- (1947) Stage: Appeared (as "Attendant of the Queen") in William Shakespeare's "Richard II". NOTE: This was her stage debut.
- (1947) Stage: Appeared (as "La Vigne") in Paul Claudel's "L'histoire de Tobie et de Sara"
- (1947) Stage: Appeared (as "Madeleine") in Maurice Clavel's "La terrasse de midi"
- (1947) Stage: Appeared (as "Hortense Mancini") in François Porché and Madame Simone's "Le lever du soleil"
- (1947) Stage: Appeared (as "Vera Alexandrovna") in Ivan Turgenev's "A Month in the Country".
- (1947) Stage: Appeared (as "Joas") in Jean Racine's "Athalie"
- (1948) Stage: Appeared (as "Chérubin") in Beaumarchais' "Le mariage de Figaro"
- (1948) Stage: Appeared (as "Rose") in François Mauriac's "Les mal aimés"
- (1948) Stage: Appeared (as "Angélique") in Marivaux's "L'épreuve"
- (1948) Stage: Appeared (as "Betty") in Tristan Bernard's "L'anglais tel qu'on le parle"
- (1948) Stage: Appeared (as "Spanish Girl of the Ballet") in Prosper Mérimée's "Les espagnols au Danemark"
- (1948) Stage: Narrator in Edmond Rostand's "Cyrano de Bergerac"
- (1948) Stage: Appeared (as "Rafaela") in Claude-André Puget's "La peine capitale"
- (1948) Stage: Appeared (as "Dona Maria") in Prosper Mérimée's "L'occasion"
- (1949) Stage: Appeared (as "Anne-Marie") in Édouard Bourdet's "Les temps difficiles"
- (1949) Stage: Appeared (as "Mariane") in Molière's "L'avare"
- (1949) Stage: Appeared (as "Suzette Bourdier") in Robert de Flers, Gaston Arman de Caillavet and Emmanuel Arene's "Le roi"
- (1949) Stage: Appeared (as "Camille") in Alfred de Musset's "On ne badine pas avec l'amour"
- (1950) Stage: Appeared (as "Bianca") in William Shakespeare's "Othello"
- (1950) Stage: Appeared (as "Mademoiselle Molière") in Molière's "L'impromptu de Versailles"
- (1950) Stage: Appeared (as "Poil de Carotte") in Jules Renard's "Poil de Carotte"
- (1950) Stage: Appeared (as "Lisette") in Marivaux's "Les sincères"
- (1950) Stage: Appeared (as "Thérèse") in Maria and Gregorio Martínez Sierra's "Le chant du berceau"
- (1950) Stage: Appeared (as "Perdita") in William Shakespeare's "A Winter Tale".
- (1950) Stage: Appeared (as "Ninon") in Alfred de Musset's "À quoi rêvent les jeunes filles"
- (1950) Stage: Appeared (as "Carola Venitequa") in André Gide's "Les caves du Vatican"
- (1951) Stage: Appeared )as "Mariane") in Molière's "Tartuffe"
- (1951) Stage: Appeared (as "Valentine") in Georges Courteline's "La paix chez soi"
- (1951) Stage: Appeared (as "Clara") in Georges Feydeau's 'Le dindon"
- (1951) Stage: Appeared (as "Martine") in Molière's "Le médecin malgré lui"
- (1951) Stage: Appeared (as "Lucile") in Molière's "Le bourgeois gentilhomme"
- (1951) Stage: Appeared (as Silvia") in Marivaux's "La double inconstance"
- (1951) Stage: Appeared (as "Nathalie d'Orange") in Heinrich von Kleist's "The Prince of Hombourg"
- (1951) Stage: Appeared (as "L'Infante") in Corneille's "Le Cid"
- (1952) Stage: Appeared (as "Bourgeoise") in Alfred de Musset's "Lorenzaccio"
- (1952) Stage: Appeared (as "Yllen") in Henri Pichete's "Nuclea"
- (1952) Stage: Appeared (as "Lucrèce") in Jean Vauthier's "La nouvelle mandragore"
- (1953) Stage: Appeared (as "Géraldine") in Anna Bonacci's "L'heure éblouissante"
- (1954) Stage: Appeared (as "Sphinx" in Jean Cocteau's "La machine infernale"
- (1955) Stage: Appeared (as "Eliza Doolittle") in George Bernard Shaw's "Pygmalion"
- (1956) Stage: Appeared (as "Maggie" in Tennessee Williams' "Cat on a Hot Tin Roof"
- (1958) Stage: Appeared (as "Young Marie-Paule") in Félicien Marceau's "La bonne soupe"
- (1974) Stage: Appeared (as "Henny Porten") in Peter Handke's "La chevauchée sur le lac de Constance"
- (1976) Stage: Appeared (as "Lulu") in Frank Wedekind's "Lulu"
- (1980) Stage: Appeared (as "Marie-Pierre") in Françoise Dorin's "L'intoxe"
- (1985) Stage: Appeared (as "Hannah Jelkes") in Tennessee Williams' "The Night of the Iguana"
- (1986) Stage: Appeared (as "Zerline") in Hermann Broch's "Le récit de la servante Zerline". NOTES: (1) She was awarded the Best Actress Molière Award (the French equivalent of a Tony). (2) The production was a huge theatrical success that toured 11 countries.
- (1989) Stage: Appeared (as "La Célestine") in Fernando de Rojas' "La Célestine"
- (2000) Stage: Directed Margaret Edson's 'Wit"
- (1963) Album: "Douze Chansons de Cyrus Bassiak"
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