NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Our House of Tolerance 35mm presentation has its final showing on Friday; a print of John Frankenheimer’s Seconds plays this Saturday.
Film at Lincoln Center
A Ryusuke Hamaguchi retrospective has begun.
Paris Theater
A 1984 retrospective brings Spinal Tap, Starman, a 35mm print of Fanny and Alexander, and Now, Voyager.
Anthology Film Archives
“Essential Cinema” brings Pudovkin and Sharits, while “Ecocinema Behind the Iron Curtain” begins.
Film Forum
As Le Samouraï plays in a new 4K restoration, an Alain Delon retrospective and Ken Loach series are underway; Tootsie plays on Sunday.
Museum of the Moving Image
The Abyss screens on Saturday.
Metrograph
As a complete retrospective of Lee Chang-dong winds down, Liu Jian’s Have a Nice Day screens.
IFC Center
Dawn of the Dead plays through the weekend while Scooby-Doo (on 35mm) and John Waters’ Multiple Maniacs and Polyester show late.
Roxy Cinema
Our House of Tolerance 35mm presentation has its final showing on Friday; a print of John Frankenheimer’s Seconds plays this Saturday.
Film at Lincoln Center
A Ryusuke Hamaguchi retrospective has begun.
Paris Theater
A 1984 retrospective brings Spinal Tap, Starman, a 35mm print of Fanny and Alexander, and Now, Voyager.
Anthology Film Archives
“Essential Cinema” brings Pudovkin and Sharits, while “Ecocinema Behind the Iron Curtain” begins.
Film Forum
As Le Samouraï plays in a new 4K restoration, an Alain Delon retrospective and Ken Loach series are underway; Tootsie plays on Sunday.
Museum of the Moving Image
The Abyss screens on Saturday.
Metrograph
As a complete retrospective of Lee Chang-dong winds down, Liu Jian’s Have a Nice Day screens.
IFC Center
Dawn of the Dead plays through the weekend while Scooby-Doo (on 35mm) and John Waters’ Multiple Maniacs and Polyester show late.
- 4/26/2024
- by Nick Newman
- The Film Stage
Laurent Cantet's Palme d'Or winner The Class Photo: UniFrance The French director Laurent Cantet who struck gold at the Cannes Film Festival in 2008 with the Palme d’Or winner, The Class, has died at the age of 63.
Laurent Cantet Photo: Veeren Ramsamy for UniFrance The film was based on the novel Entre les murs which was a semi-autobiographical account of the author François Bégaudeau's own experiences in the school system in Paris - and featured him in the lead role of the teacher confronting “problem children.”
Beside the Palme d’Or the film also was nominated for an Oscar as Best Foreign Language Film.
Cantet was a filmmaker who showed a lively interest in social issues and themes, often used non professional actors and took a naturalistic approach to his subjects. His kindred spirits would be Ken Loach and the Dardenne Brothers as well as the traditions of Roberto Rossellini and Robert Bresson.
Laurent Cantet Photo: Veeren Ramsamy for UniFrance The film was based on the novel Entre les murs which was a semi-autobiographical account of the author François Bégaudeau's own experiences in the school system in Paris - and featured him in the lead role of the teacher confronting “problem children.”
Beside the Palme d’Or the film also was nominated for an Oscar as Best Foreign Language Film.
Cantet was a filmmaker who showed a lively interest in social issues and themes, often used non professional actors and took a naturalistic approach to his subjects. His kindred spirits would be Ken Loach and the Dardenne Brothers as well as the traditions of Roberto Rossellini and Robert Bresson.
- 4/25/2024
- by Richard Mowe
- eyeforfilm.co.uk
Jane Campion, director of “The Power of the Dog,” is the recipient of this year’s Pardo d’Onore Manor at the Locarno Film Festival — its award for outstanding achievement in cinema. So yes, the “Dog” director is getting a cat trophy: Pardo d’Onore translates to “Leopard of Honor” in English.
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
The award will be bestowed on August 16, 2024 at the 77th edition of the festival. Locarno will also feature screenings of two Campion movies as selected by the director herself: 1990’s “An Angel at My Table” and 1993’s “The Piano.” It will be a brand new 4K restoration of “The Piano” that audience in Switzerland sees.
It’s quite an honor, but certainly not Campion’s first big award. She was the first woman to win the Palme d’Or at the Cannes Film Festival (for “The Piano”). Campion is also the first woman to be nominated twice for...
- 4/24/2024
- by Tony Maglio
- Indiewire
Jane Campion will be honored this year by the Locarno Film Festival, which will present the New Zealand director its Pardo d’Onore Manor Award for lifetime achievement.
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.
Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.
The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...
- 4/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel At My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
The Locarno Film Festival is set to honour filmmaker Jane Campion with the Pardo d’Onore Manor, its award for outstanding achievement in cinema.
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
The 77th edition of the festival will feature screenings of two of her titles selected by the director herself: An Angel at My Table (1990) and The Piano (1993), the latter presented in a new 4K restoration that will make its debut on the Piazza Grande.
The Pardo d’Onore Manor will be given to Campion on the evening of The Piano screening on August 16, and she will take part in a panel conversation the following day.
Campion...
- 4/24/2024
- ScreenDaily
Jane Campion will be heading to Switzerland this summer to receive an honorary award at the 77th edition of the Locarno Film Festival, running from August 7 to 17.
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
The director will be presented with the festival’s Pardo d’Onore Manor Award for outstanding achievement in cinema in a ceremony at its landmark Piazza Grande open-air venue on August 16.
As part of the honorary celebrations, two Campion features will be screened at the festival: An Angel at My Table (1990) and The Piano (1993). The latter is presented in a new 4K restoration that will make its debut on the Piazza Grande. Campion will also host an onstage Q&a at the Forum @ Spazio Cinema on August 17.
“With her directorial debut, Sweetie (1989), Jane Campion asserted herself from the start as a distinctive and unmistakable voice,” Giona A. Nazzaro, Locarno Artistic Director said this morning announcing the honor.
“More than thirty years later, the...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
The Locarno Film Festival will honor Jane Campion with its Pardo d’onore Manor award.
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
The prominent Swiss fest dedicated to indie cinema will celebrate the revered auteur from New Zealand on Aug. 16 during a ceremony on its 8,000-seat Piazza Grande. The following day Campion will hold an onstage conversation. Champion’s “An Angel at My Table” (1990) and “The Piano” (1993) – the latter presented in a new 4K restoration – have been selected as Locarno’s tribute screenings.
“Jane Campion’s biography is a succession of remarkable firsts,” the fest noted in a statement, citing the facts that Campion is the first woman to win the Cannes Palme d’Or for “The Piano”; the first woman to get nominated twice in the best director category at the Academy Awards – winning once for “The Power of the Dog” in 2021 –; and the first filmmaker from New Zealand to compete at the Venice Film Festival...
- 4/24/2024
- by Nick Vivarelli
- Variety Film + TV
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Our House of Tolerance 35mm presentation returns on Friday, while a print of the James Dean-led Giant shows this Saturday alongside prints of Twilight and Half Baked; Decoder also screens.
Paris Theater
A 1984 retrospective brings Body Double and a 35mm print of Love Streams.
Japan Society
A two-title retrospective of the legendary Directors Company brings one of Kiyoshi Kurosawa’s best early films, Bumpkin Soup, and Sogo Ishii’s The Crazy Family.
Anthology Film Archives
“Essential Cinema” brings two early masterpieces by Ozu, while the Quebecois cinema retrospective has its final screenings on Friday; Roy Cohn/Jack Smith shows on Saturday and Sunday.
Film at Lincoln Center
Yi Yi and A Brighter Summer Day return.
Film Forum
As Le Samouraï plays in a new 4K restoration, an Alain Delon retrospective continues while a Ken Loach series starts.
Roxy Cinema
Our House of Tolerance 35mm presentation returns on Friday, while a print of the James Dean-led Giant shows this Saturday alongside prints of Twilight and Half Baked; Decoder also screens.
Paris Theater
A 1984 retrospective brings Body Double and a 35mm print of Love Streams.
Japan Society
A two-title retrospective of the legendary Directors Company brings one of Kiyoshi Kurosawa’s best early films, Bumpkin Soup, and Sogo Ishii’s The Crazy Family.
Anthology Film Archives
“Essential Cinema” brings two early masterpieces by Ozu, while the Quebecois cinema retrospective has its final screenings on Friday; Roy Cohn/Jack Smith shows on Saturday and Sunday.
Film at Lincoln Center
Yi Yi and A Brighter Summer Day return.
Film Forum
As Le Samouraï plays in a new 4K restoration, an Alain Delon retrospective continues while a Ken Loach series starts.
- 4/19/2024
- by Nick Newman
- The Film Stage
Updated: The Cannes Film Festival will have an admirable UK and Irish presence in 2024, including three films from Dublin, London and Belfast-based production company Element Pictures, Andrea Arnold’s Bird in Competition and features from fresh talents Sandhya Suri and Rungano Nyoni, as well as Sister Midnight in Directors’ Fortnight.
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
Competition is still proving a tricky spot to land for UK or Irish directors. In 2022, none made the cut, while in 2023, UK filmmakers Ken Loach and Jonathan Glazer made it through with The Old Oak and The Zone Of Interest respectively.
This year, Arnold is flying the flag with her...
- 4/17/2024
- ScreenDaily
The Cannes Critics’ Week, the parallel film festival sidebar organized by the French film critics’ union, has unveiled its 2024 selection.
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
- 4/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Cinema for Gaza, a group launched by a small group of female filmmakers and film journalists, has successfully raised more than $315,000 to support medical aid for the civilian population in Gaza.
A celebrity auction, organized by Cinema for Gaza, and supported by the likes of Tilda Swinton, Annie Lennox, Joaquin Phoenix, Spike Lee and Guillermo del Toro, raised some $316,778 (£254,297) for Medical Aid for Palestinians (Map), a U.K.-based charity that provides on-the-ground medical support, from sterile water to cancer drugs, for those on the Gaza Strip. The celebrities donated personal items — from signed film posters to personal Zoom chats to, in the case of Lennox, the handwritten lyrics to her Eurythmics hit “Sweet Dreams” — to be sold off to the highest bidder. (Lennox’s lyrics sheet was the top seller, with a bidder paying $26,222 for the piece of pop music history).
The Zone of Interest filmmaker Jonathan Glazer, who...
A celebrity auction, organized by Cinema for Gaza, and supported by the likes of Tilda Swinton, Annie Lennox, Joaquin Phoenix, Spike Lee and Guillermo del Toro, raised some $316,778 (£254,297) for Medical Aid for Palestinians (Map), a U.K.-based charity that provides on-the-ground medical support, from sterile water to cancer drugs, for those on the Gaza Strip. The celebrities donated personal items — from signed film posters to personal Zoom chats to, in the case of Lennox, the handwritten lyrics to her Eurythmics hit “Sweet Dreams” — to be sold off to the highest bidder. (Lennox’s lyrics sheet was the top seller, with a bidder paying $26,222 for the piece of pop music history).
The Zone of Interest filmmaker Jonathan Glazer, who...
- 4/12/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Ramsay’s brilliant rendering of a child’s experience during the 1975 Glasgow bin-collectors’ strike, spiked with a horrifying twist of fate, remains masterly
Twenty-five years ago, we saw one of the most impressive debut features in modern British movie history. Ratcatcher, by the 29-year-old Glasgow film-maker Lynne Ramsay, was a visually haunting, passionate piece of work to compare with Terence Davies or Ken Loach and which set a gold standard of artistry for new social realist cinema – or cinema of any sort – in the UK. I remember how blown away I was when I saw it at the Edinburgh film festival, especially by the rippling, sunlit fields at which a troubled child gazes, framed by the doorway of the half-built council house development outside Glasgow. (Only now does it occur to me to wonder if Ramsay was influenced by John Ford.)
The setting is Glasgow during the 13-week bin collectors...
Twenty-five years ago, we saw one of the most impressive debut features in modern British movie history. Ratcatcher, by the 29-year-old Glasgow film-maker Lynne Ramsay, was a visually haunting, passionate piece of work to compare with Terence Davies or Ken Loach and which set a gold standard of artistry for new social realist cinema – or cinema of any sort – in the UK. I remember how blown away I was when I saw it at the Edinburgh film festival, especially by the rippling, sunlit fields at which a troubled child gazes, framed by the doorway of the half-built council house development outside Glasgow. (Only now does it occur to me to wonder if Ramsay was influenced by John Ford.)
The setting is Glasgow during the 13-week bin collectors...
- 4/11/2024
- by Peter Bradshaw
- The Guardian - Film News
Update: More than 300 Jewish creatives — including eight-time Oscar-winning composer Alan Menken, “SNL” star Sarah Sherman, actor and documentarian Alex Winter and “Seinfeld” writer Larry Charles — have added their names to the list of signatories of an open letter in support of Jonathan Glazer’s Oscars speech.
The number of signees now sits at 492, having more than tripled since Variety first published the April 5 letter, which criticized the attacks on Glazer for being a “dangerous distraction” from the mounting death toll in Gaza while also contributing to the “suppression of free speech and dissent.”
New additions also include Oscar-winning “Anatomy of a Fall” co-writer Arthur Harari, veteran U.K. producer and Oscar winner Jeremy Thomas, “Girls” co-showrunner and co-writer Jenni Konner and “The Hunger Games” writer and director and four-time Oscar nominee Gary Ross. Many members of the Israeli film community have also signed the open letter, including Oren Moverman, Nadav Lapid,...
The number of signees now sits at 492, having more than tripled since Variety first published the April 5 letter, which criticized the attacks on Glazer for being a “dangerous distraction” from the mounting death toll in Gaza while also contributing to the “suppression of free speech and dissent.”
New additions also include Oscar-winning “Anatomy of a Fall” co-writer Arthur Harari, veteran U.K. producer and Oscar winner Jeremy Thomas, “Girls” co-showrunner and co-writer Jenni Konner and “The Hunger Games” writer and director and four-time Oscar nominee Gary Ross. Many members of the Israeli film community have also signed the open letter, including Oren Moverman, Nadav Lapid,...
- 4/10/2024
- by Ellise Shafer and Alex Ritman
- Variety Film + TV
In a career that spans over half a century, the indefatigable Ken Loach has cemented his reputation as the foremost filmmaker of the British working class. At 87, he’s out of neither steam nor ideas even as he signals that his latest, The Old Oak, might be his final film.
The Old Oak makes for quite the cherry on top of a splendid body of work, most of which will be featured in a career-spanning retrospective in spring 2024 at New York City’s Film Forum. This sympathetic and socially attuned portrayal of the proletariat set in a dying village in northeast England is part three in an informal trilogy with 2016’s I, Daniel Blake and 2020’s Sorry We Missed You. While those films focused on post-austerity holes in the social safety net and the precariousness of the gig economy, respectively, the contemporary issue under Loach’s microscope in The Old Oak...
The Old Oak makes for quite the cherry on top of a splendid body of work, most of which will be featured in a career-spanning retrospective in spring 2024 at New York City’s Film Forum. This sympathetic and socially attuned portrayal of the proletariat set in a dying village in northeast England is part three in an informal trilogy with 2016’s I, Daniel Blake and 2020’s Sorry We Missed You. While those films focused on post-austerity holes in the social safety net and the precariousness of the gig economy, respectively, the contemporary issue under Loach’s microscope in The Old Oak...
- 4/10/2024
- by Marshall Shaffer
- Slant Magazine
New film celebrities have joined the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
The latest auction lots include a signed and framed Malcolm X poster offered by Spike Lee and Paul Mescal donating a signed Aftersun poster. On the experiences side, actress Tessa Thompson is offering to have a beer (or an “O’Douls”) over Zoom with a winning bidder, and Shiva Baby director Emma Seligman will shoot the breeze over tea, again via a Zoom call.
There’s also a Zoom call with Ayo Edebiri, star of The Bear, who is tossing in a list of her favorite places to dine, and a walk-on part in director Gurinder Chadha’s next film.
The biggest memorabilia lot so far is Annie Lennox donating handwritten lyrics to “Sweet Dreams,” her 1983 popular song with Eurythmics, with bids currently standing at £7,700.00 (U.S. $9,720.75)
The...
The latest auction lots include a signed and framed Malcolm X poster offered by Spike Lee and Paul Mescal donating a signed Aftersun poster. On the experiences side, actress Tessa Thompson is offering to have a beer (or an “O’Douls”) over Zoom with a winning bidder, and Shiva Baby director Emma Seligman will shoot the breeze over tea, again via a Zoom call.
There’s also a Zoom call with Ayo Edebiri, star of The Bear, who is tossing in a list of her favorite places to dine, and a walk-on part in director Gurinder Chadha’s next film.
The biggest memorabilia lot so far is Annie Lennox donating handwritten lyrics to “Sweet Dreams,” her 1983 popular song with Eurythmics, with bids currently standing at £7,700.00 (U.S. $9,720.75)
The...
- 4/8/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Donations from the likes of Spike Lee, Paul Mescal and Olivia Colman have been added to a growing list of items being sold off as part the Cinema for Gaza auction, which has so far raised over £90,000.
A framed “Malcolm X” poster signed by Lee, an “Aftersun” poster signed by Mescal and a personalized video message from Colman are among the auction lots launching on Monday, alongside additional items including a “beer on Zoom” with Tessa Thompson with memorabilia from “The Marvels,” a “Worst Person in the World” poster signed by Joachim Trier and the cast and the chance to talk to Susan Sarandon over Zoom about your favorite of her films (plus a signed “Rocky Horror Picture Show” t-shirt). Other new lots include a Zoom with director Eliza Hittman plus a signed poster, a coffee in Dublin (or over Zoom) with Lenny Abrahamson plus a signed book of “Normal People...
A framed “Malcolm X” poster signed by Lee, an “Aftersun” poster signed by Mescal and a personalized video message from Colman are among the auction lots launching on Monday, alongside additional items including a “beer on Zoom” with Tessa Thompson with memorabilia from “The Marvels,” a “Worst Person in the World” poster signed by Joachim Trier and the cast and the chance to talk to Susan Sarandon over Zoom about your favorite of her films (plus a signed “Rocky Horror Picture Show” t-shirt). Other new lots include a Zoom with director Eliza Hittman plus a signed poster, a coffee in Dublin (or over Zoom) with Lenny Abrahamson plus a signed book of “Normal People...
- 4/8/2024
- by Alex Ritman
- Variety Film + TV
Vera Drew’s The People’s Joker – which was pulled from TIFF in 2022 over “rights issues” — starts a theatrical debut today at the IFC Center, moving to LA’s Landmark’s Nuart next weekend and expanding thereafter with about 85 booking so far — a nice outcome for the mixed-media coming-of-age dark superhero parody that “had gone into into hibernation mode” until Outfest LA Film Festival, said Frank Jaffe, whose distribution company Altered Innocence acquired it then. It’s U.S premiere garnered a Special Mention in the North American Narrative Feature Competition.
Co-written by Drew and Bri LeRose, the film is a reimagining the origin story of iconic Batman villain The Joker, starring Drew as painfully unfunny aspiring clown and closeted trans girl grappling with her gender identity while unsuccessfully attempting to join the ranks of Gotham City’s sole comedy program, in a world where comedy has been outlawed. She...
Co-written by Drew and Bri LeRose, the film is a reimagining the origin story of iconic Batman villain The Joker, starring Drew as painfully unfunny aspiring clown and closeted trans girl grappling with her gender identity while unsuccessfully attempting to join the ranks of Gotham City’s sole comedy program, in a world where comedy has been outlawed. She...
- 4/5/2024
- by Jill Goldsmith
- Deadline Film + TV
More than 150 Jewish industry professionals, including Joaquin Phoenix, Joel Coen, and Todd Haynes, have lent their names to a new open letter penned in support of Jonathan Glazer’s much-debated Oscars acceptance speech. Scroll down to read the full letter and list of names.
The full list of signatories first reported on by Variety features 151 names from across the film and TV world like Sorry to Bother You filmmaker Boots Riley, veteran indie director Nicole Holofcener, British auteur Mike Leigh, Passages filmmaker Ira Sachs, and Gossip Girl actor and writer Tavi Gevinson. Deadline was handed a copy of the letter and its signatories. We have also contacted reps for several names listed to confirm their involvement.
The open letter states that the signees “support Jonathan Glazer’s statement from the 2024 Oscars,” adding they have been “alarmed” to see their industry colleagues “mischaracterize and denounce his remarks.”
“Their attacks on Glazer...
The full list of signatories first reported on by Variety features 151 names from across the film and TV world like Sorry to Bother You filmmaker Boots Riley, veteran indie director Nicole Holofcener, British auteur Mike Leigh, Passages filmmaker Ira Sachs, and Gossip Girl actor and writer Tavi Gevinson. Deadline was handed a copy of the letter and its signatories. We have also contacted reps for several names listed to confirm their involvement.
The open letter states that the signees “support Jonathan Glazer’s statement from the 2024 Oscars,” adding they have been “alarmed” to see their industry colleagues “mischaracterize and denounce his remarks.”
“Their attacks on Glazer...
- 4/5/2024
- by Zac Ntim
- Deadline Film + TV
Welcome back, Insider crew. Jesse Whittock taking you through another eventful week in film and TV. Let’s begin.
Drama In UK Drama ‘This Is Going to Hurt’
Antitrust the process: Not great news for the UK’s fabled TV drama community this week as we brought news that the antitrust investigation spooking producers will be prolonged for at least six months – and likely far longer. A reminder: the Competition and Markets Authority’s (CMA) probe is examining whether BBC Studios, ITV Studios and four other storied indies colluded by informally fixing freelancers’ wage rates. The extension will see the CMA implement “further investigatory steps” and assessment of evidence” for the next six months, and those Max spoke with said the authority has an enormous wealth of evidence to get through. “Stressed” and “jittery” was the vibe described by one connected source about those being probed, who now face months...
Drama In UK Drama ‘This Is Going to Hurt’
Antitrust the process: Not great news for the UK’s fabled TV drama community this week as we brought news that the antitrust investigation spooking producers will be prolonged for at least six months – and likely far longer. A reminder: the Competition and Markets Authority’s (CMA) probe is examining whether BBC Studios, ITV Studios and four other storied indies colluded by informally fixing freelancers’ wage rates. The extension will see the CMA implement “further investigatory steps” and assessment of evidence” for the next six months, and those Max spoke with said the authority has an enormous wealth of evidence to get through. “Stressed” and “jittery” was the vibe described by one connected source about those being probed, who now face months...
- 4/5/2024
- by Jesse Whittock
- Deadline Film + TV
Spanish director Rodrigo Sorogoyen (Stockholm, The Realm, Madre, The Beasts), who was nominated for the best international film honor at Italy’s David Di Donatello Awards, has been named jury president of this year’s Cannes Critics’ Week, the festival sidebar run by the French film critics union that focuses on first and second features from up-and-coming directors.
In a social media clip shared Friday, Sorogoyen called the jury duty “a great responsibility.”
Rodrigo Sorogoyen sera le Président du Jury de la 63e Semaine de la Critique ! À cette occasion, le réalisateur de "Que Dios nos perdone", "El Reino" ou encore "As Bestas" a un message pour vous.
#sdlc2024 #rodrigosorogoyen #Cannes2024 @semainecannes pic.twitter.com/XOBeKDGmhp
— AlloCiné (@allocine) April 5, 2024
Originally set up by an association of French film critics in 1962, Critics’ Week is the oldest nonofficial Cannes sidebar. The section is credited with discovering some of the biggest names in independent and art house cinema,...
In a social media clip shared Friday, Sorogoyen called the jury duty “a great responsibility.”
Rodrigo Sorogoyen sera le Président du Jury de la 63e Semaine de la Critique ! À cette occasion, le réalisateur de "Que Dios nos perdone", "El Reino" ou encore "As Bestas" a un message pour vous.
#sdlc2024 #rodrigosorogoyen #Cannes2024 @semainecannes pic.twitter.com/XOBeKDGmhp
— AlloCiné (@allocine) April 5, 2024
Originally set up by an association of French film critics in 1962, Critics’ Week is the oldest nonofficial Cannes sidebar. The section is credited with discovering some of the biggest names in independent and art house cinema,...
- 4/5/2024
- by Scott Roxborough and Georg Szalai
- The Hollywood Reporter - Movie News
Image: Zeitgeist Films/Kino Lorber
With 15 films and two Palme d’Or wins, Ken Loach is the surprise answer to the trivia question about the record-holder for the director having the most individual efforts screened in the main competition at Cannes.
The workhorse British filmmaker has made a career largely...
With 15 films and two Palme d’Or wins, Ken Loach is the surprise answer to the trivia question about the record-holder for the director having the most individual efforts screened in the main competition at Cannes.
The workhorse British filmmaker has made a career largely...
- 4/4/2024
- by Brent Simon
- avclub.com
A Tree Grows in England: Loach Loses Steam in Klutzy Refugee Drama
There’s no doubt Ken Loach is one of the most prominent social-realist directors of his time, navigating the plight of poverty (most often) amongst Britain’s working class across a variety of eras, situations, and themes. For six decades, he’s delivered quiet, unassuming dramas which are often bolstered by moving performances, many from first time actors who are unforgettable (like Crissy Rock in 1994’s Ladybird Ladybird). His latest offering, one of several titles in a vibrant late period in his career, The Old Oak, unfortunately is on the iffy side, detailing a xenophobic neighborhood in Northern England upon the arrival of Syrian refugees.…...
There’s no doubt Ken Loach is one of the most prominent social-realist directors of his time, navigating the plight of poverty (most often) amongst Britain’s working class across a variety of eras, situations, and themes. For six decades, he’s delivered quiet, unassuming dramas which are often bolstered by moving performances, many from first time actors who are unforgettable (like Crissy Rock in 1994’s Ladybird Ladybird). His latest offering, one of several titles in a vibrant late period in his career, The Old Oak, unfortunately is on the iffy side, detailing a xenophobic neighborhood in Northern England upon the arrival of Syrian refugees.…...
- 4/4/2024
- by Nicholas Bell
- IONCINEMA.com
Jonathan Glazer has kept a low profile since his controversial 2024 Oscars acceptance speech.
But The Zone of Interest filmmaker has resurfaced to donate seven signed posters for his Oscar-winning movie, as well as a selection of posters for his 2014 film Under the Skin, to the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
“We are moved beyond words to feature donations from Jonathan Glazer and his co-creators on the most confronting film of our time, The Zone of Interest,” the auction organizers stated on the online site.
The film posters, donated by Glazer and Zone of Interest producer James Wilson, have so far drawn a bid for £2750.00 ($3,462.20), with the auction to end on April 12. The posters will be signed by Glazer, composer Mica Levi and Wilson.
Glazer’s comments at the Academy Awards, where The Zone of Interest earned the best international feature prize,...
But The Zone of Interest filmmaker has resurfaced to donate seven signed posters for his Oscar-winning movie, as well as a selection of posters for his 2014 film Under the Skin, to the Cinema for Gaza auction that is raising funds for the charity Medical Aid for Palestinians (Map).
“We are moved beyond words to feature donations from Jonathan Glazer and his co-creators on the most confronting film of our time, The Zone of Interest,” the auction organizers stated on the online site.
The film posters, donated by Glazer and Zone of Interest producer James Wilson, have so far drawn a bid for £2750.00 ($3,462.20), with the auction to end on April 12. The posters will be signed by Glazer, composer Mica Levi and Wilson.
Glazer’s comments at the Academy Awards, where The Zone of Interest earned the best international feature prize,...
- 4/3/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Easter is behind us, we’re into a new month, and we’re fully into spring … and yet, the box office might be hitting another lull. Read on for Gold Derby’s box office preview.
There aren’t many scenarios where “Godzilla x Kong: The New Empire” doesn’t win its second weekend at #1. Even with a steep drop from its Easter opening, it should still be able to bring in another $30 million this coming weekend, which will be hard to beat.
It might be a coin flip on which of the other two new wide releases might do better, but I have to give a slight edge to “The First Omen,” 20th Century’s prequel to a horror franchise that began all the way back in 1976 with the horror film, “The Omen,” directed by Richard Donner pre-“Superman.” That led to two sequels in 1978 and 1981, even though the original...
There aren’t many scenarios where “Godzilla x Kong: The New Empire” doesn’t win its second weekend at #1. Even with a steep drop from its Easter opening, it should still be able to bring in another $30 million this coming weekend, which will be hard to beat.
It might be a coin flip on which of the other two new wide releases might do better, but I have to give a slight edge to “The First Omen,” 20th Century’s prequel to a horror franchise that began all the way back in 1976 with the horror film, “The Omen,” directed by Richard Donner pre-“Superman.” That led to two sequels in 1978 and 1981, even though the original...
- 4/3/2024
- by Edward Douglas
- Gold Derby
“I’m Nevenka,” a Movistar Plus+ original film and the awaited next feature from Spain’s Iciar Bollaín, has closed its earliest pre-sales, struck by Film Factory Entertainment, including a bellwether deal in France.
The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.
Daniel Chabannes’ Epicentre Films, a classic 30-year-old distributor and producer of non-English language art pics, especially from Europe and Latin America, whose recent acquisitions take in San Sebastian Gold Shell winner “The Rye Horn” and Amos Gitai’s “It’s Not Over,” has acquired French rights.
A distributor of both big Cannes winners – “Triangle of Sadness,” “Rosetta,” “The Child” – and slightly more out-there propositions, such as Pablo Berger’s silent movie “Blancanieves,” Xenix Film Distribution has clinched rights to Switzerland.
Iciar Bollaín: A Broader Audience Auteur
The early pre-sales are hardly surprising. Since her big breakout,...
The deals come as “I’m Nevenka” has wrapped production, shooting in the Basque city of Bilbao before transferring to rural Zamora, western Spain.
Daniel Chabannes’ Epicentre Films, a classic 30-year-old distributor and producer of non-English language art pics, especially from Europe and Latin America, whose recent acquisitions take in San Sebastian Gold Shell winner “The Rye Horn” and Amos Gitai’s “It’s Not Over,” has acquired French rights.
A distributor of both big Cannes winners – “Triangle of Sadness,” “Rosetta,” “The Child” – and slightly more out-there propositions, such as Pablo Berger’s silent movie “Blancanieves,” Xenix Film Distribution has clinched rights to Switzerland.
Iciar Bollaín: A Broader Audience Auteur
The early pre-sales are hardly surprising. Since her big breakout,...
- 4/3/2024
- by Pablo Sandoval and John Hopewell
- Variety Film + TV
An expectation of finality has followed Ken Loach’s The Old Oak since its premiere at the 2023 Cannes Film Festival. “When you’re doing it, you’re doing it, you just have to get a move on and get on with it,” he told The Guardian. “But I can’t see me getting round the course again. Your capacity fades a bit when you’re knocking on.” And while no artist should be begrudged a bit of rest––especially after an artist as prolific and rigorous as Loach––assigning this the preset narrative of “final film” misses, perhaps, its chiefest gift to the viewer: the obscenity of hope at the prospect of living in the modern world.
Set in County Durham, The Old Oak follows Tj (Dave Turner), the owner of the languishing pub that gives the film its name, and Yara (Ebla Mari), a photographer who comes to the...
Set in County Durham, The Old Oak follows Tj (Dave Turner), the owner of the languishing pub that gives the film its name, and Yara (Ebla Mari), a photographer who comes to the...
- 4/3/2024
- by Frank Falisi
- The Film Stage
“The Zone of Interest” director Jonathan Glazer has donated signed posters to the Cinema for Gaza auction, which has collected gifts from major names in the U.K. entertainment industry to raise money for Medical Aid for Palestinians.
Before the fundraiser officially began on Tuesday, Glazer and “Zone of Interest” producer James Wilson donated seven “Zone of Interest” posters and a selection of posters from his 2014 film “Under the Skin.” The posters will be signed by Glazer, Wilson and composer Mica Levi, who scored both films. The gift is one of the most in-demand items in the auction, with a current bid of £2,750. The auction has currently raised over £42,000.
Among the gifts announced with the auction were Tilda Swinton reading a bedtime story over Zoom, Josh O’Connor teaching a porridge masterclass and tickets to attend a Ramy Youssef stand-up show and afterparty. More recent additions include a signed “Game of Thrones...
Before the fundraiser officially began on Tuesday, Glazer and “Zone of Interest” producer James Wilson donated seven “Zone of Interest” posters and a selection of posters from his 2014 film “Under the Skin.” The posters will be signed by Glazer, Wilson and composer Mica Levi, who scored both films. The gift is one of the most in-demand items in the auction, with a current bid of £2,750. The auction has currently raised over £42,000.
Among the gifts announced with the auction were Tilda Swinton reading a bedtime story over Zoom, Josh O’Connor teaching a porridge masterclass and tickets to attend a Ramy Youssef stand-up show and afterparty. More recent additions include a signed “Game of Thrones...
- 4/3/2024
- by Ellise Shafer
- Variety Film + TV
A growing list of high-profile names from the film and TV world, including Jonathan Glazer, Tilda Swinton, and Succession star Brian Cox, have donated unique gifts to Cinema For Gaza, a fundraising auction supporting aid for people in Gaza, which launched yesterday April 2nd.
As of this morning, the auction has topped £41,650 in cash donations. The gifts and experiences people are donating include a ticket to Ramy Youssef’s live show and afterparty, a porridge tutorial with Challengers actor Josh O’Connor, and a bedtime story read over Zoom with Tilda Swinton.
The auction lot also includes two signed film posters (The Zone Of Interest and Under The Skin) from filmmaker Jonathan Glazer. The British director, who has yet to speak publicly following backlash over his Oscars speech, joined the campaign at the 11th hour before it went live on April 2nd, organizers told Deadline. Veteran filmmaker Ken Loach has also...
As of this morning, the auction has topped £41,650 in cash donations. The gifts and experiences people are donating include a ticket to Ramy Youssef’s live show and afterparty, a porridge tutorial with Challengers actor Josh O’Connor, and a bedtime story read over Zoom with Tilda Swinton.
The auction lot also includes two signed film posters (The Zone Of Interest and Under The Skin) from filmmaker Jonathan Glazer. The British director, who has yet to speak publicly following backlash over his Oscars speech, joined the campaign at the 11th hour before it went live on April 2nd, organizers told Deadline. Veteran filmmaker Ken Loach has also...
- 4/3/2024
- by Zac Ntim
- Deadline Film + TV
Exclusive: Ken Loach has been restored to a decision-making role at Bectu after his shock suspension last year, but a bitter internal row at the UK’s biggest film and TV union shows no sign of abating.
Deadline revealed in December that Loach, the esteemed BAFTA-winning British film director, was ousted from Bectu’s Writers, Producers & Directors (Wpd) branch committee after a 60-year association with the union. Two others were also suspended and six more members faced disciplinary measures.
An appeals board at Bectu’s parent union Prospect has now reversed the suspension, meaning Loach and others can be restored to committee roles. Loach told Deadline that he was relieved that “commonsense had prevailed” and the process had underlined the importance of transparency within trade unions.
Loach and his colleagues were disciplined over how the branch oversaw the resignation of a representative who wrote a letter raising questions about the leadership of Mike Clancy,...
Deadline revealed in December that Loach, the esteemed BAFTA-winning British film director, was ousted from Bectu’s Writers, Producers & Directors (Wpd) branch committee after a 60-year association with the union. Two others were also suspended and six more members faced disciplinary measures.
An appeals board at Bectu’s parent union Prospect has now reversed the suspension, meaning Loach and others can be restored to committee roles. Loach told Deadline that he was relieved that “commonsense had prevailed” and the process had underlined the importance of transparency within trade unions.
Loach and his colleagues were disciplined over how the branch oversaw the resignation of a representative who wrote a letter raising questions about the leadership of Mike Clancy,...
- 4/3/2024
- by Jake Kanter
- Deadline Film + TV
If the only April release was my top pick of the month it would be one of the finest lineups of the years, but thankfully there’s more to recommend. Featuring films about cinephilic obsession, subversive superhero tales, and what is sure to be at least one divisive big-screen near-future adventure, check out the list of must-sees below.
12 & 11. Kim’s Video (David Redmon and Ashley Sabin; April 5) and I Like Movies (Chandler Levack; April 8)
Anyone interested in physical media will appreciate a pair of films this month. Kim’s Video explores the strange story of the East Village establishment that housed around 55,000 DVDs while I Like Movies is a Canadian coming-of-age tale about a video store clerk who has bigger dreams in life, and is chockfull of cinephile-related humor that rang quite a familiar bell for this writer. John Fink said in his review of the former, “A sweeping documentary...
12 & 11. Kim’s Video (David Redmon and Ashley Sabin; April 5) and I Like Movies (Chandler Levack; April 8)
Anyone interested in physical media will appreciate a pair of films this month. Kim’s Video explores the strange story of the East Village establishment that housed around 55,000 DVDs while I Like Movies is a Canadian coming-of-age tale about a video store clerk who has bigger dreams in life, and is chockfull of cinephile-related humor that rang quite a familiar bell for this writer. John Fink said in his review of the former, “A sweeping documentary...
- 4/2/2024
- by Jordan Raup
- The Film Stage
The acclaimed British director said Glazer had ‘understood the possible consequences, which made him braver still’
Veteran British director Ken Loach has added his support to Jonathan Glazer over the latter’s controversial Oscar acceptance speech for The Zone of Interest.
In an interview with Variety, Loach said he had “great respect” for Glazer and that his speech was “very brave”. He added: “And I’m sure he understood the possible consequences, which makes him braver still, so I’ve got great respect for him and his work.”...
Veteran British director Ken Loach has added his support to Jonathan Glazer over the latter’s controversial Oscar acceptance speech for The Zone of Interest.
In an interview with Variety, Loach said he had “great respect” for Glazer and that his speech was “very brave”. He added: “And I’m sure he understood the possible consequences, which makes him braver still, so I’ve got great respect for him and his work.”...
- 4/2/2024
- by Andrew Pulver
- The Guardian - Film News
Ken Loach says he has “great respect” for Jonathan Glazer in raising the subject of Gaza in his Oscars acceptance speech for “The Zone of Interest,” asserting that the director was “very brave” to say what he did. “And I’m sure he understood the possible consequences, which makes him braver still, so I’ve got great respect for him and his work,” he tells Variety.
The veteran filmmaker and campaigner is speaking ahead of the U.S. release of “The Old Oak,” a feature that also happens to be his last. After a career of more than 60 years, the British director — a two-time Palme d’Or winner who is behind a library of beloved films including “Kes,” “The Wind That Shakes the Barley,” “Land and Freedom,” “Sweet Sixteen,” “My Name is Joe” and “I, Daniel Blake” — is calling it a day.
Loach has announced his retirement before, of course,...
The veteran filmmaker and campaigner is speaking ahead of the U.S. release of “The Old Oak,” a feature that also happens to be his last. After a career of more than 60 years, the British director — a two-time Palme d’Or winner who is behind a library of beloved films including “Kes,” “The Wind That Shakes the Barley,” “Land and Freedom,” “Sweet Sixteen,” “My Name is Joe” and “I, Daniel Blake” — is calling it a day.
Loach has announced his retirement before, of course,...
- 4/2/2024
- by Alex Ritman
- Variety Film + TV
If you’re lucky enough to live in New York, Film Forum is mounting a 20-film Ken Loach retrospective on April 19 after his latest — and quite possibly last — film, Cannes 2023 entry “The Old Oak” starts rolling out on April 5. The British director carries the distinction of being one of nine filmmakers (among them Francis Ford Coppola and Ruben Östlund) to win the Palme d’Or twice: for the Irish history “The Wind That Shakes the Barley” (2006), starring Cillian Murphy, and healthcare drama “I, Daniel Blake” (2016).
Both times, the Competition juries were powerless to resist the films’ emotional pull.
And resistance is futile. That’s because Loach knows how to move us. His movies hit a nerve because they dig into believable characters inspired by real people and informed by current events.
Loach and his long-time screenwriter Paul Laverty do not rip stories out of the headlines so much as they...
Both times, the Competition juries were powerless to resist the films’ emotional pull.
And resistance is futile. That’s because Loach knows how to move us. His movies hit a nerve because they dig into believable characters inspired by real people and informed by current events.
Loach and his long-time screenwriter Paul Laverty do not rip stories out of the headlines so much as they...
- 4/1/2024
- by Anne Thompson
- Indiewire
Elon Musk has led this year’s April Fool pranks, telling his 179.5million followers on X that he’s off to a new job – at Disney.
The Tesla chief wrote:
“Excited to join @Disney as their Chief Dei Officer. Can’t wait to work with Bob Iger & Kathleen Kennedy to make their content More woke!
“Even the linguini.”
Others to join in the April Fool frivolity included a Ricky Gervais Clips account (@GervaisClips) on X, who posted that Gervais’s alter ego David Brent – the character he played in his breakthrough hit sitcom The Office – will be returning to our screens. It said:
“Breaking news: Brent is Back! It has just been announced that after eight years, David Brent will be returning for a new movie and album, titled ‘David Brent: Life on the Road to Vegas’.
“Cumin summer 2024.”
Stranger things have happened.
@DMovies_org...
The Tesla chief wrote:
“Excited to join @Disney as their Chief Dei Officer. Can’t wait to work with Bob Iger & Kathleen Kennedy to make their content More woke!
“Even the linguini.”
Others to join in the April Fool frivolity included a Ricky Gervais Clips account (@GervaisClips) on X, who posted that Gervais’s alter ego David Brent – the character he played in his breakthrough hit sitcom The Office – will be returning to our screens. It said:
“Breaking news: Brent is Back! It has just been announced that after eight years, David Brent will be returning for a new movie and album, titled ‘David Brent: Life on the Road to Vegas’.
“Cumin summer 2024.”
Stranger things have happened.
@DMovies_org...
- 4/1/2024
- by Caroline Frost
- Deadline Film + TV
Ken Loach has said that The Old Oak will be his final film, and, in its humble way, it represents a good stopping point for the iconoclastic British filmmaker. The film isn’t some self-consciously summarizing coda but the latest in a long line of intimately scaled looks at the myriad ills facing Britain’s working class. Set, like many of Loach’s films, in the country’s post-industrial northern region, The Old Oak is alive to the decline that’s reduced a once booming mining town to a place with a decimated economy. But it also adds a crucial update to Loach’s long-running survey of domestic strife by incorporating the growing migration from the Middle East and the racial and nationalist tensions that have arisen from it.
The film opens with locals openly airing their scorn at a bus of Syrian refugees as one of the transplants, Yara...
The film opens with locals openly airing their scorn at a bus of Syrian refugees as one of the transplants, Yara...
- 3/30/2024
- by Jake Cole
- Slant Magazine
A number of major names from the U.K. film and TV world and beyond have donated items — and their own time — to an auction raising money for Gaza.
Organized by Cinema for Gaza in support of Medical Aid for Palestinians, the auction has drawn in gifts from likes of Tilda Swinton, Ken Loach, Asia Kapadia, Ramy Youssef, Peter Capaldi, Imelda Staunton, Brian Cox, Joseph Quinn, Mike Leigh, Misan Harriman, Joanna Hogg, Aimee Lou Wood and Josh O’Connor.
Among the lots up for grabs when the auction goes live on April 2 is the chance to have Swinton “read you a soothing bedtime story over Zoom,” a porridge masterclass with O’Connor who will “teach you how to make the perfect bowl” (and apparently get a glimpse of his secret porridge recipe), a chat about astrology with “Sex Education” star Wood, a “restorative drink” with “Saltburn’s” Oliver, and tickets to...
Organized by Cinema for Gaza in support of Medical Aid for Palestinians, the auction has drawn in gifts from likes of Tilda Swinton, Ken Loach, Asia Kapadia, Ramy Youssef, Peter Capaldi, Imelda Staunton, Brian Cox, Joseph Quinn, Mike Leigh, Misan Harriman, Joanna Hogg, Aimee Lou Wood and Josh O’Connor.
Among the lots up for grabs when the auction goes live on April 2 is the chance to have Swinton “read you a soothing bedtime story over Zoom,” a porridge masterclass with O’Connor who will “teach you how to make the perfect bowl” (and apparently get a glimpse of his secret porridge recipe), a chat about astrology with “Sex Education” star Wood, a “restorative drink” with “Saltburn’s” Oliver, and tickets to...
- 3/28/2024
- by Alex Ritman
- Variety Film + TV
Tilda Swinton, Ken Loach and Brian Cox are among the British film and TV VIPs contributing to an online auction to raise money for humanitarian relief for Palestinians in Gaza.
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
- 3/27/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Chance to make porridge with Josh O’Connor or be serenaded by Olly Alexander also up for grabs in inaugural online auction to support Medical Aid for Palestinians in Gaza
Directors Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg, as well as the cast of shows including Doctor Who and Downton Abbey, are among British film and TV creatives donating lots to a new auction to crowdfund for humanitarian relief in Gaza.
Leigh has given a signed poster of the original 1977 theatre production of Abigail’s Party, while Loach provides signed copies of the poster and script of his latest film, The Old Oak.
Directors Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg, as well as the cast of shows including Doctor Who and Downton Abbey, are among British film and TV creatives donating lots to a new auction to crowdfund for humanitarian relief in Gaza.
Leigh has given a signed poster of the original 1977 theatre production of Abigail’s Party, while Loach provides signed copies of the poster and script of his latest film, The Old Oak.
- 3/27/2024
- by Catherine Shoard
- The Guardian - Film News
Weston Razooli knows that he broke all the rules on his first movie. While some directors ease themselves into feature filmmaking by telling intimate stories that can be confined to one location and a handful of experienced actors, Razooli swung for the fences with “Riddle of Fire.”
The anachronistically nostalgic adventure saga follows three pals who spend a summer afternoon searching for the perfect blueberry pie ingredients in a world filled with witches, fairies, and scheming huntsmen — all with the hope of convincing a bedridden mother to let them get back to playing video games.
The film captures the whimsy of a childhood summer adventure on a scale that manages to feel epic to its pint-sized protagonists and charmingly intimate to adult audiences. But Razooli’s distinct vision forced him to navigate the kinds of logistical challenges that could derail a massive studio production — like shooting on 16mm film with...
The anachronistically nostalgic adventure saga follows three pals who spend a summer afternoon searching for the perfect blueberry pie ingredients in a world filled with witches, fairies, and scheming huntsmen — all with the hope of convincing a bedridden mother to let them get back to playing video games.
The film captures the whimsy of a childhood summer adventure on a scale that manages to feel epic to its pint-sized protagonists and charmingly intimate to adult audiences. But Razooli’s distinct vision forced him to navigate the kinds of logistical challenges that could derail a massive studio production — like shooting on 16mm film with...
- 3/22/2024
- by Christian Zilko
- Indiewire
“After the Party” star Peter Mullan tells it like it is.
“The thing with acting is that it’s fun when you are playing. A footballer can relive the moment of scoring the goal, but it’s not as much fun as scoring the goal. Kevin Spacey would watch himself all day long. He never fucking stops. The man is an asshole,” he told the crowd at Series Mania.
They worked together on “Ordinary Decent Criminal.”
“We would barely finish and he would run to the monitor to check if it worked. If the cheat worked, because he was so fake. I didn’t like him at all. Horrible human being, but fascinating to watch, because he was so mannered. It was like working with Bette Davis.”
Spacey wasn’t the only one who got a drubbing during expletive-filled masterclass, with Mullan’s very own nose in “The Lord of the Rings: The Rings of Power...
“The thing with acting is that it’s fun when you are playing. A footballer can relive the moment of scoring the goal, but it’s not as much fun as scoring the goal. Kevin Spacey would watch himself all day long. He never fucking stops. The man is an asshole,” he told the crowd at Series Mania.
They worked together on “Ordinary Decent Criminal.”
“We would barely finish and he would run to the monitor to check if it worked. If the cheat worked, because he was so fake. I didn’t like him at all. Horrible human being, but fascinating to watch, because he was so mannered. It was like working with Bette Davis.”
Spacey wasn’t the only one who got a drubbing during expletive-filled masterclass, with Mullan’s very own nose in “The Lord of the Rings: The Rings of Power...
- 3/20/2024
- by Marta Balaga
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences doesn't always get it right. Actually, you can count on them to just about never get it right.
This is especially true of the lead acting categories, where voters often become prisoners of the moment and vote for the buzziest and/or showiest performance. This is how Al Pacino's chilling depiction of Michael Corleone's descent into pure, dead-eyed evil in "The Godfather Part II" gets passed over in favor of Art Carney's amiable portrayal of a lonely old man hitting the road with his pet cat in "Harry and Tonto." This results in overdue Oscars, which frequently create new injustices — like Denzel Washington's bravura turn as Malcolm X losing to Al Pacino's ceaseless hoo-hahing in "Scent of a Woman," which led to Washington getting his Best Actor trophy for his (admittedly entertaining) grandstanding work in "Training Day" (which cost...
This is especially true of the lead acting categories, where voters often become prisoners of the moment and vote for the buzziest and/or showiest performance. This is how Al Pacino's chilling depiction of Michael Corleone's descent into pure, dead-eyed evil in "The Godfather Part II" gets passed over in favor of Art Carney's amiable portrayal of a lonely old man hitting the road with his pet cat in "Harry and Tonto." This results in overdue Oscars, which frequently create new injustices — like Denzel Washington's bravura turn as Malcolm X losing to Al Pacino's ceaseless hoo-hahing in "Scent of a Woman," which led to Washington getting his Best Actor trophy for his (admittedly entertaining) grandstanding work in "Training Day" (which cost...
- 3/11/2024
- by Jeremy Smith
- Slash Film
Good afternoon Insiders, Max Goldbart here taking you through what has been a whirlwind of a week in international TV and film. Do not stop here — please do read on. And sign up here.
Indie Movie “Game-Changer”
£1B worth of sweeteners: It was a potentially “game-changing” week for a floundering British indie film sector with the unveiling of a 40% tax relief on movies with budgets less than £15M ($19M) — a relief that trade body Pact says it has been calling for in some form or another since 2017 and which answers the prayers of Culture, Media & Sport Committee boss Caroline Dinenage. Jeremy Hunt’s budget was perhaps the most listened-to and most celebrated for a decade by the creative industries after the UK Chancellor unveiled the relief with fanfare alongside 40% business rates relief for big studios and improved VFX relief. All in all, Hunt and the UK treasury said that the...
Indie Movie “Game-Changer”
£1B worth of sweeteners: It was a potentially “game-changing” week for a floundering British indie film sector with the unveiling of a 40% tax relief on movies with budgets less than £15M ($19M) — a relief that trade body Pact says it has been calling for in some form or another since 2017 and which answers the prayers of Culture, Media & Sport Committee boss Caroline Dinenage. Jeremy Hunt’s budget was perhaps the most listened-to and most celebrated for a decade by the creative industries after the UK Chancellor unveiled the relief with fanfare alongside 40% business rates relief for big studios and improved VFX relief. All in all, Hunt and the UK treasury said that the...
- 3/8/2024
- by Max Goldbart
- Deadline Film + TV
Yoshida Kota was born 1978 in Tokyo and graduated from Waseda University. He studied filmmaking at the Enbu seminar and gained international recognition with “Yuriko's Aroma” (2010) at festivals like “Nippon Connection”. Different from his last film “Sexual Drive” (2021), he now turns to the severe topic of social welfare and presents a gripping social drama.
On the occasion of the world premiere at “Osaka Asian Film Festival” Yoshida Kota reveals his thoughts behind the script and talks about how to combine vulnerability and dignity on screen.
“Snow Drop” is a courageous movie because it does not shy away from a challenging and unadressed topic. Everyone talks about the ageing Japanese society. There are also more and more movies that adress this “problem” in terms of dementia and eldery care. But it seems to me that most of them stay on a superficial and bold level in telling these stories. Your movie is different.
On the occasion of the world premiere at “Osaka Asian Film Festival” Yoshida Kota reveals his thoughts behind the script and talks about how to combine vulnerability and dignity on screen.
“Snow Drop” is a courageous movie because it does not shy away from a challenging and unadressed topic. Everyone talks about the ageing Japanese society. There are also more and more movies that adress this “problem” in terms of dementia and eldery care. But it seems to me that most of them stay on a superficial and bold level in telling these stories. Your movie is different.
- 3/8/2024
- by Alexander Knoth
- AsianMoviePulse
The Senegalese director’s debut movie, Banel & Adama, propelled her to the red carpet. She explains why she wanted to show the world its flawed lead character
Nearly a decade ago, when Ramata-Toulaye Sy sat down to write her graduation script at the end of a screenwriting degree, her goal was simple. “I wanted to tell the most beautiful and greatest African love story,” says the 37-year-old French Senegalese film-maker with a smile. “When I was growing up a lot of African stories were about misery, poverty, war. I wanted to say: we can have African stories about people falling in love.”
She pauses, her grin widening. “Most importantly, I wanted to write the story of how Juliet became Lady Macbeth.” It’s a description that nails the film she’s now directed, based on that script, Banel & Adama. A subversive feminist romance set in Senegal, it was the...
Nearly a decade ago, when Ramata-Toulaye Sy sat down to write her graduation script at the end of a screenwriting degree, her goal was simple. “I wanted to tell the most beautiful and greatest African love story,” says the 37-year-old French Senegalese film-maker with a smile. “When I was growing up a lot of African stories were about misery, poverty, war. I wanted to say: we can have African stories about people falling in love.”
She pauses, her grin widening. “Most importantly, I wanted to write the story of how Juliet became Lady Macbeth.” It’s a description that nails the film she’s now directed, based on that script, Banel & Adama. A subversive feminist romance set in Senegal, it was the...
- 3/7/2024
- by Cath Clarke
- The Guardian - Film News
Some of the biggest names in the world of British film have showered praise on the “game-changing” new 40% British indie film relief.
Announced earlier today by UK Chancellor Jeremy Hunt following lobbying from the BFI and Pact for months, the relief will apply to movies made for less than £15M ($19M). Today’s move was coupled with a 5% increase in tax relief for UK VFX costs in film and high-end TV, and business rates relief of 40% for major studios.
Sixteen Films producer and Ken Loach collaborator Rebecca O’Brien joked that the “genuine game changer” has prompted her to rethink whether to stop making movies.
“It’s extraordinary,” she told Deadline shortly after the credit was announced. “It just gives me confidence and means if I can raise the money more easily, I can spend more time helping the production and making a good film rather than spending all my time...
Announced earlier today by UK Chancellor Jeremy Hunt following lobbying from the BFI and Pact for months, the relief will apply to movies made for less than £15M ($19M). Today’s move was coupled with a 5% increase in tax relief for UK VFX costs in film and high-end TV, and business rates relief of 40% for major studios.
Sixteen Films producer and Ken Loach collaborator Rebecca O’Brien joked that the “genuine game changer” has prompted her to rethink whether to stop making movies.
“It’s extraordinary,” she told Deadline shortly after the credit was announced. “It just gives me confidence and means if I can raise the money more easily, I can spend more time helping the production and making a good film rather than spending all my time...
- 3/6/2024
- by Zac Ntim and Max Goldbart
- Deadline Film + TV
Two Spanish female stars who have broken out to huge global audiences in Netflix hits – “Nowhere” and “A Perfect Story” lead Anna Castillo and Ester Expósito, highly prominent in “Elite” in early seasons – are set to star in dramedic vampire thriller “Death to Love,” (“Que muera el amor”), the first series created by “Piggy” director Carlota Pereda, who will also serve as its showrunner.
“If there are two actresses you can believe are immortals, with their out-of-this-world allure and talent, it’s Anna and Ester. I can’t wait to explore this world of darkness, joy and Eternal Love with them,” Pereda told Variety.
With that talent package, and the backing of two Spanish powerhouse producers, Morena Films and Buendía Estudios, “Death to Love” is shaping up as one of the hottest packages to come to market from Spain after it emerged from February’s Berlinale Series Market as one...
“If there are two actresses you can believe are immortals, with their out-of-this-world allure and talent, it’s Anna and Ester. I can’t wait to explore this world of darkness, joy and Eternal Love with them,” Pereda told Variety.
With that talent package, and the backing of two Spanish powerhouse producers, Morena Films and Buendía Estudios, “Death to Love” is shaping up as one of the hottest packages to come to market from Spain after it emerged from February’s Berlinale Series Market as one...
- 3/4/2024
- by John Hopewell
- Variety Film + TV
There’s a Kickstarter campaign to produce the first-ever line of action figures for the acclaimed sci-fi series, The Expanse.
“By backing this campaign on Kickstarter, fans can collect seven of the bravest and most beloved characters of The Expanse (as well as one Very intimidating Protomolecular hybrid). These eight figures have been painstakingly designed and crafted with impeccable detail, from the boots to the bottles of liquor.”
Find out more at Kickstarter
It turns out 2024 is filled with turmoil, if the Star Trek historical timeline is to be believed. Buckle up!
“A lot—a lot—happens historically in Star Trek’s 2024, crucially important events that go on to not just shape Earth as it is in the early 21st century, but form foundational pillars for the contemporary Star Trek timeline. It’s a year we’ve heard about, and visited, multiple times across several Trek shows. So what’s exactly wild about it?...
“By backing this campaign on Kickstarter, fans can collect seven of the bravest and most beloved characters of The Expanse (as well as one Very intimidating Protomolecular hybrid). These eight figures have been painstakingly designed and crafted with impeccable detail, from the boots to the bottles of liquor.”
Find out more at Kickstarter
It turns out 2024 is filled with turmoil, if the Star Trek historical timeline is to be believed. Buckle up!
“A lot—a lot—happens historically in Star Trek’s 2024, crucially important events that go on to not just shape Earth as it is in the early 21st century, but form foundational pillars for the contemporary Star Trek timeline. It’s a year we’ve heard about, and visited, multiple times across several Trek shows. So what’s exactly wild about it?...
- 3/1/2024
- by Michael Ahr
- Den of Geek
The genius actor Cillian Murphy is one of the best actors working in Hollywood right now. The Irish actor has been performing since secondary school. Murphy has worked with some of the biggest directors in the world like Christopher Nolan, Danny Boyle, and actor-director John Krasinski. After working in many theater productions and short films, the actor got his big break in Danny Boyle‘s hit horror film 28 Days Later. Cillian also wrapped up his most iconic role as Tommy Shelby in BBC’s Peaky Blinders in 2022. Now, he is starring in the lead role of Robert J. Oppenheimer in Nolan’s modern masterpiece Oppenheimer. So, here are the best films and TV shows you should watch if you love Cillian Murphy’s performances.
10. Red Eye Credit – DreamWorks
Cillian Murphy doesn’t have the face of a conventional villain but he does make one hell of an intimidating antagonist.
10. Red Eye Credit – DreamWorks
Cillian Murphy doesn’t have the face of a conventional villain but he does make one hell of an intimidating antagonist.
- 2/28/2024
- by Kulwant Singh
- Cinema Blind
Studiocanal launched a brand new official podcast – and the host might just be familiar to Film Stories listeners.
This is a bit of an odd story for me to write. Basically, well, because I’m in it. I’ll see how I get on.
The rather fine folks at Studiocanal have launched an official podcast, digging into the huge archive of movies under its stewardship. It’s arriving regularly, and as well as focusing on a movie of the month, there’s a broader exploration of other bits and bobs too.
Don’t take our word for it. Here’s Jamie McHale, the head of theatrical marketing at the studio: “We’re thrilled to be launching an official podcast to celebrate our incredible library of titles and upcoming theatrical releases. The in-depth analysis and regular features such as “Dream Double Bills” and “Hidden Gems” from Simon and his guests are...
This is a bit of an odd story for me to write. Basically, well, because I’m in it. I’ll see how I get on.
The rather fine folks at Studiocanal have launched an official podcast, digging into the huge archive of movies under its stewardship. It’s arriving regularly, and as well as focusing on a movie of the month, there’s a broader exploration of other bits and bobs too.
Don’t take our word for it. Here’s Jamie McHale, the head of theatrical marketing at the studio: “We’re thrilled to be launching an official podcast to celebrate our incredible library of titles and upcoming theatrical releases. The in-depth analysis and regular features such as “Dream Double Bills” and “Hidden Gems” from Simon and his guests are...
- 2/26/2024
- by Simon Brew
- Film Stories
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