Mumbai, June 18 (Ians) Actor Rajpal Yadav has teamed up with filmmaker Wilson Louis for horror comedy ‘Taxi Mein Bhoot Hai’, to be produced by Wilson Louis Films. This film is in pre-production stage. After grabbing the attention of the audiences for years, and now with the success of ‘Bhool Bhulaiyaa 2’, Rajpal is on […]...
- 6/18/2022
- by Glamsham Bureau
- GlamSham
Spirits, curses, witches and black magic - nothing could send shivers down the audience.s spine despite close to a dozen horror outings hitting the screens in 2010, leaving both ticket counters and the seats empty.The promotional blitzkrieg didn.t work for the likes of .Click., .Rokkk., .Hide & Seek., .Shaapit., .Phoonk 2″, .Help., .Mallika., .Bachao. and .A Flat. . all strung together as horrific duds of the year.According to trade pundits, these were approximately made on a budget of anywhere between Rs.4.5 crore and Rs.11 crore.While the filmmakers pleaded wrong release timings and dearth of people interested in watching horror, experts blamed the content..Horror as a genre was never a filmmaker.s fancy in Bollywood except for a handful of them but the Ramsay Brothers. era is gone and times have changed now. Horror is now losing its sheen to some extent,. trade analyst Atul Mohan told us.
- 12/27/2010
- Filmicafe
The coming Christmas weekend is all set to see three new releases- Rajshri Production Pvt Ltd's Isi Life Mein ...!, Farah Khan's Tees Maar Khan and the Ajay-Kajol live animation project Toonpur Ka Superrhero. It is obvious that the Akshay-Katrina starrer is all set to take a hurricane like start while the other two releases will lag far behind, especially during the opening weekend.The multiple releases of last week, namely Wilson Louis's Kaalo, the Archangel Entertainer produ...
- 12/22/2010
- Bollywood Trade
The coming Christmas weekend is all set to see three new releases- Rajshri Production Pvt Ltd's Isi Life Mein ...!, Farah Khan's Tees Maar Khan and the Ajay-Kajol live animation project Toonpur Ka Superrhero. It is obvious that the Akshay-Katrina starrer is all set to take a hurricane like start while the other two releases will lag far behind, especially during the opening weekend.The multiple releases of last week, namely Wilson Louis's Kaalo, the Archangel Entertainer produ...
- 12/22/2010
- GlamSham
Horror films are mostly synonyms with the dark. Be it the dog barking or the moon being covered with dark clouds- all spooky things usually happen only in the night. But director Wilson Louis in a radical and rather bold move has decided to defy all odds by coming up with this day horror flick, Kaalo. Having directed Ho Sakta Hai, Mallika and now Kaalo, Wilson Lewis has made his love for horror pretty lucid.
- 12/17/2010
- Bollywood Trade
This Friday is all set to see multiple releases in the form of Wilson Louis's Kaalo, the Archangel Entertainer project Payback, the Vinay Shukla directed Mirch and last but not the least K Sera Sera and Sangeeth Sivan Productions' 332...Mumbai To India. Unfortunately, none of the mentioned releases are expected to achieve anything significant at the ticket window and the audience is likely to prefer last Friday's No Problem and Band Baaja Baaraat. The openings of both the new...
- 12/16/2010
- Bollywood Trade
This Friday is all set to see multiple releases in the form of Wilson Louis's Kaalo, the Archangel Entertainer project Payback, the Vinay Shukla directed Mirch and last but not the least K Sera Sera and Sangeeth Sivan Productions' 332...Mumbai To India. Unfortunately, none of the mentioned releases are expected to achieve anything significant at the ticket window and the audience is likely to prefer last Friday's No Problem and Band Baaja Baaraat. The openings of both the new...
- 12/16/2010
- GlamSham
Kaalo, a dream project of Bollywood's few 'genre driven' directors, Wilson Louis, is ready for release and is in news for all the right reasons. That's because this star-less affair has one important character i.e. a 'creature' which is actually the central protagonist in this horror flick. While a crow was just a peripheral part of Ram Gopal Varma's Phoonk, the scary looking creature is actually the driving factor of the film. Laughs Wilson, "Most of the female artists would...
- 12/15/2010
- GlamSham
The Yash Patnaik produced and Wilson Louis-directed horror film Kaalo has won two awards at the South African Horrorfest held at Cape Town from 27 October to 5 November. The film won the best feature film award and also the best cinematography award. Said Wilson Louis, "Getting an international recognition that too for a horror film to an Indian filmmaker like me gives me an opening and a thought process to hence forward make films in which I am apt in."Other films that lap...
- 11/19/2010
- GlamSham
If you remember back in August we took the piss out of a trailer for Wilson Louis' film Mallika. Well it looks like Louis has a thing for the supernatural and has another film due out for release in the new year called Kaalo.
Here is the synopsis as provided by the source, The film revolves around a deadly witch attacking a bus in the deserts of Rajasthan for the killing of a young played by Shwini Khare. The film star cast includes Aditya Shrivastav, Panitalji, Sheela David, Raj Arjun, Aditya Lakhiya, Abhijit satham, Madhurima, Tripta and Hemant Pandey among others. The film claims to be inspired by a true incident of a witch murdering a 12-year old little girl in the remote deserts of western India. The film also claims to be the world's first daytime horror movie.
That can't be right. World's first daytime horror? I think not.
Here is the synopsis as provided by the source, The film revolves around a deadly witch attacking a bus in the deserts of Rajasthan for the killing of a young played by Shwini Khare. The film star cast includes Aditya Shrivastav, Panitalji, Sheela David, Raj Arjun, Aditya Lakhiya, Abhijit satham, Madhurima, Tripta and Hemant Pandey among others. The film claims to be inspired by a true incident of a witch murdering a 12-year old little girl in the remote deserts of western India. The film also claims to be the world's first daytime horror movie.
That can't be right. World's first daytime horror? I think not.
- 11/15/2010
- Screen Anarchy
September 4, 2010: Wilson Louis, director of ‘Mallika’ tells Jyothi Venkatesh that he does not want to be compared to Ram Gopal Varma or Ramsays because he wants to become India’s Stephen King
In what way is your second film ‘Mallika’ different from your debut film ‘Ho Sakta Hai’?
Though both ‘Ho Sakta Hai’ and ‘Mallika’ are horror films, I have no qualms to confess that ‘Mallika’ is a film which I have made for the masses. Some times you make mistakes and learn from them. Though the script of ‘Ho Sakta Hai’ is.
In what way is your second film ‘Mallika’ different from your debut film ‘Ho Sakta Hai’?
Though both ‘Ho Sakta Hai’ and ‘Mallika’ are horror films, I have no qualms to confess that ‘Mallika’ is a film which I have made for the masses. Some times you make mistakes and learn from them. Though the script of ‘Ho Sakta Hai’ is.
- 9/4/2010
- by realbollywood
- RealBollywood.com
Movie Review: Mallika; Starring: Introducing Sheena Nayyar, Sameer Dattani, Himanshu Malik, Suresh Menon and Mamik; Director: Wilson Louis; Rating: *1/2 – Unintentionally hilarious.
Mallika is a technically well shot film with a very pathetic and clichéd screenplay. It tends to get so unintentionally hilarious at times that you forget you are watching a supposedly horror film.
Sanjana (Sheena Nayyar) is troubled by deadly nightmares every night. She sees a murder happening of the girl who stayed in the same apartment. Frustrated by her daily night torture.
Mallika is a technically well shot film with a very pathetic and clichéd screenplay. It tends to get so unintentionally hilarious at times that you forget you are watching a supposedly horror film.
Sanjana (Sheena Nayyar) is troubled by deadly nightmares every night. She sees a murder happening of the girl who stayed in the same apartment. Frustrated by her daily night torture.
- 9/3/2010
- by realbollywood
- RealBollywood.com
Spice World Mall, Noida organized a Press Conference of the film.Mallika. which is a bold horror film make by Wilson Louis. The film stars debutant actress Sheena Nayyar and Sameer Dattani. To address the media actress, Sheena and director Wilson were present at Spice cinemas Gold Class Lounge. Sheena and Wilson explained that this movie will spook people completely and provide complete entertainment as well. .I know it is a bold choice for my first movie, but the story is very good,. said Sheena. The movie scheduled to release on Sep 3.
- 9/1/2010
- Filmicafe
Have you ever dated Shoaib Mallik?Never. So how did the rumour start?When you are a part of the film industry, such rumoured link-ups are common. Sometimes, it’s the production house that gets the gossip mills buzzing to publicise a film. And I can’t take them to task because I am committed to them and speaking out against a big banner could harm my future prospects. But believe me, there’s no truth to all this hearsay. But you have met Mallik?I was introduced to him by the producers of a film I was supposed to do. Wilson Louis who was supposed to ...
- 4/2/2010
- Hindustan Times - Celebrity
Although billed by some as the new face of Bollywood, model Sheena Nayar deliberately chose a horror film to be her debut movie. The thriller 8 will be Ppc Horrortainment's, the newly-formed horror wing of Ppc, kick-off movie. "The association of Ppc, Wilson Louis as director, plus the script were the key ingredients in my choosing this film as my launch," says Sheena, "My forte is to act and I feel this film will give me the perfect platform to do just that. Even the director felt that the character is a very intense one and only a serious minded actor would be able to pull it off."
Inspired by movies such as 1920, Phoonk and Raaz 2, Ppc Horrortainment hope to see the horror genre grow to the level of 8% or more as it is in Hollywood. But why was Sheena so keen to be involved? "Nowadays, when trends and clichés no longer work in the industry,...
Inspired by movies such as 1920, Phoonk and Raaz 2, Ppc Horrortainment hope to see the horror genre grow to the level of 8% or more as it is in Hollywood. But why was Sheena so keen to be involved? "Nowadays, when trends and clichés no longer work in the industry,...
- 9/21/2009
- Bollyspice
In a few days from now, Wilson Louis would begin shooting for his ambitious film 8. A flagship project for Percept Picture Company's newly found wing 'Ppc Horrotainment'. 8 stars Sameer Dattani in the lead and marks the debut of new find Sheena Nayar. For Wilson, the project is special because he is aware about the fact that traditionally, horror genre hasn't enjoyed an upmarket audience for itself in India. ''This is what I too was thinking. I questioned myself that in India w...
- 8/7/2009
- GlamSham
Sheena Nayar has agreed to make her Bollywood debut in 8. Nayar will star opposite Sammir Dattani in the first horror film from Percept Picture Company (Ppc), which will be directed by Wilson Louis. She told Ians: "The association of Ppc, Wilson Louis plus the script was the key ingredients in my choosing this film as my launch. My forte is to act and I feel (more)...
- 7/23/2009
- by By Sanjay Odedra
- Digital Spy
There is something about a numeric title that is really fascinating Bollywood today. Wilson Louis's next film, '8', has just been announced and as intriguing as it may sound, the fact is that it is now pretty much carrying forward the trend (of numbers as a film title) that is building on fast. Earlier this year, Bollywood has been witness to two small films with a numeric title turning out to be good success. These were 13B and 99, both of which boasted of a unique storyline a...
- 7/23/2009
- GlamSham
Sayali Bhagat’s work was appreciated in her debut film, The Train. Though since that film’s release there has been quiet a long gap for her next release, Sayali went on to South films and even bagged an award for her Telugu film. She is also busy with Tamil films. Her kitty is full with interesting Bollywood films as well.
Sayali tells us, she is presently looking forward to a slew of films such as Shout with Wilson Louis, Subhash Ghai’s Paying Guest with Shreyas Talpade and Kirkit. Sayali says, “I am having fun now. Paying Guest is going to be my first comedy and we had a whale of.
Sayali tells us, she is presently looking forward to a slew of films such as Shout with Wilson Louis, Subhash Ghai’s Paying Guest with Shreyas Talpade and Kirkit. Sayali says, “I am having fun now. Paying Guest is going to be my first comedy and we had a whale of.
- 6/2/2009
- by realbollywood
- RealBollywood.com
Director of Ho Sakta Hai, Wilson Louis, is plain amused with the double standards of Censor Board when it comes to rating films. Though he understands the reasons that led to the Board giving 'A' certificate to Lonavala Khandala Ghat, his next 'out and out horror film' (as he loves to call it), he doesn't mind questioning the rule book, whether written or unwritten, that the Board follows. "They say that the film is violent and has quite a few horrific scenes....
- 12/17/2008
- GlamSham
This review was written for the theatrical release of "Flash Point".HONG KONG -- After last year's gaudy, CGI-crazy "Dragon Tiger Gate", veteran Hong Kong director Wilson Yip Wai Shun goes back to basics in "Flash Point". Those dazzled by the cut-and-thrust slickness of 2005's "S.P.L.: Sha po lang" will experience another kind of adrenaline rush in a "sequel" that hawks its realistic interpretation of MMA, or mixed martial arts, a school utilizing a melange of disciplines from Chinese wushu to boxing.
Boxoffice in China yielded about $1.9 million after three days. The film has been selected for the midnight section at the Toronto International Film Festival and easily should find its way to the North American DVD market.
Donnie Yen reinvents the role of Ma Jun, the dynamic but by-the-book policeman in "S.P.L.", as a violent cop who breaks every rule in the system -- and every rib of his culprits. His adversaries are a trio of drug-smuggling brothers from Vietnam: Archer (Lui Leung-wai), Tony (Collin Chou) and Tiger (Yu Xing). In a move to expand their turf, they try to assassinate a rival, who survives and agrees to testify against them. With the help of Ma's buddy, undercover cop Wilson Louis Koo), police arrest Archer; Tony and Tiger escape, while Wilson is handicapped in the operation.
This sets the stage for a plot of nail-biting tension, one in which a falling battery plays a pivotal role -- a neat variation on the slo-mo falling coin in "Bullets Over Summer". Cinematography, editing and even the bass-heavy music are executed with the same briskness as the close-contact style of MMA. One elevator scene is shot like a boxing match with the camera nudging up to within an inch of Ma's face as he delivers a uppercut to his opponent, while a female cop aiming wildly with her gun encircles them like a referee in the ring.
Shooting a duel in an outdoor food stall, the camera is almost as acrobatic as the action stars. Skirting nimbly around tables turned and a girl being flung across the street like a Frisbee, it captures at close range Ma and Tiger wrestling each other with bare hands.
The final showdown is a prolonged 7 1/2 minutes of unarmed combat. As if afraid to detract attention from the real action, the set is just a makeshift hut, knocked up only to be knocked down. Even the camera pulls back to let Ma and Tony let go and let rip. Ma stops only for a second, not to catch his breath, but to take off his jacket so you can admire his biceps.
Now in his third collaboration with action director Yen (after "S.P.L". and "Dragon Tiger Gate"), it's tricky to tell where Yen's influence begins and Yip's direction ends. With the help of Yen and his team of martial artists (including Kenji Tanigaki of "Shinobi" fame), the action set pieces are spread out sparsely but have stronger impact.
Yet gone are the enthralling human dramas, the quirky personalities and vivid evocations of place -- trademarks of Yip's best-loved works such as "Juliet in Love" and "Bullets Over Summer". The plot development of "Flash Point" is purely utilitarian, like a shuttle bus that transports stock characters from one action set to another.
FLASH POINT
Mandarin Films Distribution /Chang Ying Group/Polybona Film Distribution/Beijing Enlight Pictures
Credits:
Director: Wilson Yip Wai Shun
Screenwriters: Szeto Kam Yuen, Nicholl Tang
Producers: Nansun Shi, Donnie Yen
Executive producers: Raymond Wong, Yu Dong, Wang Chang Tian
Action director: Donnie Yen
Director of photography: Cheung Man-po
Production designer: Kenneth Mak
Music: Chan Kwong-wing
Costume designer: Lee Pik-kwan
Editor: Cheung Ka-fai
Cast:
Ma Jun: Donnie Yen
Wilson: Louis Koo
Archer (aka Ja Ge): Lui Leung-wai
Tony: Collin Chou
Tiger: Yu Xing
Fan Bingbing: Julie
Inspector Wong: Kent Cheng
Running time -- 87 minutes
No MPAA rating...
Boxoffice in China yielded about $1.9 million after three days. The film has been selected for the midnight section at the Toronto International Film Festival and easily should find its way to the North American DVD market.
Donnie Yen reinvents the role of Ma Jun, the dynamic but by-the-book policeman in "S.P.L.", as a violent cop who breaks every rule in the system -- and every rib of his culprits. His adversaries are a trio of drug-smuggling brothers from Vietnam: Archer (Lui Leung-wai), Tony (Collin Chou) and Tiger (Yu Xing). In a move to expand their turf, they try to assassinate a rival, who survives and agrees to testify against them. With the help of Ma's buddy, undercover cop Wilson Louis Koo), police arrest Archer; Tony and Tiger escape, while Wilson is handicapped in the operation.
This sets the stage for a plot of nail-biting tension, one in which a falling battery plays a pivotal role -- a neat variation on the slo-mo falling coin in "Bullets Over Summer". Cinematography, editing and even the bass-heavy music are executed with the same briskness as the close-contact style of MMA. One elevator scene is shot like a boxing match with the camera nudging up to within an inch of Ma's face as he delivers a uppercut to his opponent, while a female cop aiming wildly with her gun encircles them like a referee in the ring.
Shooting a duel in an outdoor food stall, the camera is almost as acrobatic as the action stars. Skirting nimbly around tables turned and a girl being flung across the street like a Frisbee, it captures at close range Ma and Tiger wrestling each other with bare hands.
The final showdown is a prolonged 7 1/2 minutes of unarmed combat. As if afraid to detract attention from the real action, the set is just a makeshift hut, knocked up only to be knocked down. Even the camera pulls back to let Ma and Tony let go and let rip. Ma stops only for a second, not to catch his breath, but to take off his jacket so you can admire his biceps.
Now in his third collaboration with action director Yen (after "S.P.L". and "Dragon Tiger Gate"), it's tricky to tell where Yen's influence begins and Yip's direction ends. With the help of Yen and his team of martial artists (including Kenji Tanigaki of "Shinobi" fame), the action set pieces are spread out sparsely but have stronger impact.
Yet gone are the enthralling human dramas, the quirky personalities and vivid evocations of place -- trademarks of Yip's best-loved works such as "Juliet in Love" and "Bullets Over Summer". The plot development of "Flash Point" is purely utilitarian, like a shuttle bus that transports stock characters from one action set to another.
FLASH POINT
Mandarin Films Distribution /Chang Ying Group/Polybona Film Distribution/Beijing Enlight Pictures
Credits:
Director: Wilson Yip Wai Shun
Screenwriters: Szeto Kam Yuen, Nicholl Tang
Producers: Nansun Shi, Donnie Yen
Executive producers: Raymond Wong, Yu Dong, Wang Chang Tian
Action director: Donnie Yen
Director of photography: Cheung Man-po
Production designer: Kenneth Mak
Music: Chan Kwong-wing
Costume designer: Lee Pik-kwan
Editor: Cheung Ka-fai
Cast:
Ma Jun: Donnie Yen
Wilson: Louis Koo
Archer (aka Ja Ge): Lui Leung-wai
Tony: Collin Chou
Tiger: Yu Xing
Fan Bingbing: Julie
Inspector Wong: Kent Cheng
Running time -- 87 minutes
No MPAA rating...
- 8/28/2007
- The Hollywood Reporter - Movie News
HONG KONG -- After last year's gaudy, CGI-crazy Dragon Tiger Gate, veteran Hong Kong director Wilson Yip Wai Shun goes back to basics in Flash Point. Those dazzled by the cut-and-thrust slickness of 2005's S.P.L.: Sha po lang will experience another kind of adrenaline rush in a "sequel" that hawks its realistic interpretation of MMA, or mixed martial arts, a school utilizing a melange of disciplines from Chinese wushu to boxing.
Boxoffice in China yielded about $1.9 million after three days. The film has been selected for the midnight section at the Toronto International Film Festival and easily should find its way to the North American DVD market.
Donnie Yen reinvents the role of Ma Jun, the dynamic but by-the-book policeman in S.P.L., as a violent cop who breaks every rule in the system -- and every rib of his culprits. His adversaries are a trio of drug-smuggling brothers from Vietnam: Archer (Lui Leung-wai), Tony (Collin Chou) and Tiger (Yu Xing). In a move to expand their turf, they try to assassinate a rival, who survives and agrees to testify against them. With the help of Ma's buddy, undercover cop Wilson Louis Koo), police arrest Archer; Tony and Tiger escape, while Wilson is handicapped in the operation.
This sets the stage for a plot of nail-biting tension, one in which a falling battery plays a pivotal role -- a neat variation on the slo-mo falling coin in Bullets Over Summer. Cinematography, editing and even the bass-heavy music are executed with the same briskness as the close-contact style of MMA. One elevator scene is shot like a boxing match with the camera nudging up to within an inch of Ma's face as he delivers a uppercut to his opponent, while a female cop aiming wildly with her gun encircles them like a referee in the ring.
Shooting a duel in an outdoor food stall, the camera is almost as acrobatic as the action stars. Skirting nimbly around tables turned and a girl being flung across the street like a Frisbee, it captures at close range Ma and Tiger wrestling each other with bare hands.
The final showdown is a prolonged 7 1/2 minutes of unarmed combat. As if afraid to detract attention from the real action, the set is just a makeshift hut, knocked up only to be knocked down. Even the camera pulls back to let Ma and Tony let go and let rip. Ma stops only for a second, not to catch his breath, but to take off his jacket so you can admire his biceps.
Now in his third collaboration with action director Yen (after S.P.L. and Dragon Tiger Gate), it's tricky to tell where Yen's influence begins and Yip's direction ends. With the help of Yen and his team of martial artists (including Kenji Tanigaki of Shinobi fame), the action set pieces are spread out sparsely but have stronger impact.
Yet gone are the enthralling human dramas, the quirky personalities and vivid evocations of place -- trademarks of Yip's best-loved works such as Juliet in Love and Bullets Over Summer. The plot development of Flash Point is purely utilitarian, like a shuttle bus that transports stock characters from one action set to another.
FLASH POINT
Mandarin Films Distribution /Chang Ying Group/Polybona Film Distribution/Beijing Enlight Pictures
Credits:
Director: Wilson Yip Wai Shun
Screenwriters: Szeto Kam Yuen, Nicholl Tang
Producers: Nansun Shi, Donnie Yen
Executive producers: Raymond Wong, Yu Dong, Wang Chang Tian
Action director: Donnie Yen
Director of photography: Cheung Man-po
Production designer: Kenneth Mak
Music: Chan Kwong-wing
Costume designer: Lee Pik-kwan
Editor: Cheung Ka-fai
Cast:
Ma Jun: Donnie Yen
Wilson: Louis Koo
Archer (aka Ja Ge): Lui Leung-wai
Tony: Collin Chou
Tiger: Yu Xing
Fan Bingbing: Julie
Inspector Wong: Kent Cheng
Running time -- 87 minutes
No MPAA rating...
Boxoffice in China yielded about $1.9 million after three days. The film has been selected for the midnight section at the Toronto International Film Festival and easily should find its way to the North American DVD market.
Donnie Yen reinvents the role of Ma Jun, the dynamic but by-the-book policeman in S.P.L., as a violent cop who breaks every rule in the system -- and every rib of his culprits. His adversaries are a trio of drug-smuggling brothers from Vietnam: Archer (Lui Leung-wai), Tony (Collin Chou) and Tiger (Yu Xing). In a move to expand their turf, they try to assassinate a rival, who survives and agrees to testify against them. With the help of Ma's buddy, undercover cop Wilson Louis Koo), police arrest Archer; Tony and Tiger escape, while Wilson is handicapped in the operation.
This sets the stage for a plot of nail-biting tension, one in which a falling battery plays a pivotal role -- a neat variation on the slo-mo falling coin in Bullets Over Summer. Cinematography, editing and even the bass-heavy music are executed with the same briskness as the close-contact style of MMA. One elevator scene is shot like a boxing match with the camera nudging up to within an inch of Ma's face as he delivers a uppercut to his opponent, while a female cop aiming wildly with her gun encircles them like a referee in the ring.
Shooting a duel in an outdoor food stall, the camera is almost as acrobatic as the action stars. Skirting nimbly around tables turned and a girl being flung across the street like a Frisbee, it captures at close range Ma and Tiger wrestling each other with bare hands.
The final showdown is a prolonged 7 1/2 minutes of unarmed combat. As if afraid to detract attention from the real action, the set is just a makeshift hut, knocked up only to be knocked down. Even the camera pulls back to let Ma and Tony let go and let rip. Ma stops only for a second, not to catch his breath, but to take off his jacket so you can admire his biceps.
Now in his third collaboration with action director Yen (after S.P.L. and Dragon Tiger Gate), it's tricky to tell where Yen's influence begins and Yip's direction ends. With the help of Yen and his team of martial artists (including Kenji Tanigaki of Shinobi fame), the action set pieces are spread out sparsely but have stronger impact.
Yet gone are the enthralling human dramas, the quirky personalities and vivid evocations of place -- trademarks of Yip's best-loved works such as Juliet in Love and Bullets Over Summer. The plot development of Flash Point is purely utilitarian, like a shuttle bus that transports stock characters from one action set to another.
FLASH POINT
Mandarin Films Distribution /Chang Ying Group/Polybona Film Distribution/Beijing Enlight Pictures
Credits:
Director: Wilson Yip Wai Shun
Screenwriters: Szeto Kam Yuen, Nicholl Tang
Producers: Nansun Shi, Donnie Yen
Executive producers: Raymond Wong, Yu Dong, Wang Chang Tian
Action director: Donnie Yen
Director of photography: Cheung Man-po
Production designer: Kenneth Mak
Music: Chan Kwong-wing
Costume designer: Lee Pik-kwan
Editor: Cheung Ka-fai
Cast:
Ma Jun: Donnie Yen
Wilson: Louis Koo
Archer (aka Ja Ge): Lui Leung-wai
Tony: Collin Chou
Tiger: Yu Xing
Fan Bingbing: Julie
Inspector Wong: Kent Cheng
Running time -- 87 minutes
No MPAA rating...
- 8/28/2007
- The Hollywood Reporter - Movie News
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