Herman Rush, a veteran television producer best known for licensing Till Death Us Do Part, the UK sitcom that Norman Lear turned into All in the Family, died Dec. 12 at 94 of natural causes in Los Angeles, according to several news reports.
Rush began his career in 1951, working in sales for Official Film. He later purchased Flamingo Films, a television syndication firm, growing it into a major independent syndication company.
Up into the 1970s, Rush was with Creative Management Associates as the president of the television division, playing a role in the agency’s entry into television packaging. Some of the shows he was placed on networks included The Perry Como Show, The Jackie Gleason Show, The Kraft Music Hall and The Hollywood Palace.
H also represented producer Irwin Allen for TV hits Voyage to the Bottom of the Sea, Lost In Space, The Time Tunnel, and Land of the Giants.
Rush began his career in 1951, working in sales for Official Film. He later purchased Flamingo Films, a television syndication firm, growing it into a major independent syndication company.
Up into the 1970s, Rush was with Creative Management Associates as the president of the television division, playing a role in the agency’s entry into television packaging. Some of the shows he was placed on networks included The Perry Como Show, The Jackie Gleason Show, The Kraft Music Hall and The Hollywood Palace.
H also represented producer Irwin Allen for TV hits Voyage to the Bottom of the Sea, Lost In Space, The Time Tunnel, and Land of the Giants.
- 12/21/2023
- by Bruce Haring
- Deadline Film + TV
Herman Rush, who produced several television shows and was the former president of Columbia Pictures Television, has died. He was 94.
Rush died on Dec. 12 of natural causes in Los Angeles, his daughter Mandie told The Hollywood Reporter.
Born in Philadelphia, Pennsylvania in 1929, Rush grew up in a show-business family, with his uncle Manie Sacks being Frank Sinatra’s first manager.
In 1951, Rush began his career in television, working first as a salesman for Official Film before moving up to several different leadership positions. He later purchased Flamingo Films, a television syndication firm, in 1957 and turned it into a major independent syndication company.
Throughout the ’60s and early ’70s, he was with Creative Management Associates as the president of the television division. He also worked for CMA’s predecessor organization, General Artists Corporation, now known as International Creative Management, and played a huge role in the agency’s entry into television packaging.
Rush died on Dec. 12 of natural causes in Los Angeles, his daughter Mandie told The Hollywood Reporter.
Born in Philadelphia, Pennsylvania in 1929, Rush grew up in a show-business family, with his uncle Manie Sacks being Frank Sinatra’s first manager.
In 1951, Rush began his career in television, working first as a salesman for Official Film before moving up to several different leadership positions. He later purchased Flamingo Films, a television syndication firm, in 1957 and turned it into a major independent syndication company.
Throughout the ’60s and early ’70s, he was with Creative Management Associates as the president of the television division. He also worked for CMA’s predecessor organization, General Artists Corporation, now known as International Creative Management, and played a huge role in the agency’s entry into television packaging.
- 12/21/2023
- by Carly Thomas
- The Hollywood Reporter - Movie News
General Hospital's General Television
In 1978, Gloria Monty pushed the ABC serial into the modern era. She left in 1986 but now has returned-and aims to drag it into the 1990s.
By Irv Letofsky
Los Angeles Times
February 13, 1991
One morning a few years ago, an actress was rehearsing her lines on General Hospital. On her blouse she wore an innocent tiny yellow duck pin. Suddenly from the anonymity of the control booth boomed the voice of executive producer Gloria Monty, ever on the watch for anything that might detract from the show: "Lose the duck."
Wiry, petite, 5-foot-2, maybe 85 pounds after a big meal, Monty doesn't look so tough. But she's a Hollywood heavyweight, a brawler who took on the ABC serial in 1978 and punched and pummeled it into the modern era. She left in 1986 but now has returned-her name goes on the credit roll today-and aims to drag it into the 1990s.
In 1978, Gloria Monty pushed the ABC serial into the modern era. She left in 1986 but now has returned-and aims to drag it into the 1990s.
By Irv Letofsky
Los Angeles Times
February 13, 1991
One morning a few years ago, an actress was rehearsing her lines on General Hospital. On her blouse she wore an innocent tiny yellow duck pin. Suddenly from the anonymity of the control booth boomed the voice of executive producer Gloria Monty, ever on the watch for anything that might detract from the show: "Lose the duck."
Wiry, petite, 5-foot-2, maybe 85 pounds after a big meal, Monty doesn't look so tough. But she's a Hollywood heavyweight, a brawler who took on the ABC serial in 1978 and punched and pummeled it into the modern era. She left in 1986 but now has returned-her name goes on the credit roll today-and aims to drag it into the 1990s.
- 8/12/2011
- by We Love Soaps TV
- We Love Soaps
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