Spain’s Latido Films has clinched world sales rights to serial killer drama-thriller “Sacamantecas,” the third feature by writer-director David Pérez Sañudo, whose Latido-repped debut feature, “Ane,” swept three Spanish Academy Goya Awards in 2021.
Latido is already handling Pérez Sañudo’s second feature, “Los últimos románticos,” which it announced at the Berlin Film Festival as the first title in a two-picture deal with Sañudo. The deals come as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.
”Sacamantecas,” on which Latido Films has just clinched a pre-sale deal for Italy with Movies Inspired, marks the second title in that deal. Distribution in Spain will close shortly, said Latido Films’ Oscar Alonso.
Produced by Olmo Figueredo, who’s also backing “Los últimos románticos,” “Sacamantecas” turns on Spain’s first recorded serial killer, Juan Díaz de Garayo.
In two killing sprees over 1872-79, the ageing and...
Latido is already handling Pérez Sañudo’s second feature, “Los últimos románticos,” which it announced at the Berlin Film Festival as the first title in a two-picture deal with Sañudo. The deals come as Spanish sales companies battle to retain top-flight talent, increasingly in the crosshairs of international counterparts.
”Sacamantecas,” on which Latido Films has just clinched a pre-sale deal for Italy with Movies Inspired, marks the second title in that deal. Distribution in Spain will close shortly, said Latido Films’ Oscar Alonso.
Produced by Olmo Figueredo, who’s also backing “Los últimos románticos,” “Sacamantecas” turns on Spain’s first recorded serial killer, Juan Díaz de Garayo.
In two killing sprees over 1872-79, the ageing and...
- 5/19/2024
- by John Hopewell
- Variety Film + TV
Spanish sales agents are on some kind of roll. The European Film Market during the Berlinale proved robust, and Malaga Film Festival better still.
“Malaga was great for our movies,” Latido Films’ Antonio Saura reported at its conclusion. “We have one of the best lineups in our history covering all genres and all very marketable.”
That lineup includes Jim Sheridan’s drama “Recreation,” starring Vicky Krieps, and “La Casa” and “Saturn Return,” both Malaga standouts that together won seven awards.
With the market more receptive to Spanish projects, it’s important to pick the right genre mix. “Definitely for thrillers, for animated films, things are good. Spanish thrillers are prestigious now. They’ve performed well theatrically in many countries,” says Filmax’s head of international Iván Diaz. But for comedies, dramas or romantic comedies, it’s a bit more arduous. “If you’re trying to sell Spanish romantic comedies, however,...
“Malaga was great for our movies,” Latido Films’ Antonio Saura reported at its conclusion. “We have one of the best lineups in our history covering all genres and all very marketable.”
That lineup includes Jim Sheridan’s drama “Recreation,” starring Vicky Krieps, and “La Casa” and “Saturn Return,” both Malaga standouts that together won seven awards.
With the market more receptive to Spanish projects, it’s important to pick the right genre mix. “Definitely for thrillers, for animated films, things are good. Spanish thrillers are prestigious now. They’ve performed well theatrically in many countries,” says Filmax’s head of international Iván Diaz. But for comedies, dramas or romantic comedies, it’s a bit more arduous. “If you’re trying to sell Spanish romantic comedies, however,...
- 5/15/2024
- by Callum McLennan
- Variety Film + TV
Spanish cinema is expanding, opening up attractive film avenues to reach the worldwide market, driven by upscale commercial projects, blending of genres and a new generation of emerging female directors.
The country’s filmmakers landed three Oscar nominations: Juan A. Bayona with “Society of the Snow” (inter- national feature and makeup and hair styling); and Pablo Berger with “Robot Dreams” (animated feature). Also, four of Netflix’s top five most-popular non-English films ever are from Spain.
“The boom in talent is making for a unique and very diverse cinema,” says Guillermo Farré, Movistar Plus+ head of original films and Spanish cinema.
“The great foreign perception of Spanish cinema is driven by the productions’ quality and their international diffusion,” says Elástica Films’ María Zamora, producer of Carla Simón’s Berlinale Golden Bear winner “Alcarrás.”
“Spanish cinema is evolving with the appearance of new voices especially female and new ways of narrating,...
The country’s filmmakers landed three Oscar nominations: Juan A. Bayona with “Society of the Snow” (inter- national feature and makeup and hair styling); and Pablo Berger with “Robot Dreams” (animated feature). Also, four of Netflix’s top five most-popular non-English films ever are from Spain.
“The boom in talent is making for a unique and very diverse cinema,” says Guillermo Farré, Movistar Plus+ head of original films and Spanish cinema.
“The great foreign perception of Spanish cinema is driven by the productions’ quality and their international diffusion,” says Elástica Films’ María Zamora, producer of Carla Simón’s Berlinale Golden Bear winner “Alcarrás.”
“Spanish cinema is evolving with the appearance of new voices especially female and new ways of narrating,...
- 5/15/2024
- by Emiliano De Pablos
- Variety Film + TV
As U.S. and European sales agents and distributors gather in Buenos Aires next week for Ventana Sur, there will be a very large elephant in the room: the stunning victory in Argentina’s presidential election Sunday of far right Javier Milei, a self-described “anarcho-capitalist.”
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
Milei won 55.8% of the vote promising to do away with inflation, running at over 140%, as part of “drastic changes” which have included scrapping Argentina’s central bank, dollarizing the economy and slashing public spending by 15% of Gdp.
On the campaign trail, he also promised to abolish Argentina’s Ministry of Culture and national film-tv agency Incaa.
Currently, Argentina also holds the presidency of Ibermedia, the pan-regional fund for Latin America, Spain and Portugal, whose moneys are vital for art-house co-productions.
Incaa also co-organizes Ventana Sur itself with Cannes Film Festival and Market.
A left-leaning Argentine film-tv industry, whether Peronist or not, will take time to digest Milei’s victory.
- 11/20/2023
- by John Hopewell
- Variety Film + TV
Madrid-based Latido Films has unveiled a slew of sales during the summer, led by standout deals reached on Daniel Calparsoro’s thriller “All the Names of God” and Gerardo Herrero’s comedy “Under Therapy.”
The announcement comes as the 20 year-old company Latido disclosed early sales deals to Javier Fesser’s “Championext,” the sequel to his comedy blockbuster “Champions”- which has become Spain’s biggest box office hit of 2023, scoring €7.52 million ($8.08 million) and 1.2 million tickets sold through Sept. 3, three weekends after its Aug. 18 release.
Latido deal details add some much needed granularity to the state of the non-English language sales scene as major festivals take place at Venice and now Toronto.
A Bullish Summer
“It has been a good summer for Latido. And we hope for an even better fall,” explained Latido CEO Antonio Saura.
“The way the post-covid market works is not only linked to the market events themselves.
The announcement comes as the 20 year-old company Latido disclosed early sales deals to Javier Fesser’s “Championext,” the sequel to his comedy blockbuster “Champions”- which has become Spain’s biggest box office hit of 2023, scoring €7.52 million ($8.08 million) and 1.2 million tickets sold through Sept. 3, three weekends after its Aug. 18 release.
Latido deal details add some much needed granularity to the state of the non-English language sales scene as major festivals take place at Venice and now Toronto.
A Bullish Summer
“It has been a good summer for Latido. And we hope for an even better fall,” explained Latido CEO Antonio Saura.
“The way the post-covid market works is not only linked to the market events themselves.
- 9/7/2023
- by Emiliano De Pablos
- Variety Film + TV
Latido is bringing onto the Toronto market “The Weasels,” the first live-action film from Argentina’s Juan José Campanella since he won a foreign-language Oscar for “The Secret in Their Eyes” in 2010.
Latido will introduce the film to buyers via what Latido head Antonio Saura describes as a “pre-trailer.”
“The Weasels” reunites the sales agent and most of the high-pedigree production team behind “The Secret in Their Eyes:” Campanella’s Buenos Aires label 100 Bares and top Argentine network Telefe, which is a Viacom Intl. Media Networks company, produce the pic, in co-production with Spain’s Tornasol (“The Man Who Killed Don Quixote”) and Argentina’s Jempsa, whose late head, Jorge Estrada Mora, produced five of Campanella’s films.
“The Weasels” returns Campanella to the semi-comedic mode, but hardly same comic tone, of 2001’s Oscar-nominated “The Son of the Bride.”
Based on an Argentine classic, 1976’s “Los muchachos de antes no usaban arsénico,...
Latido will introduce the film to buyers via what Latido head Antonio Saura describes as a “pre-trailer.”
“The Weasels” reunites the sales agent and most of the high-pedigree production team behind “The Secret in Their Eyes:” Campanella’s Buenos Aires label 100 Bares and top Argentine network Telefe, which is a Viacom Intl. Media Networks company, produce the pic, in co-production with Spain’s Tornasol (“The Man Who Killed Don Quixote”) and Argentina’s Jempsa, whose late head, Jorge Estrada Mora, produced five of Campanella’s films.
“The Weasels” returns Campanella to the semi-comedic mode, but hardly same comic tone, of 2001’s Oscar-nominated “The Son of the Bride.”
Based on an Argentine classic, 1976’s “Los muchachos de antes no usaban arsénico,...
- 9/8/2018
- by John Hopewell
- Variety Film + TV
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