander (2008).
A riveting screen presence, the ever-versatile and charismatic David Warner passed away aged 80 from cancer at Denville Hall, an entertainment industry care home, in Northwood, London, on 24 July 2022.- Actor
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Sir Ian Holm was one of the world's greatest actors, a Laurence Olivier Award-winning, Tony Award-winning, BAFTA-winning and Academy Award-nominated British star of films and the stage. He was a member of the prestigious Royal Shakespeare Company and has played more than 100 roles in films and on television.
He was born Ian Holm Cuthbert on September 12, 1931, in Goodmayes, Essex, to Scottish parents who worked at the Essex mental asylum. His mother, Jean Wilson (née Holm), was a nurse, and his father, Doctor James Harvey Cuthbert, was a psychiatrist. Young Holm was brought up in London. At the age of seven he was inspired by the seeing 'Les Miserables' and became fond of acting. Holm studied at the Royal Academy of Dramatic Arts, graduating in 1950 to the Royal Shakespeare Company. There he emerged as an actor whose range and effortless style allowed him to play almost entire Shakespeare's repertoire. In 1959 his stage partner Laurence Olivier scored a hit on Ian Holm in a sword fight in a production of 'Coriolanus'. Holm still had a scar on his finger.
In 1965 Holm made his debut on television as Richard III on the BBC's The Wars of the Roses (1965), which was a filmed theatrical production of four of Shakespeare's plays condensed down into a trilogy. In 1969 Holm won his first BAFTA Film Award Best Supporting Actor for The Bofors Gun (1968), then followed a flow of awards and nominations for his numerous works in film and on television. In 1981, he played one of his best known roles, Sam Mussabini in Chariots of Fire (1981), for which he was nominated for Oscar for Best Actor in a Supporting Role. In the late 1990s, he gave a highly-acclaimed turn as the lawyer, Mitchell, in Atom Egoyan's The Sweet Hereafter (1997), and was subsequently cast in a number of high-profile Hollywood films of the next decade, playing Father Vito Cornelius in The Fifth Element (1997), Bilbo in The Lord of the Rings: The Return of the King (2003), and Professor Fitz in The Aviator (2004), as well as Zach Braff's character's father Gideon in Garden State (2004). His last non-Hobbit film role was a voice part as Skinner in Ratatouille (2007).
Ian Holm had five children, three daughters and two sons from the first two of his four wives and from an additional relationship. In 1989 Holm was created a Commander of the British Empire (CBE), and in 1998 he was knighted for his services to drama. He died in London in June 2020.- Actor
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A natural at portraying complex villains, anti-heroes, and charming heavies, Ian McShane is the classically trained, award-winning actor who has grabbed attention and acclaim from audiences and critics around the world with his unforgettable gallery of scoundrels, kings, mobsters and thugs.
And, now, a god as well!
McShane just completed his third season (as star and executive producer) on the hit Starz series, "American Gods," the TV adaptation of Neil Gaiman's 2001 novel. As Mr. Wednesday, a shifty, silver-tongued conman, he masks his true identity - that of the Norse god of war, Odin, who's assembling a team of elders to bring down the new false idols. A series McShane calls "like nothing else I've seen on television."
It's a comment that also befits McShane's critically-acclaimed role of the charismatic, menacing and lawless 19th century brothel-and-bar keep, Al Swearengen, in the profound and profane HBO western series "Deadwood," which ran for just 36 episodes over three seasons from 2004-06. For his work on the series' second season, McShane won the 2005 Golden Globe Award for Best Actor in a Television Drama (in addition to Emmy and Screen Actors Guild nominations as Outstanding Lead Dramatic Actor). He also received the Television Critics Association Award for Individual Achievement in Drama for his work in the show's debut season (with a second nomination in 2005).
It is a role and performance the New York Times dubbed "one of the most interesting villains on television." And, a recent online poll called Swearengen a more compelling onscreen gangster over the likes of Tony Soprano and Michael Corleone. After a twelve-year hiatus from portraying maybe his most iconic character ("it was the most satisfyingly creative three years of my professional career" he says), McShane recently reprised the unforgettable rogue when HBO resurrected the 1870s western in a two-hour telefilm, "Deadwood: The Movie," nominated for the Outstanding Television Movie Emmy.
At an age when many successful thespians turn to cameo appearances and character parts, McShane's busy career (which dates back to 1962) also includes three very different starring roles on the big screen. He was seen alongside David Harbour in Neil Marshall's reimagined comic book epic, "Hellboy." McShane also co-starred with Gary Carr in the Dan Pritzker drama, "Bolden," the biopic of musician Buddy Bolden, the father of jazz and a key figure in the development of ragtime music (McShane portrays Bolden's nemesis, Judge Perry). And, he reprised his role (reuniting with Keanu Reeves) as Winston, the suave and charming owner of the assassins-only Tribeca hotel in the latest installment of director Chad Stahelski's action trilogy, "John Wick: Chapter 3 - Parabellum," which opened to enormous box office success.
Years before his triumphant role in "Deadwood," McShane had compiled a long and diverse career on both British and American television. He produced and starred in the acclaimed series "Lovejoy" for the BBC (and A&E in the U.S.), directing several episodes during the show's lengthy run. The popular Sunday night drama (which attracted 18 million viewers weekly during its run from 1990-94) saw McShane in the title role of an irresistible, roguish Suffolk antiques dealer. He would reunite with the BBC by producing and starring in the darker and more serious drama, Madson.
He collected a second Golden Globe nomination for Best Actor in a Miniseries for his portrayal of the scheming Waleran Bigod in Starz's Emmy-nominated "Pillars of the Earth." The production, which originated on the U.K.'s Channel 4, was based on Ken Follett's bestselling historic novel about the building of a 12th-century cathedral during the time known as "the Anarchy" after King Henry I had lost his only son in the White Ship disaster of 1120. It's a character McShane says "would fit into the Vatican."
He is also well-known to TV audiences for his roles in FX's "American Horror Story," Showtime's "Ray Donovan" and, more recently, Amazon's "Dr. Thorne" and HBO's juggernaut, "Game of Thrones" ("I loved the character and did it because my three grandkids, big fans of the show, wouldn't have forgiven me if I hadn't"). And, he first worked with "American Gods" producer Michael Green on the short-lived NBC drama, "Kings," a show (inspired by The Book Of Samuel) he calls "far too revolutionary for network television."
Other notable small screen roles include his appearance in David Wolper's landmark miniseries "Roots" (as the British cockfighting aficionado), "Whose Life Is it Anyway?," Heathcliff in the 1967 miniseries "Wuthering Heights" and Harold Pinter's Emmy-winning "The Caretaker." McShane has also played a variety of real-life subjects like Sejanus in the miniseries "A.D.," the title role of Masterpiece Theater's "Disraeli: Portrait of A Romantic" and Judas in NBC's "Jesus of Nazareth" (directed by Franco Zeffirelli).
McShane, who shows no signs of slowing down in a career now entrenched in its sixth decade ("acting is the only business where the older you get, the parts and the pay get better"), began his career during Britain's New Wave Cinema of the early 1960s. He landed his first lead role in the 1962 English feature "The Wild and the Willing," which also starred another acting upstart and fellow Brit - McShane's lifelong friend, the late John Hurt. McShane later revealed that he had ditched class at the Royal Academy of Dramatic Art to audition for the role.
Since that 1962 motion picture debut, McShane has enjoyed a fabulous run of character roles such as the sinister Cockney mobster, Teddy Bass, opposite Ray Winstone and Ben Kingsley in "Sexy Beast"; the infamous pirate, Blackbeard, alongside Johnny Depp and Penelope Cruz in "Pirates of the Caribbean: On Stranger Tides"; and Richard Burton's bi-sexual partner, Wolfie, in the 1971 heist film, "Villain." He gave Hayley Mills her first onscreen kiss as a smoldering gypsy in 1965's "Sky West and Crooked," was part of the stellar ensemble cast (James Mason, James Coburn, Dyan Cannon) in the Stephen Sondheim-Anthony Perkins scripted big screen mystery, "The Last of Sheila," and played a retired sheriff with a violent past opposite Patrick Wilson in the gritty drama, "The Hollow Point."
Other film credits include Guy Hamilton's all-star WWII epic, "The Battle of Britain," the romantic comedy "If It's Tuesday, This Must Be Belgium," "Pottersville," "Hercules," "Snow White and the Huntsman" and "Jawbone" (reuniting with fellow Brit Ray Winstone in both), "Jack the Giant Slayer," Woody Allen's "Scoop," Rodrigo Garcia's indie drama "Nine Lives" (Gotham Award nominee for Best Ensemble Performance) and the darkly perverse crime drama, "44 Inch Chest," a film in which McShane not only starred, but also produced.
While also making his professional theatre debut in 1962 ("Infanticide in the House of Fred August," Arts Theatre, London), McShane appeared onstage in the original 1965 production of Joe Orton's "Loot." Two years later, he starred alongside Ian McKellen and Judi Dench in the hit stage play, "The Promise," a production which transferred to Broadway in 1967 (with Eileen Atkins replacing Dench). He would return to Broadway one more time forty years later (2008), starring in the 40th anniversary staging of Harold Pinter's "The Homecoming," for which he shared a Drama Desk Award as Best Cast Ensemble.
McShane also returned to the West End boards in 2000, charming audiences as the seductive, sex-obsessed Darryl Van Horne while making his musical stage debut in Cameron Mackintosh's "The Witches of Eastwick," an adaptation of the 1987 film. At the esteemed Matrix Theatre in Los Angeles, he appeared in Harold Pinter's "Betrayal," and John Osborne's "Inadmissible Evidence," earning a pair of Los Angeles Drama Critics' Awards for Lead Performance in the process. He also starred in the world premiere of Larry Atlas' "Yield of the Long Bond."
In addition to his work in front of the camera, McShane is also well-known for his voiceover work, with his low, distinctive baritone on display in a variety of projects. He voiced the eccentric magician, Mr. Bobinsky, in Henry Selick's award nominated "Coraline" (scripted by "American Gods" author Neil Gaiman), lent a sinister air to Tai Lung, the snow leopard adept at martial arts, in "Kung Fu Panda" (Annie Award nominee), and created the notorious Captain Hook in "Shrek the Third." He also narrated Grace Jones' 1985 album, Slave to the Rhythm, succumbing to producer Trevor Horn's request to take the job because, per Horn," Orson Welles was dead, and I needed a voice." The album sold over a million copies worldwide. In the virtual reality domain, he recently lent his voice to the award- winning VR animated short "Age of Sail" in the role of the elderly sailor, William Avery, adrift alone in the North Atlantic.
After almost sixty years entertaining audiences across the performance spectrum, McShane admits he did not set out for a career in the footlights while growing up in Manchester, England (he was actually born in Blackburn). It was by unexpected circumstances after McShane broke his leg playing soccer that he ended up performing in the school play production of Cyrano De Bergerac where he met his life-long friend and teacher, Leslie Ryder. Before he knew it, he auditioned for the Royal Academy of Arts where he was accepted and then left a term early to appear in the film, "The Wild and The Willing".
McShane never looked back.- Actor
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- Stunts
A masculine and enigmatic actor whose life and movie career have had more ups and downs than the average rollercoaster and whose selection of roles has arguably derailed him from achieving true superstar status, James Caan is New York-born and bred.
He was born in the Bronx, to Sophie (Falkenstein) and Arthur Caan, Jewish immigrants from Germany. His father was a meat dealer and butcher. The athletically gifted Caan played football at Michigan State University while studying economics, holds a black belt in karate and for several years was even a regular on the rodeo circuit, where he was nicknamed "The Jewish Cowboy". However, while studying at Hofstra University, he became intrigued by acting and was interviewed and accepted at Sanford Meisner's Neighborhood Playhouse. He then won a scholarship to study under acting coach Wynn Handman and began to appear in several off-Broadway productions, including "I Roam" and "Mandingo".
He made his screen debut as a sailor in Irma la Douce (1963) and began to impress audiences with his work in Red Line 7000 (1965) and the western El Dorado (1966) alongside John Wayne and Robert Mitchum. Further work followed in Journey to Shiloh (1968) and in the sensitive The Rain People (1969). However, audiences were moved to tears as he put in a heart-rending performance as cancer-stricken Chicago Bears running back Brian Piccolo in the highly rated made-for-TV film Brian's Song (1971).
With these strong performances under his belt, Francis Ford Coppola then cast him as hot-tempered gangster Santino "Sonny" Corleone in the Mafia epic The Godfather (1972). The film was an enormous success, Caan scored a Best Supporting Actor nomination and, in the years since, the role has proven to be the one most fondly remembered by his legion of fans. He reprised the role for several flashback scenes in the sequel The Godfather Part II (1974) and then moved on to several very diverse projects. These included a cop-buddy crime partnership with Alan Arkin in the uneven Freebie and the Bean (1974), a superb performance as a man playing for his life in The Gambler (1974) alongside Lauren Hutton, and pairing with Barbra Streisand in Funny Lady (1975). Two further strong lead roles came up for him in 1975, first as futuristic sports star "Jonathon E" questioning the moral fiber of a sterile society in Rollerball (1975) and teaming up with Robert Duvall in the Sam Peckinpah spy thriller The Killer Elite (1975).
Unfortunately, Caan's rising star sputtered badly at this stage of his career, and several film projects failed to find fire with either critics or audiences. These included such failures as the hokey Harry and Walter Go to New York (1976), the quasi-western Comes a Horseman (1978) and the saccharine Chapter Two (1979). However, he did score again with the stylish Michael Mann-directed heist movie Thief (1981). He followed this with a supernatural romantic comedy titled Kiss Me Goodbye (1982) and then, due to personal conflicts, dropped out of the spotlight for several years before returning with a stellar performance under old friend Francis Ford Coppola in the moving Gardens of Stone (1987).
Caan appeared back in favor with fans and critics alike and raised his visibility with the sci-fi hit Alien Nation (1988) and Dick Tracy (1990), then surprised everyone by playing a meek romance novelist held captive after a car accident by a deranged fan in the dynamic Misery (1990). The 1990s were kind to him and he notched up roles as a band leader in For the Boys (1991), another gangster in Honeymoon in Vegas (1992), appeared in the indie hit Bottle Rocket (1996) and pursued Arnold Schwarzenegger in Eraser (1996).
The demand on Caan's talents seems to have increased steadily over the past few years as he is making himself known to a new generation of fans. Recent hot onscreen roles have included The Yards (2000), City of Ghosts (2002) and Dogville (2003). In addition, he finds himself at the helm of the hit TV series Las Vegas (2003) as casino security chief "Big Ed" Deline. An actor of undeniably manly appeal, James Caan continued to surprise and delight audiences with his invigorating performances up until his death in July 2022 at the age of 82.- Actress
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Goldie Jeanne Hawn was born November 21, 1945 in Washington, D.C. to Laura Hawn, who owned a dance school, and Rut Hawn, a band musician. She has one sister, entertainment publicist Patti Hawn; a brother, Edward, died in infancy before her birth. She was raised in the Jewish religion. Her mother was Jewish and the daughter of Hungarian immigrants. Her father was Presbyterian. At the age of three, Goldie began taking ballet and tap dance lessons, and at the age of ten she danced in the chorus of the Ballet Russe de Monte Carlo production of "The Nutcracker". At the age of 19 she ran and instructed a ballet school, having dropped out of college where she was majoring in drama. Before going into the film business she worked as a professional dancer.
Hawn made her feature film debut in The One and Only, Genuine, Original Family Band (1968), with a small role as a giggling dancer. Her first big role came in 1969, where she played opposite Walter Matthau and Ingrid Bergman in Cactus Flower (1969), a role which earned her an Academy Award for Best Supporting Actress. After the Oscar win her career took off and she followed with roles in successful comedies such as There's a Girl in My Soup (1970) and Shampoo (1975), and more dramatic roles in The Girl from Petrovka (1974) and The Sugarland Express (1974). In 1978, she starred alongside Chevy Chase in the box office hit, Foul Play (1978). In 1980 she starred in another box office hit, Private Benjamin (1980), where she also served as producer. During the 1980s she starred in hit movies such as Best Friends (1982), Protocol (1984) and Wildcats (1986). In 1987, she appeared with her boyfriend Kurt Russell in Overboard (1987), which became both a critical and box office disappointment. Her career slowed down after that until 1990 when she starred alongside Mel Gibson in Bird on a Wire (1990). In 1992 she starred in the successful film, Death Becomes Her (1992), with Meryl Streep and Bruce Willis, which was followed by another successful film HouseSitter (1992), which co-starred Steve Martin. In 1996 she played the role of an aging alcoholic actress in the comedy, The First Wives Club (1996), with Diane Keaton and Bette Midler; it became a critical and financial success. She also starred in the Woody Allen film Everyone Says I Love You (1996) and The Out-of-Towners (1999), which reunited her with Martin. In 2001 and 2002 she starred in Town & Country (2001) with Warren Beatty, and The Banger Sisters (2002) with Susan Sarandon.
Goldie has been married twice. First to dancer/director Gus Trikonis from 1969 to 1973. In 1976 she married musician Bill Hudson and became a mother for the first time that year, when she gave birth to their son Oliver Hudson. In 1979, she had her second child with Hudson, daughter Kate Hudson. The marriage ended in divorce in 1980. Since 1983, she has been having a relationship with actor Kurt Russell. Their son Wyatt Russell was born in 1986. Goldie is also a de-facto stepmother to Kurt's son Boston Russell. She has eight grandchildren.- Producer
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- Director
Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Actor
- Additional Crew
- Soundtrack
WWII veteran, dance instructor and diversely talented stage & screen actor were all inclusions on the resume of this perpetually busy US actor who didn't get in front of the cameras until around the time of his fortieth birthday. The stockily built Charles Durning was one of Hollywood's most dependable and sought after supporting actors.
Durning was born in Highland Falls, New York, to Louise Marie (Leonard), a laundress, and James Gerald Durning. His father was an Irish immigrant and his mother was of Irish descent. Durning first got his start in guest appearances in early 1960's TV shows. He scored minor roles over the next decade until he really got noticed by film fans as the sneering, corrupt cop "Lt. Snyder" hassling street grifter 'Robert Redford' in the multi award winning mega-hit The Sting (1973). Durning was equally entertaining in the Billy Wilder production of The Front Page (1974), he supported screen tough guy Charles Bronson in the suspenseful western Breakheart Pass (1975) and featured as "Spermwhale Whalen" in the story of unorthodox police behavior in The Choirboys (1977).
The versatile Durning is equally adept at comedic roles and demonstrated his skills as "Doc Hopper" in The Muppet Movie (1979), a feisty football coach in North Dallas Forty (1979), a highly strung police officer berating maverick cop Burt Reynolds in Sharky's Machine (1981), and a light footed, dancing Governor (alongside Burt Reynolds once more) in The Best Little Whorehouse in Texas (1982). Durning continued a regular on screen association with Burt Reynolds appearing in several more feature films together and as "Dr. Harlan Elldridge" in the highly popular TV series Evening Shade (1990). On par with his multitude of feature film roles, Durning has always been in high demand on television and has guest starred in Everybody Loves Raymond (1996), Monk (2002) and Rescue Me (2004). Plus, he has appeared in the role of "Santa Claus" in five different television movies.- Actor
- Additional Crew
- Soundtrack
George Harris Kennedy, Jr. was born on February 18, 1925 in New York City, to Helen (Kieselbach), a ballet dancer, and George Harris Kennedy, an orchestra leader and musician. Following high school graduation, Kennedy enlisted in the United States Army in 1943 with the hope to become a fighter pilot in the Army Air Corps. Instead, he wound up in the infantry, served under General George S. Patton and distinguished himself with valor. He won two Bronze Stars and four rows of combat and service ribbons.
A World War II veteran, Kennedy at one stage in his career cornered the market at playing tough, no-nonsense characters who were either quite crooked or possessed hearts of gold. Kennedy notched up an impressive 200+ appearances in both television and films, and was well respected within the Hollywood community. He started out on television Westerns in the late 1950s and early 1960s (Have Gun - Will Travel (1957), Rawhide (1959), Maverick (1957), Colt .45 (1957), among others) before scoring minor roles in films including Lonely Are the Brave (1962), The Sons of Katie Elder (1965) and The Flight of the Phoenix (1965).
The late 1960s was a very busy period for Kennedy, and he was strongly in favor with casting agents, appearing in Hurry Sundown (1967), The Dirty Dozen (1967) and scoring an Oscar win as Best Supporting Actor for his performance in Cool Hand Luke (1967). The disaster film boom of the 1970s was also kind to Kennedy and his talents were in demand for Airport (1970) and the three subsequent sequels, as a grizzled police officer in Earthquake (1974), plus the buddy/road film Thunderbolt and Lightfoot (1974) as vicious bank robber Red Leary.
The 1980s saw Kennedy appear in a mishmash of roles, playing various characters; however, Kennedy and Leslie Nielsen surprised everyone with their comedic talents in the hugely successful The Naked Gun: From the Files of Police Squad! (1988), and the two screen veterans exaggerate themselves again, in The Naked Gun 2½: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). From 1988-1991, he also played Ewing family nemesis Carter McKay on the CBS prime-time soap opera Dallas (1978).
Kennedy also played President Warren G. Harding in the miniseries Backstairs at the White House (1979) and had a long standing role on the CBS daytime soap opera The Young and the Restless (1973). He remained busy in Hollywood and lent his distinctive voice to the animated Cats Don't Dance (1997) and the children's action film Small Soldiers (1998). A Hollywood stalwart for nearly 50 years, he is one of the most enjoyable actors to watch on screen. His last role was in the film The Gambler (2014), as Mark Wahlberg's character's grandfather.
George Kennedy died of natural causes in Middleton, Idaho on February 28, 2016, only ten days after his 91st birthday.- Actor
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The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).
By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).
Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".- Actress
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Sally Margaret Field was born November 6, 1946 in Pasadena, California, to actress Margaret Field (née Morlan) and salesman Richard Dryden Field. Her parents divorced in 1950 and her mother then married stuntman Jock Mahoney, and they had a daughter, Princess O'Mahoney. She also has a brother, Richard Field. Sally attended Birmingham High School in Van Nuys, California.
Her acting career began in 1965, when she landed the role of Frances Elizabeth 'Gidget' Lawrence in Gidget (1965); it was canceled after only one season because of bad ratings. She went on to star in The Flying Nun (1967), which ran for three seasons. She also appeared in her first film in 1967, The Way West (1967) opposite Kirk Douglas. In the next few years she appeared in numerous TV movies and TV shows such as Maybe I'll Come Home in the Spring (1971), Marriage: Year One (1971), The Girl with Something Extra (1973), and Sybil (1976). In 1977 she starred alongside then-boyfriend Burt Reynolds in the box office hit Smokey and the Bandit (1977), which led to a less successful sequel in 1980. In 1979 she starred in the popular film Norma Rae (1979) and she received her first Oscar for that role.
In the years that followed she starred in films such as Absence of Malice (1981), Kiss Me Goodbye (1982), Places in the Heart (1984) (she received her second Oscar for her role), Murphy's Romance (1985), Punchline (1988) and Steel Magnolias (1989). In 1993 she starred alongside Robin Williams and Pierce Brosnan in the popular comedy Mrs. Doubtfire (1993). A year after, she played the role of Tom Hanks character's mother (even though she's only ten years older than he is in real life) in Forrest Gump (1994). The film was a huge commercial success and won six Academy awards.
Since then she has appeared in TV movies and miniseries such as A Woman of Independent Means (1995), Merry Christmas, George Bailey (1997), From the Earth to the Moon (1998) and David Copperfield (2000). In 2000 she appeared in the film Where the Heart Is (2000) with Natalie Portman and Ashley Judd, and in 2003 she starred alongside Reese Witherspoon in Legally Blonde 2: Red, White & Blonde (2003). She also appeared in 12 episodes of ER (1994) from 2000 to 2006. From 2006 to 2011, she played the role of matriarch Nora Walker in the hit television show Brothers & Sisters (2006), which earned her an Emmy Award for Outstanding Lead Actress in a Drama Series. Getting back into film, she earned her third Oscar nomination for Lincoln (2012) and played Aunt May in The Amazing Spider-Man (2012) and its blockbuster sequel.
Sally has been married twice, first to Steven Craig from 1968 to 1973. They had two sons together, Peter Craig and Eli Craig. Her second marriage was to film producer Alan Greisman from 1984 to 1994. They had one son together, Samuel Greisman. Between marriages, from 1976 to 1980, she was in a relationship with Burt Reynolds.- Actress
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An icy, elegant blonde with a knack for playing complex and strong-willed female leads, enormously popular actress Faye Dunaway starred in several films which defined what many would come to call Hollywood's "second Golden Age." During her tenure at the top of the box office, she was a more than capable match for some of the biggest macho stars of the 1970s. Then an overwrought turn in the disastrous biopic Mommie Dearest (1981) effectively derailed her career - but, at the same time, made her a bit of a camp favorite in the gay community - though she's been afforded infrequent opportunities worthy of her talent since that unfortunate halt.
Born prematurely on Jan. 14, 1941 in Bascom, FL, Dorothy Faye Dunaway was the daughter of MacDowell Dunaway, Jr., a career Army officer, and his wife, Grace April Smith. After a stint as a teenaged beauty queen in Florida, she intended to pursue education at the University of Florida, but switched to acting, earning her degree from Boston University in 1962. She was given the enviable task of choosing between a Fulbright Scholarship to the London Academy of Music and Dramatic Arts or a role in the Broadway production of "A Man For All Seasons" as a member of the American National Theatre and Academy. She picked the latter, enjoying a fruitful stage career for the next two years, which was capped by appearances in "After the Fall" and "Hogan's Goat." The latter - an off-Broadway production in 1967 - required Dunaway to tumble down a flight of steps in every performance, earning her a screen debut in the wan counterculture comedy The Happening (1967). Just five months after its release, however, she was wowing audiences across the country as Depression-era bank robber Bonnie Parker in Arthur Penn's controversial Bonnie and Clyde (1967). Her turn as the naïve but trigger-happy and sexually aggressive Parker earned her Academy Award and Golden Globe nominations, and provided a direct route to the front of the line for Hollywood leading ladies in an unbelievably short amount of time.
Dunaway followed this success with another hit, The Thomas Crown Affair (1968), in which her coolly sensual insurance investigator generated considerable sparks with playboy and jewel thief Steve McQueen. She then bounced between arthouse efforts like Puzzle of a Downfall Child (1970), directed by her ex-boyfriend, photographer Jerry Schatzberg, and the revisionist Western 'Doc' (1971), as well as big-budget efforts like Little Big Man (1970), which cast her as a predatory preacher's wife with designs on Dustin Hoffman's reluctant Native American hero. Dunaway also balanced these projects with several well-regarded theatrical productions, including a 1972-73 stint as Blanche Du Bois in "A Streetcar Named Desire," and notable TV-movies like The Woman I Love (1972), which cast her as the Duchess of Windsor, and TV broadcasts of Hogan's Goat (1971) and After the Fall (1974). But her turn as the duplicitous Lady De Winter in Richard Lester's splashy, slapstick take on The Three Musketeers (1973) and its sequel The Four Musketeers: Milady's Revenge (1974) preceded a long period of critical and box office hits, starting with her masterful performance in Chinatown (1974).
Dunaway's turn as Evelyn Mulwray, the mysterious woman who draws detective Jake Gittes (Jack Nicholson) into a dark and complicated web of murder, incest, and catastrophic business deals, seemed the epitome of every femme fatale to ever stride across a chiaroscuro-lit scene in classic noir. But Dunaway also found the horribly wounded core of her character as well, and turned Evelyn from a pastiche to a full-blown and emotionally resonant human being. Critics and award groups rushed to nominate Dunaway for the role, and she netted her second Academy Award nod, as well as Golden Globe and BAFTA nominations. Dunaway had fought hard for her performance - her battles with director Roman Polanski were no secret - but sadly, she lost the Oscar to Ellen Burstyn for Alice Doesn't Live Here Anymore (1974). However, it would be Dunaway's performance which stood the test of time.
High-gloss turns in The Towering Inferno (1974) and Sydney Pollack's political thriller Three Days of the Condor (1975) preceded one of her best television performances; that of Depression-era radio preacher Aimee Semple MacPherson in The Disappearance of Aimee (1976). Even more startling was her sterling role in Network (1976), Paddy Chayefsky's blistering take on the television industry. Dunaway pulled out all the stops as an executive on the rise who stops at nothing to advance her career - even bedding veteran producer William Holden. Critics again rose in unison to praise Dunaway, and she finally netted an Oscar for the role, as well as a Golden Globe.
Surprisingly, Dunaway's career began to falter after her Oscar win. She was effective as a fashion photographer who experiences disturbing visions in Eyes of Laura Mars (1978), but was wasted in thankless roles as the dissatisfied ex of washed-up boxer Jon Voight in The Champ (1979) and wife to Frank Sinatra's detective in The First Deadly Sin (1980). And then came Mommie Dearest (1981), director Frank Perry's biopic of actress Joan Crawford based on the tell-all book by her daughter Christina Crawford. Crawford herself had praised Dunaway in the early stages of her career, and while some critics gave positive reviews to her performance - in particular, the extent to which she physically transformed herself into Crawford - most fixated on the hysterical dialogue and garish scenes of child abuse. Clips of Dunaway as Crawford bellowing "No more wire hangers!" became immediate laugh-getters on late-night television, and a substantial gay following rose up in response to the film's high camp value. Dunaway, however, found none of the response amusing, and later admitted her regret in taking the role. Whether laughable or pure genius, no one could deny that Dunaway threw her everything into the role. The film's continued cult success proved she had succeeded in becoming Crawford.
The fallout from "Mommie Dearest" obscured Dunaway's follow-up projects, which included the title role in the TV-movie Evita Peron (1981) and a return to Broadway in 1982's "The Curse of an Aching Heart". Discouraged, she moved to London with her second husband, photographer Terry O'Neill, who had also served as a producer on "Mommie Dearest." For the next few years, Dunaway appeared sporadically in films, most of which underscored her newly minted status as a camp icon. The Wicked Lady (1983) was an absurd, near-softcore period drama by Michael Winner, with Dunaway as an 18th-century highway robber. Fans of her early dramatic work were similarly aghast by her turn as a shrieking witch battling Helen Slater's Girl of Steel in Supergirl (1984). Only a Golden Globe-winning appearance in the cumbersome miniseries Ellis Island (1984) offered any respite from the negative press which now continued to follow her.
Dunaway returned to the United States in 1987 following her divorce from O'Neill, and attempted to rebuild her career and reputation by appearing in several independent dramas. She was widely praised for her performance as a once-glamorous woman felled by alcohol in Barbet Schroeder's Barfly (1987), and served as executive producer and star of Cold Sassy Tree (1989), a TV adaptation of the popular novel by Olive Ann Burns about an independent-minded woman who romances a recently widowed store owner (Richard Widmark). Dunaway was exceptionally busy for the remainder of the decade in both major Hollywood features and independent fare, though her strong women now occasionally sported an unfortunate shrill side. She was Robert Duvall's frosty wife in the dystopian thriller The Handmaid's Tale (1990) and contributed a vocal cameo as Evelyn Mulwray in The Two Jakes (1990), the ill-fated sequel to "Chinatown". Other notable performances came as the unhappy wife of psychiatrist Marlon Brando in Don Juan DeMarco (1994), as the daughter of imprisoned Klansman Gene Hackman in The Chamber (1996), and as a bartender caught in the middle of a hostage standoff in Kevin Spacey's Albino Alligator (1996). She later received Screen Actors Guild and Golden Globe nominations as the matron of a wealthy Jewish family in turmoil in The Twilight of the Golds (1996). Perhaps her best turn of the decade was as a seductive murderess who attempts to sway the unflappable Lt. Columbo (Peter Falk) in It's All in the Game (1993), which earned her a 1994 Emmy. She won her third Golden Globe as modeling agency head Wilhelmina Cooper in the biopic Gia (1998), starring Angelina Jolie as doomed model Gia Carangi.
The 1990s were also not without incident for Dunaway. She was embroiled in an ugly lawsuit against Andrew Lloyd Webber after he closed a Los Angeles production of his musical version of "Sunset Blvd." with claims that she was unable to sing to his standards. The suit was later settled out of court for an undisclosed sum. A national tour of Terrence McNally's "Master Class", about the legendary opera diva Maria Callas, ended with her involvement in a suit over legal rights to the play. The project was expected to become her next great film role but remained uncompleted more than a decade after the 1996 tour. Her attempt at sitcom stardom in It Had to Be You (1993), co-starring Robert Urich, was met with universal disinterest, and the project was announced as being retooled without Dunaway prior to its cancellation.
Dunaway's schedule remained busy from 2000 onward, mostly in television and small independent features. She co-starred with Mark Wahlberg and Joaquin Phoenix as the wife of career criminal James Caan in The Yards (2000), then made her directorial debut with the short The Yellow Bird (2001), based on the play by Tennessee Williams. Younger audiences had their first taste of Dunaway's particular star power as Ian Somerhalder's mother in The Rules of Attraction (2002), Roger Avary's amped-up adaptation of the Bret Easton Ellis novel, before Dunaway turned up the heat as a merciless celebrity judge on the reality series The Starlet (2005).
Dunaway penned her memoirs, Looking For Gatsby, in 1995, one year before receiving her star on the Hollywood Walk of Fame. Attached throughout her professional career to intriguing men ranging from Lenny Bruce to Marcello Mastroianni, she was twice married; her first husband was singer Peter Wolf of the popular seventies rock group, The J. Geils Band. Liam O'Neill, her son by second husband Terry, followed in her footsteps with minor acting roles beginning in 2004. His father later dropped a bombshell in 2003 by revealing that Liam was not their biological son, but was adopted - a claim that Dunaway had previously denied.
A series of occasional roles in little-seen films followed, but Dunaway was unexpectedly thrust back into the public eye at the 2017 Academy Awards. Reunited with Warren Beatty on the occasion of the 50th anniversary of "Bonnie and Clyde," the pair were tapped to present the Best Picture award to close the night. Before proceeding onstage, Beatty was mistakenly handed a backup envelope for Best Actress in a Leading Role, which had already been won by Emma Stone for La La Land (2016). Unsure what to do when he opened the envelope and discovered the error, Beatty stalled for time and showed the card to Dunaway; misunderstanding his intent, the actress announced that the Best Picture Oscar went to "La La Land." During producer Jordan Horowitz's acceptance speech, he was informed that the actual Best Picture winner was Moonlight (2016). During the onstage chaos that ensued, Beatty delivered a heartfelt explanation and apology for the snafu while undergoing good-natured ribbing from host Jimmy Kimmel.
After her break from acting and the memorable Oscars moment, Dunaway is now back in the saddle as an actress working more frequently in her 70s. Over the past year, she has appeared in three films, starring in The Bye Bye Man (2017), The Case for Christ (2017), and Inconceivable (2017), with more projects expected to be on the way. The icon also fronts Gucci's summer 2018 ad campaign for their Sylvie handbag and has a Broadway show scheduled for 2019.- Actor
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Wonderfully talented, heavyset character actor (from New York, but regularly playing Southerners) M. Emmet Walsh has made a solid career of playing corrupt cops, deadly crooks, and zany comedic roles since the early 1970s.
Michael Emmet Walsh was born in Ogdensburg, to Agnes Katharine (Sullivan) and Harry Maurice Walsh, a customs agent. He is of Irish descent. Walsh first appeared in a few fairly forgettable roles both on TV and onscreen before cropping up in several well remembered films, including a courtroom police officer in What's Up, Doc? (1972), as the weird Dickie Dunn in Slap Shot (1977), and as a loony sniper hunting Steve Martin in The Jerk (1979). On-screen demand heated up for him in the early 1980s with attention-grabbing work in key hits, including Brubaker (1980), Reds (1981), and as Harrison Ford's police chief in the futuristic thriller Blade Runner (1982). Walsh then turned in a stellar performance as the sleazy, double-crossing private detective in the Joel Coen and Ethan Coen film noir Blood Simple (1984), and showed up again for the Coens as a loud-mouthed sheet-metal worker bugging Nicolas Cage in the hilarious Raising Arizona (1987). As Walsh moved into his fifties and beyond, Hollywood continued to offer him plenty of work, and he has appeared in over 50 movies since passing the half-century mark. His consistent ability to turn out highly entertaining portrayals led film critic Roger Ebert to coin the "Stanton-Walsh Rule," which states that any film starring Walsh or Harry Dean Stanton has to have some merit. And the "M" stands for Michael!- Actor
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Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.- Actor
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When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).- Actress
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Ellen Burstyn was born in Detroit, Michigan, to Correine Marie (Hamel) and John Austin Gillooly. She is of Irish, French/French-Canadian, Pennsylvania Dutch (German), and Native American ancestry.. She worked a number of jobs before she became an actress. At 14, she was a short-order cook at a lunch counter. After graduating from Detroit's Cass Technical High School, she went to Texas to model and then to New York as a showgirl on The Jackie Gleason Show (1952). From there, it was to Montreal as a nightclub dancer and then Broadway with her debut in "Fair Game (1957)". By 1963, she appeared on the TV series The Doctors (1963), but she gained notice for her role in Goodbye Charlie (1964). Ellen then took time off to study acting with Lee Strasberg at the Actors Studio.
Her big break came when she was cast as the female lead in The Last Picture Show (1971). For this role, she received nominations for the Golden Globe and Academy Award. Next, she co-starred with Jack Nicholson in The King of Marvin Gardens (1972), giving a chilling performance. Then came The Exorcist (1973). She was again nominated for the Golden Globe and Academy Award. In 1974, she starred in Alice Doesn't Live Here Anymore (1974), for which performance she won the Oscar and BAFTA awards as Best Actress. For the Golden Globe, she was nominated but lost to Marsha Mason. The same year, she made history by winning a Tony Award for the Broadway play "Same Time, Next Year". She won praise and award nominations for her performances in the film versions of Same Time, Next Year (1978) and Resurrection (1980).
In "Resurrection", she played a woman with the power to heal. A succession of TV movies resulting in two Emmy nominations kept her going as did the series The Ellen Burstyn Show (1986). The TV movies continued through the 1990s. Also in the 1990s, she was cast in the supporting role in such movies as The Cemetery Club (1993), How to Make an American Quilt (1995), The Baby-Sitters Club (1995) and The Spitfire Grill (1996). In addition to her acting, She was the first woman president of Actor's Equity (1982-85).- Actor
- Soundtrack
One of stage, screen and TV's finest transatlantic talents, slight, gravel-voiced, pasty-looking John Vincent Hurt was born on January 22, 1940, in Shirebrook, a coal mining village, in Derbyshire, England. The youngest child of Phyllis (Massey), an engineer and one-time actress, and Reverend Arnould Herbert Hurt, an Anglican clergyman and mathematician, his quiet shyness betrayed an early passion for acting. First enrolled at the Grimsby Art School and St. Martin's School of Art, his focus invariably turned from painting to acting.
Accepted into the Royal Academy of Dramatic Art in 1960, John made his stage debut in "Infanticide in the House of Fred Ginger" followed by "The Dwarfs." Elsewhere, he continued to build upon his 60's theatrical career with theatre roles in "Chips with Everything" at the Vaudeville, the title role in "Hamp" at the Edinburgh Festival, "Inadmissible Evidence" at Wyndham's and "Little Malcolm and His Struggle Against the Eunuchs" at the Garrick. His movie debut occurred that same year with a supporting role in the "angry young man" British drama Young and Willing (1962), followed by small roles in Appuntamento in Riviera (1962), A Man for All Seasons (1966) and The Sailor from Gibraltar (1967).
A somber, freckled, ravaged-looking gent, Hurt found his more compelling early work in offbeat theatrical characterizations with notable roles such as Malcolm in "Macbeth" (1967), Octavius in "Man and Superman" (1969), Peter in "Ride a Cock Horse" (1972), Mike in '"The Caretaker" (1972) and Ben in "The Dumb Waiter" (1973). At the same time he gained more prominence in a spray of film and support roles such as a junior officer in Before Winter Comes (1968), the title highwayman in Sinful Davey (1969), a morose little brother in In Search of Gregory (1969), a dim, murderous truck driver in 10 Rillington Place (1971), a skirt-chasing, penguin-studying biologist in Cry of the Penguins (1971), the unappetizing son of a baron in The Pied Piper (1972) and a repeat of his title stage role as Little Malcolm and His Struggle Against the Eunuchs (1974).
Hurt shot to international stardom, however, on TV where he was allowed to display his true, fearless range. He reaped widespread acclaim for his embodiment of the tormented gay writer and raconteur Quentin Crisp in the landmark television play The Naked Civil Servant (1975), adapted from Crisp's autobiography. Hurt's bold, unabashed approach on the flamboyant and controversial gent who dared to be different was rewarded with the BAFTA (British TV Award). This triumph led to the equally fascinating success as the cruel and crazed Roman emperor Caligula in the epic television masterpiece I, Claudius (1976), followed by another compelling interpretation as murderous student Raskolnikov in Crime and Punishment (1979).
A resurgence occurred on film as a result. Among other unsurpassed portraits on his unique pallet, the chameleon in him displayed a polar side as the gentle, pathetically disfigured title role in The Elephant Man (1980), and as a tortured Turkish prison inmate who befriends Brad Davis in the intense drama Midnight Express (1978) earning Oscar nominations for both. Mainstream box-office films were offered as well as art films. He made the most of his role as a crew member whose body becomes host to an unearthly predator in Alien (1979). With this new rush of fame came a few misguided ventures as well that were generally unworthy of his talent. Such brilliant work as his steeple chase jockey in Champions (1984) or kidnapper in The Hit (1984) was occasionally offset by such drivel as the comedy misfire Partners (1982) with Ryan O'Neal in which Hurt looked enervated and embarrassed. For the most part, the craggy-faced actor continued to draw extraordinary notices. Tops on the list includes his prurient governmental gadfly who triggers the Christine Keeler political sex scandal in the aptly-titled Scandal (1989); the cultivated gay writer aroused and obsessed with struggling "pretty-boy" actor Jason Priestley in Love and Death on Long Island (1997); and the Catholic priest embroiled in the Rwanda atrocities in Shooting Dogs (2005).
Latter parts of memorable interpretations included Dr. Iannis in Captain Corelli's Mandolin (2001), the recurring role of the benign wand-maker Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010), the tyrannical dictator Adam Sutler in V for Vendetta (2005) and the voice of The Dragon in Merlin (2008). Among Hurt's final film appearances were as a terminally ill screenwriter in That Good Night (2017) and a lesser role in the mystery thriller Damascus Cover (2017). Hurt's voice was also tapped into animated features and documentaries, often serving as narrator. He also returned to the theatre performing in such shows as "The Seagull", "A Month in the Country" (1994), "Afterplay" (2002) and "Krapp's Last Tape", the latter for which he received the Los Angeles Drama Critics Circle Award.
A recovered alcoholic who married four times, Hurt was appointed Commander of the Order of the British Empire (CBE) by the Queen in 2004, and Knight Bachelor of the Order of the British Empire in 2015. That same year (2015) he was diagnosed with pancreatic cancer. In July of 2016, he was forced to bow out of the father role of Billy Rice in a then-upcoming London stage production of "The Entertainer" opposite Kenneth Branagh due to ill health that he described as an "intestinal ailment". Hurt died several months later at his home in Cromer, Norfolk, England on January 15, 2017, three days after his 77th birthday.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actor
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Harrison Ford was born on July 13, 1942 in Chicago, Illinois, to Dorothy (Nidelman), a radio actress, and Christopher Ford (born John William Ford), an actor turned advertising executive. His father was of Irish and German ancestry, while his maternal grandparents were Jewish emigrants from Minsk, Belarus. Harrison was a lackluster student at Maine Township High School East in Park Ridge Illinois (no athletic star, never above a C average). After dropping out of Ripon College in Wisconsin, where he did some acting and later summer stock, he signed a Hollywood contract with Columbia and later Universal. His roles in movies and television (Ironside (1967), The Virginian (1962)) remained secondary and, discouraged, he turned to a career in professional carpentry. He came back big four years later, however, as Bob Falfa in American Graffiti (1973). Four years after that, he hit colossal with the role of Han Solo in Star Wars: Episode IV - A New Hope (1977). Another four years and Ford was Indiana Jones in Raiders of the Lost Ark (1981).
Four years later and he received Academy Award and Golden Globe nominations for his role as John Book in Witness (1985). All he managed four years after that was his third starring success as Indiana Jones; in fact, many of his earlier successful roles led to sequels as did his more recent portrayal of Jack Ryan in Patriot Games (1992). Another Golden Globe nomination came his way for the part of Dr. Richard Kimble in The Fugitive (1993). He is clearly a well-established Hollywood superstar. He also maintains an 800-acre ranch in Jackson Hole, Wyoming.
Ford is a private pilot of both fixed-wing aircraft and helicopters, and owns an 800-acre (3.2 km2) ranch in Jackson, Wyoming, approximately half of which he has donated as a nature reserve. On several occasions, Ford has personally provided emergency helicopter services at the request of local authorities, in one instance rescuing a hiker overcome by dehydration. Ford began flight training in the 1960s at Wild Rose Idlewild Airport in Wild Rose, Wisconsin, flying in a Piper PA-22 Tri-Pacer, but at $15 an hour, he could not afford to continue the training. In the mid-1990s, he bought a used Gulfstream II and asked one of his pilots, Terry Bender, to give him flying lessons. They started flying a Cessna 182 out of Jackson, Wyoming, later switching to Teterboro, New Jersey, flying a Cessna 206, the aircraft he soloed in. Ford is an honorary board member of the humanitarian aviation organization Wings of Hope.
On March 5, 2015, Ford's plane, believed to be a Ryan PT-22 Recruit, made an emergency landing on the Penmar Golf Course in Venice, California. Ford had radioed in to report that the plane had suffered engine failure. He was taken to Ronald Reagan UCLA Medical Center, where he was reported to be in fair to moderate condition. Ford suffered a broken pelvis and broken ankle during the accident, as well as other injuries.- Actor
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American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise (1991), Peter Yates' Mother, Jugs & Speed (1976), Quentin Tarantino's Reservoir Dogs (1992) and Pulp Fiction (1994), Jane Campion's The Piano (1993), Abel Ferrara's Bad Lieutenant (1992), Robert Rodriguez's From Dusk Till Dawn (1996), James Mangold's Cop Land (1997), Paolo Sorrentino's Youth (2015). He is regarded as one of the greatest method actors ever. Along with actors Al Pacino and Ellen Burstyn, he is the current co-president of the Actors Studio.
Keitel studied under both Stella Adler and Lee Strasberg and at the HB Studio, eventually landing roles in some Off-Broadway productions. During this time, Keitel auditioned for filmmaker Martin Scorsese and gained a starring role as "J.R.", in Scorsese's first feature film, Who's That Knocking at My Door (1967). Since then, Scorsese and Keitel have worked together on several projects. Keitel had the starring role in Scorsese's Mean Streets (1973), which also proved to be Robert De Niro's breakthrough film. Keitel re-teamed with Scorsese for Alice Doesn't Live Here Anymore (1974), in which he had a villainous supporting role, and appeared with Robert De Niro again in Scorsese's Taxi Driver (1976), playing the role of Jodie Foster's pimp.- Actor
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A legendary actor with 50 celebrated years of film, television and producing experience, Michael Douglas is known for his era-defining roles and enduring cultural impact.
In addition to his career accomplishments, Douglas has remained a steadfast public servant, activist and philanthropist dedicated to peace and human welfare, democracy, gun control advocacy, support of the arts and support of nuclear disarmament. In 1998, former United Nations Secretary-General Kofi Annan appointed Douglas as a Messenger of Peace for his commitment on disarmament issues, including nuclear non-proliferation and halting the illicit trade in small arms and light weapons.
Since his earliest acting work on Hail, Hero! (1969) and The Streets of San Francisco (1972) Douglas has played some of the most memorable and enigmatic American anti-heroes of the last half century. He is most known for his iconic screen roles, like his Academy Award-winning turn as Gordon Gekko Wall Street (1987) as well as the critically and commercially acclaimed films Fatal Attraction (1987), The American President (1995), Basic Instinct (1992), Traffic (2000) and Romancing the Stone (1984). He is also a prolific producer with credits on politically relevant and socially influential motion pictures like One Flew Over the Cuckoo's Nest (1975), The China Syndrome (1979), Traffic (2000) the television series: The Kominsky Method (2018) and an upcoming limited series where Douglas portrays Benjamin Franklin (2024) during his nine years in France lobbying for French aid for the American Revolution.
With a passion for complex protagonists and darkly humorous undercurrents, Douglas has received numerous accolades for his work, including two Academy Awards, five Golden Globe Awards, a Primetime Emmy Award, AFI Life Achievement Award, two French César Awards for Career Achievement and, most recently, the Palme d'or d'honneur for lifetime achievement at the 76th Annual Festival de Cannes as well as the Satyajit Ray Lifetime Achievement Award for Excellence in Cinema at the Goa Film Festival in India.
Michael Douglas was born in New Brunswick, New Jersey, to actors Diana Douglas (Diana Love Dill) and Kirk Douglas (born Issur Danielovitch). His paternal grandparents were Belarusian Jewish immigrants, while his mother was born in Bermuda, the daughter of a local Attorney General, Lieutenant Colonel Thomas Melville Dill; Diana's family had long been established in both Bermuda and the United States. Douglas's parents divorced when he was six, and he went to live with his mother and her new husband. Only seeing Kirk on holidays, Michael attended Eaglebrook School in Deerfield, Massachusetts, where he was about a year younger than all of his classmates.
Douglas attended the elite preparatory Choate School and spent his summers with his father on movie sets. Although accepted at Yale, Douglas attended the University of California, Santa Barbara. Deciding he wanted to be an actor in his teenage years, Michael often asked his father about getting a "foot in the door" Kirk was strongly opposed to Michael pursuing an acting career, saying that it was an industry with many downs and few ups, and that he wanted all four of his sons to stay out of it. Michael, however, was persistent, and made his film debut in his father's film Cast a Giant Shadow (1966).
After receiving his B.A. degree in 1968, Douglas moved to New York City to continue his dramatic training, studying at the American Place Theatre with Wynn Handman, and at the Neighborhood Playhouse, where he appeared in workshop productions of Pirandello's Six Characters in Search of an Author (1976) and Thornton Wilder's Happy Journey (1963). A few months after he arrived in New York, Douglas got his first big break, when he was cast in the pivotal role of the free-spirited scientist who compromises his liberal views to accept a lucrative job with a high-tech chemical corporation in the CBS Playhouse production of Ellen M. Violett's drama, The Experiment, which was televised nationwide on February 25, 1969.
Douglas' convincing portrayal won him the leading role in the adaptation of John Weston's controversial novel, Hail, Hero! (1969), which was the initial project of CBS's newly organized theatrical film production company, Cinema Center Films. Douglas starred as a well-meaning, almost saintly young pacifist determined not only to justify his beliefs to his conservative parents but also to test them under fire in the jungles of Indochina. His second feature, Adam at Six A.M. (1970) concerned a young man's search for his roots. Douglas next appeared in the film version of Ron Cowen's play Summertree (1971), produced by 'Kirk Douglas'' Bryna Company, and then Napoleon and Samantha (1972), a sentimental children's melodrama from the Walt Disney studio.
In between film assignments, he worked in summer stock and off-Broadway productions, among them "City Scenes," Frank Gagliano's surrealistic vignettes of contemporary life in New York, John Patrick Shanley's short-lived romance "Love is a Time of Day" and George Tabori's "Pinkville," in which he played a young innocent brutalized by his military training. He also appeared in the made-for-television thriller, "When Michael Calls," broadcast by ABC-TV on February 5, 1972 and in episodes of the popular series "Medical Center" and "The F.B.I."
Impressed by Douglas' performance in a segment of The F.B.I. (1965), producer 'Quinn Martin' signed the actor for the part of Karl Malden's sidekick in the police series "The Streets of San Francisco", which premiered in September 1972 and became one of ABC's highest-rated prime-time programs in the mid-1970s. Douglas earned three successive Emmy Award nominations for his performance and he directed two episodes of the series.
During the annual breaks in the shooting schedule for The Streets of San Francisco (1972), Douglas devoted most of his time to his film production company, Big Stick Productions, Ltd., which produced several short subjects in the early 1970s. Long interested in producing a film version of Ken Kesey's grimly humorous novel One Flew Over the Cuckoo's Nest (1975), Douglas purchased the movie rights from his father and began looking for financial backing. After a number of major motion picture studios turned him down, Douglas formed a partnership with Saul Zaentz, a record industry executive, and the two set about recruiting the cast and crew. Douglas still had a year to go on his contract for "The Streets of San Francisco," but the producers agreed to write his character out of the story so that he could concentrate on filming "Cuckoo's Nest."
A critical and commercial success, One Flew Over the Cuckoo's Nest (1975) won five Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actor and Best Actress, and went on to gross more than $180 million at the box office. Douglas suddenly found himself in demand as an independent producer. One of the many scripts submitted to him for consideration was Mike Gray's chilling account of the attempted cover-up of an accident at a nuclear power plant. Attracted by the combination of social relevance and suspense, Douglas immediately bought the property. Deemed not commercial by most investors, Douglas teamed up with Jane Fonda and her own motion picture production company, IPC Films.
A Michael Douglas-IPC Films co-production, The China Syndrome (1979) starred Jack Lemmon, Jane Fonda, and Michael Douglas and received Academy Award nominations for Lemmon and Fonda, as well as for Best Screenplay. The National Board of Review named the film one of the best films of the year.
Despite his success as a producer, Douglas resumed his acting career in the late 1970s, starring in Michael Crichton's medical thriller Coma (1978) with Genevieve Bujold, Claudia Weill's feminist comedy It's My Turn (1980) starring Jill Clayburgh, and Peter Hyams' gripping tale of modern-day vigilante justice, "The Star Chamber" (1983). Douglas also starred in Running (1979), as a compulsive quitter who sacrifices everything to take one last shot at the Olympics, and as Zach the dictatorial director/choreographer in Richard Attenborough's screen version of the Broadway's longest running musical A Chorus Line (1985).
Douglas' career as an actor/producer came together again in 1984 with the release of the tongue-in-cheek romantic fantasy "Romancing the Stone." Douglas had begun developing the project several years earlier, and with Kathleen Turner as Joan Wilder, the dowdy writer of gothic romances, Danny DeVito as the feisty comic foil Ralphie and Douglas as Jack Colton, the reluctant soldier of fortune. "Romancing the Stone" was a resounding hit and grossed more than $100 million at the box office. Douglas was named Producer of the Year in 1984 by the National Association of Theater Owners. Douglas, Turner and DeVito teamed up in 1985 for the successful sequel The Jewel of the Nile (1985).
It took Douglas nearly two years to convince Columbia Pictures executives to approve the production of Starman (1984), an unlikely tale of romance between an extraterrestrial, played by Jeff Bridges, and a young widow, played by Karen Allen. Starman (1984) was the sleeper hit of the 1984 Christmas season and earned an Oscar nomination for Best Actor for Jeff Bridges. In 1986 Douglas created a television series based on the film for ABC which starred Robert Hays.
After a lengthy break from acting, Douglas returned to the screen in 1987 appearing in two of the year's biggest hits. He starred opposite Glenn Close in the phenomenally successful psychological thriller, "Fatal Attraction," which was followed by his performance as ruthless corporate raider Gordon Gekko in Oliver Stone's Wall Street (1987), earning him the Academy Award for Best Actor.
Douglas next starred in Ridley Scott's thriller Black Rain (1989) and then teamed up again with Kathleen Turner and Danny DeVito in the black comedy The War of the Roses (1989).
In 1988, Douglas formed Stonebridge Entertainment, Inc., which produced Flatliners (1990), directed by Joel Schumacher and starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and Radio Flyer (1992) starring Lorraine Bracco and directed by Richard Donner. Douglas followed with David Seltzer's adaptation of Susan Isaacs' best-selling novel, "Shining Through," opposite Melanie Griffith. In 1992 he starred with Sharon Stone in the erotic thriller from Paul Verhoeven Basic Instinct (1992), one of the year's top grossing films.
Douglas gave one of his most powerful performances opposite Robert Duvall in Joel Schumacher's controversial drama Falling Down (1993). That year he also produced the hit comedy "Made in America" starring Whoopi Goldberg, Ted Danson and Will Smith. In 1994-95 he starred with Demi Moore in Barry Levinson's "Disclosure," based on the best seller by Michael Crichton. In 1995, Douglas portrayed the title role in Rob Reiner's romantic comedy The American President (1995) opposite Annette Bening, and in 1997, starred in The Game (1997) directed by David Fincher and co-starring Sean Penn.
Douglas formed Douglas/Reuther Productions with partner Steven Reuther in May 1994. The company, under the banner of Constellation Films, produced The Ghost and the Darkness (1996), starring Douglas and Val Kilmer, and John Grisham's The Rainmaker (1997), based on John Grisham's best selling novel, directed by Francis Ford Coppola and starring Matt Damon,Claire Danes, Danny DeVito, Jon Voight, Mickey Rourke, Mary Kay Place, Virginia Madsen, Andrew Shue, Teresa Wright, Johnny Whitworth and Randy Travis.
Michael Douglas and Steve Reuther also produced John Woo's action thriller Face/Off (1997) starring John Travolta and Nicolas Cage, which proved to be one of '97's major hits.
In 1998, Michael Douglas starred with Gwyneth Paltrow and Viggo Mortensen in the mystery thriller A Perfect Murder (1998), and formed a new production company, Furthur Films. 2000 was a milestone year for Douglas. "Wonder Boys" opened in February 2000 to much critical acclaim. Directed by Curtis Hanson and co-starring Tobey Maguire, Frances McDormand, Robert Downey Jr. and Katie Holmes, Douglas starred in the film as troubled college professor Grady Tripp. Michael was nominated for a Golden Globe and a BAFTA Film Award for his performance.
"Traffic" was released by USA Films on December 22, 2000 in New York and Los Angeles and went nationwide in January 2001. Douglas played the role of Robert Wakefield, a newly appointed drug czar confronted by the drug war both at home and abroad. Directed by Steven Soderbergh and co-starring Don Cheadle, Benicio del Toro, Amy Irving, Dennis Quaid and Catherine Zeta-Jones, "Traffic" was named Best Picture by New York Film Critics, won Best Ensemble Cast at the SAG Awards, won four Academy Awards (Best Screenplay, Best Editing, Best Director, and Best Supporting Actor for Benicio del Toro) and has been recognized on more than 175 top ten lists.
In 2001, Douglas produced and played a small role in USA Films' outrageous comedy "One Night at McCool's" starring Liv Tyler, Matt Dillon, John Goodman and Paul Reiser and directed by Harald Zwart. "McCool's" was the first film by Douglas' company Furthur Films. Also in 2001, Douglas starred in "Don't Say A Word" for 20th Century Fox. The psychological thriller, directed by Gary Fleder, also starred Sean Bean, Famke Janseen and Brittany Murphy.
In 2002, Douglas appeared in a guest role on the hit NBC comedy "Will & Grace," and received an Emmy Nomination for his performance.
Douglas starred in two films in 2003. MGM/BVI released the family drama "It Runs in the Family," which Douglas produced and starred with his father Kirk Douglas, his mother Diana Douglas his son Cameron Douglas, Rory Culkin and Bernadette Peters. He also starred in the Warner Bros. comedy "The-In Laws," with Albert Brooks, Candice Bergen and Ryan Reynolds.
In 2004, Douglas, along with his father Kirk, filmed the intimate HBO documentary "A Father, A Son... Once Upon a Time in Hollywood". Directed by award-winning filmmaker Lee Grant, the documentary examines the professional and personal lives of both men, and the impacts they each made on the motion picture industry.
In 2005, Douglas produced and starred in "The Sentinel", which was released by 20th Century Fox in April 2006. Based on the Gerald Petievich novel and directed by Clark Johnson, "The Sentinel" is a political thriller set in the intriguing world of the Secret Service. Douglas stars with Keifer Sutherland, Eva Longoria and Kim Bassinger. Douglas then filmed "You, Me & Dupree," starring with Owen Wilson, Kate Hudson and Matt Dillon. The comedy, directed by Anthony and Joe Russo, was released by Universal Pictures during the summer of 2006. In 2007 Douglas made "King of California," co-starring Evan Rachel Wood and is written and directed by Michael Cahill, and produced by Alexander Payne and Michael London.
Michael had two films released in early 2009, "Beyond A Reasonable Doubt" directed by Peter Hyams and "Ghosts of Girlfriends Past" starring Matthew McConaughey and Jennifer Garner and directed by Mark Waters. He followed with the drama "Solitary Man" directed by Brian Koppelman and David Levien, co-starring Susan Sarandon, Danny DeVito, Mary Louise-Parker, and Jenna Fischer, produced by Paul Schiff and Steven Soderbergh. In 2010, Douglas reprised his Oscar-winning role as Gordon Gekko in "Wall Street 2: Money Never Sleeps," earning a Golden Globe for his performance. Again directed by Oliver Stone, he co-starred with Shia Labeouf, Cary Mulligan, Josh Brolin, Frank Langella and Susan Sarandon.
In 2011, Douglas had a cameo role in Steven Soderbergh's action thriller "Haywire."
"Behind the Candelabra," based on the life of '70's/80's musical icon Liberace and his partner Scott Thorson, directed by Steven Soderbergh and costarring Matt Damon, premiered on HBO in May 2013. Douglas won an Emmy, Golden Globe and SAG Award for Best Actor in a television movie or mini series for his performance as the famed entertainer. He followed with the buddy comedy "Last Vegas," directed by John Turtletaub co-starring Robert DeNiro, Morgan Freeman and Kevin Kline and the romantic comedy "And So It Goes," co-starring Diane Keaton directed by Rob Reiner.
Douglas recently starred in and produced the thriller "Beyond The Reach," directed by Jean-Baptiste Leonetti and costarring Jeremy Irvine. He and portrayed Dr. Hank Pym in Marvel's Ant-Man and the Wasp (2018) and Ant-Man and the Wasp: Quantumania (2023) opposite Paul Rudd. The franchise was his first venture into the realm of comic book action adventure.
In 2017, he starred in the spy thriller "Unlocked" starring with Noomi Rapace, Orlando Bloom, John Malkovich and directed by Michael Apted.
In 1998 Douglas was made a United Nations Messenger of Peace by Kofi Annan. His main concentrations are nuclear non-proliferation and the control of small arms. He is on the Board of Ploughshares Foundation and The Nuclear Threat Initiative.
Michael Douglas was recipient of the 2009 AFI Lifetime Achievement as well as the Producers Guild Award that year. In Spring '10 he received the New York Film Society's Charlie Chaplin Award.
Douglas has hosted 11 years of "Michael Douglas and Friends" Celebrity Golf Event which has raised over $6 million for the Motion Picture and Television Fund. Douglas is very passionate about the organization, and each year he asks his fellow actors and to come out and show that "we are an industry that takes care of own".
Douglas is married to Catherine Zeta-Jones. The couple has one son, Dylan, and one daughter, Carys. Douglas also has one son, Cameron, from a previous marriage.- Actor
- Producer
- Director
With an authoritative voice and calm demeanor, this ever popular American actor has grown into one of the most respected figures in modern US cinema. Morgan was born on June 1, 1937 in Memphis, Tennessee, to Mayme Edna (Revere), a teacher, and Morgan Porterfield Freeman, a barber. The young Freeman attended Los Angeles City College before serving several years in the US Air Force as a mechanic between 1955 and 1959. His first dramatic arts exposure was on the stage including appearing in an all-African American production of the exuberant musical Hello, Dolly!.
Throughout the 1970s, he continued his work on stage, winning Drama Desk and Clarence Derwent Awards and receiving a Tony Award nomination for his performance in The Mighty Gents in 1978. In 1980, he won two Obie Awards, for his portrayal of Shakespearean anti-hero Coriolanus at the New York Shakespeare Festival and for his work in Mother Courage and Her Children. Freeman won another Obie in 1984 for his performance as The Messenger in the acclaimed Brooklyn Academy of Music production of Lee Breuer's The Gospel at Colonus and, in 1985, won the Drama-Logue Award for the same role. In 1987, Freeman created the role of Hoke Coleburn in Alfred Uhry's Pulitzer Prize-winning play Driving Miss Daisy, which brought him his fourth Obie Award. In 1990, Freeman starred as Petruchio in the New York Shakespeare Festival's The Taming of the Shrew, opposite Tracey Ullman. Returning to the Broadway stage in 2008, Freeman starred with Frances McDormand and Peter Gallagher in Clifford Odets' drama The Country Girl, directed by Mike Nichols.
Freeman first appeared on TV screens as several characters including "Easy Reader", "Mel Mounds" and "Count Dracula" on the Children's Television Workshop (now Sesame Workshop) show The Electric Company (1971). He then moved into feature film with another children's adventure, Who Says I Can't Ride a Rainbow! (1971). Next, there was a small role in the thriller Blade (1973); then he played Casca in Julius Caesar (1979) and the title role in Coriolanus (1979). Regular work was coming in for the talented Freeman and he appeared in the prison dramas Attica (1980) and Brubaker (1980), Eyewitness (1981), and portrayed the final 24 hours of slain Malcolm X in Death of a Prophet (1981). For most of the 1980s, Freeman continued to contribute decent enough performances in films that fluctuated in their quality. However, he really stood out, scoring an Oscar nomination as a merciless hoodlum in Street Smart (1987) and, then, he dazzled audiences and pulled a second Oscar nomination in the film version of Driving Miss Daisy (1989) opposite Jessica Tandy. The same year, Freeman teamed up with youthful Matthew Broderick and fiery Denzel Washington in the epic Civil War drama Glory (1989) about freed slaves being recruited to form the first all-African American fighting brigade.
His star continued to rise, and the 1990s kicked off strongly with roles in The Bonfire of the Vanities (1990), Robin Hood: Prince of Thieves (1991), and The Power of One (1992). Freeman's next role was as gunman Ned Logan, wooed out of retirement by friend William Munny to avenge several prostitutes in the wild west town of Big Whiskey in Clint Eastwood's de-mythologized western Unforgiven (1992). The film was a sh and scored an acting Oscar for Gene Hackman, a directing Oscar for Eastwood, and the Oscar for best picture. In 1993, Freeman made his directorial debut on Bopha! (1993) and soon after formed his production company, Revelations Entertainment.
More strong scripts came in, and Freeman was back behind bars depicting a knowledgeable inmate (and obtaining his third Oscar nomination), befriending falsely accused banker Tim Robbins in The Shawshank Redemption (1994). He was then back out hunting a religious serial killer in Se7en (1995), starred alongside Keanu Reeves in Chain Reaction (1996), and was pursuing another serial murderer in Kiss the Girls (1997).
Further praise followed for his role in the slave tale of Amistad (1997), he was a worried US President facing Armageddon from above in Deep Impact (1998), appeared in Neil LaBute's black comedy Nurse Betty (2000), and reprised his role as Alex Cross in Along Came a Spider (2001). Now highly popular, he was much in demand with cinema audiences, and he co-starred in the terrorist drama The Sum of All Fears (2002), was a military officer in the Stephen King-inspired Dreamcatcher (2003), gave divine guidance as God to Jim Carrey in Bruce Almighty (2003), and played a minor role in the comedy The Big Bounce (2004).
2005 was a huge year for Freeman. First, he he teamed up with good friend Clint Eastwood to appear in the drama, Million Dollar Baby (2004). Freeman's on-screen performance is simply world-class as ex-prize fighter Eddie "Scrap Iron" Dupris, who works in a run-down boxing gym alongside grizzled trainer Frankie Dunn, as the two work together to hone the skills of never-say-die female boxer Hilary Swank. Freeman received his fourth Oscar nomination and, finally, impressed the Academy's judges enough to win the Best Supporting Actor Oscar for his performance. He also narrated Steven Spielberg's War of the Worlds (2005) and appeared in Batman Begins (2005) as Lucius Fox, a valuable ally of Christian Bale's Bruce Wayne/Batman for director Christopher Nolan. Freeman would reprise his role in the two sequels of the record-breaking, genre-redefining trilogy.
Roles in tentpoles and indies followed; highlights include his role as a crime boss in Lucky Number Slevin (2006), a second go-round as God in Evan Almighty (2007) with Steve Carell taking over for Jim Carrey, and a supporting role in Ben Affleck's directorial debut, Gone Baby Gone (2007). He co-starred with Jack Nicholson in the breakout hit The Bucket List (2007) in 2007, and followed that up with another box-office success, Wanted (2008), then segued into the second Batman film, The Dark Knight (2008).
In 2009, he reunited with Eastwood to star in the director's true-life drama Invictus (2009), on which Freeman also served as an executive producer. For his portrayal of Nelson Mandela in the film, Freeman garnered Oscar, Golden Globe and Critics' Choice Award nominations, and won the National Board of Review Award for Best Actor.
Recently, Freeman appeared in RED (2010), a surprise box-office hit; he narrated the Conan the Barbarian (2011) remake, starred in Rob Reiner's The Magic of Belle Isle (2012); and capped the Batman trilogy with The Dark Knight Rises (2012). Freeman has several films upcoming, including the thriller Now You See Me (2013), under the direction of Louis Leterrier, and the science fiction actioner Oblivion (2013), in which he stars with Tom Cruise.- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actress
- Soundtrack
Bridget Jane Fonda was born in Los Angeles, California, to Susan Brewer and actor Peter Fonda. She is the granddaughter of Henry Fonda and niece of Jane Fonda, both famous actors. Bridget made her film debut at age five as an extra in Easy Rider (1969), but first became interested in acting after appearing in a high school production of "Harvey." At age 18, she enrolled at New York University and spent four years there and at the Lee Strasberg Theatre Institute.
She went on to hone her craft in workshop productions and worked on such stage projects as "Just Horrible," written by Nicholas Kazan, who later cast Bridget in his directorial debut, "Professional Man," an episode for The Edge (1989) series on HBO. She also starred in PBS's Jacob Have I Loved (1989) and in a segment of Aria (1987), a film composed of short works by 10 respected directors. Her film credits include The Godfather Part III (1990), Strapless (1989), Doc Hollywood (1991), Singles (1992), and Single White Female (1992).- Actress
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Dyan Cannon is the first woman in the history of the Motion Picture Academy to be nominated for Oscars both in front of and behind the camera. Her diligence and determination have been rewarded by many prestigious honors.
She received her first Academy Award nomination for her memorable role as Alice in Bob & Carol & Ted & Alice (1969), opposite Natalie Wood and directed by Paul Mazursky. For her performance, she garnered the coveted New York Film Critics Award.
Dyan received her second Academy Award nomination in the category of Best Live Action Short for writing and directing the 48-minute film, Number One (1976), which she also produced, edited and scored. The New York Times commended the film as one of the best movies ever made concerning children's development.
She received her third Academy Award nomination for her comedic role as Julia Farnsworth, opposite Warren Beatty, in Heaven Can Wait (1978), for which she won the Golden Globe Award from the Hollywood Foreign Press Association. Later that year, she portrayed Sally Stanford in the Emmy Award-nominated biopic Lady of the House (1978) and starred in another comedy hit, Revenge of the Pink Panther (1978), opposite Peter Sellers and directed by Blake Edwards, and was named Female Star of the Year by the Hollywood Women's Press Club.
As the singular force behind the motion picture The End of Innocence (1990), Dyan undertook a triumvirate of tasks as writer, director and star. Dyan's work received amazing reviews from the Los Angeles Times and the New York Times.
Dyan has co-starred on two outstanding prime-time television shows. For several years, she brought her own brand of humor, class and sexiness to the role of Whipper Cone on the Emmy Award-winning series Ally McBeal (1997). She then starred as the vivacious and free-spirited Honey Bernstein-Flynn on NBC's comedy series Three Sisters (2001).
Her filmography is vast and includes TNT's remake of the Warner Bros. classic Christmas in Connecticut (1992), directed by Arnold Schwarzenegger; Author! Author! (1982) opposite Al Pacino; The Last of Sheila (1973), directed by Herbert Ross; two films directed by Sidney Lumet: Deathtrap (1982), co-starring Michael Caine and Christopher Reeve, and The Anderson Tapes (1971), starring Sean Connery; an adaptation of Jacqueline Susann's The Love Machine (1971); Such Good Friends (1971), directed by Otto Preminger; and Honeysuckle Rose (1980), in which she played Willie Nelson's wife and made her debut as a country music singer. She has starred on Broadway and in her own musical stage act at Caesar's Palace in Las Vegas and Harrah's in Lake Tahoe. Dyan co-wrote the title song for Chaka Khan's album, The Woman I Am, with Brenda Russell.
Dyan wanted to take time off from her acting career to write. During the next nine years, she not only collaborated on a Broadway musical, but wrote her memoir, "Dear Cary," which was on the New York Times best seller list three different times spanning four years. A miniseries adaptation of the book, Archie (2023), starring Jason Isaacs and created by Jeff Pope, premiered on ITV and is available for streaming on Amazon Prime Video.
Dyan is recognized as an exceptional motivational speaker for prominent associations and corporations. Children are her passion and most of her work centers around the care and welfare of kids. She is the national spokesperson for the Hemangioma Treatment Foundation, an organization that provides treatment to children all over the world who are afflicted with vascular birthmarks. She is the international executive spokesperson for Operation Lookout, an organization dedicated to recovering missing and exploited children who have been kidnapped from their homes, schools, etc. She has also been national spokesperson for Martin Colette's Wildlife Waystation, an international refuge that rescues and rehabilitates wild and exotic animals, as well as national spokesperson for Big Brothers and Big Sisters of America
In addition, she devotes time and energy to several other charitable organizations such as California's Special Olympics for physically and mentally challenged athletes and also works with recovering addicts weekly.
Dyan is a permanent fixture at the Los Angeles Lakers basketball games.- Actor
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- Producer
Enduring, strong-featured, and genial star of US cinema, Burt Reynolds started off in T.V. westerns in the 1960s and then carved his name into 1970s/1980s popular culture, as a sex symbol (posing nearly naked for "Cosmopolitan" magazine), and on-screen as both a rugged action figure and then as a wisecracking, Southern type of "good ol' boy."
Burton Leon Reynolds was born in Lansing, Michigan. He was the son of Harriette Fernette "Fern" (Miller) and Burton Milo Reynolds, who was in the army. After World War II, his family moved to Riviera Beach, Florida, where his father was chief of police, and where Burt excelled as an athlete and played with Florida State University. He became an All Star Southern Conference halfback (and was earmarked by the Baltimore Colts) before a knee injury and a car accident ended his football career. Midway through college he dropped out and headed to New York with aspirations of becoming an actor. There he worked in restaurants and clubs while pulling the odd TV spot or theatre role.
He was spotted in a New York City production of "Mister Roberts," signed to a TV contract, and eventually had recurring roles in such shows as Gunsmoke (1955), Riverboat (1959) and his own series, Hawk (1966).
Reynolds continued to appear in undemanding western roles, often playing a character of half Native American descent, in films such as Navajo Joe (1966), 100 Rifles (1969) and Sam Whiskey (1969). However, it was his tough-guy performance as macho Lewis Medlock in the John Boorman backwoods nightmare Deliverance (1972) that really stamped him as a bona-fide star. Reynolds' popularity continued to soar with his appearance as a no-nonsense private investigator in Shamus (1973) and in the Woody Allen comedy Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972). Building further on his image as a Southern boy who outsmarts the local lawmen, Reynolds packed fans into theaters to see him in White Lightning (1973), The Longest Yard (1974), W.W. and the Dixie Dancekings (1975) and Gator (1976).
At this time, ex-stuntman and longtime Reynolds buddy Hal Needham came to him with a "road film" script. It turned out to be the incredibly popular Smokey and the Bandit (1977) with Sally Field and Jerry Reed, which took in over $100 million at the box office. That film's success was followed by Smokey and the Bandit II (1980) and Smokey and the Bandit Part 3 (1983). Reynolds also appeared alongside Kris Kristofferson in the hit football film Semi-Tough (1977), with friend Dom DeLuise in the black comedy The End (1978) (which Reynolds directed), in the stunt-laden buddy film Hooper (1978) and then in the self-indulgent, star-packed road race flick The Cannonball Run (1981).
The early 1980s started off well with a strong performance in the violent police film Sharky's Machine (1981), which he also directed, and he starred with Dolly Parton in The Best Little Whorehouse in Texas (1982) and with fellow macho superstar Clint Eastwood in the coolly received City Heat (1984). However, other projects such as Stroker Ace (1983), Stick (1985) and Paternity (1981) failed to catch fire with fans and Reynolds quickly found himself falling out of popularity with movie audiences. In the late 1980s he appeared in only a handful of films, mostly below average, before television came to the rescue and he shone again in two very popular TV shows, B.L. Stryker (1989) and Evening Shade (1990), for which he won an Emmy. In 1988, Burt and his then-wife, actress Loni Anderson, had a son, Quinton A. Reynolds (aka Quinton Anderson Reynolds), whom they adopted.
He was back on screen, but still the roles weren't grabbing the public's attention, until his terrific performance as a drunken politician in the otherwise woeful Striptease (1996) and then another tremendous showing as a charming, porn director in Boogie Nights (1997), which scored him a Best Supporting Actor nomination. Like the phoenix from the ashes, Reynolds resurrected his popularity and, in the process, gathered a new generation of young fans, many of whom had been unfamiliar with his 1970s film roles. He then put in entertaining work in Pups (1999), Mystery, Alaska (1999), Driven (2001) and Time of the Wolf (2002). Definitely one of Hollywood's most resilient stars, Reynolds continually surprised all with his ability to weather both personal and career hurdles and his almost 60 years in front of the cameras were testament to his staying ability, his acting talent and his appeal to film audiences.
Burt Reynolds died of cardiac arrest on September 6, 2018, in Jupiter, Florida, U.S. He was eighty two.- Actor
- Producer
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Malcolm John Taylor was born on June 13, 1943 in Leeds, England, to working-class parents Edna (McDowell), a hotelier, and Charles Taylor, a publican. His father was an alcoholic. Malcolm hated his parents' ways. His father was keen to send his son to private school to give him a good start in life, so Malcolm was packed off to boarding school at age 11. He attended the Tonbridge School and the Cannock House School in Eltham, Kent. At school, he was beaten with the slipper or cane every Monday for his wayward behavior. Whilst at school, he decided that he wanted to become an actor; it was also around this time that his love for race cars began. He attended the London Academy of Music and Dramatic Arts (LAMDA) to study acting. Meanwhile, he worked at his parents' pub but lost his job when the pub went bankrupt, his father drinking all the profits. He then had a variety of jobs, from coffee salesman to messenger.
His first big-screen role was in Poor Cow (1967), although his two-minute scene was ultimately cut from the completed film. Soon after, he caught the attention of director Lindsay Anderson who cast him in the role of a rebellious student in his film If.... (1968). The film catapulted Malcolm to stardom in Britain but failed everywhere else. He was so enthusiastic about the film's success that he wanted to do another right away. He began writing what would become the semi-autobiographical O Lucky Man! (1973). Then he starred as Alex DeLarge in Stanley Kubrick's controversial A Clockwork Orange (1971), a role that gave him world fame, and legendary status (although typecasting him as a in villainous roles). In early 1976, he spent nearly a year working on what would later be one of the most infamous films of all time, the semi-pornographic Caligula (1979), financed by Penthouse magazine founder Bob Guccione. Around that time, the British film industry collapsed, forcing him to flee to America to continue working. His first American film was Time After Time (1979). He then did Britannia Hospital (1982), the last part of Lindsay Anderson's working-class trilogy that started with If.... (1968).
In the mid-1980s, the years of alcohol and drug abuse, including $1000 a week on cocaine, caught up with him. Years of abuse took its toll on him; his black hairs were now gray. Looking older than he really was, nobody wanted to cast him for playing younger roles. The big roles having dried up, he did many B-rated movies. The 1990s were kinder to him, though. In 1994, he was cast as Dr. Tolian Soran, the man who killed Captain James T. Kirk in Star Trek: Generations (1994). He was back on the track, playing villains again. He played another in the classic BBC miniseries Our Friends in the North (1996). Today, with more than 100 films under his belt, he is one of the greatest actors in America. He still does not have American citizenship, but he likes the no-nonsense American ways. He resides in the northern suburbs of Los Angeles, California.- Actress
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Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.
Ann-Margret was born Ann-Margret Olsson in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer. Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single "I Just Don't Understand" charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis' daughter in Frank Capra's Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood's hottest young star and in the years to come got awarded the infamous nickname "sex kitten." Her following pictures were sometimes ripped apart by critics (Bus Riley's Back in Town (1965) and The Swinger (1966)), sometimes praised (The Cincinnati Kid (1965)). She couldn't escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films (R.P.M. (1970) opposite Anthony Quinn), Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols' Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress. A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams's masterpiece play "A Streetcar Named Desire" in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.- Actress
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A new reigning 1960s international sex symbol took to the cinematic throne as soon as Raquel Welch emerged from the sea in her purposely depleted, furry prehistoric bikini. Tantalizingly wet with her garb clinging to all the right amazonian places, One Million Years B.C. (1966), if nothing else, captured the hearts and libidos of modern men (not to mention their teenage sons) while producing THE most definitive and best-selling pin-up poster of that time.
She was born Jo Raquel Tejada on September 5, 1940 in Chicago, Illinois, the first of three children of Bolivian-born Armando Carlos Tejada, an aerospace engineer, and his wife, Josephine Sarah (Hall). The family moved to San Diego, California (her father was transferred) when Raquel was only two. Taking dance lessons as a youngster, she grew up to be quite a knockout and nailed a number of teen beauty titles ("Miss Photogenic," "Miss La Jolla," "Miss Contour," "Miss Fairest of the Fair" and "Miss San Diego").
With her sights set on theater arts, she studied at San Diego State College on a scholarship starting in 1958 and married her first husband, high school sweetheart James Welch, the following year. They had two children: Damon Welch (born 1959), who later became an actor/production assistant, and actress Tahnee Welch (born 1961). Tahnee went on to take advantage of her own stunning looks as an actress, most notably with her prime role in Cocoon (1985).
Off campus, she became a local TV weather girl in San Diego and eventually quit college. Following the end of her marriage in 1962 (although Raquel and James Welch didn't divorce until 1964), she packed up her two children and moved to Dallas, Texas, where she modeled for Neiman-Marcus and worked as a barmaid for a time.
Regrouping, she returned to California and made the rounds of film/TV auditions. She found work providing minor but sexy set decoration on the small screen (Bewitched (1964), McHale's Navy (1962) and The Virginian (1962)) as well as the large screen (Elvis Presley's Roustabout (1964) and Doris Day's Do Not Disturb (1965)). Caught in the midst of the "beach party" craze, it's not surprising to find out that her first major film role was A Swingin' Summer (1965), which concentrated more on musical guests The Righteous Brothers and Gary Lewis & The Playboys than on Welch's outstanding assets. But 20th Century-Fox certainly took notice and signed her up.
With her very first film under contract (actually, she was on loan out to Britain's Hammer Studios at the time), she took on One Million Years B.C. (1966) (the remake of One Million B.C. (1940), in the role originated by Carole Landis), and the rest is history. Welch remained an international celebrity in her first few years of stardom. In England, she was quite revealing as the deadly sin representing "lust" for the comedy team of Peter Cook and Dudley Moore in their vehicle Bedazzled (1967), and as the title secret agent in the spy spoof Fathom (1967). In Italy, she gained some exposure in primarily mediocre vehicles opposite such heartthrobs as Marcello Mastroianni.
Back in the U.S., however, she caused quite a stir in her groundbreaking sex scenes with black athlete Jim Brown in the "spaghetti western" 100 Rifles (1969), and as the transgender title role in the unfathomable Myra Breckinridge (1970). Adapted from Gore Vidal's novel, she created some unwelcome notoriety by locking horns with septuagenarian diva Mae West on the set. The instant cult movie certainly didn't help Welch's attempt at being taking seriously as an actress.
Box office bombs abounded. Try as she might in such films as Kansas City Bomber (1972) and The Wild Party (1975), which drew some good reviews for her, her sexy typecast gave her little room to breathe. With determination, however, she partly offset this with modest supporting roles in larger ensemble pieces. She showed definite spark and won a Golden Globe for the swashbuckler The Three Musketeers (1973), and appeared in the mystery thriller The Last of Sheila (1973). She planned on making a comeback in Cannery Row (1982), even agreeing to appear topless (which she had never done before), but was suddenly fired during production without notice. She sued MGM for breach of contract and ultimately won a $15 million settlement, but it didn't help her film career and only helped to label her as trouble on a set.
TV movies became a positive milieu for Welch as she developed sound vehicles for herself such as The Legend of Walks Far Woman (1980) and Right to Die (1987), earning a Golden Globe nomination for the latter project. She also found a lucrative avenue pitching beauty products in infomercials and developing exercise videos (such as Jane Fonda).
Welch took advantage of her modest singing and dancing abilities by performing in splashy Las Vegas showroom acts and starring in such plausible stage vehicles as "Woman of the Year" and "Victor/Victoria". She spoofed her own image on occasion, most memorably on Seinfeld (1989). Into the millennium, she co-starred in the Hispanic-oriented TV series American Family (2002) and the short-lived comedies Welcome to the Captain (2008) and Date My Dad (2017), along with the movies Tortilla Soup (2001), Legally Blonde (2001), Forget About It (2006) and How to Be a Latin Lover (2017).
Her three subsequent marriages were to producer/agent Patrick Curtis (who produced her TV special, Raquel (1970)), director André Weinfeld (who directed her in several fitness videos), and pizza parlor owner Richie Palmer, who was 14 years her junior. All these unions ended in divorce.
She died at 2:25 a.m. on February 15, 2023, aged 82, at her Los Angeles home after suffering a cardiac arrest. She had been suffering from Alzheimer's disease.- Actor
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Richard Dreyfuss is an American leading man, who has played his fair share of irritating pests and brash, ambitious hustlers.
He was born Richard Stephen Dreyfus in Brooklyn, New York, to Geraldine (Robbins), an activist, and Norman Dreyfus, a restaurateur and attorney. His paternal grandparents were Austro-Hungarian Jewish immigrants, and his mother's family was Russian Jewish.
Richard worked his way up through bit parts (The Graduate (1967), for one) and TV before gaining attention with his portrayal of Baby Face Nelson in John Milius' Dillinger (1973). He gained prominence as a college-bound young man in American Graffiti (1973) and as a nervy Jewish kid with high hopes in The Apprenticeship of Duddy Kravitz (1974). By the latter part of the 1970s Dreyfuss was established as a major star, playing leads (and alter-egos) for Steven Spielberg in two of the top-grossing films of the that decade: Jaws (1975) and Close Encounters of the Third Kind (1977). He won a Best Actor Oscar in his first romantic lead as an out-of-work actor in The Goodbye Girl (1977). Dreyfuss also produced and starred in the entertaining private eye movie The Big Fix (1978). After a brief lull in the early 1980s, a well-publicized drug problem and a string of box-office disappointments (The Competition (1980), Whose Life Is It Anyway? (1981), The Buddy System (1984)), a clean and sober Dreyfuss re-established himself in the mid-'80s as one of Hollywood's more engaging leads. He co-starred with Bette Midler and Nick Nolte in Paul Mazursky's popular Down and Out in Beverly Hills (1986). That same year he provided the narration and appeared in the opening and closing "bookends" of Rob Reiner's nostalgic Stand by Me (1986). He quickly followed that with Nuts (1987) opposite Barbra Streisand, Barry Levinson's Tin Men (1987) in a memorable teaming with Danny DeVito, and Stakeout (1987) with Emilio Estevez. Dreyfuss continued working steadily through the end of the 1980s and into the 1990s, most notably in Mazursky's farce Moon Over Parador (1988), Spielberg's Always (1989), Postcards from the Edge (1990) and Rosencrantz & Guildenstern Are Dead (1990). He appeared as a member of an ensemble that included Holly Hunter, Gena Rowlands and Danny Aiello in the romantic comedy Once Around (1991) and as a pop psychiatrist, the author of several successful self-help books, who is driven to the edge by nutcase Bill Murray in the popular comedy What About Bob? (1991). Dreyfuss has also remained active in the theater ("Death and Maiden", 1992) and on TV. In his next project he starred the thriller Silent Fall (1994) with John Lithgow and Linda Hamilton, being the film debut of Liv Tyler, Steven Tyler's daughter (Aerosmith's lead vocals). Just later Dreyfuss made Another Stakeout (1993), sequel of Stakeout (1987) where was team again with Emilio Estevez accompanied of Rosie O'Donnell, the adaptation of Neil Simon's play Lost in Yonkers (1993) and followed with a supporting turn as the querulous political opponent in The American President (1995). Dreyfuss received some of the best notices of his career as a determined, inspiring music teacher coping with a deaf son and the demands of his career in Mr. Holland's Opus (1995). Closing the 20th century he was in Sidney Lumet's Night Falls on Manhattan (1996) with Andy Garcia, the crime comedy Mad Dog Time (1996) as the mob boss Vic, the screwball comedy Krippendorf's Tribe (1998) about an anthropologist who creates a false lost New Guinea tribe for not losing his job in the university, TV movie Lansky (1999) about the infamous mob boss to end, the too TV movie Fail Safe (2000) playing The President, and The Crew (2000), about four older mobsters retired in Miami, partnering with Hollywood legends Burt Reynolds, Dan Hedaya and Seymour Cassel.
His start in the 21st century was with the adaption of Luis Sepúlveda's novel The Old Man Who Read Love Stories (2001), playing an old man to must to hunt a female jaguar turned crazy. It was followed by the supporting apparition in the comedy Who Is Cletis Tout? (2001) and another TV movie about 1981 Ronald Reagan's shooting The Day Reagan Was Shot (2001). After the short-lived TV series The Education of Max Bickford (2001) about a teacher in a women's college where his daughter is student, Dreyfuss returned to cinema in Silver City (2004) and the box-office bomb Poseidon (2006) with Kurt Russell, Emmy Rossum and Josh Lucas. Playing former vice-president Dick Cheney in the Oliver Stone's biopic W. (2008) and Irv, the cunning tourist in Greece turned in assistant of a troubled tour guide in My Life in Ruins (2009), Dreyfuss participated in low-budget productions as Leaves of Grass (2009) and The Lightkeepers (2009), for making a cameo in the wild and crazy Piranha 3D (2010) about prehistoric men-eater piranhas that make a bloodbath in a spring break. Returning to first line playing evil Alexander Dunning in the actioner RED (2010), his further productions included Paranoia (2013) as Liam Hemsworth's father partnering Harrison Ford and Gary Oldman, road movie Cas & Dylan (2013) opposites Tatiana Maslany and the biopic TV mini-series Madoff (2016) about the infamous multi-billion-dollar and hustler Bernie Madoff. Tireless and always implied in new projects, Dreyfuss played George, the funny online date of Candice Bergen in Book Club (2018), the comedy and road movie The Last Laugh (2019) with Chevy Chase, and the set in wilderness thriller Daughter of the Wolf (2019) with Gina Carano and Brendan Fehr. Making his 73rd birthday in 2020, Dreyfuss is an example of talent, diversity and love for his work, touching not only all the genres in cinema but leaving an unforgettable footprint at any of them.- Actor
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Multiple Emmy- and Golden Globe-winner Martin Sheen is one of America's most celebrated, colorful, and accomplished actors. Moving flawlessly between artistic mediums, Sheen's acting range is striking.
Sheen was born Ramón Antonio Gerard Estevez in Dayton, Ohio, to Mary-Ann (Phelan), an Irish immigrant (from Borrisokane, County Tipperary), and Francisco Estevez, a Spanish-born factory worker and machinery inspector (from Parderrubias, Galicia). On the big screen, Sheen has appeared in more than 65 feature films including a star turn as Army Captain Benjamin L. Willard in Francis Ford Coppola's landmark film Apocalypse Now (1979), which brought Sheen worldwide recognition. The film also starred Marlon Brando, Dennis Hopper and Robert Duvall. Other notable credits include Wall Street (1987) (with son Charlie Sheen and Michael Douglas), Academy Award-winning film Gandhi (1982) (with Sir Ben Kingsley), Catch Me If You Can (2002) (with Leonardo DiCaprio and Tom Hanks), The American President (1995) (with Michael Douglas and Annette Bening) and a Golden Globe nominated breakthrough performance as Timmy Cleary in The Subject Was Roses (1968), a role he originated on Broadway and for which he received a Tony Award nomination as Best Featured Actor.
In 2006, the actor played ill-fated cop Oliver Queenan in Martin Scorsese's Academy Award-winning film The Departed (2006) opposite Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg and Alec Baldwin.
The same year, Sheen joined another all-star ensemble cast for the highly acclaimed feature Bobby (2006), written and directed by his son, Emilio Estevez. Bobby was nominated for a Golden Globe Award and a SAG Award; and starred Anthony Hopkins, Harry Belafonte, Laurence Fishburne, Sharon Stone, William H. Macy, Elijah Wood, Demi Moore and Heather Graham.
For television audiences, Sheen is best recognized for his six-time Emmy nominated performance as President Josiah Bartlet in The West Wing (1999). Sheen won six of his eight Golden Globe nominations as well as an ALMA Award; and two individual SAG Awards; for the White House series. He won the Golden Globe Award for Best Performance by an Actor TV Series Drama in 2001.
Of his ten Primetime Emmy nominations, Sheen won for Outstanding Guest Actor in a Comedy Series on the long-running sitcom Murphy Brown (1988) (starring Candice Bergen) in 1994. In addition, he has garnered a Daytime Emmy Award for directing and another for performance.
In 2006, Sheen was again nominated for an Emmy for Outstanding Guest Actor in a Comedy Series; this time for the CBS hit comedy Two and a Half Men (2003), starring his son Charlie Sheen.
In addition to series television, Sheen has appeared in several important made-for-television movies and mini-series including playing President John F. Kennedy in the television mini-series Kennedy (1983) for which he received a Golden Globe nomination.- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.- Actress
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Britt Ekland was born in Sweden and grew up to be the poster girl for beautiful, big-eyed Scandinavian blondes. She attended a drama school and then joined a traveling theater group. With her looks as her passport, Britt entered films and became a star in Italy. When Peter Sellers met her in a hotel, he fell hard for her and they soon married. The combination of Sellers' stardom and her stunning beauty contributed to her fame (the fact that Sellers suffered a heart attack in bed on their wedding night did not hurt, either). She appeared in two films with her husband: After the Fox (1966), written by Neil Simon, and the forgettable The Bobo (1967). Her claim to fame would come as the young girl who invented the striptease in The Night They Raided Minsky's (1968). After that, she appeared in a string of movies that were built around her looks and not much else. She did appear in some first-rate productions over the years, though, two of them being Get Carter (1971) and the cult classic The Wicker Man (1973). The high point in her career would be her role as Bond girl Mary Goodnight in The Man with the Golden Gun (1974). After her much publicized breakup with rocker Rod Stewart in 1977, Britt continued to make movies--both features and made-for-TV films--and tried the stage. By that time, the quality of her film projects had decreased markedly, and she was reduced to appearing in things like Fraternity Vacation (1985) and Beverly Hills Vamp (1989).- Actor
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Tall, thin, wiry Sam Elliott is the classic picture of the American cowboy. Elliott began his acting career on the stage and his film debut was in Butch Cassidy and the Sundance Kid (1969). Although his future wife, Katharine Ross co-starred in the film, the two did not meet until they filmed The Legacy (1978) together. Over the years there would be few opportunities to act in feature westerns, but it would be television that gave him that opportunity, in The Sacketts (1979), The Shadow Riders (1982) and The Yellow Rose (1983), among others. He would also work in non-westerns, usually as a tough guy, as in Lifeguard (1976) and Road House (1989). In 1985 he played Cher's love interest Gar in the drama Mask (1985), and he was in some cop movies such as Fatal Beauty (1987) and Shakedown (1988). In the 1990s, Elliott was back on the western trail, playing everyone from Brig. Gen. John Buford in the film Gettysburg (1993) to Wild Bill Hickok in the made-for-TV movie Buffalo Girls (1995). In 1991 he wrote the screenplay and co-starred with his wife in the made-for-TV western Conagher (1991), and two years later he played Wyatt Earp's brother Virgil in Tombstone (1993), with Kurt Russell as Wyatt. In 1995 the starred as John Pierce the tense thriller The Final Cut (1995), as a former head of a Bomb Squad who must to stop a dangerous bomber. In 1998 he was the narrator of the hilarious comedy The Big Lebowski (1998), playing him as The Stranger, and returned to the Western in the drama The Hi-Lo Country (1998), closing the 20th century with another western, the TV movie You Know My Name (1999).
Sam Elliott started the 21st century with the Stephen Frears' TV movie Fail Safe (2000) playing Congressman Raskob, and The Contender (2000) as Kermit Newman, at the side of Joan Allen, Jeff Bridges and Gary Oldman, and in We Were Soldiers (2002) as Sgt. Maj. Basil Plumley, together Mel Gibson. In 2003 he played Gen. Thunderbolt Ross in the Ang Lee's pre-MCU Hulk (2003), repeating in another Marvel superhero movie as Caretaker in Ghost Rider (2007). After participating in the fantasy movie The Golden Compass (2007) and made a stellar cameo in Up in the Air (2009), Elliott played Clay Wheeler in the box office flop comedy Did You Hear About the Morgans? (2009), starring Hugh Grant and Sarah Jessica Parker, and in 2012 he was a supporting character as Mac Macleod in Robert Redford's The Company You Keep (2012). After the playing Coach Moore in the sport drama Draft Day (2014) In 2015 Elliott was hyperactive, appearing in seven different productions including cinema and TV: Digging for Fire (2015), I'll See You in My Dreams (2015), Sam Elliott, the sixth season of Justified (2010) as Avery Markham, and The Good Dinosaur (2015) voicing Butch. Two years later was absolute star in the drama The Hero (2017) as Lee Hayden, and in the sci-fi movie The Man Who Killed Hitler and Then the Bigfoot (2018) as Calvin Barr, to shine again as supporting character playing Bradley Cooper's brother Bobby in the multi-nominated Cooper's directorial debut A Star Is Born (2018), sharing scenes with Lady Gaga, coming back again to the western in the TV series 1883 (2021) as Shea Brennan.- Actress
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Barbara Hershey was born Barbara Lynn Herzstein in Hollywood, California, to Melrose (Moore) and Arnold Nathan Herzstein, a horse racing columnist. Her father, born in Manhattan, was from a Jewish family (from Hungary and Russia), and her mother, originally from Arkansas, had English and Scots-Irish ancestry. Hershey was raised in a small bungalow, and had aspirations of being an actress from her earliest memories.
The multi-award-winning actress has been in some of Hollywood's most memorable films. She has been a winner of an Emmy and a Golden Globe for A Killing in a Small Town (1990). She won two consecutive Best Actress awards at the Cannes Film Festival, (which is unprecedented) for Shy People (1987) and A World Apart (1988). She won a Gemini Award for Anne of Green Gables: A New Beginning (2008) for PBS and a Lifetime Achievement Award at the Vienna International Film Festival.
Hershey was nominated for an Academy Award for The Portrait of a Lady (1996).
She's worked with some of the world's great directors, among them: Martin Scorsese, William Wyler, Woody Allen, Jane Campion and Darren Aronofsky.
The versatile actress was first discovered by a talent agent while she was attending Hollywood High School. She began working in television, The Monroes (1966), and film, With Six You Get Eggroll (1968), with Doris Day. And with roles in The Baby Maker (1970) and Boxcar Bertha (1972), Hershey quickly advanced to starring roles.
The 1980's catapulted Hershey's film career, when she starred in The Stunt Man (1980) with Peter O'Toole, The Entity (1982), The Right Stuff (1983), The Natural (1984) with Robert Redford, Hannah and Her Sisters (1986) with Woody Allen, Hoosiers (1986) with Gene Hackman, Tin Men (1987), Shy People (1987), The Last Temptation of Christ (1988), A World Apart (1988) and Beaches (1988) with Bette Midler.
Hershey returned to television in 1990 with her highly-lauded performance in A Killing in a Small Town (1990), Paris Trout (1991), Return to Lonesome Dove (1993), the British mini-series, Daniel Deronda (2002) and the last season of Chicago Hope (1994).
During the same period, Hershey remained active in features. She was nominated for an Oscar and Golden Globe for The Portrait of a Lady (1996). She also starred in Merchant-Ivory's A Soldier's Daughter Never Cries (1998) and the award-winning Australian film, Lantana (2001).
In the 2010 years, Hershey has performed in James Wan's cult-hit, Insidious (2010) and Darren Aronofsky's award-winning Black Swan (2010), playing Natalie Portman's insane mother.
Hershey resides in Los Angeles.