NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
Béla Tarr’s Werckmeister Harmonies begins showing in a long-overdue restoration.
Roxy Cinema
A new 35mm print of Philippe Garrel’s Nico-scored The Inner Scar screens this weekend, as does a print of Cocteau’s Beauty and the Beast; The Heartbreak Kid and 4K restoration of Dogville play, while “City Dudes” returns on Saturday.
Museum of the Moving Image
A 35mm print of Blow Out leads the pack on “See It Big: Summer Movies,” while Morocco and The Fly play in a queer cinema series.
Anthology Film Archives
An Udo Kier retrospective continues; Dreyer plays in Essential Cinema.
IFC Center
The David Lynch retrospective continues; Party Girl plays in new 4K restorations, while A Clockwork Orange, They Live, and Aliens have late showings; João Pedro Rodrigues’ O Fantasma plays on Saturday.
Film Forum
A retrospective on New York movies is underway,...
Film at Lincoln Center
Béla Tarr’s Werckmeister Harmonies begins showing in a long-overdue restoration.
Roxy Cinema
A new 35mm print of Philippe Garrel’s Nico-scored The Inner Scar screens this weekend, as does a print of Cocteau’s Beauty and the Beast; The Heartbreak Kid and 4K restoration of Dogville play, while “City Dudes” returns on Saturday.
Museum of the Moving Image
A 35mm print of Blow Out leads the pack on “See It Big: Summer Movies,” while Morocco and The Fly play in a queer cinema series.
Anthology Film Archives
An Udo Kier retrospective continues; Dreyer plays in Essential Cinema.
IFC Center
The David Lynch retrospective continues; Party Girl plays in new 4K restorations, while A Clockwork Orange, They Live, and Aliens have late showings; João Pedro Rodrigues’ O Fantasma plays on Saturday.
Film Forum
A retrospective on New York movies is underway,...
- 5/25/2023
- by Nick Newman
- The Film Stage
Jan 8
7:30 p.m.
UnionDocs
322 Union Ave
Brooklyn, NY 11211
Hosted by: The Film-makers’ Cooperative
Curated by Coleen Fitzgibbon, Argument of the Eye is a collection of short films that were chosen based on “the artist’s strength of character.” They range from Fitzgibbon’s own 1973 film Trip to Carolee’s — about a trip to the home of fellow underground filmmaker Carolee Schneeman — to the 2010 film Defunct by Katie Torn — a dance film that has been modified video effects.
The title of this screening has been taken from the work of the English art critic John Ruskin, who wrote about the way the eye was able to intuitively discern beauty. This is a very diverge group of films, with many of the filmmakers in attendance for a post-screening discussion with Fitzgibbon. In attendance will be: Andrea Callard, Katy Martin, Sandra Gibson, Liza Bear, Susan Cox, and Katie Torn.
Below is the full lineup of films.
7:30 p.m.
UnionDocs
322 Union Ave
Brooklyn, NY 11211
Hosted by: The Film-makers’ Cooperative
Curated by Coleen Fitzgibbon, Argument of the Eye is a collection of short films that were chosen based on “the artist’s strength of character.” They range from Fitzgibbon’s own 1973 film Trip to Carolee’s — about a trip to the home of fellow underground filmmaker Carolee Schneeman — to the 2010 film Defunct by Katie Torn — a dance film that has been modified video effects.
The title of this screening has been taken from the work of the English art critic John Ruskin, who wrote about the way the eye was able to intuitively discern beauty. This is a very diverge group of films, with many of the filmmakers in attendance for a post-screening discussion with Fitzgibbon. In attendance will be: Andrea Callard, Katy Martin, Sandra Gibson, Liza Bear, Susan Cox, and Katie Torn.
Below is the full lineup of films.
- 1/5/2011
- by screenings
- Underground Film Journal
Terry Zwigoff’s Crumb was our cover story in Spring, 1995. Consensus was that our cover, which was an illustration by the film’s subject, R. Crumb, didn’t really work. Newsstand distributors mistook the issue for a comics magazine, leading to retail confusion. Also in the book: Swimming with Sharks, Basketball Diaries, My Family, and Berenice Reynaud interviewing filmmaker Lourdes Portillo about her The Devil Never Sleeps. Liza Bear interviewed Atom Egoyan about his Exotica, who spoke of the film and his impending fatherhood: Filmmaker: You were becoming a father while Exotica was in production. What effect did being an expectant parent have on the orientation of the whole project? Egoyan: Everyone talks about the joy...
- 8/12/2010
- by Scott Macaulay
- Filmmaker Magazine - Blog
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