The Cinephile Chronicles: The GOATS, WOATS, and all in-between
*WARNING* NOT a list for people who can't handle other opinions or raunch! I don't give a shit if you're a woke liberal or pious conservative -- I'm here out of love for the art. But don't mistake me for being apolitical; I'm a quasi-independent libertarian who has opinions on and for both sides. I have a passion for entertainment and I review shit on here as a hobby to chronicle my "cultured tastes". I'm not like other cinephiles who feel the need to watch everything in order to fellate their egos; I care if it looks INTERESTING and I personally find them to be a valuable piece of art. Coming from a film student, they teach you about "objective" good-bad cinematic aesthetics, but I always found it mega bullshit in the grand scheme of things as ALL pieces of art are good-bad subjective to individuals. Because the reality is, critique based on "objective quality" is inherently subjective and dependent on shifting norms, whereas technical quality can be objectively assessed through measurable standards, allowing for a more concrete evaluation of a work's craftsmanship. And while I think about those metrics of "high art" -- a concept created during the European Enlightenment I tend to agree with profusely -- when I rate things, its not what compels me. My philosophy of rating stuff authentically is: shows, movies, games, anime -- are valuable art or "high art" if it executes its themes and artistic vision in a way that either makes you immersed, feel, see differently in perspective or thought, or most importantly, CARE. Moreover, I banned myself from listing anime 'cause I'm not a weirdo, and did it properly and separately on MyAnimelist. My anime reviews (aka the tags on the 'completed' page) are a lot more creative than the shit I do here. I'm also unafraid to say I use A.I as a TOOL, so the reason why all this shit looks the same and so prosaic is because it gave me a formula that took me a long time to get down; and I don't have time to worry about being Shakespeare every time I review something. But of course, because I barely change the structuring and don't go too creative -- like reusing the phrase "long after the credits roll" -- the minute the shit is put in A.I detectors, it MUST BE FUCKING ---- ....just like how the Bible and the Declaration of Independence is A.I written too. Every now and then, I go creative and try to be Roger Ebert. Anyway, enjoy bitches.
4 Ultra Cool Anime Stuff: https://myanimelist.net/animelist/MistaBoo?order=11&order2=4&status=7
4 Ultra Cool Anime Stuff: https://myanimelist.net/animelist/MistaBoo?order=11&order2=4&status=7
List activity
281 views
• 5 this weekCreate a new list
List your movie, TV & celebrity picks.
1531 titles
- CreatorEric HeissererStarsJessie Mei LiBen BarnesArchie RenauxDark forces conspire against orphan mapmaker Alina Starkov when she unleashes an extraordinary power that could change the fate of her war-torn world.S1-2=4
Surface-level fantasy & one of Netflix's "money-makers" given the higher-average production. Ruined by typical YA genre BS that made me cringe up the wazoo, dull characters & strangely convoluted plotting for a story that isn't hard-to-follow. Or maybe its the worldbuilding. All I know is that the characters tasted worse than communion wafers. - CreatorTravis BeachamRené EchevarriaStarsOrlando BloomCara DelevingneSimon McBurneyA human detective and a fairy rekindle a dangerous affair in a Victorian fantasy world, where the city's uneasy peace collapses when a string of murders reveals an unimaginable monster.S1=5
S2=3
Orlando Bloom going into Daddy status now, but that was the only good thing. Forgettable as hell - CreatorPatrick McKayJohn D. PayneStarsMorfydd ClarkIsmael Cruz CordovaCharlie VickersEpic drama set thousands of years before the events of J.R.R. Tolkien's 'The Hobbit' and 'The Lord of the Rings' follows an ensemble cast of characters, both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth.An abomination w/ the highest TV budget in history. Doesn't even deserve a 1. The WOAT of TV shows. Nuff said
- CreatorRafe JudkinsStarsRosamund PikeDaniel HenneyMadeleine MaddenSet in a high fantasy world where magic exists, but only some can access it, a woman named Moiraine crosses paths with five young men and women. This sparks a dangerous, world-spanning journey. Based on the book series by Robert Jordan.Amazon just doesn't know how to do fantasy, do they? They're really following Netflix in that regard. I would give it higher to praise the merits of the production or acting, but I'm not giving objective ratings....It's pointless giving each season a rating b/c is WOAT status
- CreatorMickey DownKonrad KayStarsMyha'laMarisa AbelaHarry LawteyYoung bankers and traders make their way in the financial world in the aftermath of the 2008 collapse.S1=5
S1=2
Superb acting, cinematography, and sex scenes. Problem is: everyone is just fucking terrible. I don't mind this type of storytelling or "format", but it isn't compelling. Especially when most the show's appeal is its licentiousness instead of engaging characters and story. It just didn't work for me. Take notes from Succession; cuz Industry is the edgelord version of it - CreatorJesse ArmstrongStarsNicholas BraunBrian CoxKieran CulkinThe Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company.S1-S4=10
Subjectively S1-S4=6
Slowly solidified itself as one of TV's greatest dramas. A scathing and compelling exploration of wealth, power, and dysfunction within a wealthy media family empire. The show centers around the Roy family, led by the ruthless patriarch, Logan Roy, portrayed by the iconic Brian Cox. It expertly navigates the intricacies of family dynamics, corporate intrigue, and moral ambiguity as the Roy siblings vie for control and validation from their domineering father. The series boasts a stellar ensemble cast, with standout performances from Jeremy Strong as the troubled Kendall Roy and Matthew Macfadyen as the opportunistic Tom Wambsgans. The writing is sharp, filled with razor-sharp wit and biting social commentary that exposes the greed and ruthlessness that often accompanies immense wealth and power. It successfully captures the essence of contemporary media moguls and the cutthroat nature of the business world. With its acerbic humor, powerful performances, "Succession" stands as a brilliant and unflinching examination of the corrosive effects of immense wealth and familial power struggles. I also must impress the extensive amount of apathy I have toward the shows approach. Often, you barely scrape by every episode without hating the characters -- no matter how comical or witty the dialogue was. Comparatively, Mad Men, also succumbed to this same issue, but explored it in a way where the human condition was gigantically evident. Where Mad Men is a bunch of outstanding subtext & empathetic character-writing with suited men being powerful & skirted women trying to be, Succession crafts a Shakespearean dramedy where the characters are a chore to watch. Mad Men just happened to bore the ever living shit outta me instead of being a chore. If you remove the social commentary on capitalism, raunchiness, and Dynasty-style soap, Succession has little to offer...especially in comparison to Mad Men. Whether I like it or not, its still damn perfect - CreatorVince GilliganStarsBryan CranstonAaron PaulAnna GunnA chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine with a former student in order to secure his family's future.S1-5=11
The GOAT of TV. My third favorite show of all time. The groundbreaking television series created by Vince Gilligan, is a masterclass in storytelling and character development. Follows the transformation of Walter White, a high school chemistry teacher turned methamphetamine manufacturer, into the ruthless drug lord known as Heisenberg. Bryan Cranston's Emmy-winning performance as Walter White is nothing short of phenomenal, as he brilliantly navigates the character's descent into darkness and moral ambiguity which only is rivalled by Gandolfini's Tony. Aaron Paul's portrayal of Jesse Pinkman, Walter's former student and partner in crime, adds another layer of complexity to the narrative, highlighting the tragic consequences of their choices. The legendary Gustavo Fring, impeccably portrayed by Giancarlo Esposito, is a character of calculated elegance, a drug kingpin whose icy demeanor and hidden ruthlessness make him a formidable adversary for Walter, and one of TV's greatest villains. Hank Schrader, brought to life by Dean Norris, is a character who is scarily similar to my own father in most ways, is a tenacious DEA agent with a strong sense of justice. His pursuit of Heisenberg, his brother-in-law, brings a personal and moral dimension to the story, leading to some of the series' most gripping moments. The show's writing is flawless, sharp and unrelenting, building tension and suspense with every episode. Skyler White, portrayed by Anna Gunn, undergoes her own transformation from a seemingly conventional housewife to a character grappling with her husband's criminal activities; and it's highly likely her character was solely inspired by Carmela Soprano. Of course, I'd give credit to Maria, Walter Jr., Mike, Saul or even Tuco -- who are also brilliant -- but I'd be here forever. Explores themes of power, morality, and the consequences of one's actions, leaving viewers questioning the boundaries of right and wrong. The series is complemented by meticulous attention to detail, and breathtaking cinematography that captures the desolate landscapes of Albuquerque, New Mexico. "The Sopranos" may be the most influential show ever, but Breaking Bad remains to be the most pop culturally influential TV show ever: its bold storytelling, compelling characters, and unflinching examination of the human psyche. - CreatorDavid ChaseStarsJames GandolfiniLorraine BraccoEdie FalcoNew Jersey mob boss Tony Soprano deals with personal and professional issues in his home and business life that affect his mental state, leading him to seek professional psychiatric counseling.S1-6=10
The GOAT of TV. The landmark television series created by David Chase, revolutionized the medium and set new standards for storytelling in the 21st century. The show's influence on television cannot be overstated. It not only introduced the world to the complex, morally ambiguous character of Tony Soprano, portrayed with astonishing depth and complexity by James Gandolfini, but it also pioneered the antihero protagonist archetype, paving the way for a new era of television where flawed, multi-dimensional characters took center stage inspiring the inception of countless iconic characters: Walter White, Don Draper, Nucky Thompson, Vic Mackey, etc. What truly sets "The Sopranos" apart is its unflinching exploration of the human condition. It delves into the psyche of its characters, exposing their vulnerabilities, desires, and inner demons. Tony Soprano, in particular, is a character for the ages, a mob boss struggling with anxiety, depression, and the constant weight of his criminal empire. Gandolfini's performance is nothing short of extraordinary, making Tony simultaneously terrifying and deeply sympathetic. Unless a miracle happens, I still hold the belief it is the greatest performance in TV history. The show's narrative is a tapestry of interwoven storylines, combining elements of crime drama, family saga, and psychological exploration. It masterfully balances the high-stakes world of organized crime with the everyday challenges of family life. Edie Falco's portrayal of Tony's wife, Carmela, adds another layer of complexity, as she grapples with her complicity in her husband's criminal activities while trying to maintain a semblance of normalcy for their children. The other characters, also deliver powerhouse performances, such as Michael Imperoli's Christopher, Steve Van Zandt's Silivio, Tony Sirico's Paulie, Lorraine Bracco's Dr. Melfi, or the uniquely villainous Nancy Marchand's Livia Soprano. It's also marked by its innovative storytelling techniques and bold narrative choices. It wasn't afraid to challenge conventional television tropes, often leaving audiences in suspense with unexpected twists and unresolved storylines. Its willingness to explore the gray areas of morality, often without providing easy answers, added to its narrative richness. Even years after its conclusion, "The Sopranos" remains the most influential show of all time: a testament to its unparalleled storytelling, unforgettable characters, and its profound exploration of the complexities of the human soul in a world where morality is often elusive. - CreatorDavid SimonStarsDominic WestLance ReddickSonja SohnThe Baltimore drug scene, as seen through the eyes of drug dealers and law enforcement.S1-5=10
The GOAT of TV. If it ain't Breaking Bad or The Sopranos, then its The Wire. Another magnum opus of television, transcending the boundaries of the crime drama genre to become an incisive and sprawling sociopolitical epic. Set in Baltimore, Maryland, the series presents a visceral and unflinching portrayal of the city's institutions and the lives of its residents, spanning across five seasons. What sets "The Wire" apart is its unwavering commitment to realism and its exploration of the systemic issues plaguing American urban centers. Each season meticulously examines a different facet of the city, from the drug trade and the police department to the education system and the media. Its sprawling ensemble cast, including Dominic West, Idris Elba, and the revolutionary & legendary Omar Little of Michael K. Williams, deliver performances of unparalleled depth and authenticity, and the supporting cast breathing life into a wide array of characters, from corner boys to detectives. The series resists the temptation to provide easy answers or moral absolutes, instead opting for a nuanced and often bleak portrayal of a world where institutions are often more interested in self-preservation than genuine reform. "The Wire" stands as a searing critique of the failures of the American Dream, a treatise on the cyclical nature of systemic problems, and a testament to the enduring power of storytelling in shedding light on the darkest corners of society. It's a landmark achievement in television that demands not only to be watched but to be studied and pondered for its unflinching examination of the urban American experience and its profound, often sobering, reflections on the human condition. - CreatorLisa JoyJonathan NolanStarsEvan Rachel WoodJeffrey WrightEd HarrisAt the intersection of the near future and the reimagined past, waits a world in which every human appetite can be indulged without consequence.S1=10
S2=5
S3=4
S4=3
Small rant time because I would write an essay for this. I don't need to say much to explain how this became a dumpster fire, when others have already said it better on countless YouTube analysis videos. S1 of Westworld was the peak of TV, and I daresay the greatest first season of a show besides "True Detective". It had the potential to be a GOAT. It was conceptually confounding, perfectly acted (Anthony Hopkins literally stole every scene), cinematographically inspiring, and had plain brilliant writing which I essentially consider to be benchmark sci-fi. Then.......S2-S4 happened. And they took a massive, politically-driven, feminist shit on the show. It was the girl boss Dolores show after that. Not even the A-list actors who've been in the show like Jeffrey Wright or Ed Harris could save it. Season 1 is a masterpiece that is thankfully very easy to pretend a mini-series w/ an open-ending -- though the other seasons is just insanely good-looking, well-acted shit - CreatorDavid BenioffD.B. WeissStarsEmilia ClarkePeter DinklageKit HaringtonNine noble families fight for control over the lands of Westeros, while an ancient enemy returns after being dormant for millennia.S1-3=10
S4=11
S5-6=10
S7=7
S8=4
My favorite show ever and the longest review I'll ever make besides "Lord of the Rings". A monumental television achievement that redefined the fantasy genre on the small screen. The show's vast and intricately woven narrative follows the power struggles, political intrigue, and warfare among the noble families of the fictional continents of Westeros and Essos. With its sprawling ensemble cast which is the greatest in TV, it presents a rich tapestry of complex characters, each with their motivations and moral ambiguity. I mean, half to most of the fucking cast put on legendary performances that trump most ENTIRE castings of TV shows and movies. From the valor and resilience of House Stark: the steadfast Jon Snow, the honorable Ned Stark, the fierce Arya Stark, the diplomatic Sansa Stark, the enigmatic Bran Stark, the valiant Robb Stark, the nurturing Catelyn Stark, the young Rickon Stark, the wise Maester Luwin, and the tragic Theon Greyjoy, once of House Stark. From the scheming and power-hungry House Lannister: the cunning Cersei Lannister, the conflicted Jaime Lannister, the witty Tyrion Lannister, the commanding Tywin Lannister, the detestable Joffrey Baratheon (by adoption), the tragic Myrcella Baratheon (by adoption), the gentle Tommen Baratheon (by adoption), and the devout Lancel Lannister. From the once-mighty and dominatable House Targaryen: the liberator and conqueror Daenerys Targaryen, the naively ambitious Viserys Targaryen, the wise Maester Aemon Targaryen, and the lineage-bound Jon Snow. From the rebellious House Baratheon: the boisterous drunkard Robert Baratheon, the stern Stannis Baratheon, the charismatic Renly Baratheon, the innocent Shireen Baratheon, and the legitimatized Gendry. From the progressive and resourceful House Tyrell: the siren Margaery Tyrell, the sharp-tongued Olenna Tyrell, the gallant Loras Tyrell, and the pushover Mace Tyrell. From seafaring pillagers of House Greyjoy: the broken Theon Greyjoy, the bold Yara Greyjoy, the ruthless Euron Greyjoy, and the late Balon Greyjoy. From prideful House Martell: the passionate, vengeful, bisexual dynamic duo of Oberyn Martell and Ellaria Sand. From the usurping House Bolton: the usurping Roose Bolton and his uninhibited sadistic bastard son, Ramsay Bolton. And don't forget the others: the Machiavellian Petyr Baelish, the mysterious Varys, the tormented Sandor Clegane (the Hound), the monstrous Gregor Clegane (the Mountain), the mystical Melisandre (the Red Woman), the loyal Davos Seaworth (the Onion Knight), the pragmatic Bronn, the devoted Jorah Mormont, the honorable Brienne of Tarth, the wild Tormund Giantsbane, the scholarly Samwell Tarly, the innocent Gilly and Hodor, the assassin Jaqen H'ghar, the conniving Maester Pycelle, the ambitious Qyburn, the duplicitous Shae, the loyal Podrick Payne, the compassionate Missandei, the disciplined Grey Worm, the resilient Beric Dondarrion, the faithful Thoros of Myr, the charming Daario Naharis, the devout High Sparrow, the treacherous Walder Frey, the fierce Ygritte, the wise Jojen Reed, and the loyal Meera Reed. The series is marked by its willingness to subvert traditional fantasy tropes, raunchy and quippy dialogue, and often eschewing conventional happy endings for shocking plot twists and character deaths. For those curious, Varys & Tyrion are my primary favorites among the ocean of favorites. Of course, I would have to mention the mega bullshit in its later seasons for rushed character arcs and its divisive narrative choices. I don't need to repeat the infinite analysis videos you see explaining how the ending was the worst -- blah, blah. If anyone's curious, I'll briefly explain the bullshit character arcs that pissed me off: worst of all was Jaime's redemption (that's unforgivable), and second was Jon's lineage or succession meaning nothing, Daenerys's ham-fisted 'Mad Queen' descent, Euron just existing, Loras being victim to "bury your gays" as the token gay guy (not a problem in books FYI because he's actually badass. As a gay guy, I have a personal rant: I'd love a good medieval fantasy one day that doesn't treat gay guys like Goody Proctor in Salem. Or doesn't pretend they don't exist like in Tolkien's legendarium; Tolkien probably hated gays, and that doesn't change my obsession with Middle Earth, but since its a European-Catholic mythology it's not THAT curious. That's why I vibe so much with Greeks and their mythologies -- far more in touch. But why does everyone think hating gays is a necessity for medieval shit? More disturbingly, justifying the persecution due to it. Crack a book, it's fantasy and a lot of historical societies had no problem with it until Catholic Inquisitions), Varys getting burned for betrayal, Littlefinger being outsmarted, Bran becoming king, and the Night King amounting to little as a threat especially forcing focus to Cersei. But "chaos is a ladder", and David Benioff & D.B. Weiss kept climbing in those final seasons; though, I still find it more thrilling than most shows. And yet, it still remains a cultural phenomenon that left an indelible impact on popular culture in a way never seen before with a TV show: widespread discussions about its themes and characters, massive subcultures created, sprawling merchandise, and worldwide recognition. Ultimately, "Game of Thrones" will be remembered as a groundbreaking and influential television series that pushed the boundaries of epic storytelling, captivating with its intricate political intrigue, complex characters, and unrelenting portrayal of the brutality and unpredictability of the human condition. "Breaking Bad" may be the pop culture benchmark for television, but "Game of Thrones" is the pop culture PHENOMENOM of television. After all, it's the only show on IMDB with a higher number of rating count than BB. - CreatorRyan J. CondalGeorge R.R. MartinStarsMatt SmithEmma D'ArcyOlivia CookeAn internal succession war within House Targaryen at the height of its power, 172 years before the birth of Daenerys Targaryen.S1-2=10
A long-awaited return to the captivating world of Westeros. It dives into the volatile reign of the Targaryens, and the complex web of royal bloodlines, power struggles, and rivalries, centering on the ascension to the throne after King Jaeharys I. The narrative navigates through political intrigue, generational succession, and the thirst for power, echoing the familiar themes of its predecessor. While comparisons to "Game of Thrones" are inevitable, "House of the Dragon" brings its own flavor, selectively toning down on the violence and sex in favor of a glorified soap opera. The casting, led by the transcendent and Shakespearean performance of Paddy Considine's Viserys I, and following: the bold, ambitious duo of Matt Smith's Daemon and Emma D'Arcy's Rhaenyra Targaryen, the cunning, manipulative duo of Rhys Ifans's Otto and Olivia Cooke's Alicent Hightower, the wise, shrewd duo of Steve Toussaint's Corlys Velaryon and Eve Best's Princess Rhaenys and standalone's like Ewan Mitchell's Aemond Targaryen or Graham McTavish's Ser Harrold. And for the matter, Viserys walking down the throne room in "Lord of the Tides" looking like a Dark Souls boss is one of the most epic things I've ever seen. The series adeptly utilizes what "Game of Thrones" did masterfully—political intrigue, complex character dynamics, and nuanced storytelling—to build upon the established foundation. It skillfully weaves its draconic elements, showcasing the unique, fantastical era in which Fire & Blood ruled Westeros. The show's CGI and cinematography are the franchise's zenith, with mesmerizing visual landscapes, complementing the grandeur of the Targaryen legacy and Westeros. "House of the Dragon" is a stellar addition to the fantasy genre, inviting an exploration of Westerosi history through the fiery conflicts that consumed the Blacks vs. Greens. - DirectorPeter JacksonStarsElijah WoodIan McKellenOrlando BloomA meek Hobbit from the Shire and eight companions set out on a journey to destroy the powerful One Ring and save Middle-earth from the Dark Lord Sauron.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- DirectorPeter JacksonStarsElijah WoodViggo MortensenIan McKellenGandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- DirectorPeter JacksonStarsElijah WoodIan McKellenViggo MortensenWhile Frodo and Sam edge closer to Mordor with the help of the shifty Gollum, the divided fellowship makes a stand against Sauron's new ally, Saruman, and his hordes of Isengard.Directed by the visionary Peter Jackson, stands as an unparalleled cinematic masterpiece that has etched its place in the annals of film history. Adapted from J.R.R. Tolkien's epic fantasy saga, the trilogy's monumental achievement lies in its seamless fusion of breathtaking world-building, intricate storytelling, and exceptional performances by a remarkable ensemble cast. At the heart of this epic journey is the unassuming yet resolute Frodo Baggins (Elijah Wood), whose portrayal captures the essence of courage and vulnerability as he shoulders the weight of the One Ring. Alongside him, the loyal and steadfast Samwise Gamgee (Sean Astin) stands as a testament to friendship and unwavering devotion, forming an indomitable bond that resonates deeply as one of the greatest heroes. Viggo Mortensen's portrayal of Aragorn is a masterclass in stoicism, growth, and infectious masculinity, evolving from a rugged ranger to a true king. While the wisdom and ethereal presence of Cate Blanchett's enchanting Galadriel casts a veil with her monologues and powers. The Istari wizards: Ian McKellen's Gandalf and Christopher Lee's Saruman both exude infectious gravitas; Gandalf oozing wisdom as a guiding force of light, and Saruman, a corruption of wisdom as a dejection to the light. While the endearing hobbits Pippin (Billy Boyd) and Merry (Dominic Monaghan) infuse the narrative with camaraderie and bravery, as they turn into unexpected heroes alongside Frodo and Sam. The elegant Liv Tyler embodies Arwen's beauty (inherited from Luthien) and willfulness, and Hugo Weaving's Elrond exudes regal authority among the elves as a bastion of common sense. John Rhys-Davies's Gimli provides both comic relief and heartfelt camaraderie, showing the hardiness of dwarves and delicacy, by way through Orlando Bloom's Legolas that provides loyalty and elven graces of combative prowess. Sean Bean's Boromir delivers a poignant exploration of the ring's effects on man, with redemption and sacrifice, while his brother, David Wenham's portrayal of Faramir, adds a layer of complexity to the themes of duty and family. The enigmatic Gollum, brought to life through Andy Serkis's groundbreaking motion-capture performance, is perhaps the most complex and tragic character in the narrative. Miranda Otto's Eowyn defies conventions with her courage and determination, challenging gender norms. Where Bernard Hill's King Théoden is a pinnacle of inspiration and gravitas, with a sharp shrewdness and authority, but also insecurities of leadership. John Noble's Denethor captures the tragic descent into madness and despair, mirroring the One Ring's effect on the realm of Man. The malevolent presence of Sauron, an embodiment of darkness and malevolence, casts a shadow over Middle-earth, epitomizing the ultimate villainy that threatens to consume all. The dazzling visual effects, brought to life by Weta Digital, seamlessly integrate the fantastical landscapes and awe-inspiring battles, complemented by my favorite scoring of all time, Howard Shore's transcendent musical score that captures the emotional depth of the narrative. Jackson's visionary direction ensures every frame is a testament to meticulous attention to detail, enveloping audiences in a fully realized Middle-earth. The trilogy's triumph lies not only in its technical prowess but in its thematic resonance—exploring enduring themes of friendship, heroism, the battle between light and darkness, and the indomitable human spirit. The intricate tapestry of cultures, languages, and races reflects a profound commitment to storytelling that made Tolkien's legendarium a story like no other. The "Lord of the Rings" trilogy isn't just a cinematic achievement; it's an exploration of humanity's capacity for greatness and its ability to overcome adversity. This is shown through such sequences of The Bridge of Khazad-dum, The Battle of Helm's Deep or Battle of the Pelennor Fields -- three of the greatest cinematic moments in history, among the many others in the trilogy. Through its characters, performances, and the sheer scope of its storytelling, the trilogy has left an indelible mark on both cinema and popular culture, securing its place as an everlasting masterpiece. No other story comes close to the catharsis this trilogy gives me, no other films comes close to their greatness, and forevermore will be my all-time favorite movies ever
- StarsIndia AmarteifioAdjoa AndohMichelle FairleyBetrothed against her will to King George, young Charlotte arrives in London on her wedding day and faces scrutiny from the monarch's cunning mother.This mini series just reinforced to me that Golda Rosheuvel is just an absolute knockout in her role. In many ways surpassing its successor, the mini series offers a forethoughtful, mature, and layered look into the characters of which we were left in the dark of. The series presents a more mature and layered dissection of class structure and royal hierarchy. This hierarchy shows themes of duty, family, nationalism, and in Bridergton style -- a sardonic social commentary of the dynamics of monarchy. The romance, is arguably treated with more tact and authenticity than Bridgerton. Charlotte and George's romance is matched by cruel realities and a constant sense of poignancy, Reynolds and Brimsely's forbidden romance is unabashedly touching and steamy, but also has its own touch of cruel realities. I have no qualms whatsoever calling this better than the original; and infinitely more rewatchable
- CreatorChris Van DusenStarsNicola CoughlanClaudia JessieLuke NewtonThe eight close-knit siblings of the Bridgerton family look for love and happiness in London high society.S1=7
S2=6
One of those Netflix phenomenon's that gets insanely popular for whatever reason. A romance dramedy for middle-aged women to masturbate to. I must admit to bewilderment, as to how good I actually found this. The show's diverse cast and colorblind casting approach bring a modern sensibility to the Regency-era setting, such as it is being a byproduct of its satirical nature. The lavish production design, elaborate costumes, and captivating music create an immersive and enchanting world for viewers to indulge in. it adeptly tackles important themes, such as societal expectations, gender roles, and the complexities of love and marriage. It stands as a delightful and innovative period drama that combines romance, drama, and societal commentary with visual splendor and modern sensibilities. - StarsJodie ComerRebecca BensonJacob Collins-LevyBased on the Philippa Gregory book of the same name, the story of Elizabeth of York, the White Queen's daughter, and her marriage to the Lancaster victor, Henry VII.A dull sequel. The actors did their best, especially the likes of Michelle Fairley, Jodie Comer, and Jacob Levy, but the script was fucking poor. It kinda felt like a video game with how the costuming and set design was executed. Definitely not on the White Queen's level, but not as bad as Spanish Princess.
- StarsAneurin BarnardRebecca FergusonAmanda HaleThree different, yet equally relentless women vie for the throne in 15th-century England.Not a historical I'd ever watch again, but was genuinely a good show. The casting is excellent (I loved Rebecca Ferguson & Janet McTeer), the costuming is fabulous, the set design & locations is superb, and the story was generally engaging. Not one of those people up their ass ab "accuracy", but compared to other historicals, it just didn't do much for me
- CreatorEmma FrostMatthew GrahamStarsLaura CarmichaelAaron CobhamCharlotte HopeSpanish princess Catherine of Aragon navigates the royal lineage of England with an eye on the throne.Ruairi O'Connor was delightful to look at, but this show is garbage
- CreatorJustin HaytheStarsSamantha MortonRaza JaffreyAmrita AchariaSeries based on Leonie Frieda's book "Catherine de Medici: Renaissance Queen of France."A passionate rollercoster of a drama horribly spoiled by pointless cacophonous music, ridiculous modern dialoge and endless 4th wall breaking. Despite the glaring inaccuracy, the plot is entertaining and the Serpent Queen carries the show, managing to make up for some pretty mediocre performances by some of the rest of the cast. If you can bear the patronising need to present historical characters as modern 21st century people, the action should carry you along. Idc ab S2.
- CreatorSam EsmailStarsRami MalekChristian SlaterCarly ChaikinElliot, a brilliant but unstable cyber-security engineer and vigilante hacker, becomes a key figure in a complex game of global chaos when he and his shadowy allies try to take down the corrupt corporation his company is paid to protect.S1-4=10
A groundbreaking series that stands out for its innovative storytelling, complex characters, and gripping exploration of societal issues. The show follows Elliot Alderson, brilliantly portrayed by Rami Malek, a cybersecurity engineer and vigilante hacker plagued by mental health struggles and a desire to dismantle corrupt corporations. The series' visual style, with its unique framing and cinematography, mirrors Elliot's disjointed reality, effectively immersing viewers into his mind. Christian Slater's enigmatic Mr. Robot serves as both Elliot's alter ego and a symbol of rebellion against the system. The writing, spearheaded by creator Sam Esmail, expertly delves into themes of power, control, identity, and the dark underbelly of technology. Its nonlinear narrative keeps audiences on edge, offering twists and turns that challenge perceptions and keep the suspense high. The supporting cast, including Carly Chaikin as the complex Darlene and Martin Wallström as the ruthless Tyrell Wellick, contributes to the show's depth. "Mr. Robot" is a thought-provoking and visually stunning series that delves deep into the human psyche, delivering a narrative that's both psychologically intricate and socially relevant, making it a standout in contemporary television. - CreatorNoah HawleyStarsDan StevensRachel KellerAubrey PlazaDavid Haller is a troubled young man diagnosed as schizophrenic, but after a strange encounter he discovers special powers that will change his life forever.S1=8
S2=5
S3=5
The epitome of style over substance. At once, an extremely engaging show, but for most of it, an audiovisual & cinematographic masterpiece that's better off being a film student essay on cinematography than it is being a good show. It's unquestionably one of Marvels most ambitious works to date, and severely underrated and obscure -- but not for the right reasons. - CreatorSam CatlinEvan GoldbergSeth RogenStarsDominic CooperJoe GilgunRuth NeggaAfter a supernatural event at his church, a preacher enlists the help of a vampire and his ex to find God.S1=7
S2=5
S3=5
S4=5
The first season was promising, and had executed all of its comic-book, supernatural elements effectively. But everything after that was pretty dull and boring. It got way too self-indulgent w/ the comic book adaptation thing and ended up being a cringefest of rule-of-cool profanity & action - CreatorCraig SilversteinStarsJamie BellHeather LindSamuel RoukinA Long Island farmer bands together a group of childhood friends to form an unlikely group of spies who turn the tide in America's fight for independence.S1=8
S2=7
S3=6
S4=6
Being basically the only TV show set in the Revolutionary Era, I was VERY intrigued by it. Suffice it to say, that it became a very tedious show for me as the seasons went by. Kevin McNally and Burn Gorman were the saving graces throughout, but Jamie Bell was rather stale, and Samuel Roukin was just plain comical w/ his character. I don't think this was an average show by any means, but after a while the Colonial espionage lost its appeal and frankly, got stupid. The series suffers from excessive slowness in events and repetitive boredom, making it boring to watch a lot of times. It also lacks the artistic essence that makes viewers feel excitement and thrill.