Following the financial failure of “Dodes’kaden” and the completion of the Soviet-Japanese feature “Dersu Uzala,” Akira Kurosawa would return to the familiar world of jidaigeki. His samurai epic “Kagemusha” would be a successful return to form, wowing audiences with its striking visuals and compelling story. While experimental with the scope as the director’s most ambitious feature at the time was, budget finances were more comfortably assembled than with previous projects. On top of that, the production would also receive additional funds. This other aid was thanks to the help of admirers George Lucas and Francis Ford Coppola, who worked as co-producers, along with international financial support and distribution by 20th Century Fox. At this point, Kurosawa was getting older, yet he was still motivated to create art. A few years later, he would do just that again and went on to release his grand masterpiece “Ran.
- 1/19/2023
- by Sean Barry
- AsianMoviePulse
Peter O'Toole's acting career spanned seven decades and involved hundreds of roles, a million sardonic smirks, and no small amount of liquor. On screen, O'Toole could be heroic, villainous, affable, and off-putting, sometimes all at once. In interviews, O'Toole was frank and unguarded, quick with a jibe, and unwilling to suffer fools. O'Toole and his frequent collaborator, the actor Richard Harris, have both appeared on many talk shows toward the ends of their lives to tell many, many stories of getting drunk together.
Somewhere along the way, O'Toole garnered enough fame and clout to more or less select any project he wanted. By the time he starred in Peter Medak's "The Ruling Class" in 1972, O'Toole had already appeared in 18 feature films, including a James Bond movie. That same year, O'Toole would appear in "Under Milk Wood" and a film adaptation of "Man of La Mancha." One might say...
Somewhere along the way, O'Toole garnered enough fame and clout to more or less select any project he wanted. By the time he starred in Peter Medak's "The Ruling Class" in 1972, O'Toole had already appeared in 18 feature films, including a James Bond movie. That same year, O'Toole would appear in "Under Milk Wood" and a film adaptation of "Man of La Mancha." One might say...
- 9/9/2022
- by Witney Seibold
- Slash Film
Stars: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryû, Mieko Harada, Yoshiko Miyazaki, Hisashi Igawa, Masayuki Yui, Kazuo Katô, Norio Matsui | Written by Akira Kurosawa, Hideo Oguni, Masato Ide | Directed by Akira Kurosawa
When aging warlord Hidetori Ichimonji (Tatsuya Nakadai) decides it is time for him to retire, he divides the lands he rules between his three sons. This causes a bitter power struggle between his eldest sons, and his youngest being banished for his warning of the impending doom. As the reality of retirement his Ichimonji war breaks out, with the banished son being the only one who could possibly save his father from the warring brothers.
Ran starts off showing the epic landscape of Japan, teasing at what to expect from the film, and this location is used to full effect in the film. There are many huge battles that feel truly impressive, but the real magic is...
When aging warlord Hidetori Ichimonji (Tatsuya Nakadai) decides it is time for him to retire, he divides the lands he rules between his three sons. This causes a bitter power struggle between his eldest sons, and his youngest being banished for his warning of the impending doom. As the reality of retirement his Ichimonji war breaks out, with the banished son being the only one who could possibly save his father from the warring brothers.
Ran starts off showing the epic landscape of Japan, teasing at what to expect from the film, and this location is used to full effect in the film. There are many huge battles that feel truly impressive, but the real magic is...
- 5/8/2016
- by Paul Metcalf
- Nerdly
Chicago – The master director Akira Kurosawa (1910-1998) gave us a treasure trove of cinematic wizardry, to savor and revisit for years to come. Rialto Pictures is distributing the latest 4K restoration of one of his greatest pictures, “Ran” (1985). As part of a nationwide road show, it’s currently at the Gene Siskel Film Center of Chicago.
Rating: 5.0/5.0
The story is a loose adaptation of Shakespeare’s “King Lear,” if the kingdom were present in 16th Century Japan. This is part of Kurosawa’s fascination and film journey (“Throne of Blood,” “Seven Samurai”) with the Japanese warrior culture, in the days of the samurai rule. This is his epic, the color film adaptation that is spectacularly rendered, so beautiful in its restoration it will make your eyes hurt in the finest way. The tale is compelling, the acting is sublime and the action sequences are better than any hack superhero film.
Rating: 5.0/5.0
The story is a loose adaptation of Shakespeare’s “King Lear,” if the kingdom were present in 16th Century Japan. This is part of Kurosawa’s fascination and film journey (“Throne of Blood,” “Seven Samurai”) with the Japanese warrior culture, in the days of the samurai rule. This is his epic, the color film adaptation that is spectacularly rendered, so beautiful in its restoration it will make your eyes hurt in the finest way. The tale is compelling, the acting is sublime and the action sequences are better than any hack superhero film.
- 4/5/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ran (1985) Direction: Akira Kurosawa Cast: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu, Mieko Harada, Yoshiko Miyazaki, Hisashi Igawa Screenplay: Akira Kurosawa, Masato Ide, and Hideo Oguni Oscar Movies Akira Kurosawa's Ran By Dan Schneider of Cosmoetica: "Critical cribbing" is a term I coined in regard to the tendency of critics, in all fields, to not engage a work of art directly, but rather to fall back on lazily repeating claims that have been made by others about the work they are reviewing. Sometimes, these are positive blurbs; other times, they are bits of misinformation repeated endlessly — e.g., the (nameless) characters' names in films such as Alain Resnais' Last Year in Marienbad and Michelangelo Antonioni's Blowup. Typical examples of critical cribbing can be found in reviews of Akira Kurosawa’s 27th (of 30) films, Ran (1985), a very good effort despite problems with character development and some mediocre acting.
- 3/29/2011
- by Dan Schneider
- Alt Film Guide
Chicago – I have to admit to a bit of trepidation every time a studio outside of the widely acknowledged masters tries their hand at catalog releases but the Lionsgate/StudioCanal Blu-ray releases of “Contempt,” “The Ladykillers,” and “Ran” are spectacular. Not only do the films look amazing in HD but they’ve been given copious special features. Don’t miss them.
Blu-Ray Rating: 4.5/5.0
What do Jean-Luc Godard’s “Contempt,” Akira Kurosawa’s “Ran,” and Alexander Mackendrick’s “The Ladykillers” have in common? Basically nothing other than loyal followings and, apparently, the same production company that allows them to be released on Blu-ray on the same day. They’re all films well worth adding to any collection of classic titles, especially in packages this lavish and lovingly produced.
Contempt was released on Blu-ray on February 16th, 2010.
Photo credit: Lionsgate Home Video
Four words - “Brigitte Bardot in HD”. For movie lovers who know their classics,...
Blu-Ray Rating: 4.5/5.0
What do Jean-Luc Godard’s “Contempt,” Akira Kurosawa’s “Ran,” and Alexander Mackendrick’s “The Ladykillers” have in common? Basically nothing other than loyal followings and, apparently, the same production company that allows them to be released on Blu-ray on the same day. They’re all films well worth adding to any collection of classic titles, especially in packages this lavish and lovingly produced.
Contempt was released on Blu-ray on February 16th, 2010.
Photo credit: Lionsgate Home Video
Four words - “Brigitte Bardot in HD”. For movie lovers who know their classics,...
- 2/19/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Now that he is widely recognized as one of the best filmmakers of all time, it’s almost hard to believe that there was a period in the career of Akira Kurosawa when he couldn’t get financing to make a film. Kurosawa went through a very dark time in the ’70s, punctuated by his disastrous experience with “Tora! Tora! Tora!,” and needed the weight of Francis Ford Coppola and George Lucas to help with his comeback, “Kagemusha,” now available in a beautiful Criterion Collection Blu-Ray release.
Blu-Ray Rating: 4.5/5.0 I adore stories like the one behind the making of “Kagemusha” because they reflect the ripple throughout the ages that comes with amazing creativity. In the excellent special feature, “Lucas, Coppola, and Kurosawa,” the interviews draw a definitive line from John Ford (whose “The Searchers” influenced Kurosawa) to Kurosawa’s work to “The Godfather” to “Star Wars” to “Kagemusha,” which itself inspired countless filmmakers.
Blu-Ray Rating: 4.5/5.0 I adore stories like the one behind the making of “Kagemusha” because they reflect the ripple throughout the ages that comes with amazing creativity. In the excellent special feature, “Lucas, Coppola, and Kurosawa,” the interviews draw a definitive line from John Ford (whose “The Searchers” influenced Kurosawa) to Kurosawa’s work to “The Godfather” to “Star Wars” to “Kagemusha,” which itself inspired countless filmmakers.
- 8/20/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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