Illustrations by Maddie Fischer.For more Cannes 2024 coverage, subscribe to the Weekly Edit newsletter.Eephus.For all the thrills that come from watching the latest film by this or that renowned auteur, I don’t come to Cannes for confirmation, but for the pleasure of discovery. And nothing quite matches the exhilaration of reckoning with a new voice—the kind that jolts you out of your festival torpor and reminds you of all the beauty and magic the cinema can muster. As usual, those epiphanies were a lot harder to come by in the official competition than in the risk-friendlier Directors’ Fortnight, an independent sidebar born in 1969 as a counterprogram dedicated, per its mission statement, “to showcasing the most singular forms of contemporary cinema.” It is here that some of the greatest have shown their earliest stuff, an illustrious pedigree that’s flaunted before each screening through a short reel...
- 5/29/2024
- MUBI
Joe Alwyn has been the center of much media attention in the last few years. That may be news if you’ve been living in a hermetically sealed bunker. But outside that particular and unsolicited spotlight, the dandyish 33-year-old British actor has carved his name out in films from idiosyncratic auteurs. There was Joanna Hogg’s “The Souvenir Part II” as a grieving and queer-flirting film editor; Claire Denis’ sensuous 2022 Cannes Grand Prix winner “Stars at Noon” as a Brit adrift in Nicaragua having lots of sex with Margaret Qualley’s character; and most recently “Kinds of Kindness,” whose director Yorgos Lanthimos he previously starred for as a lusty baron in “The Favourite.”
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
Yes, there were more flame-throwers, but working on Furiosa was pretty similar to starring in Joanna Hogg’s The Souvenir, says the actor. So how does he duck the crossfire that comes with playing Jk Rowling’s Strike?
When Tom Burke was cast in Furiosa: A Mad Max Saga, the prequel to the crash-bang spectacular Mad Max: Fury Road, he sat his 77-year-old mother down in front of the television and showed her the previous film in that post-apocalyptic series, just to give her some idea of what he was letting himself in for. Afterwards, she looked concerned. “Will you be mainly inside or outside?” she asked.
Any parent would worry. As Praetorian Jack, he helps the young Furiosa (Anya Taylor-Joy) take revenge against the pharaoh-like warlord (Chris Hemsworth) who killed her mother. Jack’s job is to sit at the wheel of the War Rig, one of those whopping...
When Tom Burke was cast in Furiosa: A Mad Max Saga, the prequel to the crash-bang spectacular Mad Max: Fury Road, he sat his 77-year-old mother down in front of the television and showed her the previous film in that post-apocalyptic series, just to give her some idea of what he was letting himself in for. Afterwards, she looked concerned. “Will you be mainly inside or outside?” she asked.
Any parent would worry. As Praetorian Jack, he helps the young Furiosa (Anya Taylor-Joy) take revenge against the pharaoh-like warlord (Chris Hemsworth) who killed her mother. Jack’s job is to sit at the wheel of the War Rig, one of those whopping...
- 5/17/2024
- by Ryan Gilbey
- The Guardian - Film News
Cailey Fleming in IFImage: Paramount Pictures
Children’s films are always positioned to memorialize the imaginative worlds in our heads, acting as shrines to those places that shrink as real life constricts us, growing more abrasive and demanding. On the surface, writer/director John Krasinski’s If is destined to...
Children’s films are always positioned to memorialize the imaginative worlds in our heads, acting as shrines to those places that shrink as real life constricts us, growing more abrasive and demanding. On the surface, writer/director John Krasinski’s If is destined to...
- 5/16/2024
- by Anna McKibbin
- avclub.com
George Miller keeps a photo on his phone. Taken somewhere in the ’70s, it’s a picture of Craig Hemsworth — back when the father of Chris Hemsworth hung out with the same gang of motorbike riders that appeared in the original “Mad Max.” He even knew Wonder Dog, that film’s cycle-riding canine. And of course, the younger Hemsworth is a dead ringer for his dad.
“[Chris] dug deep,” Miller told IndieWire of his “Furiosa: A Mad Max Saga” star. “He is highly considered on anything and everything, multi-dimensional. And he has wisdom. He is just 40. Now, at that age, if I only had half his understanding of the world at large, his place in it, the connection to family and the way he wants to conduct his life!”
We’re in Cannes and it’s the day before the festival’s out-of-competition world premiere of “Furiosa,” the fifth installment of his 45-year-old franchise.
“[Chris] dug deep,” Miller told IndieWire of his “Furiosa: A Mad Max Saga” star. “He is highly considered on anything and everything, multi-dimensional. And he has wisdom. He is just 40. Now, at that age, if I only had half his understanding of the world at large, his place in it, the connection to family and the way he wants to conduct his life!”
We’re in Cannes and it’s the day before the festival’s out-of-competition world premiere of “Furiosa,” the fifth installment of his 45-year-old franchise.
- 5/14/2024
- by Anne Thompson
- Indiewire
Getting a feature into Cannes’ official selection is among the pinnacles of filmmaking achievements for most production companies. Ireland’s Element Pictures clearly isn’t most production companies — this year, it has three.
According to co-founder Ed Guiney, who set up Element with Andrew Lowe in 2001, while his company’s triple-headed festival visit may be “wonderful”, it’s simply down to good fortune and timing. “You know, some years you have nothing for Cannes,” he says, speaking from Element’s breezy, white-walled Dublin headquarters, located above an outdoor clothing shop and a jeweler on the Irish capital’s busy O’Connell Street, where it also runs its distribution arm Volta Pictures and the programming for the popular arthouse Light House Cinema, which it has operated since 2012.
But for anyone who has been keeping an eye on Element over the last decade, this edition of Cannes is merely another unprecedented milestone...
According to co-founder Ed Guiney, who set up Element with Andrew Lowe in 2001, while his company’s triple-headed festival visit may be “wonderful”, it’s simply down to good fortune and timing. “You know, some years you have nothing for Cannes,” he says, speaking from Element’s breezy, white-walled Dublin headquarters, located above an outdoor clothing shop and a jeweler on the Irish capital’s busy O’Connell Street, where it also runs its distribution arm Volta Pictures and the programming for the popular arthouse Light House Cinema, which it has operated since 2012.
But for anyone who has been keeping an eye on Element over the last decade, this edition of Cannes is merely another unprecedented milestone...
- 5/14/2024
- by Alex Ritman
- Variety Film + TV
Element Pictures is coming off the back of yet another buzzy awards season with its absurdist comedy Poor Things, directed by Yorgos Lanthimos, notching 11 Oscar nominations and coming home with four wins, including Best Actress for Emma Stone. But just when it feels like the company’s trajectory can’t get higher, the Irish-Anglo production, distribution and exhibition banner is hitting the Croisette this year with no less than three films in the Cannes official selection. Lanthimos’s Kinds of Kindness, which reunites him with his long-term writing partner Efthimis Fillipou and Poor Things stars Stone and Willem Dafoe, will compete for the Palme d’Or, while French actor Ariane Labed’s directorial debut September Says and I Am Not a Witch director Rungano Nyoni’s sophomore feature On Becoming A Guinea Fowl are both screening in the Un Certain Regard section.
It’s especially significant to Element co-founders and...
It’s especially significant to Element co-founders and...
- 5/9/2024
- by Diana Lodderhose
- Deadline Film + TV
Visit Films has come on board to represent international sales on India Donaldson’s Good One, which was just announced in the Cannes Directors’ Fortnight line-up.
The film receives its international premiere on the Croisette after it world-premiered in Sundance in January.
As previously announced, Metrograph Pictures acquired North American rights to Good One in its first buy since moving into distribution.
The film follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend. Newcomer Lily Collias stars alongside James Le Gros and Danny McCarthy.
The film receives its international premiere on the Croisette after it world-premiered in Sundance in January.
As previously announced, Metrograph Pictures acquired North American rights to Good One in its first buy since moving into distribution.
The film follows 17-year-old Sam on a weekend backpacking trip in the Catskills as she contends with the competing egos of her father and his oldest friend. Newcomer Lily Collias stars alongside James Le Gros and Danny McCarthy.
- 4/16/2024
- ScreenDaily
Cinema for Gaza, a group launched by a small group of female filmmakers and film journalists, has successfully raised more than $315,000 to support medical aid for the civilian population in Gaza.
A celebrity auction, organized by Cinema for Gaza, and supported by the likes of Tilda Swinton, Annie Lennox, Joaquin Phoenix, Spike Lee and Guillermo del Toro, raised some $316,778 (£254,297) for Medical Aid for Palestinians (Map), a U.K.-based charity that provides on-the-ground medical support, from sterile water to cancer drugs, for those on the Gaza Strip. The celebrities donated personal items — from signed film posters to personal Zoom chats to, in the case of Lennox, the handwritten lyrics to her Eurythmics hit “Sweet Dreams” — to be sold off to the highest bidder. (Lennox’s lyrics sheet was the top seller, with a bidder paying $26,222 for the piece of pop music history).
The Zone of Interest filmmaker Jonathan Glazer, who...
A celebrity auction, organized by Cinema for Gaza, and supported by the likes of Tilda Swinton, Annie Lennox, Joaquin Phoenix, Spike Lee and Guillermo del Toro, raised some $316,778 (£254,297) for Medical Aid for Palestinians (Map), a U.K.-based charity that provides on-the-ground medical support, from sterile water to cancer drugs, for those on the Gaza Strip. The celebrities donated personal items — from signed film posters to personal Zoom chats to, in the case of Lennox, the handwritten lyrics to her Eurythmics hit “Sweet Dreams” — to be sold off to the highest bidder. (Lennox’s lyrics sheet was the top seller, with a bidder paying $26,222 for the piece of pop music history).
The Zone of Interest filmmaker Jonathan Glazer, who...
- 4/12/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
When audiences seek movies based on brands, that usually means the likes of Marvel, DC Comics, and Pixar — not studios or distributors.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
The exception is A24. It’s something acknowledged by its peers (however grudgingly) and among a growing section of younger cinephiles, for whom “an A24 movie” means something a little weird and potentially cool, maybe great — and reason to take a chance on going to a theater.
Alex Garland‘s “Civil War,” the company’s most expensive film (a reported $50 million) opens this week with tracking that suggests it could open to $20 million or more. That would top any previous A24 opening; its best is “Hereditary,” which opened to $13.5 million in 2018.
Garland’s film checks many of the boxes that have translated into A24’s success. Its director has a strong following, including prior A24 films “Ex Machina” and “Men.” “Civil War” also had a widely publicized festival premiere at SXSW last month.
- 4/12/2024
- by Tom Brueggemann
- Indiewire
More film celebrities have joined the Cinema for Gaza auction looking to raise funds for the charity Medical Aid for Palestinians (Map) before final bids are accepted on Friday.
Joaquin Phoenix has donated a signed Joker poster, and will also sign, along with Lynne Ramsay, a poster for You Were Never Really Here, the 2017 crime thriller. Other late entries include six signed books from horrormeister Guillermo Del Toro and a signed The Crown script by Emma Corin, organizers said Thursday.
There’s also auction lots for a painting by American History X director Tony Kaye and a signed clapperboard from the cast and team behind Hamlet, including Joe Alwyn, Riz Ahmed, Timothy Spall and Morfyyd Clark. The final lots were added Thursday ahead of the last bids accepted on Friday.
“Cinema For Gaza’s first fundraiser is in its final few days, and with over $200,000 and counting raised, has finished adding new lots.
Joaquin Phoenix has donated a signed Joker poster, and will also sign, along with Lynne Ramsay, a poster for You Were Never Really Here, the 2017 crime thriller. Other late entries include six signed books from horrormeister Guillermo Del Toro and a signed The Crown script by Emma Corin, organizers said Thursday.
There’s also auction lots for a painting by American History X director Tony Kaye and a signed clapperboard from the cast and team behind Hamlet, including Joe Alwyn, Riz Ahmed, Timothy Spall and Morfyyd Clark. The final lots were added Thursday ahead of the last bids accepted on Friday.
“Cinema For Gaza’s first fundraiser is in its final few days, and with over $200,000 and counting raised, has finished adding new lots.
- 4/11/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
New film celebrities have joined the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
The latest auction lots include a signed and framed Malcolm X poster offered by Spike Lee and Paul Mescal donating a signed Aftersun poster. On the experiences side, actress Tessa Thompson is offering to have a beer (or an “O’Douls”) over Zoom with a winning bidder, and Shiva Baby director Emma Seligman will shoot the breeze over tea, again via a Zoom call.
There’s also a Zoom call with Ayo Edebiri, star of The Bear, who is tossing in a list of her favorite places to dine, and a walk-on part in director Gurinder Chadha’s next film.
The biggest memorabilia lot so far is Annie Lennox donating handwritten lyrics to “Sweet Dreams,” her 1983 popular song with Eurythmics, with bids currently standing at £7,700.00 (U.S. $9,720.75)
The...
The latest auction lots include a signed and framed Malcolm X poster offered by Spike Lee and Paul Mescal donating a signed Aftersun poster. On the experiences side, actress Tessa Thompson is offering to have a beer (or an “O’Douls”) over Zoom with a winning bidder, and Shiva Baby director Emma Seligman will shoot the breeze over tea, again via a Zoom call.
There’s also a Zoom call with Ayo Edebiri, star of The Bear, who is tossing in a list of her favorite places to dine, and a walk-on part in director Gurinder Chadha’s next film.
The biggest memorabilia lot so far is Annie Lennox donating handwritten lyrics to “Sweet Dreams,” her 1983 popular song with Eurythmics, with bids currently standing at £7,700.00 (U.S. $9,720.75)
The...
- 4/8/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Jonathan Glazer has kept a low profile since his controversial 2024 Oscars acceptance speech.
But The Zone of Interest filmmaker has resurfaced to donate seven signed posters for his Oscar-winning movie, as well as a selection of posters for his 2014 film Under the Skin, to the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
“We are moved beyond words to feature donations from Jonathan Glazer and his co-creators on the most confronting film of our time, The Zone of Interest,” the auction organizers stated on the online site.
The film posters, donated by Glazer and Zone of Interest producer James Wilson, have so far drawn a bid for £2750.00 ($3,462.20), with the auction to end on April 12. The posters will be signed by Glazer, composer Mica Levi and Wilson.
Glazer’s comments at the Academy Awards, where The Zone of Interest earned the best international feature prize,...
But The Zone of Interest filmmaker has resurfaced to donate seven signed posters for his Oscar-winning movie, as well as a selection of posters for his 2014 film Under the Skin, to the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
“We are moved beyond words to feature donations from Jonathan Glazer and his co-creators on the most confronting film of our time, The Zone of Interest,” the auction organizers stated on the online site.
The film posters, donated by Glazer and Zone of Interest producer James Wilson, have so far drawn a bid for £2750.00 ($3,462.20), with the auction to end on April 12. The posters will be signed by Glazer, composer Mica Levi and Wilson.
Glazer’s comments at the Academy Awards, where The Zone of Interest earned the best international feature prize,...
- 4/3/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
A number of major names from the U.K. film and TV world and beyond have donated items — and their own time — to an auction raising money for Gaza.
Organized by Cinema for Gaza in support of Medical Aid for Palestinians, the auction has drawn in gifts from likes of Tilda Swinton, Ken Loach, Asia Kapadia, Ramy Youssef, Peter Capaldi, Imelda Staunton, Brian Cox, Joseph Quinn, Mike Leigh, Misan Harriman, Joanna Hogg, Aimee Lou Wood and Josh O’Connor.
Among the lots up for grabs when the auction goes live on April 2 is the chance to have Swinton “read you a soothing bedtime story over Zoom,” a porridge masterclass with O’Connor who will “teach you how to make the perfect bowl” (and apparently get a glimpse of his secret porridge recipe), a chat about astrology with “Sex Education” star Wood, a “restorative drink” with “Saltburn’s” Oliver, and tickets to...
Organized by Cinema for Gaza in support of Medical Aid for Palestinians, the auction has drawn in gifts from likes of Tilda Swinton, Ken Loach, Asia Kapadia, Ramy Youssef, Peter Capaldi, Imelda Staunton, Brian Cox, Joseph Quinn, Mike Leigh, Misan Harriman, Joanna Hogg, Aimee Lou Wood and Josh O’Connor.
Among the lots up for grabs when the auction goes live on April 2 is the chance to have Swinton “read you a soothing bedtime story over Zoom,” a porridge masterclass with O’Connor who will “teach you how to make the perfect bowl” (and apparently get a glimpse of his secret porridge recipe), a chat about astrology with “Sex Education” star Wood, a “restorative drink” with “Saltburn’s” Oliver, and tickets to...
- 3/28/2024
- by Alex Ritman
- Variety Film + TV
Tilda Swinton, Ken Loach and Brian Cox are among the British film and TV VIPs contributing to an online auction to raise money for humanitarian relief for Palestinians in Gaza.
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
- 3/27/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chance to make porridge with Josh O’Connor or be serenaded by Olly Alexander also up for grabs in inaugural online auction to support Medical Aid for Palestinians in Gaza
Directors Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg, as well as the cast of shows including Doctor Who and Downton Abbey, are among British film and TV creatives donating lots to a new auction to crowdfund for humanitarian relief in Gaza.
Leigh has given a signed poster of the original 1977 theatre production of Abigail’s Party, while Loach provides signed copies of the poster and script of his latest film, The Old Oak.
Directors Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg, as well as the cast of shows including Doctor Who and Downton Abbey, are among British film and TV creatives donating lots to a new auction to crowdfund for humanitarian relief in Gaza.
Leigh has given a signed poster of the original 1977 theatre production of Abigail’s Party, while Loach provides signed copies of the poster and script of his latest film, The Old Oak.
- 3/27/2024
- by Catherine Shoard
- The Guardian - Film News
After his Oscar-nominated epic Killers of the Flower Moon and a sci-fi Super Bowl ad, Martin Scorsese will return to the realm of faith for his next project. We recently learned his adaptation of Shūsaku Endō’s A Life of Jesus, which will be around an 80-minute, mostly present-day film in which he intends to capture a universal look at Jesus, will begin production this year. Now, thanks to a 1.5-hour Berlinale conversation Scorsese took part in with Joanna Hogg on the occasion of receiving his Honorary Golden Bear, we have a few more details on his approach.
Scorsese says, “It took me quite a number of years to be able to come to terms with the script of Silence, because I didn’t quite fully know how to handle the scene in which [Andrew Garfield’s character] apostatizes, where Jesus tells him, ‘Step on me. That’s why I was created.
Scorsese says, “It took me quite a number of years to be able to come to terms with the script of Silence, because I didn’t quite fully know how to handle the scene in which [Andrew Garfield’s character] apostatizes, where Jesus tells him, ‘Step on me. That’s why I was created.
- 2/23/2024
- by Jordan Raup
- The Film Stage
Exclusive:f David Laub, a longtime distribution executive at A24, is joining Metrograph to build a new slate of theatrical releases as head of Metrograph Pictures, a label that’s been focused mainly on restorations of classic films.
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
- 2/6/2024
- by Jill Goldsmith
- Deadline Film + TV
The international jury at the 74th Berlin Film Festival, led by Lupita Nyong’o, will include filmmakers Christian Petzold (Germany) and Ann Hui.
The international jury members also include actor-producer-director Brady Corbet (U.S.), filmmaker Albert Serra (Spain), actor-director Jasmine Trinca (Italy) and writer Oksana Zabuzhko (Ukraine). They will decide who will win the festival’s Golden and the Silver Bears.
The three-member jury that chooses the winners for best film, director and the special jury award at the Berlinale’s Encounters strand is made up of filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
Director and screenwriter Ilker Çatak (Germany), sound artist and researcher Xabier Erkizia (Spain) and director, screenwriter, video artist and lecturer Jennifer Reeder (U.S.) are the international short film jury for the 2024 Berlinale Shorts competition. They will be choosing the winner of the Golden Bear for best short film, the winner of the...
The international jury members also include actor-producer-director Brady Corbet (U.S.), filmmaker Albert Serra (Spain), actor-director Jasmine Trinca (Italy) and writer Oksana Zabuzhko (Ukraine). They will decide who will win the festival’s Golden and the Silver Bears.
The three-member jury that chooses the winners for best film, director and the special jury award at the Berlinale’s Encounters strand is made up of filmmakers Lisandro Alonso (Argentina), Denis Côté (Canada) and Tizza Covi (Italy).
Director and screenwriter Ilker Çatak (Germany), sound artist and researcher Xabier Erkizia (Spain) and director, screenwriter, video artist and lecturer Jennifer Reeder (U.S.) are the international short film jury for the 2024 Berlinale Shorts competition. They will be choosing the winner of the Golden Bear for best short film, the winner of the...
- 2/1/2024
- by Naman Ramachandran
- Variety Film + TV
Exclusive: Tilda Swinton, the Academy Award- and BAFTA Award-winning actress most recently seen in yet another indelible role in David Fincher’s Netflix hitman pic The Killer, has signed with CAA.
One of the most esteemed screen talents currently working, Swinton has, in her nearly four-decade career, established ongoing relationships with such renowned filmmakers as Bong Joon Ho, Wes Anderson, Apichatpong Weerasethakul, Luca Guadagnino, Jim Jarmusch, Fincher, and Joanna Hogg, having made eight films at the start of her career with director Derek Jarman.
Best known for roles in such films as Michael Clayton, for which she won an Academy Award and BAFTA for Best Supporting Actress, and We Need to Talk About Kevin, for which she received a BAFTA Award nomination, she also boasts credits including Orlando, I Am Love, Okja and The Chronicles of Narnia franchise, to name a few.
Swinton won the Venice Film Festival’s Best...
One of the most esteemed screen talents currently working, Swinton has, in her nearly four-decade career, established ongoing relationships with such renowned filmmakers as Bong Joon Ho, Wes Anderson, Apichatpong Weerasethakul, Luca Guadagnino, Jim Jarmusch, Fincher, and Joanna Hogg, having made eight films at the start of her career with director Derek Jarman.
Best known for roles in such films as Michael Clayton, for which she won an Academy Award and BAFTA for Best Supporting Actress, and We Need to Talk About Kevin, for which she received a BAFTA Award nomination, she also boasts credits including Orlando, I Am Love, Okja and The Chronicles of Narnia franchise, to name a few.
Swinton won the Venice Film Festival’s Best...
- 1/26/2024
- by Matt Grobar
- Deadline Film + TV
As an end-of-year gift to our writers and readers, we've compiled a user-friendly overview of our publishing highlights from 2023. The collection is broken down by category: essays, interviews, festival coverage, and recurring columns.Browse at your leisure, and raise a glass to our brilliant contributors!Meanwhile, you can catch up with all of our end-of-year coverage here.{{notebook_form}}ESSAYSContemporary Cinema:Cinema as Sacrament: The Limitations of Killers of the Flower Moon by Adam PironA Change of Season: Trần Anh Hùng and Frederick Wiseman's Culinary Cinema by Phuong LeWalking, Talking, & Hurting Feelings: Nicole Holofcener's Everyday Dramas by Rafaela BassiliThe Limits of Control: Lines of Power in Todd Field's Tár by Helen CharmanThe Art of Losing: Joanna Hogg's Haunted Houses by Laura StaabTreading Water: Avatar: The Way of Water by Evan Calder WilliamsThe African Accent and the Colonial Ear by Maxine SibihwanaTen Minutes, but a Few Meters Longer:...
- 1/3/2024
- MUBI
Tilda Swinton has built an entire career working with auteurs, from her early days with Derek Jarman to her recent work with Wes Anderson, David Fincher, and Joanna Hogg. And she’ll continue the trend in upcoming projects too, as The Film Stage reports the actress will work with Pedro Almodóvar on his next film. Moreover, she’ll also reunite with Apichatpong Weeresethakul on his next project, which is shrouded in secrecy.
Continue reading Tilda Swinton Confirms Upcoming Projects Directed By Pedro Almodóvar & Apichatpong Weeresethakul at The Playlist.
Continue reading Tilda Swinton Confirms Upcoming Projects Directed By Pedro Almodóvar & Apichatpong Weeresethakul at The Playlist.
- 12/15/2023
- by Ned Booth
- The Playlist
No working actor better articulates acting an act of authorship than Tilda Swinton. Beyond her work with Lynne Ramsay, Wes Anderson, and a constellation of distinctive artists, her presence is a kind co-writing; to watch her work––or better, to watch her work at work via any making-of footage––in the films of Luca Guadagnino, Joanna Hogg, and Derek Jarman is to witness a kind of live discovery function of acting. “It’s like working with my Dp,” Guadagnino told Screen Daily. “It’s like working with someone who is actually contributing to the movie itself, not just adding her voice as a performer only, but adding her voice as a filmmaker.”
Swinton confirmed this spirit (as well as a few future projects) via Les Inrockuptibles: “The Eternal Daughter is the beginning of a new era for me, yes. And my next films, those with Julio [Torres] and Joshua [Oppenheimer], but...
Swinton confirmed this spirit (as well as a few future projects) via Les Inrockuptibles: “The Eternal Daughter is the beginning of a new era for me, yes. And my next films, those with Julio [Torres] and Joshua [Oppenheimer], but...
- 12/15/2023
- by Frank Falisi
- The Film Stage
Dennis Ruh, whose departure as head of the Berlinale’s European Film Market after the 2024 edition was announced today, has expressed surprise that his contract has not been renewed and also questioned the festival’s new hiring protocols.
Ruh revealed he was being let go in an earlier statement because incoming festival director Tricia Tuttle had decided to appoint a new EFM head for the 2025 edition. The market boss said he had not been given a chance to discuss the matter with Tuttle.
News of Ruh’s departure, broke a few hours after the surprise announcement of Tuttle as the new Berlinale director, replacing Carlo Chatrian and Mariette Rissenbeek after the 2024 edition.
Ruh, who took up the EFM role in the fall of 2020 amid the challenges of Covid-19 pandemic, said he had expected better treatment on the back of the performance of the market’s 2023 edition, which he described as...
Ruh revealed he was being let go in an earlier statement because incoming festival director Tricia Tuttle had decided to appoint a new EFM head for the 2025 edition. The market boss said he had not been given a chance to discuss the matter with Tuttle.
News of Ruh’s departure, broke a few hours after the surprise announcement of Tuttle as the new Berlinale director, replacing Carlo Chatrian and Mariette Rissenbeek after the 2024 edition.
Ruh, who took up the EFM role in the fall of 2020 amid the challenges of Covid-19 pandemic, said he had expected better treatment on the back of the performance of the market’s 2023 edition, which he described as...
- 12/12/2023
- by Diana Lodderhose and Melanie Goodfellow
- Deadline Film + TV
Tom Hiddleston’s Cinematic Voyage: Breaking Free from Loki and the Marvel Universe ( Photo Credit – IMDb )
In the vibrant tapestry of Hollywood, Tom Hiddleston first caught my attention in 2011 when he brought the mischievous Loki to life in Thor. However, his journey into the realm of cinema began long before that iconic role. Hiddleston’s cinematic voyage commenced with memorable performances in Joanna Hogg’s film Unrelated (2007). As Loki gained widespread recognition within the Marvel Cinematic Universe, Hiddleston expanded his horizons beyond the MCU, taking on a prominent leading role in the high-budget film Kong: Skull Island (2017). This venture underscored his versatility, proving his ability to command the big screen with distinction.
Beyond the glitz of Hollywood blockbusters, Hiddleston is a seasoned stage performer. His theatrical journey began with a remarkable debut in Journey’s End in 1999, marking the inception of a prolific stage career. Engaging in various theatrical productions, including...
In the vibrant tapestry of Hollywood, Tom Hiddleston first caught my attention in 2011 when he brought the mischievous Loki to life in Thor. However, his journey into the realm of cinema began long before that iconic role. Hiddleston’s cinematic voyage commenced with memorable performances in Joanna Hogg’s film Unrelated (2007). As Loki gained widespread recognition within the Marvel Cinematic Universe, Hiddleston expanded his horizons beyond the MCU, taking on a prominent leading role in the high-budget film Kong: Skull Island (2017). This venture underscored his versatility, proving his ability to command the big screen with distinction.
Beyond the glitz of Hollywood blockbusters, Hiddleston is a seasoned stage performer. His theatrical journey began with a remarkable debut in Journey’s End in 1999, marking the inception of a prolific stage career. Engaging in various theatrical productions, including...
- 12/10/2023
- by Hari P N
- KoiMoi
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
After Yang (kogonada)
I had the pleasure to speak with filmmaker kogonada about his stirring treatise on mortality, After Yang, and the moment from that conversation I return to most is him saying that “what makes art so invigorating is that you’re pursuing the ineffable.” This is a notion seeded throughout his gentle, transcendent sophomore feature. We can never truly know another person. In some ways, we will never fully know ourselves or our relationship with the world. But the search for it, the mystery, the endless pursuit—that’s the beauty of life. – Mitchell B.
Where to Stream: Prime Video
A Disturbance in the Force (Jeremy Coon and Steve Kozak)
The question asked back in the ’80s and ’90s was never,...
After Yang (kogonada)
I had the pleasure to speak with filmmaker kogonada about his stirring treatise on mortality, After Yang, and the moment from that conversation I return to most is him saying that “what makes art so invigorating is that you’re pursuing the ineffable.” This is a notion seeded throughout his gentle, transcendent sophomore feature. We can never truly know another person. In some ways, we will never fully know ourselves or our relationship with the world. But the search for it, the mystery, the endless pursuit—that’s the beauty of life. – Mitchell B.
Where to Stream: Prime Video
A Disturbance in the Force (Jeremy Coon and Steve Kozak)
The question asked back in the ’80s and ’90s was never,...
- 12/8/2023
- by Jordan Raup
- The Film Stage
Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
Inspired by the bread riots in El Moudir’s home city of Casablanca in 1981, the work uses a replica of the neighborhood where it happened and figurines to explore the lasting trauma of the event.
The film world premiered at Cannes this year, where it shared the Golden Eye prize for the Best Documentary with Tunisian filmmaker Kaouther Ben Hania’s Four Daughters.
Morocco has since submitted the work as its candidate for Best International Film at the 96th Academy Awards.
In other Marrakech awards, the Jury Prize was shared by Moroccan director Kamal Lazraq’s kidnapping thriller Hounds and French-Palestinian-Algerian filmmaker Lina Soualem’s Bye Bye Tiberias, revisiting the story of her...
- 12/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
From her striking debut to The Souvenir and new release The Eternal Daughter, the British film-maker circles around loss, memory and rebirth in dramas of piercing intensity
Joanna Hogg’s latest film, The Eternal Daughter (in cinemas now), is a ghost story; a tale of a mother and daughter – both played by Hogg’s longtime collaborator Tilda Swinton – who stay in a remote hotel where the spectres of the past are everywhere. It’s a wonderfully atmospheric piece, imbued with Hogg’s signature understated strength, and inflected with the same matter-of-fact eeriness that defined Jonathan Miller’s timeless 1968 Mr James TV adaptation Whistle and I’ll Come to You.
It was Hogg’s executive producer Martin Scorsese who encouraged her to make a ghost story, believing that she was at the right point in her life and career to do so. But Hogg’s films have always been haunted by ghosts,...
Joanna Hogg’s latest film, The Eternal Daughter (in cinemas now), is a ghost story; a tale of a mother and daughter – both played by Hogg’s longtime collaborator Tilda Swinton – who stay in a remote hotel where the spectres of the past are everywhere. It’s a wonderfully atmospheric piece, imbued with Hogg’s signature understated strength, and inflected with the same matter-of-fact eeriness that defined Jonathan Miller’s timeless 1968 Mr James TV adaptation Whistle and I’ll Come to You.
It was Hogg’s executive producer Martin Scorsese who encouraged her to make a ghost story, believing that she was at the right point in her life and career to do so. But Hogg’s films have always been haunted by ghosts,...
- 12/2/2023
- by Mark Kermode
- The Guardian - Film News
Tilda Swinton famously cut her acting teeth on the experimental films of late director Derek Jarman such as Caravaggio and The Garden as well as life-long friend Joanna Hogg’s debut short Caprice and Sally Potter’s Orlando.
Nearly 50 years later, she has continued to work with Hogg as well as in the experimental cinema arena, finding a new Jarman-esque kindred spirit in Thai artist and filmmaker Apichatpong Weerasethakul.
Speaking in an in-conversation event at the Marrakech Film Festival on Monday, the actress revealed how some of the big commercial studio pictures she has worked on across her career have felt personally more experimental to her than her avant-garde work.
“I’ve been really fortunate to have some adventures in worlds of filmmaking that I never thought I would be able to go into,” she said.
“When Derek died [in 1994], I was a bit high and dry… slowly… invitations came...
Nearly 50 years later, she has continued to work with Hogg as well as in the experimental cinema arena, finding a new Jarman-esque kindred spirit in Thai artist and filmmaker Apichatpong Weerasethakul.
Speaking in an in-conversation event at the Marrakech Film Festival on Monday, the actress revealed how some of the big commercial studio pictures she has worked on across her career have felt personally more experimental to her than her avant-garde work.
“I’ve been really fortunate to have some adventures in worlds of filmmaking that I never thought I would be able to go into,” she said.
“When Derek died [in 1994], I was a bit high and dry… slowly… invitations came...
- 11/27/2023
- by Melanie Goodfellow
- Deadline Film + TV
‘The Hunger Games: The Ballad Of Songbirds And Snakes’ adds £2.7m to hold off ’Wish’ with £2.4m.
RankFilm (distributor)Three-day gross (Nov 24-26)Total gross to date Week 1. Napoleon (Sony) £3.8m £5.2m 1 2. The Hunger Games: The Ballad Of Songbirds And Snakes (Lionsgate) £2.7m £10.1m 2 3. Wish (Disney) £2.4m £2.4m 1 4. Saltburn (Warner Bros) £572,728 £2m 2 5. The Marvels (Disney) £483,939 £6.6m 3
Gbp to Usd conversion rate: 1.26
Ridley Scott’s Napoleon charged to the top of the UK-Ireland box office with a £3.8m opening weekend – the director’s sixth-highest in his 46-year feature career.
Opening in 716 locations – a record for distributor Sony – Napoleon took a £5,331 location average.
RankFilm (distributor)Three-day gross (Nov 24-26)Total gross to date Week 1. Napoleon (Sony) £3.8m £5.2m 1 2. The Hunger Games: The Ballad Of Songbirds And Snakes (Lionsgate) £2.7m £10.1m 2 3. Wish (Disney) £2.4m £2.4m 1 4. Saltburn (Warner Bros) £572,728 £2m 2 5. The Marvels (Disney) £483,939 £6.6m 3
Gbp to Usd conversion rate: 1.26
Ridley Scott’s Napoleon charged to the top of the UK-Ireland box office with a £3.8m opening weekend – the director’s sixth-highest in his 46-year feature career.
Opening in 716 locations – a record for distributor Sony – Napoleon took a £5,331 location average.
- 11/27/2023
- by Ben Dalton
- ScreenDaily
However Jessica Chastain and her jury could be relied on for glamour.
The opening night of this year’s Marrakech International Film Festival (Fifm) on Friday (November 24) night was a low-key affair in keeping with Fifm’s aim of foregoing parties and lavish red carpets in favour of a deeper cultural experience.
A few attendees even wore jeans and sneakers, an unorthodox mode of attire for any red-carpet event. But these are unusual times following the devastating earthquake in Morocco in Septemberr and the ongoing Israel-Hamas war. The “red carpet” for the evening was tucked away in a side room of the Palais des Congrès,...
The opening night of this year’s Marrakech International Film Festival (Fifm) on Friday (November 24) night was a low-key affair in keeping with Fifm’s aim of foregoing parties and lavish red carpets in favour of a deeper cultural experience.
A few attendees even wore jeans and sneakers, an unorthodox mode of attire for any red-carpet event. But these are unusual times following the devastating earthquake in Morocco in Septemberr and the ongoing Israel-Hamas war. The “red carpet” for the evening was tucked away in a side room of the Palais des Congrès,...
- 11/27/2023
- by E. Nina Rothe
- ScreenDaily
This year’s Marrakech International Film Festival opened with a testament to art.
Two months after a devastating earthquake, and in light of the ever-more heart-wrenching news coming out of the Middle East, the film showcase kicked off with a humanist rallying cry voiced by jury president Jessica Chastain.
“In the weeks leading up to the festival, we were not sure that we would even be able to be here,” Chastain said at the Marrakech opening ceremony on Friday. “The world we share is shattered and divided. And so I have immense gratitude… [that] throughout history, art has been used as an accessible tool for communication, raising awareness about social issues and affecting positive change.”
Indeed, now celebrating its 20th edition, the Moroccan event has always sought to shine a celebratory light, emphasizing art and international communion, especially in dark times. Upon taking the stage on Friday, Chastain echoed those overarching sentiments.
Two months after a devastating earthquake, and in light of the ever-more heart-wrenching news coming out of the Middle East, the film showcase kicked off with a humanist rallying cry voiced by jury president Jessica Chastain.
“In the weeks leading up to the festival, we were not sure that we would even be able to be here,” Chastain said at the Marrakech opening ceremony on Friday. “The world we share is shattered and divided. And so I have immense gratitude… [that] throughout history, art has been used as an accessible tool for communication, raising awareness about social issues and affecting positive change.”
Indeed, now celebrating its 20th edition, the Moroccan event has always sought to shine a celebratory light, emphasizing art and international communion, especially in dark times. Upon taking the stage on Friday, Chastain echoed those overarching sentiments.
- 11/24/2023
- by Ben Croll
- Variety Film + TV
Jessica Chastain, resplendent in a shimmering silver tasseled jump suit, championed the power of art to bring about positive change at the opening night of the Marrakech Film Festival on Friday evening.
The actress is the attending the Moroccan film festival as the president of the jury.
She was joined on stage by jury members Iranian Holy Spider actress Zar Amir, Call My Agent! star Camille Cottin, Australian actor and director Joel Edgerton, UK director Joanna Hogg, U.S. director Dee Rees and Swedish filmmaker Tarik Saleh and actor Alexander Skarsgård.
“Throughout history art has been used as an accessible tool for communication, raising awareness about social issues and effecting positive change,” she said.
Citing the words of renowned anthropologist Margaret Mead on the power of “a small group of thoughtful committed citizens” to change the world, Chastain called on all those in the theatre to embrace the arts.
“I...
The actress is the attending the Moroccan film festival as the president of the jury.
She was joined on stage by jury members Iranian Holy Spider actress Zar Amir, Call My Agent! star Camille Cottin, Australian actor and director Joel Edgerton, UK director Joanna Hogg, U.S. director Dee Rees and Swedish filmmaker Tarik Saleh and actor Alexander Skarsgård.
“Throughout history art has been used as an accessible tool for communication, raising awareness about social issues and effecting positive change,” she said.
Citing the words of renowned anthropologist Margaret Mead on the power of “a small group of thoughtful committed citizens” to change the world, Chastain called on all those in the theatre to embrace the arts.
“I...
- 11/24/2023
- by Melanie Goodfellow
- Deadline Film + TV
The director of The Eternal Daughter and its star are old friends, in an ‘Og working relationship’. But the timing had to be right to make this gothic tale. ‘I got derailed by worries,’ she says
The nights are drawing in. There’s frost underfoot. You can see your breath in the air. It’s the time of year for a chilly tale of the unexpected. And according to none other than Martin Scorsese, director Joanna Hogg is at the perfect point in her career to direct such a film. “He was trying to encourage me to make a ghost story,” Hogg recalls. “He just thought maybe it’s a direction I could go in. So I said: ‘Well, you know, give me some ghost stories to read.’” Scorsese was as good as his word – his suggestions included Rudyard Kipling’s They, Casting the Runes and The Mezzotint by Mr James,...
The nights are drawing in. There’s frost underfoot. You can see your breath in the air. It’s the time of year for a chilly tale of the unexpected. And according to none other than Martin Scorsese, director Joanna Hogg is at the perfect point in her career to direct such a film. “He was trying to encourage me to make a ghost story,” Hogg recalls. “He just thought maybe it’s a direction I could go in. So I said: ‘Well, you know, give me some ghost stories to read.’” Scorsese was as good as his word – his suggestions included Rudyard Kipling’s They, Casting the Runes and The Mezzotint by Mr James,...
- 11/18/2023
- by Catherine Bray
- The Guardian - Film News
The Marrakech International Film Festival has unveiled the 10 cinema figures who will participate in its In Conversation With program at its 20th edition running from November 24 to December 2.
They comprise Australian actor Simon Baker, French director Bertrand Bonello, U.S. actor Willem Dafoe, Indian filmmaker and producer Anurag Kashyap; Japanese director Naomi Kawase; Danish-u.S. actor and director Viggo Mortensen; U.K. actor Tilda Swinton; and Russian director and screenwriter Andrey Zvyagintsev.
Danish actor Mads Mikkelsen and Moroccan director Faouzi Bensaïdi, who will receive the festival’s honorary Étoile d’or prize this year, will also participate in the program.
Baker’s was seen most recently in Toronto title Limbo and Tribeca 2022 selection Blaze, with early features including L.A. Confidential (1997), David Frankel’s The Devil Wears Prada (2006), and J. C. Chandor’s Margin Call (2011), followed by hit series The Mentalist (2008–2015).
Bensaïdi’s first feature A Thousand Months world premiered...
They comprise Australian actor Simon Baker, French director Bertrand Bonello, U.S. actor Willem Dafoe, Indian filmmaker and producer Anurag Kashyap; Japanese director Naomi Kawase; Danish-u.S. actor and director Viggo Mortensen; U.K. actor Tilda Swinton; and Russian director and screenwriter Andrey Zvyagintsev.
Danish actor Mads Mikkelsen and Moroccan director Faouzi Bensaïdi, who will receive the festival’s honorary Étoile d’or prize this year, will also participate in the program.
Baker’s was seen most recently in Toronto title Limbo and Tribeca 2022 selection Blaze, with early features including L.A. Confidential (1997), David Frankel’s The Devil Wears Prada (2006), and J. C. Chandor’s Margin Call (2011), followed by hit series The Mentalist (2008–2015).
Bensaïdi’s first feature A Thousand Months world premiered...
- 11/7/2023
- by Melanie Goodfellow
- Deadline Film + TV
Even by its own ridiculously high standards, 2023 has been one hell of a year for British independent cinema. Whilst Hollywood has been all but shut down by the WGA and SAG-AFTRA strikes, over on this side of the pond, it feels like the candle for British indie cinema – and our collective love for those who make it possible – has never burned brighter. As such, it comes as no surprise to see today’s announcement of the nominations for the British Independent Film Awards 2023 filled with wall-to-wall bangers that represent the very best that British filmmaking has to offer.
Raine Allen-Miller’s whipsmart rom-com refresh :a[Rye Lane]{href='https://www.empireonline.com/movies/reviews/rye-lane/' target='_blank' rel='noreferrer noopener'} leads the line with 16 nods, including Best Director, Best British Independent Film, and Best Debut Director as well as Screenplay. It’s closely followed by Charlotte Regan’s working class wonder :a[Scrapper]{href='https://www.
Raine Allen-Miller’s whipsmart rom-com refresh :a[Rye Lane]{href='https://www.empireonline.com/movies/reviews/rye-lane/' target='_blank' rel='noreferrer noopener'} leads the line with 16 nods, including Best Director, Best British Independent Film, and Best Debut Director as well as Screenplay. It’s closely followed by Charlotte Regan’s working class wonder :a[Scrapper]{href='https://www.
- 11/2/2023
- by Jordan King
- Empire - Movies
Raine Allen-Miller’s debut feature Rye Lane leads this year’s British Independent Film Award nominations with 16 nods, including Best Director and Best British Independent Film.
Allen-Miller’s Peckham-set feature also has nominations for Best Screenplay and Best Debut Screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a nod for Yvonne Isimeme Ibazebo for Breakthrough Producer. The film’s leads Vivian Oparah and David Jonsson scored a Best Joint Lead Performance nomination. Oparah is also nominated in Breakthrough Performance.
Rye Lane is trailed by Scrapper and All Of Us Strangers, which both clocked 14 nominations. Scrapper received four nominations for debut feature filmmaker Charlotte Regan, including Best Director and Best Screenplay. All Of Us Strangers clocked Best Director. In the performance categories, Andrew Scott picked up a Best Lead Performance nomination, and Jamie Bell, Claire Foy, and Paul Mescal grabbed a Best Supporting Performance nod each. Seven...
Allen-Miller’s Peckham-set feature also has nominations for Best Screenplay and Best Debut Screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a nod for Yvonne Isimeme Ibazebo for Breakthrough Producer. The film’s leads Vivian Oparah and David Jonsson scored a Best Joint Lead Performance nomination. Oparah is also nominated in Breakthrough Performance.
Rye Lane is trailed by Scrapper and All Of Us Strangers, which both clocked 14 nominations. Scrapper received four nominations for debut feature filmmaker Charlotte Regan, including Best Director and Best Screenplay. All Of Us Strangers clocked Best Director. In the performance categories, Andrew Scott picked up a Best Lead Performance nomination, and Jamie Bell, Claire Foy, and Paul Mescal grabbed a Best Supporting Performance nod each. Seven...
- 11/2/2023
- by Zac Ntim
- Deadline Film + TV
The 20th edition of the Marrakech International Film Festival has announced its selection, opening with Richard Linklater’s comedy Hit Man.
The event, running from November 24 to December 24, will unfold two months after the devastating earthquake in the nearby Atlas Mountains in September, which killed more than 2,000 people.
The management team has decided to push on with the event to support Marrakech, which suffered very little damage and relies heavily on tourism for its livelihood.
Hit Man will play as part of the festival’s six picture red carpet Gala selection which also includes Matteo Garrone’s Italian Oscar entry Me Captain and Michel Franco’s Memory.
Previously announced high-profile guests due to attend this year include Martin Scorsese, who will act as a mentor to emerging filmmakers attending the industry-focused Atlas Workshops, and Jessica Chastain as president of the jury.
She will be joined by Iranian actress and director Zar Amir,...
The event, running from November 24 to December 24, will unfold two months after the devastating earthquake in the nearby Atlas Mountains in September, which killed more than 2,000 people.
The management team has decided to push on with the event to support Marrakech, which suffered very little damage and relies heavily on tourism for its livelihood.
Hit Man will play as part of the festival’s six picture red carpet Gala selection which also includes Matteo Garrone’s Italian Oscar entry Me Captain and Michel Franco’s Memory.
Previously announced high-profile guests due to attend this year include Martin Scorsese, who will act as a mentor to emerging filmmakers attending the industry-focused Atlas Workshops, and Jessica Chastain as president of the jury.
She will be joined by Iranian actress and director Zar Amir,...
- 11/2/2023
- by Melanie Goodfellow
- Deadline Film + TV
The Marrakech International Film Festival head juror Jessica Chastain will be joined by fellow thesps in actress Camille Cottin and actor Alexander Skarsgård, filmmaker-actress Zahra Amir Ebrahimi, filmmaker-actor Joel Edgerton, filmmakers Joanna Hogg, Dee Rees, Tarek Saleh and French-Moroccan writer Leïla Slimani (Perfect Nanny).
Set to take place between November 24th to December 2nd, the nine-some will award the Étoile d’Or to one of the 14 first / second-time feature-length films in the competition dedicated to the discovery of world cinema talents. We’ll probably get updates on the next projects for the majority of these folks.…...
Set to take place between November 24th to December 2nd, the nine-some will award the Étoile d’Or to one of the 14 first / second-time feature-length films in the competition dedicated to the discovery of world cinema talents. We’ll probably get updates on the next projects for the majority of these folks.…...
- 10/27/2023
- by Eric Lavallée
- IONCINEMA.com
Zar Amir, Camille Cottin, Dee Rees, Tarek Saleh, Alexander Skarsgård and Leïla Slimani also join the jury
British director Joanna Hogg and Australian actor and director Joel Edgerton are among the additions to the official competition jury for the 20th edition of the Marrakech International Film Festival (November 24 - December 2).
The previously announced jury president Jessica Chastain is also joined by Iranian actor Zar Amir, French actor Camille Cottin, US director Dee Rees, Swedish-Egyptian director Tarek Saleh, Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.
The jury will judge the 14 first and second feature films screening in official competition,...
British director Joanna Hogg and Australian actor and director Joel Edgerton are among the additions to the official competition jury for the 20th edition of the Marrakech International Film Festival (November 24 - December 2).
The previously announced jury president Jessica Chastain is also joined by Iranian actor Zar Amir, French actor Camille Cottin, US director Dee Rees, Swedish-Egyptian director Tarek Saleh, Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.
The jury will judge the 14 first and second feature films screening in official competition,...
- 10/27/2023
- by Ellie Calnan
- ScreenDaily
The Marrakech International Film Festival has announced its full jury, signaling that the event is forging ahead with its 20th edition despite the Israel-Hamas conflict — which has caused cancellations of several other fests in the region — and the earthquake that hit the country in September.
Joining Jessica Chastain – who is the fest’s previously announced jury president – will be Iranian actor Zar Amir; French actor Camille Cottin; Australian actor and director Joel Edgerton; British director Joanna Hogg; U.S. director Dee Rees; Swedish-Egyptian director Tarek Saleh; Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.
The jury will award Marrakech’s Étoile d’Or to one of 14 first-and second-time feature films in the competition, which is dedicated to the discovery of global talent.
A major cultural event in Morocco, Marrakech – which will run Nov. 24-Dec. 2 – is one of the only international festivals of that scale where screenings and masterclasses are...
Joining Jessica Chastain – who is the fest’s previously announced jury president – will be Iranian actor Zar Amir; French actor Camille Cottin; Australian actor and director Joel Edgerton; British director Joanna Hogg; U.S. director Dee Rees; Swedish-Egyptian director Tarek Saleh; Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.
The jury will award Marrakech’s Étoile d’Or to one of 14 first-and second-time feature films in the competition, which is dedicated to the discovery of global talent.
A major cultural event in Morocco, Marrakech – which will run Nov. 24-Dec. 2 – is one of the only international festivals of that scale where screenings and masterclasses are...
- 10/27/2023
- by Nick Vivarelli
- Variety Film + TV
If there’s something you’d love to ask the daring and versatile actor, about to take on two roles in Joanna Hogg’s The Eternal Daughter, now is your chance
Activist, writer, model, performance artist: Tilda Swinton has so many strings to her bow that calling her an actor feels insufficient. Perhaps more successfully than any actor working today, she has straddled the boundary between arthouse and mainstream cinema, equally at home in a billion-dollar franchise like The Chronicles of Narnia as she is in films by Apichatpong Weerasethakul.
Born in London in 1960 to an aristocratic military family of Scottish descent, Swinton later rejected her conservative upbringing, embracing leftwing politics, poetry and experimental theatre. On graduating from Cambridge the filmmaker Derek Jarman became her friend and mentor, casting her in numerous films and leading to her breakout role in Sally Potter’s Orlando.
Activist, writer, model, performance artist: Tilda Swinton has so many strings to her bow that calling her an actor feels insufficient. Perhaps more successfully than any actor working today, she has straddled the boundary between arthouse and mainstream cinema, equally at home in a billion-dollar franchise like The Chronicles of Narnia as she is in films by Apichatpong Weerasethakul.
Born in London in 1960 to an aristocratic military family of Scottish descent, Swinton later rejected her conservative upbringing, embracing leftwing politics, poetry and experimental theatre. On graduating from Cambridge the filmmaker Derek Jarman became her friend and mentor, casting her in numerous films and leading to her breakout role in Sally Potter’s Orlando.
- 9/29/2023
- The Guardian - Film News
Martin Scorsese is readying the release of his forthcoming epic Killers of the Flower Moon, and during a rare wide-ranging, sit-down feature, he was once again quizzed on his opinions about comic book films.
“The danger there is what it’s doing to our culture,” Scorsese said of comic book films during a GQ interview. “Because there are going to be generations now that think movies are only those—that’s what movies are.”
The Taxi Driver filmmaker continued to add that as a result, it is down to contemporary filmmakers to “fight back stronger” to maintain a more robust film culture.
“It’s gotta come from the filmmakers themselves. And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides,” he said. “Hit ’em from all sides, and don’t give up. Let’s see what you got.
“The danger there is what it’s doing to our culture,” Scorsese said of comic book films during a GQ interview. “Because there are going to be generations now that think movies are only those—that’s what movies are.”
The Taxi Driver filmmaker continued to add that as a result, it is down to contemporary filmmakers to “fight back stronger” to maintain a more robust film culture.
“It’s gotta come from the filmmakers themselves. And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides,” he said. “Hit ’em from all sides, and don’t give up. Let’s see what you got.
- 9/25/2023
- by Zac Ntim
- Deadline Film + TV
Germany’s state minister for culture and media said: “the Berlinale shouldn’t be left behind, but be in the same league as Cannes, Venice and Toronto.
Claudia Roth, Germany’s state minister for culture and media, expects the decision to be made by the end of this year about a new director for the Berlinale to succeed co-incumbents Mariette Rissenbeek and Carlo Chatrian.
“We are well on the way with the process so that we can present a new personality this year, achieve a good Berlinale 2024 and put all our efforts into ensuring that the Berlinale continues to be...
Claudia Roth, Germany’s state minister for culture and media, expects the decision to be made by the end of this year about a new director for the Berlinale to succeed co-incumbents Mariette Rissenbeek and Carlo Chatrian.
“We are well on the way with the process so that we can present a new personality this year, achieve a good Berlinale 2024 and put all our efforts into ensuring that the Berlinale continues to be...
- 9/19/2023
- by Martin Blaney
- ScreenDaily
As the Toronto International Film Festival opens, an uproar over the exit of the artistic director of The Berlinale, Berlin’s prestigious annual film festival, is laying bare the problems facing many international film festivals over finances, programming and the competing demands of government officials and artists.
On Wednesday, over 200 directors — including acclaimed filmmakers like Martin Scorsese, Paul Schrader and Joanna Hogg — put their name to a petition asking for the reinstatement of the Berlinale’s artistic director, Carlo Chatrian, after the board that oversees the festival decided to change its leadership structure. Chatrian decided to walk away rather than take part in that transition in a diminished role.
The Berlinale leadership controversy is just part of the recent challenges during a very difficult time for film festivals. Nearly every festival, domestic and international, has struggled to pull in audiences in the wake of Covid and a shaky global economy...
On Wednesday, over 200 directors — including acclaimed filmmakers like Martin Scorsese, Paul Schrader and Joanna Hogg — put their name to a petition asking for the reinstatement of the Berlinale’s artistic director, Carlo Chatrian, after the board that oversees the festival decided to change its leadership structure. Chatrian decided to walk away rather than take part in that transition in a diminished role.
The Berlinale leadership controversy is just part of the recent challenges during a very difficult time for film festivals. Nearly every festival, domestic and international, has struggled to pull in audiences in the wake of Covid and a shaky global economy...
- 9/8/2023
- by Kristen Lopez
- The Wrap
A growing list of 300 film professionals, including Martin Scorsese, Olivier Assayas, Joanna Hogg, and Radu Jude, have signed an open letter calling for the contract of outgoing Berlinale Artistic Director Carlo Chatrian to be reinstated and extended beyond 2024.
Late last week, Chatrian released a statement via the Berlinale website announcing his intention to step down following next year’s edition of the German festival. In his statement, Chatrian pointed to the German Ministry for Culture and Media’s decision to scrap the Berlinale’s dual management structure as the main catalyst for his departure.
Last month, German Culture Minister Claudia Roth announced that she wants the Berlinale to be placed back under the control of a single director. Roth is reported to have told a meeting on Thursday of the supervisory board of federal cultural events in Berlin (Kbb), which oversees the festival, that her conclusion was the film should be led by one person.
Late last week, Chatrian released a statement via the Berlinale website announcing his intention to step down following next year’s edition of the German festival. In his statement, Chatrian pointed to the German Ministry for Culture and Media’s decision to scrap the Berlinale’s dual management structure as the main catalyst for his departure.
Last month, German Culture Minister Claudia Roth announced that she wants the Berlinale to be placed back under the control of a single director. Roth is reported to have told a meeting on Thursday of the supervisory board of federal cultural events in Berlin (Kbb), which oversees the festival, that her conclusion was the film should be led by one person.
- 9/6/2023
- by Zac Ntim
- Deadline Film + TV
The letter has been signed by filmmakers including Martin Scorsese, Joanna Hogg, Radu Jude and Tilda Swinton.
An open letter supporting the continuation of artistic director Carlo Chatrian’s leadership at the Berlinale has received nearly 300 signatures and counting from the international film community, including Martin Scorsese, Joanna Hogg, Radu Jude, Paul Schrader, Ulrich Seidl, Marie Kreutzer, Tilda Swinton and M. Night Shyamalan.
Italian Chatrian is set to step down from the role of artistic director following the 2024 edition, in the wake of the festival confirming it will return to a single-director model, having employed Chatrian and Mariette Rissenbeek as...
An open letter supporting the continuation of artistic director Carlo Chatrian’s leadership at the Berlinale has received nearly 300 signatures and counting from the international film community, including Martin Scorsese, Joanna Hogg, Radu Jude, Paul Schrader, Ulrich Seidl, Marie Kreutzer, Tilda Swinton and M. Night Shyamalan.
Italian Chatrian is set to step down from the role of artistic director following the 2024 edition, in the wake of the festival confirming it will return to a single-director model, having employed Chatrian and Mariette Rissenbeek as...
- 9/6/2023
- by Mona Tabbara¬Geoffrey Macnab
- ScreenDaily
More than 200 international filmmakers have rallied in support of ousted Berlinale artistic director Carlo Chatrian, pledging their names to an open letter imploring the cultural organization to keep the artist director in place. Among the first signatories were Martin Scorsese, Paul Schrader, Joanna Hogg, “Corsage” director Marie Kreutzer, Andrew Ross Perry, and Olivier Assayas. Over the course of the day on Wednesday, another 130 directors joined them, the list swelling to include M. Night Shyamalan, Ryusuke Hamaguchi, Tilda Swinton, and Claire Denis. 260 filmmakers have now signed the open letter.
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
- 9/6/2023
- by Ben Croll
- The Wrap
Martin Scorsese, Radu Jude, Joanna Hogg, Claire Denis, Bertrand Bonello, M. Night Shyamalan, Kristen Stewart, Hamaguchi Ryusuke and Margarethe von Trotta are among the international filmmakers and talents who have signed an open letter in support of Carlo Chatrian whose mandate as artistic director of the Berlinale will come to an end next year. The number of signatories has now exceeded 400 names and keeps growing.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (Kbb), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition. The festival’s executive director Mariëtte Rissenbeek will also be leaving her post after the next edition.
- 9/6/2023
- by Elsa Keslassy and Naman Ramachandran
- Variety Film + TV
Andrew Haigh wants to caress your spirit with his delicate and unassumingly poetic “All Of Us Strangers.” It is an otherworldly rumination on grief, love, loneliness and trauma, as well as a sophisticated ghost story that takes a page out of Joanna Hogg’s “The Eternal Daughter” for anyone carrying around a baggage of unspoken sorrow.
Caress your sprit Haigh does, for a while, with the kindness we come to expect from the lyrical British filmmaker of “45 Years”—a swelling account of the blind spots of a marriage—and “Lean on Pete,” an aching meditation on Americana on the fringes which, in a just world, would have been as widely celebrated as its closest thematic companion, the Oscar-winning “Nomadland.”
One of the most tender storytellers of our time, Haigh then pulls something else out of his magical sleeve in due course. Just like he did with those former aforesaid gems,...
Caress your sprit Haigh does, for a while, with the kindness we come to expect from the lyrical British filmmaker of “45 Years”—a swelling account of the blind spots of a marriage—and “Lean on Pete,” an aching meditation on Americana on the fringes which, in a just world, would have been as widely celebrated as its closest thematic companion, the Oscar-winning “Nomadland.”
One of the most tender storytellers of our time, Haigh then pulls something else out of his magical sleeve in due course. Just like he did with those former aforesaid gems,...
- 9/1/2023
- by Tomris Laffly
- The Wrap
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