- (1988-1989 Season) He and Natasha Katz were lighting designers for Jerry Herman's musical, "La Cage Aux Folles," at the Paper Mill Playhouse in Millburn, New Jersey with Lee Roy Reams, Walter Charles, Darrel Carey and Sheila Smith in the cast. James Pentecost was director. Linda Haberman was choreographer. Kay Cameron was musical director. David Mitchell was scenic designer. Theoni V. Aldredge was costume designer.
- (March 11 to April 26, 1998) He and Peggy Eisenhauer were lighting designers for the musical, "Bring in 'Da Noise, Bring in "Da Funk," at the Ahmanson Theatre in Los Angeles, California. The musical was based on an idea by Savion Glover and George C. Wolfe. Reg E. Gaines wrote the book and lyrics. Daryl Waters, Zane Mark and Ann Duquesnay were the composers. George C. Wolfe was developer and director. Savion Glover was original choreographer. Derik K. Grant was adapted choreographer.
- (November 6 to December 26, 2004) He and Peggy Eisenhauer were lighting designers for the musical, "Caroline, or Change," in a West Coast premiere at the Ahmanson Theatre in Los Angeles, California with Tonya Pinkins and Anika Noni Rose in the cast. Tony Kushner wrote the book and lyrics. Jeanine Tesori was composer. George C. Wolfe was director. Kimberly Grisby was musical director.
- (1992) He was lighting designer for the musical, "Jelly's Last Jam," on Broadway in New York City with Gregory Hines and Tonya Pinkins in the cast. Hope Clarke, Gregory Hines and Tel L. Levy were choreographers.
- (1993 - 1994) He was lighting designer for Tony Kushner's play, "Angels in America: Part Two-Perestroika," on Broadway in New York City with Stephen Spinella, Jeffrey Wright and David Marshall Grant in the cast. George C. Wolfe was director.
- (May 27, 1965) William Ball, Edward Hastings Jr., Kristen Linkletter, Robert Whitehead and he were the charter members to form The American Conservatory Theatre.
- (1965 to 1966) He was a member of the first American Conservatory Theatre Foundation Board members included Julius Rudel, Robert Whitehead, Henry C. Boettcher, James McKenzie, Marian Searchlinger, Evelyn Daw Smith, Edith Markson, Edward Hastings Jr., William Ball, Allen Fletcher and Morton Leavy.
- (October 24, 1970) He was lighting designer for the ballet, "The Consort," in the American Ballet Company production at the Brooklyn Academy of Music in Brooklyn, New York with Marilyn D'Honau; Christine Kono; Elizabeth Lee; Olga Janke; Cristina Sterling; Larry Grenier; Kenneth Hughes; Daniel Levins; Richard Munro and John Sowinski in the cast. John Dowland, Neusidler and Morley were composer. Christopher Keene was orchestra manager. Eliot Field was choreographer. Stanley Simmons was costume designer.
- (April 5, 1970) He was lighting designer for the ballet, "Early Songs," in the American Ballet Company production at the Brooklyn Academy of Music in Brooklyn, New York with Eliot Feld; Christine Sarry; Elizabeth Lee; John Sowinski; Richard Munro; Eileen Shelle (Soprano); Steven Kimbrough (Baritone) and Gladys Celeste Mercades (Pianist) in the cast. Richard Strauss was composer. Eliot Feld was choreographer. Stanley Simmons was costume designer.
- (June 29, 1969) He was lighting designer for the ballet, "Intermezzo," in the American Ballet Company production at the Festival of Two Worlds in Spoleto, Italy with Christine Sarry; Elizabeth Lee; Cristina Stirling; David Coll; John Sowinski and Alfonso Figueroa in the cast. Johannes Brahms was composer. Eliot Feld was choreographer. Stanley Simmons was costume designer.
- (October 23, 1969) He was lighting designer for the ballet, "Intermezzo," in the American Ballet Company production at the Brooklyn Academy of Music in Brooklyn, New York with Christine Sarry; Elizabeth Lee; Olga Janko; David Coll; John Sowinski and Alfonso Figueroa in the cast. Johannes Brahms was composer. Eliot Feld was choreographer. Stanley Simmons was costume designer.
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