In the world of Christopher Nolan’s Tenet, people from the future have figured out how to reverse the entropy of people and objects, making them “time inverted.” Effect precedes cause for inverted objects and people. Inverted bullets return from bullet holes and swirl back into the barrel of the guns that fired them, a fight between an inverted soldier and a soldier operating on regular time looks like a freak-puppet show, and reverse speech sounds like the dream speak from the Red Room in Twin Peaks. All someone has to do to swap their inversion status is enter a turnstile […]
The post "Backwards Continuity is Not a Category, Is It?": Script Supervisor Steve Gehrke on Tenet first appeared on Filmmaker Magazine.
The post "Backwards Continuity is Not a Category, Is It?": Script Supervisor Steve Gehrke on Tenet first appeared on Filmmaker Magazine.
- 1/5/2021
- by Aaron Hunt
- Filmmaker Magazine-Director Interviews
In the world of Christopher Nolan’s Tenet, people from the future have figured out how to reverse the entropy of people and objects, making them “time inverted.” Effect precedes cause for inverted objects and people. Inverted bullets return from bullet holes and swirl back into the barrel of the guns that fired them, a fight between an inverted soldier and a soldier operating on regular time looks like a freak-puppet show, and reverse speech sounds like the dream speak from the Red Room in Twin Peaks. All someone has to do to swap their inversion status is enter a turnstile […]
The post "Backwards Continuity is Not a Category, Is It?": Script Supervisor Steve Gehrke on Tenet first appeared on Filmmaker Magazine.
The post "Backwards Continuity is Not a Category, Is It?": Script Supervisor Steve Gehrke on Tenet first appeared on Filmmaker Magazine.
- 1/5/2021
- by Aaron Hunt
- Filmmaker Magazine - Blog
Few productions in the history of the movies have been as shrouded in secrecy as Christopher Nolan’s “Dunkirk.” While filmmakers often go to great lengths to prevent their screenplays from leaking to the public, Nolan kept the script for “Dunkirk” so guarded that even very few members of the crew ever laid eyes on it.
Read More‘Dunkirk’ Cast: Where You’ve Seen Christopher Nolan’s Ensemble Before
Of the more than 600 people who helped bring Nolan’s World War II drama to life, the 20 or so crew members on set who were allowed to read the script included the director of photography, production designer, first assistant director and property master.
“It was a lot of guessing,” said “Dunkirk” art director Stéphane Cressend, who was only allowed to read the script once, six weeks after shooting began. “This is what’s really different from all the other productions I’ve worked on,...
Read More‘Dunkirk’ Cast: Where You’ve Seen Christopher Nolan’s Ensemble Before
Of the more than 600 people who helped bring Nolan’s World War II drama to life, the 20 or so crew members on set who were allowed to read the script included the director of photography, production designer, first assistant director and property master.
“It was a lot of guessing,” said “Dunkirk” art director Stéphane Cressend, who was only allowed to read the script once, six weeks after shooting began. “This is what’s really different from all the other productions I’ve worked on,...
- 7/20/2017
- by Graham Winfrey
- Indiewire
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