With five seasons of playing Alice in “Good Trouble” under her belt, Sherry Cola says that she is the “most liberated version” of herself thanks to her evolution on the show.
“Now that we’re in season five, I’ve learned so much as an actor, I’ve learned so much as an activist, I’ve learned so much as someone who is queer, and immigrant and Chinese American and woman,” Cola told TheWrap, describing the show as a “creative playground.” “I am the most liberated version of myself today, because I’ve had the honor of evolving through ‘Good Trouble.’ That’s not lost on me … I don’t take it for granted that this show has changed my life in a lot of ways.”
Cola, who stars in Lionsgate’s upcoming “Joy Ride” alongside Ashley Park and Stephanie Hsu, also praised the Freeform drama for practicing what it...
“Now that we’re in season five, I’ve learned so much as an actor, I’ve learned so much as an activist, I’ve learned so much as someone who is queer, and immigrant and Chinese American and woman,” Cola told TheWrap, describing the show as a “creative playground.” “I am the most liberated version of myself today, because I’ve had the honor of evolving through ‘Good Trouble.’ That’s not lost on me … I don’t take it for granted that this show has changed my life in a lot of ways.”
Cola, who stars in Lionsgate’s upcoming “Joy Ride” alongside Ashley Park and Stephanie Hsu, also praised the Freeform drama for practicing what it...
- 4/7/2023
- by Loree Seitz
- The Wrap
John G. Avildsen's "Rocky" was a suitably scrappy production. Much like its palooka protagonist, it came out of the corner as an underdog. It was modestly budgeted enough to potentially turn a profit (thanks in part to the non-union New York City crew the director snuck into Philadelphia), but no one viewed the boxing flick, written by a nobody named Sylvester Stallone, as anything more than a programmer. Best case, it would ride the wave of excitement generated by the decade's heavyweight titans, and establish its screenwriter as a B-level star.
No one saw "Rocky" becoming the highest-grossing movie of 1976 while winning that year's Academy Award for Best Picture.
Movies are far more calculated ventures nowadays. Most prestige films are every bit as formulaic as your garden-variety superhero flick. There's a tried-and-true template for every genre, which means innovation, especially on a technical level, is best left to proven A-list directors.
No one saw "Rocky" becoming the highest-grossing movie of 1976 while winning that year's Academy Award for Best Picture.
Movies are far more calculated ventures nowadays. Most prestige films are every bit as formulaic as your garden-variety superhero flick. There's a tried-and-true template for every genre, which means innovation, especially on a technical level, is best left to proven A-list directors.
- 2/7/2023
- by Jeremy Smith
- Slash Film
The amount of effort it takes to make a movie requires nerves of steel. You try to make it the best it can possibly be under the circumstances in which you're given. In the case of "Rocky," it not only proved itself successful at the box office in 1976, but would go on to become a critical piece of U.S. pop culture. I can't imagine walking up to someone who hasn't at least heard of the screen boxer, played ever so charmingly by Sylvester Stallone. At the time, though, the "Death Race 2000" star was going through his own underdog story when putting the script together. Stallone barely had any money to his name, in addition to nearly losing the role of Rocky Balboa to a bigger name like Robert Redford.
This gamble of front-lining a nobody to headline a project like this paid off in spades, as "Rocky" remains...
This gamble of front-lining a nobody to headline a project like this paid off in spades, as "Rocky" remains...
- 2/2/2023
- by Matthew Bilodeau
- Slash Film
"Rocky" has endured as one of the most uplifting sports films of all time thanks in large part to its heartfelt portrayal of two social misfits falling haltingly in love as one of them trains for an unlikely, yet plausible shot at the heavyweight boxing title. Sylvester Stallone and Talia Shire give lovely, lived-in performances that are painful to watch at times because Rocky has no idea how awkwardly his gregariousness lands, while Adrian seems terrified that anyone would find her worthy of affection.
For most of its runtime, "Rocky" is a human drama about losers. It soars to life during its Bill Conti-scored training montage that explodes the film into its exhilarating third act. Interestingly, the final match isn't all that long. From the opening bell to the end of the fifteenth round, it occupies a scant eight-and-a-half minutes of screen time. But it feels like trench warfare...
For most of its runtime, "Rocky" is a human drama about losers. It soars to life during its Bill Conti-scored training montage that explodes the film into its exhilarating third act. Interestingly, the final match isn't all that long. From the opening bell to the end of the fifteenth round, it occupies a scant eight-and-a-half minutes of screen time. But it feels like trench warfare...
- 1/13/2023
- by Jeremy Smith
- Slash Film
An ill-advised tour of the snow-bound Overlook Hotel, as seen in Stanley Kubrick's 1980 horror classic "The Shining," can find menace in several of its nooks and crannies. The grim history of the hotel would leave supernatural traces behind –- Scatman Crothers' chef and telepath Dick Hallorann would liken the old hotel's malevolent presence to the scent of burnt toast –- in bloody elevators and time-warped ballrooms. However, one of the most intimidating places on the hotel grounds is a time-honored obstacle for fictional heroes: a towering labyrinthian maze, complete with its own axe-swinging monster.
Jack Torrance (Jack Nicholson) emerges as the Overlook's greatest weapon, prompting him to attack his family and chase his terrified child Danny (Danny Lloyd) into a nearby snow-flecked hedge maze in the film's climax (read more about the ending from /Film's Max Evry). An early scene in the film gives dimension to the maze without spoilers:
It's a dizzying sequence,...
Jack Torrance (Jack Nicholson) emerges as the Overlook's greatest weapon, prompting him to attack his family and chase his terrified child Danny (Danny Lloyd) into a nearby snow-flecked hedge maze in the film's climax (read more about the ending from /Film's Max Evry). An early scene in the film gives dimension to the maze without spoilers:
It's a dizzying sequence,...
- 1/1/2023
- by Anya Stanley
- Slash Film
Hey, NCIS fans. We hope you guys enjoyed tonight's episode 19. Now that it has come and gone, it is time to see what the next, new episode 20 will serve up for you guys. CBS recently released a press release for episode 20. So, that's what we'll be using for this spoiler session. To get things started, CBS's press release revealed that the producers decided to name this 20th episode, "Hail & Farewell." What does that mean? We have no idea, but what we can tell you is that episode 20 sounds like it will feature some pretty interesting and emotional subject matter. Human remains of a dead marine are found, and they could be tied to the 9/11 attacks. Gibbs finds extra motivation to solve this case and more. We'll go ahead and start off this spoiler session with the dead marine situation. It turns out that this particular marine was a female major when she was alive,...
- 4/9/2019
- by Andre Braddox
- OnTheFlix
Continuing the festival’s policy of recognizing those individuals whose intuitions and skills have left their mark on film history, the 68th edition will see the Vision Award - Nescens awarded to Walter Murch, the editor and sound designer (a term he coined himself). This award follows those previously attributed to such major creative talents in American cinema as special effects wizard Douglas Trumbull and “Mister Steadicam®” Garrett Brown.
Murch’s career has embraced first sound and then film editing as well, pursuing a concept of audio-visual composition that treats the two as inseparable.
His name is closely linked to the new generation of directors who emerged in the 1970s, such as George Lucas ("Thx 1138," 1971; "American Graffiti," 1973) and Francis Ford Coppola ("The Rain People," 1969; "The Godfather," 1972; "The Conversation," "The Godfather: Part II," 1974). His hugely impressive work with the latter filmmaker, as sound designer on "Apocalypse Now," won him his first Oscar in 1980.
Following his own directorial debut in 1985 with "Return to Oz," he subsequently won two more Academy Award statuettes for both sound and film editing on Anthony Minghella’s "The English Patient" (1996) – the first and only time in history the same person has won the Oscar in both categories. Although in this respect he was repeating an earlier record set when he won double BAFTA awards in 1975 for "The Conversation."
Murch has continually developed his editing talent and versatility, experimenting with every new and emerging system, from analogue to digital. His knowledge and artistry were distilled in his 2001 book, In the Blink of an Eye, an indispensable work of reference in the film editing world. He is also the subject of Michael Ondaatje's The Conversations: Walter Murch and The Art of Film Editing and Charles Koppelman's Behind the Seen.
Carlo Chatrian, the Festival’s Artistic Director, comments: “Having Walter Murch here, apart from the honor of his presence, also highlights the thinking behind this award, instituted two years ago. As Francis F. Coppola has written, « he is a true pioneer. A man we should listen to with great attention – and pleasure » . The way he works goes far beyond conventional notions of collaboration. The work on "The Godfather: Part II" or "Apocalypse Now," for example, prove that the great films are nearly always the outcome of a close working relationship between major creative talents. And it is to one of the most subtle and influential of these that the Locarno Festival pays tribute this year .”
Both the general public and the guests of the Festival will have an opportunity to meet Walter Murch and discover the secrets of his methods during a masterclass in Locarno. The Vision Award is supported for the second consecutive year by Nescens, Swiss anti-aging science.
The 68th edition of the Festival del film Locarno will take place 5 – 15 of August.
Murch’s career has embraced first sound and then film editing as well, pursuing a concept of audio-visual composition that treats the two as inseparable.
His name is closely linked to the new generation of directors who emerged in the 1970s, such as George Lucas ("Thx 1138," 1971; "American Graffiti," 1973) and Francis Ford Coppola ("The Rain People," 1969; "The Godfather," 1972; "The Conversation," "The Godfather: Part II," 1974). His hugely impressive work with the latter filmmaker, as sound designer on "Apocalypse Now," won him his first Oscar in 1980.
Following his own directorial debut in 1985 with "Return to Oz," he subsequently won two more Academy Award statuettes for both sound and film editing on Anthony Minghella’s "The English Patient" (1996) – the first and only time in history the same person has won the Oscar in both categories. Although in this respect he was repeating an earlier record set when he won double BAFTA awards in 1975 for "The Conversation."
Murch has continually developed his editing talent and versatility, experimenting with every new and emerging system, from analogue to digital. His knowledge and artistry were distilled in his 2001 book, In the Blink of an Eye, an indispensable work of reference in the film editing world. He is also the subject of Michael Ondaatje's The Conversations: Walter Murch and The Art of Film Editing and Charles Koppelman's Behind the Seen.
Carlo Chatrian, the Festival’s Artistic Director, comments: “Having Walter Murch here, apart from the honor of his presence, also highlights the thinking behind this award, instituted two years ago. As Francis F. Coppola has written, « he is a true pioneer. A man we should listen to with great attention – and pleasure » . The way he works goes far beyond conventional notions of collaboration. The work on "The Godfather: Part II" or "Apocalypse Now," for example, prove that the great films are nearly always the outcome of a close working relationship between major creative talents. And it is to one of the most subtle and influential of these that the Locarno Festival pays tribute this year .”
Both the general public and the guests of the Festival will have an opportunity to meet Walter Murch and discover the secrets of his methods during a masterclass in Locarno. The Vision Award is supported for the second consecutive year by Nescens, Swiss anti-aging science.
The 68th edition of the Festival del film Locarno will take place 5 – 15 of August.
- 2/13/2015
- by Sydney Levine
- Sydney's Buzz
Triple Oscar-winner to be honoured with the Vision Award.
The 68th Locarno Film Festival (Aug 5-15) is to give its Vision Award - Nescens to award-winning editor and sound designer Walter Murch. The award has previously been given to special effects wizard Douglas Trumbull and “Mister Steadicam” Garrett Brown.
Murch worked with George Lucas on Thx 1138 (1971) and American Graffiti (1973) and Francis Ford Coppola on The Rain People (1969), The Godfather (1972), The Conversation (1974) and The Godfather: Part II (1974).
His work with Coppola as sound designer on Apocalypse Now won him his first Oscar in 1980.
Following his own directorial debut in 1985 with Return to Oz, he subsequently won two more Academy Awards for both sound and film editing on Anthony Minghella’s The English Patient (1996) – the first and only time in history the same person has won the Oscar in both categories. In this respect he was repeating an earlier record set when he won double BAFTA awards in 1975 for...
The 68th Locarno Film Festival (Aug 5-15) is to give its Vision Award - Nescens to award-winning editor and sound designer Walter Murch. The award has previously been given to special effects wizard Douglas Trumbull and “Mister Steadicam” Garrett Brown.
Murch worked with George Lucas on Thx 1138 (1971) and American Graffiti (1973) and Francis Ford Coppola on The Rain People (1969), The Godfather (1972), The Conversation (1974) and The Godfather: Part II (1974).
His work with Coppola as sound designer on Apocalypse Now won him his first Oscar in 1980.
Following his own directorial debut in 1985 with Return to Oz, he subsequently won two more Academy Awards for both sound and film editing on Anthony Minghella’s The English Patient (1996) – the first and only time in history the same person has won the Oscar in both categories. In this respect he was repeating an earlier record set when he won double BAFTA awards in 1975 for...
- 2/4/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
On Aug. 16, one of cinema's best babysitting adventures, Uncle Buck, will celebrate its 25th anniversary.
The John Hughes comedy tells the story of the Russell family; mom and dad need someone to look after their three kids Asap. Short on options, Uncle Buck – a sloppy and crass city dweller – is recruited at the last minute. Expertly played by the late John Candy, Buck tackles giant pancakes, power drills and a game of endless questions with Macaulay Culkin, proving crazy uncles have some serious skills.
A quarter of a century later, Uncle Buck still brings the laughs and warm, fuzzy feelings.
The John Hughes comedy tells the story of the Russell family; mom and dad need someone to look after their three kids Asap. Short on options, Uncle Buck – a sloppy and crass city dweller – is recruited at the last minute. Expertly played by the late John Candy, Buck tackles giant pancakes, power drills and a game of endless questions with Macaulay Culkin, proving crazy uncles have some serious skills.
A quarter of a century later, Uncle Buck still brings the laughs and warm, fuzzy feelings.
- 8/13/2014
- by Kelli Bender, @kbendernyc
- People.com - TV Watch
"I Hate Reboots," reads a funny T-shirt that comic book / movie superhero nerd Dave Lizewski wears in "Kick Ass 2" -- an obvious shot at "Spider-Man," "Superman" and other franchises that wind down, then return to life entirely too soon on the big screen.
But how do you feel about superhero sequels that pretty much nobody asks for, Dave? And we're not talking about "Percy Jackson" here.
"Kick Ass 2" comes three years after the modest ($48 million) success of "Kick Ass."
Covering much of the same ground, with a lot of the cute worn off or aged out of -- Hit Girl (Chloe Grace Moretz) is no longer a pre-teen, Kick Ass himself (Aaron Taylor-Johnson) strains to look like a high school senior -- the sequel is notable for some amusing bits, a few cool scenes, and its wince-worthy violence and staggering body count.
"This is the real world," Dave's long-suffering dad (Garrett M. Brown) lectures.
But how do you feel about superhero sequels that pretty much nobody asks for, Dave? And we're not talking about "Percy Jackson" here.
"Kick Ass 2" comes three years after the modest ($48 million) success of "Kick Ass."
Covering much of the same ground, with a lot of the cute worn off or aged out of -- Hit Girl (Chloe Grace Moretz) is no longer a pre-teen, Kick Ass himself (Aaron Taylor-Johnson) strains to look like a high school senior -- the sequel is notable for some amusing bits, a few cool scenes, and its wince-worthy violence and staggering body count.
"This is the real world," Dave's long-suffering dad (Garrett M. Brown) lectures.
- 8/16/2013
- by editorial@zap2it.com
- Pop2it
Chicago – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence. Only another totally game performance from Chloe Grace Moretz saves it from complete disaster but it comes damn close. One could argue that “Kick-Ass” was all style and no substance. “Kick-Ass 2” has absolutely none of either.
Rating: 1.5/5.0
As we’re reminded multiple times, “Kick-Ass 2” allegedly takes place in the “real world” (although none of the dialogue or comedic set-ups have the air of anything remotely genuine) as the revelation of real-life heroes at the end of Matthew Vaughn’s fun first flick opened up a...
Rating: 1.5/5.0
As we’re reminded multiple times, “Kick-Ass 2” allegedly takes place in the “real world” (although none of the dialogue or comedic set-ups have the air of anything remotely genuine) as the revelation of real-life heroes at the end of Matthew Vaughn’s fun first flick opened up a...
- 8/15/2013
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
We’ve heard all about how Kick-Ass 2 will move into production this summer, but details on the story have been scarce. The folks at Moviehole, however, have come across some juicy plot points that fans of the 2010 adaptation of the Mark Millar comic will want to pay attention to.
Here’s what we know already: stars Aaron Johnson, Chloe Moretz and Christopher Mintz-Plasse will all return, even with Moretz’s hectic schedule (she’s starring in the remake of Carrie, for one). With Kick-Ass director Matthew Vaughn in pre-production for a sequel to X-Men: First Class, Jeff Wadlow (Never Back Down) has stepped into his shoes and made it clear that he wants the film to have a similar emotional response as elicited by the first installment.
A lot of talk about Hit-Girl has already made the rounds, and as with the Kick-Ass 2 comic, much of the story focuses on...
Here’s what we know already: stars Aaron Johnson, Chloe Moretz and Christopher Mintz-Plasse will all return, even with Moretz’s hectic schedule (she’s starring in the remake of Carrie, for one). With Kick-Ass director Matthew Vaughn in pre-production for a sequel to X-Men: First Class, Jeff Wadlow (Never Back Down) has stepped into his shoes and made it clear that he wants the film to have a similar emotional response as elicited by the first installment.
A lot of talk about Hit-Girl has already made the rounds, and as with the Kick-Ass 2 comic, much of the story focuses on...
- 6/24/2012
- by Steven Chaitman
- We Got This Covered
According to MovieHole.net, the Jeff Wadlow-directed sequel has new plot details and casting news before it starts filming. All of the core cast members that made the original Kick-Ass great are back so you can expect to see Aaron Johnson, Chloe Mortez and Christopher Mintz-Plasse back in action. They also confirm that the studio is in talks for Garrett M. Brown to reprise his role as Dave's father in the film and it is said that this time around he will have much more to do in the Kick-Ass sequel. The studio is also starting auditions for the role of Uncle Ralph -- the criminal guardian of Chris A.K.A Red Mist which is expected to be filled by an actor similar to Mark Strong so keep a look out for casting news on that. The story will be similar to Superman 2 where someone finds out...
- 6/24/2012
- ComicBookMovie.com
Chicago – In our latest action/comedy edition of HollywoodChicago.com Hookup: Film, we have 15 admit-two run-of-engagement movie passes up for grabs to the new film “Kick-Ass”! The film opened on April 16, 2010. These passes are valid at participating Chicago movie theaters during the film’s run.
The film stars Aaron Johnson, Christopher Mintz-Plasse (“Superbad,” “Role Models”), Nicolas Cage, Mark Strong, Garrett M. Brown, Clark Duke, Evan Peters, Deborah Twiss, Lyndsy Fonseca, Sophie Wu, Elizabeth McGovern, Stu “Large” Riley, Johnny Hopkins, Ohene Cornelius, Michael Rispoli and Corey Johnson from writer and director Matthew Vaughn (“Stardust,” “Layer Cake,” “Snatch,” “Lock, Stock and Two Smoking Barrels”).
To win your free “Kick-Ass” movie pass, all you need to do is answer our question in this Web-based submission form. That’s it! Directions to enter this HollywoodChicago.com Hookup and immediately win can be found beneath the graphic below.
The movie poster for “Kick-Ass”.
Image credit:...
The film stars Aaron Johnson, Christopher Mintz-Plasse (“Superbad,” “Role Models”), Nicolas Cage, Mark Strong, Garrett M. Brown, Clark Duke, Evan Peters, Deborah Twiss, Lyndsy Fonseca, Sophie Wu, Elizabeth McGovern, Stu “Large” Riley, Johnny Hopkins, Ohene Cornelius, Michael Rispoli and Corey Johnson from writer and director Matthew Vaughn (“Stardust,” “Layer Cake,” “Snatch,” “Lock, Stock and Two Smoking Barrels”).
To win your free “Kick-Ass” movie pass, all you need to do is answer our question in this Web-based submission form. That’s it! Directions to enter this HollywoodChicago.com Hookup and immediately win can be found beneath the graphic below.
The movie poster for “Kick-Ass”.
Image credit:...
- 4/23/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
I've never been to South by Southwest. That, Fantastic Fest and Bnat are three festivals I have yet to attend. I don't go to SXSW because it happens the same time as ShoWest and Vegas is much much closer to me than Austin, Texas. I mean, how can I pass up the combination of movies, poker, overpriced clubs, fountain shows and the possibility of being arrested? Can Texas offer me that? No. Ok, maybe the poker and getting arrested part. I hear you cowboys can get mighty rowdy at the country bars.Still, it looks like it'll be a lot of fun, especially if they're going to be showing movies like Kick-Ass. Here's the press release:Earlier today, the South by Southwest (SXSW) Film Conference and Festival announced it will host the world premiere of Lionsgate and Marv Films’ Kick-Ass for its 2010 Opening Night. A twisted, funny, high-octane adventure, based on...
- 1/7/2010
- LRMonline.com
Earlier today, the South by Southwest (SXSW) Film Conference and Festival announced it will host the world premiere of Lionsgate and Marv Films’ Kick-Ass for its 2010 Opening Night. A twisted, funny, high-octane adventure, based on the comic written by Mark Millar and John S. Romita, Jr., Kick-Ass was directed by Matthew Vaughn (Layer Cake, Stardust) from a screenplay by Jane Goldman & Vaughn. The South by Southwest Film Conference and Festival runs March 12 – 20, 2010 in Austin, Texas.
Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. His life is forever changed as he inspires a subculture of copy cats, is hunted by assorted violent and unpleasant characters, and meets up with a pair of crazed vigilantes, including an 11-year-old sword-wielding dynamo, Hit Girl (Chloë Grace Moretz) and her father, Big Daddy (Nicolas Cage), and...
Kick-Ass tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. His life is forever changed as he inspires a subculture of copy cats, is hunted by assorted violent and unpleasant characters, and meets up with a pair of crazed vigilantes, including an 11-year-old sword-wielding dynamo, Hit Girl (Chloë Grace Moretz) and her father, Big Daddy (Nicolas Cage), and...
- 1/7/2010
- MoviesOnline.ca
The South by Southwest (SXSW) Film Conference and Festival today announed that Matthew Vaughn's new action comedy "Kick-Ass" will have its world premiere on opening night. The festival runs runs March 12 – 20, 2010.
"Kick-Ass" tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. The film opens in theaters everywhere April 16, 2010.
Chloë Grace Moretz, Mark Strong, Nicolas Cage, Christopher Mintz-Plasse, Clark Duke, Evan Peters, Lyndsy Fonseca, Michael Rispoli, Garrett M. Brown, Xander Berkley and Omari Hardwick co-star.
"Kick-Ass" tells the story of average teenager Dave Lizewski (Aaron Johnson), a comic-book fanboy who decides to take his obsession as inspiration to become a real-life superhero. The film opens in theaters everywhere April 16, 2010.
Chloë Grace Moretz, Mark Strong, Nicolas Cage, Christopher Mintz-Plasse, Clark Duke, Evan Peters, Lyndsy Fonseca, Michael Rispoli, Garrett M. Brown, Xander Berkley and Omari Hardwick co-star.
- 1/7/2010
- by Franck Tabouring
- screeninglog.com
Those of you attending this year's South by Southwest Film Festival in Austin this March (we'll be covering it, if you're not) have this to look forward to: Matthew Vaughn's (Layer Cake, Stardust) Kick-Ass will open up the schedule. If you're unfamiliar with the movie, then clearly you don't spend a lot of time surfing movie websites. It's something of the fanboy movie of the spring -- it's based on the comic from Mark Millar and John S. Romita, Jr, -- and in this case, you'll be proud to be a fanboy. I've already started not taking showers in anticipation. If you need a little appetite-whetting, here's the trailer again:
Yeah. You can go ahead and purchase your festival passes now over on the SxSW website.
Average guy super-hero movies not your thing? No worries. How about this year's Anvil! The Story of Anvil in the form of Lemmy,...
Yeah. You can go ahead and purchase your festival passes now over on the SxSW website.
Average guy super-hero movies not your thing? No worries. How about this year's Anvil! The Story of Anvil in the form of Lemmy,...
- 1/6/2010
- by Dustin Rowles
There are films I can’t wait for, films I really can’t wait for, and then there’s Matthew Vaughn’s Kick-Ass, the adaptation of Mark Millar’s graphic novels that has been getting such positive buzz I would pay on the spot to see it.
And if you’re headed to this year’s SXSW (South By Southwest) Film Festival in March, you might be lucky enough to attend the premiere of the film (although it did screen in rough form at Harry Knowles’ birthday party last month).
From the official press release for the event:
SXSW Film Festival To Kick-ass In 2010
Austin, Texas — January 6, 2010 – Earlier today, the South by Southwest (SXSW) Film Conference and Festival announced it will host the world premiere of Lionsgate and Marv Films’ Kick-Ass for its 2010 Opening Night. A twisted, funny, high-octane adventure, based on the comic written by Mark Millar and John S. Romita,...
And if you’re headed to this year’s SXSW (South By Southwest) Film Festival in March, you might be lucky enough to attend the premiere of the film (although it did screen in rough form at Harry Knowles’ birthday party last month).
From the official press release for the event:
SXSW Film Festival To Kick-ass In 2010
Austin, Texas — January 6, 2010 – Earlier today, the South by Southwest (SXSW) Film Conference and Festival announced it will host the world premiere of Lionsgate and Marv Films’ Kick-Ass for its 2010 Opening Night. A twisted, funny, high-octane adventure, based on the comic written by Mark Millar and John S. Romita,...
- 1/6/2010
- by John Cooper
- ReelLoop.com
Movie Info: Writer:Tyler Lieberman Director: C. Jay Cox Cast: Tori Spelling, Philipp Karner, James O’Shea, Joanna Cassidy, Garrett M. Brown, Tess Harper, Robert Foxworth, E.E. Bell, Amber Benson, Steve Sandvoss Rating: R Studio: Liberation Entertainment Release Info: DVD Release Date: November 18, 2008 Online Availability: Amazon for $22.49 When I was a teenager I loved watching Beverly Hills 90210. There were my favorite characters [...]...
- 11/22/2008
- by Ashtyn
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