Latido Films scores sales for ‘Re-creation’ with Vicky Krieps, Gerardo Herrero’s ‘Raqqa’ (exclusive)
Madrid-based sales outlet Latido Films has unveiled sales on key titles from its European Film Market and Malaga Film Festival (March 1-10) slates.
Beginning with films in pre-production, Jim Sheridan and David Merriman’s true crime courtroom docu-drama Re-creation starring Vicky Krieps has secured pre-sales for Greece (Spentzos) and Portugal (Outsider). The film sees a fictional jury assess the real-life unsolved murder of French TV producer Sophie Toscan du Plantier, who was found dead at her Ireland holiday home in 1996.
Spy thriller Raqqa from Oscar-winning producer-director Gerardo Herrero has pre-sold to the Middle East (Empire). Herrero’s previous feature, Under Therapy,...
Beginning with films in pre-production, Jim Sheridan and David Merriman’s true crime courtroom docu-drama Re-creation starring Vicky Krieps has secured pre-sales for Greece (Spentzos) and Portugal (Outsider). The film sees a fictional jury assess the real-life unsolved murder of French TV producer Sophie Toscan du Plantier, who was found dead at her Ireland holiday home in 1996.
Spy thriller Raqqa from Oscar-winning producer-director Gerardo Herrero has pre-sold to the Middle East (Empire). Herrero’s previous feature, Under Therapy,...
- 3/19/2024
- ScreenDaily
Malaga — Isaki Lacuesta’s “Saturn Return” (“Segundo Premio”), always a frontrunner, topped this week’s Malaga Festival winning its best picture, director (with co-director Pol Rodríguez) and editing (Javi Frutos) awards.
The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally inventive and great fun at one and the same time.
Turning on Spanish indie rock group Los Planetas storied attempts to making their third and finally iconic album, but really about people’s need to recast the past as comprehensible narrative and a biopic parody, A broad audience play, “Saturn Return” has been hailed by Spanish newspaper El Mundo as a “masterpiece.”
“Saturn Returns” will do nothing to dent Lacuesta’s status as seemingly suddenly, after years in the wilderness as a supposedly radical filmmaker too out there to take on more ambitious budgets. Lacuesta’s feel-good concluding episode to “Offworld,...
The triple plaudit delivers further recognition for a feature which pulls off the double achievement of being formally inventive and great fun at one and the same time.
Turning on Spanish indie rock group Los Planetas storied attempts to making their third and finally iconic album, but really about people’s need to recast the past as comprehensible narrative and a biopic parody, A broad audience play, “Saturn Return” has been hailed by Spanish newspaper El Mundo as a “masterpiece.”
“Saturn Returns” will do nothing to dent Lacuesta’s status as seemingly suddenly, after years in the wilderness as a supposedly radical filmmaker too out there to take on more ambitious budgets. Lacuesta’s feel-good concluding episode to “Offworld,...
- 3/9/2024
- by John Hopewell and Ed Meza
- Variety Film + TV
Malaga, Spain — “The Chapel,” from “Piggy” director Carlota Pereda, Celia Rico’s competition title “Little Loves,” loved by a lot of critics, and “Free Falling,” produced by “Society of the Snow’s” J.A. Bayona and that film’s producer Belén Atienza, looked like three of the hottest tickets at this week’s Malaga market and Spanish Screenings which rated as the most upbeat in years.
Most all sales agents on the films – focusing on titles from Spain and Latin America – whose ranks are now swelled by Antonia Nava’s Neo Art International, forecast or saw deal traction on more than one title or a broad slate of films.
“Malaga was great for our movies,” said Latido Films’ Antonio Saura.
“For us, it’s been the best Spanish Screenings of the last years,” reported Luis Recart at Bendita Film Sales.
Why of course is another matter. 10 takeaways on a Spanish bull market,...
Most all sales agents on the films – focusing on titles from Spain and Latin America – whose ranks are now swelled by Antonia Nava’s Neo Art International, forecast or saw deal traction on more than one title or a broad slate of films.
“Malaga was great for our movies,” said Latido Films’ Antonio Saura.
“For us, it’s been the best Spanish Screenings of the last years,” reported Luis Recart at Bendita Film Sales.
Why of course is another matter. 10 takeaways on a Spanish bull market,...
- 3/8/2024
- by John Hopewell and Ed Meza
- Variety Film + TV
The international endurance of Spanish film adaptations was front and center this year at the Malaga Festival Industry Zone’s (Mafiz) Remake Day event on Thursday, with a presentation of Shanghai-based Aim Media’s “Lose to Win,” the Chinese adaptation of the Latido Films-sold 2018 hit “Campeones” (“Champions”), directed by Javier Fesser.
“Champions” is produced by Luis Manso at Fesser’s Madrid-based Películas Pendleton (“Historias Lamentables”) alongside Alvaro Longoria at Spain’s Morena Films (“Everybody Knows”).
Global remakes of “Champions,” about a basketball coach who coaches a team of people with disabilities as community service, have so far included Arabic, German, U.S. (starring Woody Harrelson and directed by Bobby Farrelly) and Indian versions, not to mention a hugely successful Spanish sequel.
Discussing “Lose to Win,” directed by Gao Hu, ahead of a special screening of the film, Aim Media’s Emily Ruan detailed the benefits and challenges presented by the production.
“Champions” is produced by Luis Manso at Fesser’s Madrid-based Películas Pendleton (“Historias Lamentables”) alongside Alvaro Longoria at Spain’s Morena Films (“Everybody Knows”).
Global remakes of “Champions,” about a basketball coach who coaches a team of people with disabilities as community service, have so far included Arabic, German, U.S. (starring Woody Harrelson and directed by Bobby Farrelly) and Indian versions, not to mention a hugely successful Spanish sequel.
Discussing “Lose to Win,” directed by Gao Hu, ahead of a special screening of the film, Aim Media’s Emily Ruan detailed the benefits and challenges presented by the production.
- 3/7/2024
- by Ed Meza
- Variety Film + TV
Going into Berlin’s European Film Market, Spain’s biggest sales agents are under no illusion just how tough international markets have become.
“Paradoxically, in one of the best moments for Spanish productions, we are finding that some of our top dramas are getting hard to sell unless selected in Cannes, Venice or Berlin,” says Latido Films CEO Antonio Saura.
Also, “If American productions dominate at least 80% of markets, and local productions claim about half what remains. You’re left with just 10% of markets for many wonderful films to try to find audience opportunities. Competition is fiercer than ever,” he says.
“Many newer platforms are insisting on revenue shares. This rarely works for us,” observes Feel Sales’ Yennifer Fasciani.
Yet companies are fighting back. “Either a film works very well or not at all. Our strategy is increasingly focusing on major titles, leaving no middle ground,” states Film Factory Entertainment’s Vicente Canales,...
“Paradoxically, in one of the best moments for Spanish productions, we are finding that some of our top dramas are getting hard to sell unless selected in Cannes, Venice or Berlin,” says Latido Films CEO Antonio Saura.
Also, “If American productions dominate at least 80% of markets, and local productions claim about half what remains. You’re left with just 10% of markets for many wonderful films to try to find audience opportunities. Competition is fiercer than ever,” he says.
“Many newer platforms are insisting on revenue shares. This rarely works for us,” observes Feel Sales’ Yennifer Fasciani.
Yet companies are fighting back. “Either a film works very well or not at all. Our strategy is increasingly focusing on major titles, leaving no middle ground,” states Film Factory Entertainment’s Vicente Canales,...
- 2/16/2024
- by Callum McLennan
- Variety Film + TV
Upscale crossover sales agent Latido Films has acquired international sales rights to “Re-creation,” directed by legendary Irish filmmaker Jim Sheridan, whose “In the Name of the Father” won a Berlin Golden Bear in 1994.
Starring Vicky Krieps, a Cannes’ Un Certain Regard winner for “Corsage,” the docu-drama is co-written and co-directed by Irish artist and filmmaker David Merriman (“Rock Against Homelessness”). It will be unveiled to buyers at the European Film Market.
Like Sheridan’s prior five-hour documentary, SkyCrime’s “Murder at the Cottage,” “Re-creation” turns on what the earlier title calls Ireland’s most shocking unresolved crime whose victim, French TV producer Sophie Toscan du Plantier, was battered to death at her holiday home in West Cork, Ireland, in 1996.
A fiction/reality hybrid feature, “Re-creation” introduces a fictional jury, inspired by Sidney Lumet’s “12 Angry Men,” which sifts through the facts, lies and convenient truths behind the murder, Sheridan told Variety.
Starring Vicky Krieps, a Cannes’ Un Certain Regard winner for “Corsage,” the docu-drama is co-written and co-directed by Irish artist and filmmaker David Merriman (“Rock Against Homelessness”). It will be unveiled to buyers at the European Film Market.
Like Sheridan’s prior five-hour documentary, SkyCrime’s “Murder at the Cottage,” “Re-creation” turns on what the earlier title calls Ireland’s most shocking unresolved crime whose victim, French TV producer Sophie Toscan du Plantier, was battered to death at her holiday home in West Cork, Ireland, in 1996.
A fiction/reality hybrid feature, “Re-creation” introduces a fictional jury, inspired by Sidney Lumet’s “12 Angry Men,” which sifts through the facts, lies and convenient truths behind the murder, Sheridan told Variety.
- 2/16/2024
- by John Hopewell
- Variety Film + TV
Cementing its reputation as a harbinger of emerging talent, Madrid-based Latido Films has acquired the international sales rights to “Tras el Verano,” the debut film from Yolanda Centeno picked out as one of Variety’s 10 Women Directors to Watch from Spain, compiled in 2021.
Alfa Pictures is handling distribution in Spain.
Following on hits such as Colombia’s “Killing Jesus” and “Carmen & Lola” and “Lullaby” from Spain, this acquisition not only underscores Latido’s interest in nurturing and promoting fresh, innovative voices in cinema but also highlights the strength of a new generation of talent emanating from the Spanish-speaking world.
Centeno’s debut feature has attracted strong talent in the form of Goya and Gaudi winners Ruth Gabriel (“Numbered Days”) and Alexandra Jiménez (“The Distances” “100 Metres”).
Joining them is actor Juan Diego Botto whose own directorial debut “On The Fringe” reaped recognition at the Goyas, Venice and other festivals.
Alfa Pictures is handling distribution in Spain.
Following on hits such as Colombia’s “Killing Jesus” and “Carmen & Lola” and “Lullaby” from Spain, this acquisition not only underscores Latido’s interest in nurturing and promoting fresh, innovative voices in cinema but also highlights the strength of a new generation of talent emanating from the Spanish-speaking world.
Centeno’s debut feature has attracted strong talent in the form of Goya and Gaudi winners Ruth Gabriel (“Numbered Days”) and Alexandra Jiménez (“The Distances” “100 Metres”).
Joining them is actor Juan Diego Botto whose own directorial debut “On The Fringe” reaped recognition at the Goyas, Venice and other festivals.
- 10/30/2023
- by Callum McLennan
- Variety Film + TV
In times of dramatic change for the film-tv industry, Spanish auteur cinema is booming, goosed by multiple significant and high-quality titles, reaping prizes, critical praise and profile at international festivals.
Beyond the preeminent interest in established auteurs such as Pedro Almodóvar, Alejandro Amenábar, J.A. Bayona, Isabel Coixet and Rodrigo Sorogoyen, Spanish sales agents and distributors celebrate the increasingly strong presence of young local film auteurs on the international scene. The big question is, however, how this profile can translate into box office impact and substantial sales.
“We are living a very sweet moment in terms of the recognition of our cinema at international festivals, with ever more filmmakers who are creating dazzling works,” says Luis Renart, founder of Santa Cruz de Tenerife-based sales company Bendita Films.
“There’s a generation of creators and producers who look to international auteur cinema when they build their projects, made with a European sensibility and a very marked identity,...
Beyond the preeminent interest in established auteurs such as Pedro Almodóvar, Alejandro Amenábar, J.A. Bayona, Isabel Coixet and Rodrigo Sorogoyen, Spanish sales agents and distributors celebrate the increasingly strong presence of young local film auteurs on the international scene. The big question is, however, how this profile can translate into box office impact and substantial sales.
“We are living a very sweet moment in terms of the recognition of our cinema at international festivals, with ever more filmmakers who are creating dazzling works,” says Luis Renart, founder of Santa Cruz de Tenerife-based sales company Bendita Films.
“There’s a generation of creators and producers who look to international auteur cinema when they build their projects, made with a European sensibility and a very marked identity,...
- 10/20/2023
- by Emiliano De Pablos
- Variety Film + TV
Latido Films is venturing yet more into the inspiring world of e-sports and viral fame with Goya Award winning producer-helmer Alvaro Longoria’s new doc-feature, “La vida de Brianeitor.” The film serves as a spin-off from Javier Fesser’s Spanish box office smash hit, “Championext,” which Latido is also selling.
The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star. And he’s doing it all despite living with muscular dystrophy and spina bifida.
“Javier Fesser…told me Brian was an amazing subject for a doc. I wasn’t really sure until I met him in person,” recalled Alvaro Longoria, the film’s director, and the producer at Morena Films behind “Championext.” Brian...
The doc follows Brian Albacete, better known as Brianeitor2022. With millions of social media followers, an acting role in a top-charting Spanish film “Championext” and a spot on Team Heretics—one of Spain’s leading e-sport entities—Brian is redefining what it means to be a star. And he’s doing it all despite living with muscular dystrophy and spina bifida.
“Javier Fesser…told me Brian was an amazing subject for a doc. I wasn’t really sure until I met him in person,” recalled Alvaro Longoria, the film’s director, and the producer at Morena Films behind “Championext.” Brian...
- 9/25/2023
- by Callum McLennan
- Variety Film + TV
Madrid-based sales house Latido Films and indie distributor-producer #ConUnPack are joining forces to handle international distribution rights to Tribeca Festival’s hit “One Night with Adela,” the feature debut of Spanish writer-director Hugo Ruiz snagged Tribeca’s best new narrative director award.
An audacious revenge thriller, lensed using a single-shot technique, the film marries concepts of religion and sin with childhood trauma.
“One Night with Adela” toplines Laura Galán, the star of Carlota Pereda’s 2022 Sundance hit “Piggy,” a role that earned her a Goya prize for best new actress.
In “One Night,” Galán plays a disturbed street sweeper in Madrid, who savagely enacts retribution for an incident from her youth over the course of one night.
Although not everyone is to blame for her miserable life, a cocktail of drugs, sex, and deep-seated fury fuels her cruelty towards most who cross her path, culminating in a shocking scene.
Variety...
An audacious revenge thriller, lensed using a single-shot technique, the film marries concepts of religion and sin with childhood trauma.
“One Night with Adela” toplines Laura Galán, the star of Carlota Pereda’s 2022 Sundance hit “Piggy,” a role that earned her a Goya prize for best new actress.
In “One Night,” Galán plays a disturbed street sweeper in Madrid, who savagely enacts retribution for an incident from her youth over the course of one night.
Although not everyone is to blame for her miserable life, a cocktail of drugs, sex, and deep-seated fury fuels her cruelty towards most who cross her path, culminating in a shocking scene.
Variety...
- 8/28/2023
- by Emiliano De Pablos
- Variety Film + TV
In the lead-up to Cannes, Spanish film sales continue to show resilience despite shifting market trends and global challenges. The market signals suggest an enduring preference for genre movies and high-concept films, while the sale of arthouse fare remains tough.
Antonio Saura, director general of Latido Films, tells Variety, “The trends we are seeing confirm the trends we identified last year — movies with a strong concept, genre in general, generate interest, [whereas] drama and ‘art house’ is more complicated and requires a different type of attention and positioning.”
While there are signs of interest for movies with top talent attached, smaller films without a significant festival presence face an uphill battle.
This trend is underscored by the Spanish films selected for Cannes, which range from Benito Zambrano’s “Jumping the Fence” and Roya Sadat’s “Sima’s Song,” to Pau Calpe’s “Werewolf.” These films, part of the Spanish Screenings Goes to Cannes section,...
Antonio Saura, director general of Latido Films, tells Variety, “The trends we are seeing confirm the trends we identified last year — movies with a strong concept, genre in general, generate interest, [whereas] drama and ‘art house’ is more complicated and requires a different type of attention and positioning.”
While there are signs of interest for movies with top talent attached, smaller films without a significant festival presence face an uphill battle.
This trend is underscored by the Spanish films selected for Cannes, which range from Benito Zambrano’s “Jumping the Fence” and Roya Sadat’s “Sima’s Song,” to Pau Calpe’s “Werewolf.” These films, part of the Spanish Screenings Goes to Cannes section,...
- 5/19/2023
- by Callum McLennan
- Variety Film + TV
Dominican filmmaker Leticia Tonos’ sci-fi drama “Aire” has won the inaugural Fantastic Latido Award at the Cannes Film Market’s new Fantastic Pavilion genre hub.
Presented by Madrid-based Latido Films, the Fantastic Latido Award offers international sales representation for the winning film.
“Aire” centers on Tania, a conservation biologist living in a future dystopian world where the human race has been reduced to extinction level by pollution and disease. In an effort to keep her species from disappearing completely, she tries with the help of Vida, an artificial intelligence system, to self-inseminate herself.
Her life with the AI system is disrupted, however, when Azarias, a mysterious traveler, arrives, creating a tense and dangerously toxic three-way relationship.
“Aire” stars Sophie Gaelle Gomez (“Rosario Tijeras”), Dominican actor Jalsen Santana and Spain’s Paz Vega as the voice of Vida.
Produced by Tonos’ Producciones Línea Espiral Srl and Lantica Media along with Dominican...
Presented by Madrid-based Latido Films, the Fantastic Latido Award offers international sales representation for the winning film.
“Aire” centers on Tania, a conservation biologist living in a future dystopian world where the human race has been reduced to extinction level by pollution and disease. In an effort to keep her species from disappearing completely, she tries with the help of Vida, an artificial intelligence system, to self-inseminate herself.
Her life with the AI system is disrupted, however, when Azarias, a mysterious traveler, arrives, creating a tense and dangerously toxic three-way relationship.
“Aire” stars Sophie Gaelle Gomez (“Rosario Tijeras”), Dominican actor Jalsen Santana and Spain’s Paz Vega as the voice of Vida.
Produced by Tonos’ Producciones Línea Espiral Srl and Lantica Media along with Dominican...
- 5/17/2023
- by Ed Meza
- Variety Film + TV
Few European arthouse-crossover film sales agents have better weathered the ebb and flow of international market dynamics than Madrid’s Latido Films, which turns 20 in 2023.
Proof of that came at April’s Platino Awards, where Latido scored six statuettes, split between an acting double for Alauda Ruiz de Azúa’s “Lullaby” and four for Rodrigo Sorogoyen’s “The Beasts,” which has already swept Spain’s Goya Awards and scored a French Cesar for foreign film.
Scoring €6.8 million ($7.5 million) in Spain, and 327,000 admissions in France, “The Beasts” also rates as one of the top-performing recent Spanish-language movies.
If Latido has survived for so long, insists director general Antonio Saura, it’s because of a core strategy of “working with talent, our search for talent.” Beyond that, other keys have been “collaboration with production companies that understand long-term relationships, and well-established relationships with clients.”
Companies with which Latido has held or holds...
Proof of that came at April’s Platino Awards, where Latido scored six statuettes, split between an acting double for Alauda Ruiz de Azúa’s “Lullaby” and four for Rodrigo Sorogoyen’s “The Beasts,” which has already swept Spain’s Goya Awards and scored a French Cesar for foreign film.
Scoring €6.8 million ($7.5 million) in Spain, and 327,000 admissions in France, “The Beasts” also rates as one of the top-performing recent Spanish-language movies.
If Latido has survived for so long, insists director general Antonio Saura, it’s because of a core strategy of “working with talent, our search for talent.” Beyond that, other keys have been “collaboration with production companies that understand long-term relationships, and well-established relationships with clients.”
Companies with which Latido has held or holds...
- 5/16/2023
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
“Chinas,” the third feature from Spanish writer-director Arantxa Echevarria, who won the Goya for best new director in 2018 for her Debut, “Carmen & Lola,” has been acquired for international sales by Latido Films.
Filmed in Madrid’s Chinatown, the narrative follows two disparate families with ties to China, navigating the weighty segregation of a city that for better or worse, they call home.
“These neighborhoods allow immigrants to weave networks of solidarity and community. They cling to them as part of their own identity away from home, but they also become spaces that distance them from the true reality of where they live” Echevarria told Variety.
Yun is nine, a second-generation immigrant whose family lives in the neighborhood, she calls herself Lucía and oscillates between a strict and traditional homelife and an assimilated Spanish life at school. While Claudia, her 17-year-old sister, rebels fully, coming into her own while met...
Filmed in Madrid’s Chinatown, the narrative follows two disparate families with ties to China, navigating the weighty segregation of a city that for better or worse, they call home.
“These neighborhoods allow immigrants to weave networks of solidarity and community. They cling to them as part of their own identity away from home, but they also become spaces that distance them from the true reality of where they live” Echevarria told Variety.
Yun is nine, a second-generation immigrant whose family lives in the neighborhood, she calls herself Lucía and oscillates between a strict and traditional homelife and an assimilated Spanish life at school. While Claudia, her 17-year-old sister, rebels fully, coming into her own while met...
- 5/5/2023
- by Holly Jones
- Variety Film + TV
Buzz titles include animation ’Dragonkeeper’ and ‘Co-Husbands’.
Mafiz, the industry sector of the Málaga Film Festival, which closed on Sunday March 19, attracted its highest numbers of attendees to date, up 54% on last year.
In total. 1,897 industry players came from 64 countries, with a gender parity of 963 men and 934 women.
International promotion platform Spanish Screenings registered the highest number of participants at 206 buyers and producers. Overall by sector Mafiz attracted 1,095 producers, 206 buyers, 70 festivals delegates, 26 sales agents and 36 exhibitors and local distributors.
The Málaga Festival Fund & Co-Production Event project (Maff) scored 152 attendants and 568 one-to-one meetings around 39 Ibero-American projects.
The response from buyers has...
Mafiz, the industry sector of the Málaga Film Festival, which closed on Sunday March 19, attracted its highest numbers of attendees to date, up 54% on last year.
In total. 1,897 industry players came from 64 countries, with a gender parity of 963 men and 934 women.
International promotion platform Spanish Screenings registered the highest number of participants at 206 buyers and producers. Overall by sector Mafiz attracted 1,095 producers, 206 buyers, 70 festivals delegates, 26 sales agents and 36 exhibitors and local distributors.
The Málaga Festival Fund & Co-Production Event project (Maff) scored 152 attendants and 568 one-to-one meetings around 39 Ibero-American projects.
The response from buyers has...
- 3/20/2023
- by Emilio Mayorga
- ScreenDaily
Madrid, Spain — Industry prizes will be announced on Friday, Festival awards one day later. Yet even by Thursday evening, as this year’s Malaga Festival’s Mafiz-Spanish Screenings headed into its home straits, Spain film and TV industry was sending strong signs of their consolidation as an international market power.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
That cut multiple ways. Following, 10 provisional takes on this year’s event:
The Biggest Malaga Ever, By a Head
Final attendance has blasted past last year’s 1,600, in itself a massive hike on years prior, tracking by Thursday at 1,700 attendees from 61 countries at Mafiz, Malaga’s industry arm. The Spanish Screenings alone account for getting on half of those accreditations. “The market’s been very good,” said Vicente Canales at Film Factory. “There’s been enough buyers, spending more time watching Spanish films. At Berlin and Cannes, they just don’t have the time. And Screenings attendance has been high.
- 3/16/2023
- by John Hopewell, Emiliano De Pablos and Ed Meza
- Variety Film + TV
Madrid-based Latido Films is partnering with the organizers of the new genre-focused Fantastic Pavilion at the Cannes Film Festival’s Marché du Film on a new award that will offer international distribution to selected Spanish-language Iberoamerican films.
The prize will also provide theatrical release in Latin America for winning titles.
News of the prize comes as plans for the Fantastic Pavilion, one of the major innovation of this year’s Cannes Film Market, are beginning g to emerge, based on a undeniable market reality: Elevated genre films and thrillers, if they are shaped by an auteurist vision, are proving to be among the surest sellers on the international market and genre is embraced by a new generation of young filmmakers who are often creating artistically ambitious films of substance, sometimes dealing with urgent gender and social issues.
Conceived by Pablo Guisa Koestinger, Grupo Mórbido CEO, Bernardo Bergeret, Ventana Sur co-director,...
The prize will also provide theatrical release in Latin America for winning titles.
News of the prize comes as plans for the Fantastic Pavilion, one of the major innovation of this year’s Cannes Film Market, are beginning g to emerge, based on a undeniable market reality: Elevated genre films and thrillers, if they are shaped by an auteurist vision, are proving to be among the surest sellers on the international market and genre is embraced by a new generation of young filmmakers who are often creating artistically ambitious films of substance, sometimes dealing with urgent gender and social issues.
Conceived by Pablo Guisa Koestinger, Grupo Mórbido CEO, Bernardo Bergeret, Ventana Sur co-director,...
- 2/28/2023
- by Ed Meza
- Variety Film + TV
Major deals close for Latin American and Spanish content at EFM.
In one of the largest deals done at the European Film Market (EFM) this year for Spanish and Latin American fare, Madrid-based Latido Films has closed a raft of deals on Rodrigo Sorogoyen’s rural thrillerThe Beasts, Rocío Mesa’s magical-realist tale Tobacco Barns and Gustavo Hernández’s zombie horror Virus 32.
A big winner at the Goyas earlier this month and a box-office hit in Spain and France, The Beasts has been licensed to Scandinavia (Edge Entertainment), while Hernán Jabes’ erotic crime thriller Jezabel has gone to Italy, and...
In one of the largest deals done at the European Film Market (EFM) this year for Spanish and Latin American fare, Madrid-based Latido Films has closed a raft of deals on Rodrigo Sorogoyen’s rural thrillerThe Beasts, Rocío Mesa’s magical-realist tale Tobacco Barns and Gustavo Hernández’s zombie horror Virus 32.
A big winner at the Goyas earlier this month and a box-office hit in Spain and France, The Beasts has been licensed to Scandinavia (Edge Entertainment), while Hernán Jabes’ erotic crime thriller Jezabel has gone to Italy, and...
- 2/24/2023
- by Emilio Mayorga
- ScreenDaily
It is huge deal for Latin American and Spanish content at the EFM.
In one of the largest deals done at the European Film Market (EFM) this year for Spanish and Latin American fare, Madrid-based Latido Films has closed a raft of deals on Rodrigo Sorogoyen’s rural thrillerThe Beasts, Rocío Mesa’s magical-realist tale Tobacco Barns and Gustavo Hernández’s zombie horror Virus 32.
A big winner at the Goyas earlier this month and a box-office hit in Spain and France, The Beasts has been licensed to Scandinavia (Edge Entertainment), Hernández’s zombie horror Virus 32 has been sold...
In one of the largest deals done at the European Film Market (EFM) this year for Spanish and Latin American fare, Madrid-based Latido Films has closed a raft of deals on Rodrigo Sorogoyen’s rural thrillerThe Beasts, Rocío Mesa’s magical-realist tale Tobacco Barns and Gustavo Hernández’s zombie horror Virus 32.
A big winner at the Goyas earlier this month and a box-office hit in Spain and France, The Beasts has been licensed to Scandinavia (Edge Entertainment), Hernández’s zombie horror Virus 32 has been sold...
- 2/24/2023
- by Emilio Mayorga
- ScreenDaily
Attendees included Carlo Chatrian, Agnieszka Holland, Wim Wenders and Volker Schlöndorff.
The Berlin film festival honoured the legacy of legendary Spanish filmmaker Carlos Saura, who died aged 91 earlier this month, with a special screening of his last film, documentary Walls Can Talk yesterday (Feb 20).
The attendees included Berlinale’s director Carlo Chatrian, the president of the European Film Academy and Polish director Agnieszka Holland and German directors Wim Wenders and Volker Schlöndorff.
Chatrian said the festival wanted to honour his contribution to cinema and also the special link he had with the Berlinale where he premiered The Hunt (1966), winner of...
The Berlin film festival honoured the legacy of legendary Spanish filmmaker Carlos Saura, who died aged 91 earlier this month, with a special screening of his last film, documentary Walls Can Talk yesterday (Feb 20).
The attendees included Berlinale’s director Carlo Chatrian, the president of the European Film Academy and Polish director Agnieszka Holland and German directors Wim Wenders and Volker Schlöndorff.
Chatrian said the festival wanted to honour his contribution to cinema and also the special link he had with the Berlinale where he premiered The Hunt (1966), winner of...
- 2/21/2023
- by Elisabet Cabeza
- ScreenDaily
“Los pequeños amores,” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films.
Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production, Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around.
Daughter Teresa cuts short a vacation to come to her side, their co-habitation grating and revealing multiple – sometime generational – differences as the film peels back the layers of their relation, exposing both women’s ambitions and fears.
Adriana Azores plays Ani, María Vázquez is Teresa.
“There are several reasons Latido had to be involved...
Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production, Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around.
Daughter Teresa cuts short a vacation to come to her side, their co-habitation grating and revealing multiple – sometime generational – differences as the film peels back the layers of their relation, exposing both women’s ambitions and fears.
Adriana Azores plays Ani, María Vázquez is Teresa.
“There are several reasons Latido had to be involved...
- 2/19/2023
- by Pablo Sandoval
- Variety Film + TV
Over the past 20 years or so, a surfeit of arthouse titles and an older demographic turning away from theaters have worn away at the sales of non-English language films.
Currently, cinema across the world, and especially arthouse, is stuck between a rock — global streamers often paying less, striking fewer worldwide deals and buying fewer finished movies — and a hard place: a pandemic-drained theatrical business for all but a few tentpoles.
“A few years ago, even if a film wasn’t perfect and had limited festival play, it sold at least a little,” says Film Factory founder Vicente Canales. “Now, either a film works, and sells pretty much the world, or it doesn’t work at all.”
Yet Spain’s top sales agents remain broadly optimistic about the future.
For one thing, some films do still do business, led by new titles from star auteurs that have A-festival play, such as...
Currently, cinema across the world, and especially arthouse, is stuck between a rock — global streamers often paying less, striking fewer worldwide deals and buying fewer finished movies — and a hard place: a pandemic-drained theatrical business for all but a few tentpoles.
“A few years ago, even if a film wasn’t perfect and had limited festival play, it sold at least a little,” says Film Factory founder Vicente Canales. “Now, either a film works, and sells pretty much the world, or it doesn’t work at all.”
Yet Spain’s top sales agents remain broadly optimistic about the future.
For one thing, some films do still do business, led by new titles from star auteurs that have A-festival play, such as...
- 2/17/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
“Championext”(“Campeonex”), the anticipated follow-up to Javier Fesser’s Spanish comedy triumph “Champions” (“Campeones”) which scooped Forqué, Goya, and Feroz awards for best picture and delighted audiences to the tune of a stellar €18.5 million (21.4 million) box office grab, has been acquired for international sales by Latido Films (“The Beasts”).
Written by Fesser (“Camino”) and Athenea Mata (“El Secreto de Lilith”) in collaboration with David Marqués, the film follows nearly the same cast of beloved characters two years after they’ve left the fierce competition behind. A Los Amigos reunion will see “the landscape move from the world of basketball to the world of athletics for people with disabilities while making room to explore the fascinating world of metaverses and virtual reality,” Fesser revealed in a statement.
Delving further into the world of its protagonists, the film allows for a broader reveal while cementing the feel-good sentiment and relatability that brought the original high-acclaim.
Written by Fesser (“Camino”) and Athenea Mata (“El Secreto de Lilith”) in collaboration with David Marqués, the film follows nearly the same cast of beloved characters two years after they’ve left the fierce competition behind. A Los Amigos reunion will see “the landscape move from the world of basketball to the world of athletics for people with disabilities while making room to explore the fascinating world of metaverses and virtual reality,” Fesser revealed in a statement.
Delving further into the world of its protagonists, the film allows for a broader reveal while cementing the feel-good sentiment and relatability that brought the original high-acclaim.
- 2/14/2023
- by Holly Jones
- Variety Film + TV
Spanish auteur Carlos Saura died on Friday of natural causes, the Film Academy of Spain confirmed. He was 91.
In a statement, the org stated: “The Film Academy deeply regrets to announce the death of Carlos Saura, Goya de Honor 2023. Saura, one of the fundamental filmmakers in the history of Spanish cinema, died today at his home at the age of 91, surrounded by his loved ones.”
Born in 1932 in Huesca, Aragon – the same part of Spain as Luis Buñuel, whom he recognised as his mentor – Saura was taken by his family to Madrid during its Civil War. As a child, Saura he listened with horror to its bombings, the trauma of its violence never leaving him, inspiring his third feature, 1965’s “The Hunt,” a portrait of a Franquist ruling class which won him a Berlin Silver Bear.
This crowned him as the leading light of a New Spanish Cinema, an attempt...
In a statement, the org stated: “The Film Academy deeply regrets to announce the death of Carlos Saura, Goya de Honor 2023. Saura, one of the fundamental filmmakers in the history of Spanish cinema, died today at his home at the age of 91, surrounded by his loved ones.”
Born in 1932 in Huesca, Aragon – the same part of Spain as Luis Buñuel, whom he recognised as his mentor – Saura was taken by his family to Madrid during its Civil War. As a child, Saura he listened with horror to its bombings, the trauma of its violence never leaving him, inspiring his third feature, 1965’s “The Hunt,” a portrait of a Franquist ruling class which won him a Berlin Silver Bear.
This crowned him as the leading light of a New Spanish Cinema, an attempt...
- 2/10/2023
- by Manori Ravindran and John Hopewell
- Variety Film + TV
Sales agent has already agreed German distribution deal for Jenna Hasse’s feature debut.
Screen can exclusively reveal the first trailer for Swiss director Jenna Hasse’s Berlinale Generation Kplus competitor L’Amour du Monde (Longing For The World), which Spain’s Latido Films has boarded for international sales.
Latido has already inked an early deal for distribution of L’Amour du Monde in Germany with Mindjazz Pictures. The distributor released Christine Kugler and Günther Kurth’s Generation 14plus title Kalle Kosmonaut last year.
Set on the shores of Lake Geneva, Hasse’s feature debut centres around gentle fourteen-year-old Margaux,...
Screen can exclusively reveal the first trailer for Swiss director Jenna Hasse’s Berlinale Generation Kplus competitor L’Amour du Monde (Longing For The World), which Spain’s Latido Films has boarded for international sales.
Latido has already inked an early deal for distribution of L’Amour du Monde in Germany with Mindjazz Pictures. The distributor released Christine Kugler and Günther Kurth’s Generation 14plus title Kalle Kosmonaut last year.
Set on the shores of Lake Geneva, Hasse’s feature debut centres around gentle fourteen-year-old Margaux,...
- 1/30/2023
- by Emilio Mayorga
- ScreenDaily
Sales agent has already agreed German distribution deal for Jenna Hasse’s feature debut.
Screen can exclusively reveal the first trailer for Swiss director Jenna Hasse’s Berlinale Generation Kplus competitor Longing For The World (L’Amour du Monde), which Spain’s Latido Films has boarded for international sales.
Latido has already inked an early deal for distribution of Longing For The World in Germany with Mindjazz Pictures. The distributor released Christine Kugler and Günther Kurth’s Generation 14plus title Kalle Kosmonaut last year.
Set on the shores of Lake Geneva, Hasse’s feature debut centres around gentle fourteen-year-old Margaux,...
Screen can exclusively reveal the first trailer for Swiss director Jenna Hasse’s Berlinale Generation Kplus competitor Longing For The World (L’Amour du Monde), which Spain’s Latido Films has boarded for international sales.
Latido has already inked an early deal for distribution of Longing For The World in Germany with Mindjazz Pictures. The distributor released Christine Kugler and Günther Kurth’s Generation 14plus title Kalle Kosmonaut last year.
Set on the shores of Lake Geneva, Hasse’s feature debut centres around gentle fourteen-year-old Margaux,...
- 1/30/2023
- by Emilio Mayorga
- ScreenDaily
In the run-up to February’s Berlin Film Festival, Madrid-based Latido Films has pounced on “Sica,” the fiction feature debut of Carla Subirana, one of a hard-to-miss vibrant new generation of Barcelona-based women directors and producers now galvanizing the Catalan film scene.
In a frequent alignment between the two companies, Spanish distribution will be handled by Adolfo Blanco’s A Contracorriente Films, one of Spain’s top indie distributors.
Also written by Subirana, the film is produced by another new Catalan generation leading-light: Director-producer Alba Sotorra whose latest outing behind the cameras, “The Return: Life After Isis,” which world premiered at Sxsx, was nominated for a 2022 Intl. Emmy Award and was described by Variety as a “compassionate, essential glimpse into the aftermath of radicalization.”
A triple winner at 2022’s Malaga Festival work in progress,
“Sica” encapsulates many of the currents now coursing through cutting-edge fiction in Spain: a redolent sense...
In a frequent alignment between the two companies, Spanish distribution will be handled by Adolfo Blanco’s A Contracorriente Films, one of Spain’s top indie distributors.
Also written by Subirana, the film is produced by another new Catalan generation leading-light: Director-producer Alba Sotorra whose latest outing behind the cameras, “The Return: Life After Isis,” which world premiered at Sxsx, was nominated for a 2022 Intl. Emmy Award and was described by Variety as a “compassionate, essential glimpse into the aftermath of radicalization.”
A triple winner at 2022’s Malaga Festival work in progress,
“Sica” encapsulates many of the currents now coursing through cutting-edge fiction in Spain: a redolent sense...
- 1/27/2023
- by John Hopewell
- Variety Film + TV
Following the successful path plowed by the first part of the saga, Madrid-based Latido Films has taken international sales rights outside Spain and Latin America to “A todo tren 2” (“The Kids Are Alright 2”), the latest family comedy from “Torrente” creator-star Santiago Segura, one of the biggest comedic talents in the Spanish-speaking world.
Released Dec. 2 in Spain by Warner Bros. Pictures, the new comedy adventure has maintained the audience interest of its predecessor, leading box office charts with €2.9 million (3.1 million) and 469,470 viewers after two weeks.
The film toplines this time Paz Vega and Paz Padilla playing respectively Clara and Susana.
In the story, a year ago Ricardo (Segura) was the chosen parent to take all the kids, accompanied by grandfather Felipe (Leo Harlem), to a summer camp, but unfortunately get locked outside the train leaving the children inside. This time round, Clara, the mother, doesn’t trust them and decides to...
Released Dec. 2 in Spain by Warner Bros. Pictures, the new comedy adventure has maintained the audience interest of its predecessor, leading box office charts with €2.9 million (3.1 million) and 469,470 viewers after two weeks.
The film toplines this time Paz Vega and Paz Padilla playing respectively Clara and Susana.
In the story, a year ago Ricardo (Segura) was the chosen parent to take all the kids, accompanied by grandfather Felipe (Leo Harlem), to a summer camp, but unfortunately get locked outside the train leaving the children inside. This time round, Clara, the mother, doesn’t trust them and decides to...
- 12/16/2022
- by Emiliano De Pablos
- Variety Film + TV
Cannes hit marks fifth feature from Rodrigo Sorogoyen.
Antonio Saura’s Latido Films has licensed all US rights on Rodrigo Sorogoyen’s psychological thriller and Cannes Directors’ Fortnight selection The Beasts – one of the standouts at last week’s Ventana Sur market – to Los Angeles-based Greenwich Entertainment.
The film screened in Buenos Aires under the auspices of Spanish Screenings on Tour and is a co-production between Spain’s Arcadia Motion Pictures and Caballo Films and France’s Le Pacte, all of whom partnered on Sorogoyen’s feature Mother.
The Beasts follows a middle-aged French couple who move to a small...
Antonio Saura’s Latido Films has licensed all US rights on Rodrigo Sorogoyen’s psychological thriller and Cannes Directors’ Fortnight selection The Beasts – one of the standouts at last week’s Ventana Sur market – to Los Angeles-based Greenwich Entertainment.
The film screened in Buenos Aires under the auspices of Spanish Screenings on Tour and is a co-production between Spain’s Arcadia Motion Pictures and Caballo Films and France’s Le Pacte, all of whom partnered on Sorogoyen’s feature Mother.
The Beasts follows a middle-aged French couple who move to a small...
- 12/7/2022
- by Emilio Mayorga
- ScreenDaily
Cannes hit marks fifth feature from Rodrigo Sorogoyen.
Antonio Saura’s Latido Films has licensed all US rights on Rodrigo Sorogoyen’s psychological thriller and Cannes Directors’ Fortnight selection The Beasts – one of the standouts at last week’s Ventana Sur market – to Los Angeles-based Greenwich Entertainment.
The film screened in Buenos Aires under the auspices of Spanish Screenings on Tour and is a co-production between Spain’s Arcadia Motion Pictures and Caballo Films and France’s Le Pacte, all of whom partnered on Sorogoyen’s feature Mother.
The Beasts follows a middle-aged French couple who move to a small...
Antonio Saura’s Latido Films has licensed all US rights on Rodrigo Sorogoyen’s psychological thriller and Cannes Directors’ Fortnight selection The Beasts – one of the standouts at last week’s Ventana Sur market – to Los Angeles-based Greenwich Entertainment.
The film screened in Buenos Aires under the auspices of Spanish Screenings on Tour and is a co-production between Spain’s Arcadia Motion Pictures and Caballo Films and France’s Le Pacte, all of whom partnered on Sorogoyen’s feature Mother.
The Beasts follows a middle-aged French couple who move to a small...
- 12/7/2022
- by Emilio Mayorga
- ScreenDaily
Attendees also noted Buenos Aires event is becoming more of a project development market than a sales market.
Genre and animation titles dominated at Latin America’s leading film and TV market Ventana Sur as business vied for attention with the World Cup in Qatar, where the progress of the Argentinian national side led by Lionel Messi has created a festive mood in Buenos Aires.
Of particular interest at the market, which ran from November 28-December 2 and hosted screenings, presentations, panels and meetings, was the new Fan Latina Blood Window sidebar dedicated to female creators. Argentinian titles such as Jimena Monteoliva...
Genre and animation titles dominated at Latin America’s leading film and TV market Ventana Sur as business vied for attention with the World Cup in Qatar, where the progress of the Argentinian national side led by Lionel Messi has created a festive mood in Buenos Aires.
Of particular interest at the market, which ran from November 28-December 2 and hosted screenings, presentations, panels and meetings, was the new Fan Latina Blood Window sidebar dedicated to female creators. Argentinian titles such as Jimena Monteoliva...
- 12/5/2022
- by Emilio Mayorga
- ScreenDaily
Closing Japan with Medallion and French-speaking Canada with Axiom and fielding offers for the U.S., China and the U.K, “The Beasts” is on track to shortly sell well over half the major territories in the world for sales agent Latido Films. as
The sales come as Rodrigo Sorogoyen’s rural thriller heads to this week’s Ventana Sur as one of its biggest market highlights.
In further new deals, the Spain-set modern-day Western has also now been swooped on by HBO Eastern Europe and has licensed Poland (Aurora), Hungary (Cinefil), Portugal (Outsiders) and the Baltics (Capella).
These pacts add to prior acquisitions by Movies Inspired in Italy and Imagine in Benelux, Kino Mediteran in ex-Yugoslavia territories and Transilvania Film for Romania.
A Cannes Premiere world bow co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” ran up 327,125 ticket sales...
The sales come as Rodrigo Sorogoyen’s rural thriller heads to this week’s Ventana Sur as one of its biggest market highlights.
In further new deals, the Spain-set modern-day Western has also now been swooped on by HBO Eastern Europe and has licensed Poland (Aurora), Hungary (Cinefil), Portugal (Outsiders) and the Baltics (Capella).
These pacts add to prior acquisitions by Movies Inspired in Italy and Imagine in Benelux, Kino Mediteran in ex-Yugoslavia territories and Transilvania Film for Romania.
A Cannes Premiere world bow co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” ran up 327,125 ticket sales...
- 11/28/2022
- by John Hopewell
- Variety Film + TV
The 70th San Sebastian rounded its final bend with new deals announced for Spain by A Contracorriente, Bteam and Avalon, joy among industry players at a first full on site festival, blessed by early autumn sunshine, a sense of an even slower international sales business.
Equally, Spain’s market and production sector remain on ebullient, buoyed by art-house breakouts and a vibrant drama series production. Five takeaways from this year’s San Sebastian Festival, which wraps tomorrow, Sept. 24:
San Sebastian Grows (Again)
“There are markets that have improved during Covid-19, and others that haven’t and San Sebastian is a festival that’s improved thanks to its industry activities,” says Film Factory’s Vicente Canales. That build comes from afar, with a Films in Progress strand in 2002, an Europe-Latin America Co-Production Forum from 2012, the Ikusmira Berriak development residency from 2017 and now a Creative Investors Conference.
There’s a form of cross collaterization here.
Equally, Spain’s market and production sector remain on ebullient, buoyed by art-house breakouts and a vibrant drama series production. Five takeaways from this year’s San Sebastian Festival, which wraps tomorrow, Sept. 24:
San Sebastian Grows (Again)
“There are markets that have improved during Covid-19, and others that haven’t and San Sebastian is a festival that’s improved thanks to its industry activities,” says Film Factory’s Vicente Canales. That build comes from afar, with a Films in Progress strand in 2002, an Europe-Latin America Co-Production Forum from 2012, the Ikusmira Berriak development residency from 2017 and now a Creative Investors Conference.
There’s a form of cross collaterization here.
- 9/23/2022
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
“Rebellion,” from José Luis Rugeles whose “Alias María” competed at Cannes Un Certain Regard and was Colombia’s Oscar entry, has been acquired for international sales by Latido Films.
Latido will be bringing the title onto the market at Toronto.
In the film, Rugeles takes a non-linear approach to the narrative drifting through moments in Arroyo’s life and psyche from childhood through to the end of his life. “Rebellion” explores memory, addiction and Arroyo’s deep connection to the composition of song.
It shows the birth of legendary melodies being recorded obsessively by Arroyo into multiple tape recorders as he layers ideas upon each other. These fragments infiltrate the soundtrack throughout, at times bursting into full band performances of Arroyo’s famous songs. The authenticity of the music is aided by some of the musicians involved having played with Arroyo.
Lead producer Federico Durán of Rhayuela said: “When we...
Latido will be bringing the title onto the market at Toronto.
In the film, Rugeles takes a non-linear approach to the narrative drifting through moments in Arroyo’s life and psyche from childhood through to the end of his life. “Rebellion” explores memory, addiction and Arroyo’s deep connection to the composition of song.
It shows the birth of legendary melodies being recorded obsessively by Arroyo into multiple tape recorders as he layers ideas upon each other. These fragments infiltrate the soundtrack throughout, at times bursting into full band performances of Arroyo’s famous songs. The authenticity of the music is aided by some of the musicians involved having played with Arroyo.
Lead producer Federico Durán of Rhayuela said: “When we...
- 9/9/2022
- by Callum McLennan
- Variety Film + TV
“Tequila, Sex, Drugs and Rock and Roll,” from Goya Award-winning producer-helmer Alvaro Longoria, has been acquired for international sales by Latido Films.
Set up at Madrid’s Morena Films, which Longoria co-founded, doc marks a return to directing for Longoria, whose 2012 debut, “Sons of the Clouds,” produced by Javier Bardem, scored a Spanish Academy Goya while 2015’s “The Propaganda Game” nabbed a nomination. Meanwhile, just in the last few years, Longoria has produced Asghar Farhadi’s Cannes opener “Everybody Knows” and Spanish box office juggernaut “Champions.”
“I produce, that is how I make a living, but I direct documentaries as a passion.’ said Longoria.
Set to world premiere at this month’s San Sebastian Festival as part of its Made in Spain showcase, “Tequila” charts the rise of the Argentine-Spanish rock band fronted by Ariel Rot and Alejo Stivel.
The two are set to perform again in a series of post-film screening concerts.
Set up at Madrid’s Morena Films, which Longoria co-founded, doc marks a return to directing for Longoria, whose 2012 debut, “Sons of the Clouds,” produced by Javier Bardem, scored a Spanish Academy Goya while 2015’s “The Propaganda Game” nabbed a nomination. Meanwhile, just in the last few years, Longoria has produced Asghar Farhadi’s Cannes opener “Everybody Knows” and Spanish box office juggernaut “Champions.”
“I produce, that is how I make a living, but I direct documentaries as a passion.’ said Longoria.
Set to world premiere at this month’s San Sebastian Festival as part of its Made in Spain showcase, “Tequila” charts the rise of the Argentine-Spanish rock band fronted by Ariel Rot and Alejo Stivel.
The two are set to perform again in a series of post-film screening concerts.
- 9/5/2022
- by Callum McLennan
- Variety Film + TV
“Walls Can Talk,” the latest film by Spain Carlos Saura, director of “Raise Ravens,” “Deprisa, Deprisa” and “Carmen,” has been acquired for intentional sales by Madrid-based Latido.
Produced by María del Puy Alvarado at Malvalanda and distributed in Spain by José Maria nd Miguel Morales’ Wanda Vision, “Walls Can Talk” will world premiere at the San Sebastian Film Festival as an Rtve Gala.
The doc feature sees Saura conduct his own inquest into the origins of art, directing and for once starring in a film. In it, he visits masterpieces of paleolithic art– in Spain’s Altamira and El Castillo caves, for instance – and asks modern (Miquel Barceló) and graffiti artists and urban creators about what drives them to paint.
Also taking in the extraordinary art at France’s Chauvet Cave – “painting’s great masterpiece,” as it is described in the film – “Walls Can Talk” (“Las paredes hablan”) suggests that...
Produced by María del Puy Alvarado at Malvalanda and distributed in Spain by José Maria nd Miguel Morales’ Wanda Vision, “Walls Can Talk” will world premiere at the San Sebastian Film Festival as an Rtve Gala.
The doc feature sees Saura conduct his own inquest into the origins of art, directing and for once starring in a film. In it, he visits masterpieces of paleolithic art– in Spain’s Altamira and El Castillo caves, for instance – and asks modern (Miquel Barceló) and graffiti artists and urban creators about what drives them to paint.
Also taking in the extraordinary art at France’s Chauvet Cave – “painting’s great masterpiece,” as it is described in the film – “Walls Can Talk” (“Las paredes hablan”) suggests that...
- 9/2/2022
- by John Hopewell
- Variety Film + TV
Suggesting an appreciable recovery in the dynamism of international film markets, Madrid-based Latido Films has unveiled a raft of deals on its Cannes line-up, led by standout sales for Rodrigo Sorogoyen’s Cannes Premiere player “The Beasts.”
The Spain-set rural thriller was acquired by Movies Inspired in Italy and Imagine in Benelux.
Co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” has also been taken by Kino Mediteran in former Yugoslavia territories and Transilvania Film in Romania.
Meanwhile, fruit of Latido’s strengthening of its remake rights sales strategies, the company has optioned Mexican movie adaptation rights on Nicolás Postiglione’s drama “Immersion” to Paloma Negra Films and Whisky, as a French redo of Gastón Duprat’s Spanish-Argentine drama “Masterpiece” is moving into production.
Also, Latido is in advanced negotiations on further remake rights deals in France, Italy and Mexico,...
The Spain-set rural thriller was acquired by Movies Inspired in Italy and Imagine in Benelux.
Co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” has also been taken by Kino Mediteran in former Yugoslavia territories and Transilvania Film in Romania.
Meanwhile, fruit of Latido’s strengthening of its remake rights sales strategies, the company has optioned Mexican movie adaptation rights on Nicolás Postiglione’s drama “Immersion” to Paloma Negra Films and Whisky, as a French redo of Gastón Duprat’s Spanish-Argentine drama “Masterpiece” is moving into production.
Also, Latido is in advanced negotiations on further remake rights deals in France, Italy and Mexico,...
- 6/16/2022
- by Emiliano De Pablos
- Variety Film + TV
In February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
- 5/19/2022
- by John Hopewell
- Variety Film + TV
José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a portrait of French film great Jean-Claude Carrière, captured breaking down the paintings and personality of painter Francisco de Goya, has been acquired for international sales by Reservoir Docs.
In its earliest sales, the doc feature has closed the two biggest markets in Europe with reputed distributors, licensing France to Epicentre and Germany and Austria to Weltkino. Syldavia Cinema will distribute in Spain, Version Digital in Italy and Outsider Films in Portugal.
Launched in 2020 by Anais Clanet, Reservoir Docs will bring the documentary feature onto the market at next month’s Cannes Festival.
“Reservoir Docs has always been a key sales agent for theatrical art & culture docs and Jose Luis’ work fits perfectly,” said Clanet. “To me, Goya painted European conflicts in the late 18th and early 19th centuries but he didn’t only chronicle his times: Somehow, he was a visionary,...
In its earliest sales, the doc feature has closed the two biggest markets in Europe with reputed distributors, licensing France to Epicentre and Germany and Austria to Weltkino. Syldavia Cinema will distribute in Spain, Version Digital in Italy and Outsider Films in Portugal.
Launched in 2020 by Anais Clanet, Reservoir Docs will bring the documentary feature onto the market at next month’s Cannes Festival.
“Reservoir Docs has always been a key sales agent for theatrical art & culture docs and Jose Luis’ work fits perfectly,” said Clanet. “To me, Goya painted European conflicts in the late 18th and early 19th centuries but he didn’t only chronicle his times: Somehow, he was a visionary,...
- 4/29/2022
- by John Hopewell
- Variety Film + TV
Wrapping March 26, the 25th Malaga Festival and its Spanish Screenings delivered another confirmation of Spain’s build as a fiction force in a new platform era.
Following, nine final takes on what may prove a historic edition.
A Vibrant Spanish Screenings
Málaga’s plus-size 2022 Spanish Screenings fairly rocked. Extra funding from Spain’s Avs Hub Plan, covering far more buyers’ flights, meant attendance skyrocketed. Screenings delegate numbers shot up to 609 by early week, overall industry attendees to over 1,100 . It showed. “They were highly successful,” said Latido Films’ head Antonio Saura said of the event. “Buyers were able to see movies which at other festivals they often just can’t catch,” he added. “There was a lot more dynamism to trading, taking the Screenings to a new level,” agreed Ivan Díaz, Filmax head of international.
’Lullaby,’ ‘Utama’ Sweep Awards
Alauda Ruiz de Azúa’s finely observed mother-daughter relationship drama “Lullaby” and Alejandro Loayza Grisi’s “Utama,...
Following, nine final takes on what may prove a historic edition.
A Vibrant Spanish Screenings
Málaga’s plus-size 2022 Spanish Screenings fairly rocked. Extra funding from Spain’s Avs Hub Plan, covering far more buyers’ flights, meant attendance skyrocketed. Screenings delegate numbers shot up to 609 by early week, overall industry attendees to over 1,100 . It showed. “They were highly successful,” said Latido Films’ head Antonio Saura said of the event. “Buyers were able to see movies which at other festivals they often just can’t catch,” he added. “There was a lot more dynamism to trading, taking the Screenings to a new level,” agreed Ivan Díaz, Filmax head of international.
’Lullaby,’ ‘Utama’ Sweep Awards
Alauda Ruiz de Azúa’s finely observed mother-daughter relationship drama “Lullaby” and Alejandro Loayza Grisi’s “Utama,...
- 3/27/2022
- by John Hopewell
- Variety Film + TV
The government-backed initiative is now going on tour.
As the Spanish Screenings at the Malaga Film Festival come to a close today, (March 24) organisers revealed the most-watched films were comedies led by Dani de la Orden’s The Te$t, as well as Football Heroes Of The Block, You Keep The Kids, Full Of Grace, and Toscana.
Labelled as an “Xxl edition” due to the significant increase in public funding in promoting the country’s industry abroad, the Screenings have gathered about 500 Spanish and international players and buyers in the Andalusian city.
As part of the public support and funding...
As the Spanish Screenings at the Malaga Film Festival come to a close today, (March 24) organisers revealed the most-watched films were comedies led by Dani de la Orden’s The Te$t, as well as Football Heroes Of The Block, You Keep The Kids, Full Of Grace, and Toscana.
Labelled as an “Xxl edition” due to the significant increase in public funding in promoting the country’s industry abroad, the Screenings have gathered about 500 Spanish and international players and buyers in the Andalusian city.
As part of the public support and funding...
- 3/24/2022
- by Elisabet Cabeza
- ScreenDaily
Closing in on one of the leading voices in Caribbean cinema, Sony Pictures Television has acquired from Latido Films Latin American rights to “Hotel Coppelia,” directed by Dominican filmmaker José María Cabral.
Produced by Santo Domingo-based Rafael Elías Muñoz at Lantica Media and Cabral’s outfit Tabula Rasa, “Hotel Coppelia” is a real events-inspired drama, set during the 1965 Revolution in Dominican Republic.
The story focus on a forlorn band of prostitutes, forced to pick sides when the American military invades and the soldiers hole up in their seaside brothel.
“It would be impossible to think of a better house to have ‘Hotel Coppelia’ seen in Latin America,” Latido Films CEO Antonio Saura told Variety about the Sony Pictures deal.
“The film deals with great intelligence with important issues of the history not only of the Dominican Republic but of all the region, but seen through the eyes of unexpected protagonists,...
Produced by Santo Domingo-based Rafael Elías Muñoz at Lantica Media and Cabral’s outfit Tabula Rasa, “Hotel Coppelia” is a real events-inspired drama, set during the 1965 Revolution in Dominican Republic.
The story focus on a forlorn band of prostitutes, forced to pick sides when the American military invades and the soldiers hole up in their seaside brothel.
“It would be impossible to think of a better house to have ‘Hotel Coppelia’ seen in Latin America,” Latido Films CEO Antonio Saura told Variety about the Sony Pictures deal.
“The film deals with great intelligence with important issues of the history not only of the Dominican Republic but of all the region, but seen through the eyes of unexpected protagonists,...
- 2/18/2022
- by Emiliano De Pablos
- Variety Film + TV
Post-covid, Spanish sales companies look poised for a comeback to the global scene. Although, as Berlin’s EFM has gone virtual once again, their long-awaited physical reunion with the international industry will have to wait until Cannes… hopefully.
An argument for optimism: Spanish-language films continue gaining ground on the global market, especially as platforms boom. Standout examples include Galder Gaztelu-Urrutia’s “The Platform” and Lluís Quílez’s “Below Zero,” which both breach the top 10 most watched non-English language Netflix films of all time, per Variety’s estimations. Other Spanish films such as “The Paramedic,” “Sky High” and “Xtreme” have also performed well for the streamer.
Measuring with another analytic – Spain’s presence at landmark film events – the year kicked-off with good news from Berlin.
For the first time in the last quarter-century, two Spanish titles: “Alcarrás,” from “Summer 1993” director Carla Simon, and “One Year, One Night,” by two-time San...
An argument for optimism: Spanish-language films continue gaining ground on the global market, especially as platforms boom. Standout examples include Galder Gaztelu-Urrutia’s “The Platform” and Lluís Quílez’s “Below Zero,” which both breach the top 10 most watched non-English language Netflix films of all time, per Variety’s estimations. Other Spanish films such as “The Paramedic,” “Sky High” and “Xtreme” have also performed well for the streamer.
Measuring with another analytic – Spain’s presence at landmark film events – the year kicked-off with good news from Berlin.
For the first time in the last quarter-century, two Spanish titles: “Alcarrás,” from “Summer 1993” director Carla Simon, and “One Year, One Night,” by two-time San...
- 2/11/2022
- by Emiliano De Pablos
- Variety Film + TV
Madrid-based sales company Latido Films has acquired international rights to “García y García,” a “Trading Places”-style comedy that was the closing film at this year’s Malaga Film Festival.
The announcement was made on Wednesday midway through this year’s American Film Market. The feature is the latest from Spain’s Ana Murugarren, whose “The Bastards’ Fig Tree” was selected for 2018 Austin’s Fantastic Fest.
In a distinct change of register for the helmer, in “Garcia y Garcia” two men, one an out-of-work aircraft mechanic suffering a bout of depression, the other, an international airlines consultant, are hired by a low-cost airline Hispavia to reset its fortunes.
But they’re both called Javier García – a common name in Spain – and their identities confused at the airport, leaving the mechanic to devise the airline’s turnaround strategy and the consultant – who doesn’t even know how to fix a flat – to repair an airplane,...
The announcement was made on Wednesday midway through this year’s American Film Market. The feature is the latest from Spain’s Ana Murugarren, whose “The Bastards’ Fig Tree” was selected for 2018 Austin’s Fantastic Fest.
In a distinct change of register for the helmer, in “Garcia y Garcia” two men, one an out-of-work aircraft mechanic suffering a bout of depression, the other, an international airlines consultant, are hired by a low-cost airline Hispavia to reset its fortunes.
But they’re both called Javier García – a common name in Spain – and their identities confused at the airport, leaving the mechanic to devise the airline’s turnaround strategy and the consultant – who doesn’t even know how to fix a flat – to repair an airplane,...
- 11/3/2021
- by John Hopewell
- Variety Film + TV
Spain’s top independent sales agents are prepped and ready for this year’s online American Film Market; however, most are eagerly awaiting the return of in-person events, seen as a more productive platform for selling independent cinema abroad. The optimism is cautious, though, with theatrical prospects for international independent films in a post-covid world still hard to predict.
Traditionally, AFM has been a popular launchpad for Spanish films to find distribution in the non-Spanish-speaking world but, while most of the regular faces will be attending digitally, many are holding back their bigger titles for Berlin, where they can be pitched in-person and meetings can be held face-to-face.
“Online markets have been really important for us over the past year, but now we need in-person events. The success of Mia in Rome is proof of that,” said Latido Films general director Antonio Saura, who hosted three market premieres at the...
Traditionally, AFM has been a popular launchpad for Spanish films to find distribution in the non-Spanish-speaking world but, while most of the regular faces will be attending digitally, many are holding back their bigger titles for Berlin, where they can be pitched in-person and meetings can be held face-to-face.
“Online markets have been really important for us over the past year, but now we need in-person events. The success of Mia in Rome is proof of that,” said Latido Films general director Antonio Saura, who hosted three market premieres at the...
- 11/1/2021
- by Jamie Lang
- Variety Film + TV
European sales companiers and distributors heading to Rome with AFM off limits for second year.
All roads lead to Rome this autumn for Europe’s film and TV industry, with the seventh edition of Italy’s Mia International Audiovisual Market opening tomorrorw, October 13 and running until October 17. The physical Italian event looks set for a bumper year, with attendance outstripping the pre-pandemic 2019 edition.
“There’s really a sense of the European industry wanting to come together in person,” says Francesca Palleschi, head of Mia’s strategic development division.
While Mia is aimed at both film and scripted and unscripted TV professionals,...
All roads lead to Rome this autumn for Europe’s film and TV industry, with the seventh edition of Italy’s Mia International Audiovisual Market opening tomorrorw, October 13 and running until October 17. The physical Italian event looks set for a bumper year, with attendance outstripping the pre-pandemic 2019 edition.
“There’s really a sense of the European industry wanting to come together in person,” says Francesca Palleschi, head of Mia’s strategic development division.
While Mia is aimed at both film and scripted and unscripted TV professionals,...
- 10/12/2021
- by Melanie Goodfellow
- ScreenDaily
A new and ambitious Ibero-American industry event, Iberseries Platino Industria, runs Sept. 27 thru Oct 1 with a slew of activities broken into eight thematic sections: Financing and Business Models; Conversations with Platforms and their Studios; Industry Talks; Creativity; Market Intelligence; Keynotes and Masterclasses; Audiovisual Arts as an Educational Tool; and Synergies between Tourism and Audiovisual Financing.
Some of Spain, Portugal and Latin America’s biggest names in entertainment are set to participate in the Madrid-based event, including director Alejandro Amenábar (“The Others”), Latido Films’ Antonio Saura, Oscar-winning director Fernando Trueba (“Belle Epoque”), Colombian actor-producer Manolo Cardona, Cuban actor-director Jorge Perugorría, Icaa general director Beatriz Navas and actors Marina de Tavira (“Roma”) and Paulina Gaitán (“Narcos”), among many others.
The five-day event precedes the eighth edition of the Ibero-American Platino Awards (Premios Platinos) to be held on Oct. 3 in Madrid an in-person ceremony once more after being relegated online last year.
The...
Some of Spain, Portugal and Latin America’s biggest names in entertainment are set to participate in the Madrid-based event, including director Alejandro Amenábar (“The Others”), Latido Films’ Antonio Saura, Oscar-winning director Fernando Trueba (“Belle Epoque”), Colombian actor-producer Manolo Cardona, Cuban actor-director Jorge Perugorría, Icaa general director Beatriz Navas and actors Marina de Tavira (“Roma”) and Paulina Gaitán (“Narcos”), among many others.
The five-day event precedes the eighth edition of the Ibero-American Platino Awards (Premios Platinos) to be held on Oct. 3 in Madrid an in-person ceremony once more after being relegated online last year.
The...
- 9/26/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Madrid-based Latido Films has sold a slew of major territories on its banner titles, including Cannes Directors’ Fortnight player “The Employer and the Employee,” Berlin winner “The Fam,” village crime drama “The Replacement” and auteur genre movie “Baby.”
Chalking up its first major sale, Uruguayan Manuel Nieto’s “The Employer and the Employee” has closed France with Eurozoom. A rural thriller starring Nahuel Pérez Biscayart (“Bpm (Beats Per Minute)”), Nieto’s third feature world-premieres at Cannes on July 10.
Swiss drama “The Fam,” Fred Baillif’s portrait of the residents and staff of a Geneva teen girl care home, has licensed France with Atelier des Images and sold to Cassette Stories for Benelux and to HBO Eastern Europe. The Generation 14plus winner was bought for the U.K. and Ireland by BFI Distribution in a deal announced earlier at Cannes.
Wild Bunch/Wild Side has picked up “The Replacement,” a village-set...
Chalking up its first major sale, Uruguayan Manuel Nieto’s “The Employer and the Employee” has closed France with Eurozoom. A rural thriller starring Nahuel Pérez Biscayart (“Bpm (Beats Per Minute)”), Nieto’s third feature world-premieres at Cannes on July 10.
Swiss drama “The Fam,” Fred Baillif’s portrait of the residents and staff of a Geneva teen girl care home, has licensed France with Atelier des Images and sold to Cassette Stories for Benelux and to HBO Eastern Europe. The Generation 14plus winner was bought for the U.K. and Ireland by BFI Distribution in a deal announced earlier at Cannes.
Wild Bunch/Wild Side has picked up “The Replacement,” a village-set...
- 7/10/2021
- by John Hopewell
- Variety Film + TV
Carlos Saura, Vittorio Storaro’s ‘The King of All the World’ Closes France With Eurozoom (Exclusive)
Paris-based Eurozoom has snapped up French distribution rights to “The King of All the World,” a musical drama directed by “Carmen’s” Carlos Saura and lit by “Apocalypse Now” cinematographer Vittorio Storaro.
The deal follows on a private screening of “The King…” by sales agent Latido Films, held for European distributors in a Madrid cinema theater. Eurozoom plans a theatrical release for “The King…,” Saura’s first fiction drama since 1998’s Oscar-nominated “Tango,” at 100 locations in France.
Having held back from showing “The King…” at the Pre-Cannes Screenings, Latido will introduce the musical to more buyers at its cinema theater market premiere at Cannes.
“This is a film to be enjoyed on a big screen, and then re-thought on a smaller one. But first in cinema,” said Latido Films CEO Antonio Saura.
“When you have the talent of Vittorio Storaro, incredible music, some of the finest actors in Mexico and Spain,...
The deal follows on a private screening of “The King…” by sales agent Latido Films, held for European distributors in a Madrid cinema theater. Eurozoom plans a theatrical release for “The King…,” Saura’s first fiction drama since 1998’s Oscar-nominated “Tango,” at 100 locations in France.
Having held back from showing “The King…” at the Pre-Cannes Screenings, Latido will introduce the musical to more buyers at its cinema theater market premiere at Cannes.
“This is a film to be enjoyed on a big screen, and then re-thought on a smaller one. But first in cinema,” said Latido Films CEO Antonio Saura.
“When you have the talent of Vittorio Storaro, incredible music, some of the finest actors in Mexico and Spain,...
- 6/30/2021
- by John Hopewell
- Variety Film + TV
Latido Films has closed a seven-country theatrical release agreement with Spanish distributor Versión Digital for Victor Escribano’s debut documentary “7 Lakes 7 Lives,” produced by two-time Spanish Academy Goya-winning director and producer José Luis López Linares.
Having passed through the Malaga Film Festival and now on its way to Cannes, the touching documentary will be released in Finland, Poland, Czech Republic, Estonia, Latvia and Lithuania through an agreement with Digital Version, which will also handle Spanish distribution this summer.
The film follows the charismatic Dabiz Riaño, a scientific emeritus at Csic (Superior Council of Scientific Investigations) who, after having coped for 10 years with Als, decides to embark on a journey to Eastern Europe’s most impressive lakes. In those often-ice-cold waters, his body feels more at ease and gives Riaño a breath of fresh air as he tackles a disease that is degenerative and has no known cure.
Filmed over six months,...
Having passed through the Malaga Film Festival and now on its way to Cannes, the touching documentary will be released in Finland, Poland, Czech Republic, Estonia, Latvia and Lithuania through an agreement with Digital Version, which will also handle Spanish distribution this summer.
The film follows the charismatic Dabiz Riaño, a scientific emeritus at Csic (Superior Council of Scientific Investigations) who, after having coped for 10 years with Als, decides to embark on a journey to Eastern Europe’s most impressive lakes. In those often-ice-cold waters, his body feels more at ease and gives Riaño a breath of fresh air as he tackles a disease that is degenerative and has no known cure.
Filmed over six months,...
- 6/22/2021
- by Emiliano Granada
- Variety Film + TV
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