As Martin Scorsese’s Netflix documentary about Bob Dylan’s 1975 Rolling Thunder Revue approaches, one of the members of that traveling troupe, J. Steven Soles, writes about his memories of how the idea of a communal tour gradually took shape.
In the spring of 1975, my new managers at Lookout Management were putting me out on the road as as an opening act on the club circuit. Back in New York, where I was opening for Hot Tuna, club owner Mickey Ruskin’s new place beckoned down Fifth Avenue. Hoping to catch up with old friends, I’d settled in at the bar when Bobby Neuwirth came bouncing in with T Bone Burnett and Larry Poons, artist extraordinaire. We had a few drinks and headed to the Other End to meet up with owner Paul Colby, the great folk singer Phil Ochs (for whom Arthur Gorson and I had helped produce...
In the spring of 1975, my new managers at Lookout Management were putting me out on the road as as an opening act on the club circuit. Back in New York, where I was opening for Hot Tuna, club owner Mickey Ruskin’s new place beckoned down Fifth Avenue. Hoping to catch up with old friends, I’d settled in at the bar when Bobby Neuwirth came bouncing in with T Bone Burnett and Larry Poons, artist extraordinaire. We had a few drinks and headed to the Other End to meet up with owner Paul Colby, the great folk singer Phil Ochs (for whom Arthur Gorson and I had helped produce...
- 4/12/2019
- by J. Steven Soles
- Variety Film + TV
The new documentary The Price of Everything is nothing if not layered—kind of like an onion. And like an onion, the more you peel into it, the more it makes you want to cry.
Nathaniel Kahn’s complex film explores the dynamics of the contemporary art world where individual works regularly fetch astronomical amounts at auction: $91.9 million earlier this week for Edward Hopper’s canvas “Chop Suey,” and $110.4 million last year for an untitled Jean-Michel Basquiat painting that sold for $19,000 in 1984.
The sums have become so impressive that money managers now promote art collecting to the wealthy as an “investment asset class,” as the accounting firm Deloitte once put it. According to a report by Artprice, “the world leader in art market information,” between July 2016 and June 2017 contemporary art “generated a global auction turnover of $1.58 billion.”
“I very much wanted to investigate in this film this hyper-commoditized environment that we are in,...
Nathaniel Kahn’s complex film explores the dynamics of the contemporary art world where individual works regularly fetch astronomical amounts at auction: $91.9 million earlier this week for Edward Hopper’s canvas “Chop Suey,” and $110.4 million last year for an untitled Jean-Michel Basquiat painting that sold for $19,000 in 1984.
The sums have become so impressive that money managers now promote art collecting to the wealthy as an “investment asset class,” as the accounting firm Deloitte once put it. According to a report by Artprice, “the world leader in art market information,” between July 2016 and June 2017 contemporary art “generated a global auction turnover of $1.58 billion.”
“I very much wanted to investigate in this film this hyper-commoditized environment that we are in,...
- 11/16/2018
- by Matthew Carey
- Deadline Film + TV
By Glenn Dunks
We took a week off recently due to office job duties so as a means of not getting behind in the schedule, we're posting a (for now) one-off weekend documentary review for your Sunday reading.
The world is a distressing place right now where seemingly everything is terrible. It’s only natural that documentary filmmaking would reflect this global tussle for law and democracy. If these films aren’t telling us something frightening and new then they at least usually these films at least attempt to show us something familiarly awful from a new angle or with an unfamiliar point of view. I’m here to tell you, however, that one of 2018’s most miserable moviegoing experiences isn’t about war or famine, disease or political unrest. Rather, it’s about the art world. A ghastly portrait of some of society’s worst impulses of greed and capitalist grotesquery.
We took a week off recently due to office job duties so as a means of not getting behind in the schedule, we're posting a (for now) one-off weekend documentary review for your Sunday reading.
The world is a distressing place right now where seemingly everything is terrible. It’s only natural that documentary filmmaking would reflect this global tussle for law and democracy. If these films aren’t telling us something frightening and new then they at least usually these films at least attempt to show us something familiarly awful from a new angle or with an unfamiliar point of view. I’m here to tell you, however, that one of 2018’s most miserable moviegoing experiences isn’t about war or famine, disease or political unrest. Rather, it’s about the art world. A ghastly portrait of some of society’s worst impulses of greed and capitalist grotesquery.
- 10/28/2018
- by Glenn Dunks
- FilmExperience
NewportFILM will screen documentaries by Morgan Neville, Matt Tyrnauer, Nathanel Kahn, and Andrew Solomon as part of its annual summer series.
The festival has become something of an institution in the posh seaside community — Newport, Rhode Island is an old world resort, with Gilded Age mansions that are straight out of an Edith Wharton novel. Part of the attraction is that the sunset screenings are hosted in several different historic venues, including Rosecliff, a mansion featured in the 1974 version of “The Great Gatsby” with Robert Redford and Mia Farrow, the Eisenhower House, which was the “Summer White House” for President Dwight D. Eisenhower or his Mar a Lago, and the Newport International Polo Grounds.
The screenings kicked off Thursday with Neville’s “Won’t You Be My Neighbor?,” a look at the enduring legacy of Fred Rogers, and runs through September 6th. Past films that have played at newportFILM include Brett Morgan’s “Jane,...
The festival has become something of an institution in the posh seaside community — Newport, Rhode Island is an old world resort, with Gilded Age mansions that are straight out of an Edith Wharton novel. Part of the attraction is that the sunset screenings are hosted in several different historic venues, including Rosecliff, a mansion featured in the 1974 version of “The Great Gatsby” with Robert Redford and Mia Farrow, the Eisenhower House, which was the “Summer White House” for President Dwight D. Eisenhower or his Mar a Lago, and the Newport International Polo Grounds.
The screenings kicked off Thursday with Neville’s “Won’t You Be My Neighbor?,” a look at the enduring legacy of Fred Rogers, and runs through September 6th. Past films that have played at newportFILM include Brett Morgan’s “Jane,...
- 6/22/2018
- by Variety Staff
- Variety Film + TV
Where does art exist? If it sounds like a trick question it’s because it is. It begins in the mind of the creator, but from there it can go off in many different directions. How we consume art and the role of the museum and the art collector is called into question in Nathaniel Kahn’s documentary The Price Of Everything. Instead of approaching the topic with fiery passion, Kahn takes his time to explore the subject from all sides, including dozens of artists, curators, historians, and collectors that are enveloped in the world. Everyone plays a role in the contemporary art world (regardless of your direct involvement) and Kahn calls into question the moral, financial, and creative concerns when art is more than just a means to express oneself.
In his introduction to the film, the director compared it to the work of Robert Altman. This isn’t too far off,...
In his introduction to the film, the director compared it to the work of Robert Altman. This isn’t too far off,...
- 3/12/2018
- by Michael Haffner
- WeAreMovieGeeks.com
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