- The film composer has two main pressures... Time and Quality. Usually it is necessary to compose high quality music in a very short time and in most of my cases usually two weeks because money has already been budgeted.
- (The scoring of Grizzly) "Because of the recent popularity of 'disaster' films, I was faced with the problem of creating a unique, but dramatically supportive score for Grizzly."
- On scoring 10 to Midnight (1983): The opportunity to score 10 to Midnight presented a unique chance to again utilize both so-called standard instruments and various synthesizers, something I had used before in other pictures. However in this film, I was able to use the electronic sounds and effects to a far greater extent.
Contribute to this page
Suggest an edit or add missing content