In a major shift one of the nation’s premier arthouses, Karen Cooper will be exiting as director on June 30 after 50 years running the Film Forum in New York City. Deputy Director Sonya Chung will assume the role.
Cooper has led the nonprofit cinema since its first iteration in 1972 as a 50-seat loft space on the Upper West Side open only weekends, to a multi-million dollar operation with four screens and 500 seats in lower Manhattan. She’ll remain an advisor to Chung with a focus on programming premieres and fundraising
“To say this is a transitional moment would be a vast understatement – for virtually all of its history, Film Forum has been energetically and most ably guided by Karen, not least during the very challenging pandemic period from which we are emerging. My board colleagues and I are extremely grateful for her tenure, and excited that in Sonya we have...
Cooper has led the nonprofit cinema since its first iteration in 1972 as a 50-seat loft space on the Upper West Side open only weekends, to a multi-million dollar operation with four screens and 500 seats in lower Manhattan. She’ll remain an advisor to Chung with a focus on programming premieres and fundraising
“To say this is a transitional moment would be a vast understatement – for virtually all of its history, Film Forum has been energetically and most ably guided by Karen, not least during the very challenging pandemic period from which we are emerging. My board colleagues and I are extremely grateful for her tenure, and excited that in Sonya we have...
- 1/9/2023
- by Jill Goldsmith
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Monte Hellman and his dog Kona. Monte Hellman, cult director of The Shooting (1966), Two-Lane Blacktop (1971) and Road to Nowhere (2010) has died. Hellman spoke with Notebook on several occasions about his films, decrying the committee-designed quality of new films while staying true to his own long-held principles: "I am aware of continually breaking rules." Léos Carax's first English-language film, the musical Annette, will be opening the 74th Cannes Film Festival on July 6th. The film will simultaneously be released in French cinemas. Two other Cannes titles have also been announced, having been selected for last year's postponed edition of the festival: Wes Anderson's The French Dispatch and Paul Verhoeven's Benedetta. Steven Soderbergh is undertaking the overwhelming creative task of staging this year's Oscars ceremony. As Soderbergh says, the project is "the walking...
- 4/21/2021
- MUBI
Arri Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.
The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.
Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the Golden Lola for Best Unfilmed Screenplay during Berlinale 2019.
Set in 1928, the film centers on a penniless Soviet refugee, who falls in love with an eccentric young vampiress, played by Lilith Stangenberg (“Wild”), spending the summer at the seaside with her awkward servant.
Soviet factory worker Lyovoshka is cast to play Trotsky in a film by Sergei Eisenstein. But his dreams of a new life as an artist are shattered when the real Trotsky falls out of favor with Stalin...
The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.
Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the Golden Lola for Best Unfilmed Screenplay during Berlinale 2019.
Set in 1928, the film centers on a penniless Soviet refugee, who falls in love with an eccentric young vampiress, played by Lilith Stangenberg (“Wild”), spending the summer at the seaside with her awkward servant.
Soviet factory worker Lyovoshka is cast to play Trotsky in a film by Sergei Eisenstein. But his dreams of a new life as an artist are shattered when the real Trotsky falls out of favor with Stalin...
- 3/22/2021
- by Leo Barraclough
- Variety Film + TV
Arri Media Intl. has signed a deal with Faktura Film to handle the international sales for the Marxist vampire comedy “Bloodsuckers.” The film has been selected to world premiere in the Berlin Film Festival’s Encounters section, which aims to “foster aesthetically and structurally daring works from independent, innovative filmmakers.” Variety has been given exclusive access to the trailer.
Arri Media Intl. will present the film, which was written and directed by Julian Radlmaier, to buyers at the European Film Market, which runs March 1-5.
“Bloodsuckers,” which is set in 1928, centers on a penniless Soviet refugee, who falls in love with an eccentric young vampiress, played by Lilith Stangenberg (“Wild”), spending the summer at the seaside with her awkward servant. The script won the Golden Lola for Best Unfilmed Screenplay during the 2019 Berlinale, and was praised by the jury for being “extravagant, bizarre, and hilarious.”
In the film, the Soviet...
Arri Media Intl. will present the film, which was written and directed by Julian Radlmaier, to buyers at the European Film Market, which runs March 1-5.
“Bloodsuckers,” which is set in 1928, centers on a penniless Soviet refugee, who falls in love with an eccentric young vampiress, played by Lilith Stangenberg (“Wild”), spending the summer at the seaside with her awkward servant. The script won the Golden Lola for Best Unfilmed Screenplay during the 2019 Berlinale, and was praised by the jury for being “extravagant, bizarre, and hilarious.”
In the film, the Soviet...
- 2/10/2021
- by Leo Barraclough
- Variety Film + TV
You Can’t Handle the Fugue: Schroeter Burns Bright with Infamous Bachmann Adaptation
What is it about Werner Schroeter’s Malina so seemingly repellant it resulted in almost immediate obscurity, as dismissed in cinematic form in 1991 as Ingeborg Bachmann’s 1971 novel remains a celebrated, nearly unparalleled cornerstone of the female psyche? Initially, it premiered in competition at the Cannes Film Festival, where the Roman Polanski led jury awarded the Coen Bros. Barton Fink with the Palme d’Or and Irene Jacob took home the Best Actress prize for her work in Krzysztof Kieslowski’s The Double Life of Veronique, both films which are strangely similar in content and form, the former a Kafkaesque nightmare about Hollywood filmmaking and the latter a twin refraction of two profoundly connected women played by the same person, mirror images of opposing desires and needs.…...
What is it about Werner Schroeter’s Malina so seemingly repellant it resulted in almost immediate obscurity, as dismissed in cinematic form in 1991 as Ingeborg Bachmann’s 1971 novel remains a celebrated, nearly unparalleled cornerstone of the female psyche? Initially, it premiered in competition at the Cannes Film Festival, where the Roman Polanski led jury awarded the Coen Bros. Barton Fink with the Palme d’Or and Irene Jacob took home the Best Actress prize for her work in Krzysztof Kieslowski’s The Double Life of Veronique, both films which are strangely similar in content and form, the former a Kafkaesque nightmare about Hollywood filmmaking and the latter a twin refraction of two profoundly connected women played by the same person, mirror images of opposing desires and needs.…...
- 11/25/2020
- by Nicholas Bell
- IONCINEMA.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe 49th annual New Directors/New Films (Nd/Nf) has been rescheduled from March to December 9-20, with films slated to premiere in the Film at Lincoln Center Virtual Cinema. The line-up includes Zheng Lu Xinyuan’s The Cloud in Her Room, Maya Da-Rin's The Fever, and Alexander Nanau’s Collective. Lynne Ramsay, who last directed You Were Never Really Here, will be adapting Steven King's psychological horror novel The Girl Who Loved Tom Gordon, about a young girl who becomes lost in the woods. Recommended VIEWINGAbel Ferrara's new documentary, Sportin' Life, which premiered out of competition at the Venice Film Festival in August, has gone an unusual premiere route, streaming first through Indiewire (currently unavailable), and now at The Film Stage. Shot by Sean Price Willaims, the documentary follows Ferrara as he...
- 11/18/2020
- MUBI
Werner Schroeter's Malina (1991) is exclusively on Mubi on October 22, 2020 in Mubi's Rediscovered series.Malina (1991), Werner Schroeter’s searing and serrated adaptation of Austrian writer Ingeborg Bachmann’s 1971 cult novel, begins with a flurry of typing and the scratching of pen against paper. An anonymous woman writer (Isabelle Huppert), surrounded by papers, scrawls the letters of a feminine name not her own: Malina. Or as Humbert Humbert wrote of Lolita—Lo-lee-ta—Malina’s hypnotic chain of vowels guides “the tip of the tongue [on] a trip of three steps down the palate.” Ma-Lee.-Na. Flushed with the heat of obsession, she takes the word apart and rearranges its letters: Malina. Anima. Animal. Animus. The figure on the page—Malina (Mathieu Carrière), the woman’s housemate—then enters. Through the mirrors on the walls and doors, his figure becomes distorted and projected across every surface while the camera circles the maze-like estate.
- 10/22/2020
- MUBI
Each month, we're commissioning a different artist to create a movie poster for a film exclusively playing on the platform. This October, Pablo Delcan has made a poster for Werner Schroeter's Malina, which is receiving an exclusive global online premiere on Mubi on October 22, 2020 in Mubi's Rediscovered series.***Pablo has also shared with us some behind the scenes photographs of his design process for the poster.
- 10/21/2020
- MUBI
Mubi's retrospective Out of this World: The Cinema of Rita Azevedo Gomes is showing July – September, 2020.Above: The Portuguese WomanIt's staggering how complete the cinema of Rita Azevedo Gomes is already in her first film, a feature no less: O Som da Terra a Tremer (1990) is an explosion of feeling and thought and invention carried by the profoundest of knowledge about cinema and the arts. Thus, it is most lamentable that it took another two decades plus for her to be recognized by international film culture at its most general level, with A Woman’s Revenge (2012), a work refined and lean, almost minimalist, très Portuguese à la Oliveira, thus similar to other films, other auteurs from Europe's western-most nation—and therefore welcome with open arms at all the places usually deemed right.While one can easily say that in the end it all worked out, one has to immediately...
- 8/3/2020
- MUBI
Brücher piloted international promotions at Swiss Films and was a well-known figure on the festival and market circuit.
The Swiss and European film industry has paid tribute to film sales and marketing pioneer and veteran Francine Brücher, who died at the age of 77 in Munich after a long illness on May 6.
With her calm manner and sympathetic smile, Brücher was a well-known and much-liked figure on the festival and market circuit. She was best known in the latter part of her career for her work at Switzerland’s national cinema promotional body Swiss Films.
During her time at the agency...
The Swiss and European film industry has paid tribute to film sales and marketing pioneer and veteran Francine Brücher, who died at the age of 77 in Munich after a long illness on May 6.
With her calm manner and sympathetic smile, Brücher was a well-known and much-liked figure on the festival and market circuit. She was best known in the latter part of her career for her work at Switzerland’s national cinema promotional body Swiss Films.
During her time at the agency...
- 5/13/2020
- by 1100388¦Melanie Goodfellow¦0¦
- ScreenDaily
Set in the late 1920s, the upcoming movie will portray the encounter between a penniless Soviet refugee and a young female vampire on the Baltic coast. Young German director Julian Radlmaier, whom everyone should be keeping a close eye on, finished shooting his new film, Blutsauger, earlier this month. Radlmaier, who worked as an assistant director for Werner Schroeter, and translated and edited several writings by French philosopher Jacques Rancière, piqued the interest of film critics with his previous works A Spectre Is Haunting Europe, A Proletarian Winter's Tale and Self Criticism of a Bourgeois Dog, titles that screened at prestigious international film festivals of the likes of Rotterdam, the Berlinale and the Viennale. In 2017, Radlmaier’s Self Criticism of a Bourgeois Dog received the German Film Critics’ Award for Best First Feature of the Year. Blutsauger will star Georgian filmmaker Alexandre Koberidze (Let the Summer Never Come Again) as.
- 10/21/2019
- Cineuropa - The Best of European Cinema
Isabelle Huppert in a beautiful Burberry vest and jacket on Joan Crawford and movie star shoes in Mildred Pierce: "My favourite ever!" Photo: Anne-Katrin Titze
Ira Sachs' Frankie, co-written with longtime collaborator Mauricio Zacharias, starring Isabelle Huppert in the title role, with Brendan Gleeson, Jérémie Renier, Marisa Tomei, Pascal Greggory (Olivier Assayas' Non-Fiction), Greg Kinnear, Vinette Robinson, Ariyon Bakare, Carloto Cotta, and Sennia Nanua, shot by Rui Poças in Sintra, Portugal, had its world première at the Cannes Film Festival.
Frankie (Isabelle Huppert) with her son Paul (Jérémie Renier)
At the Four Seasons on a stormy afternoon in New York, Isabelle connected Werner Schroeter's Two, Michael Haneke's The Piano Teacher, Chantal Akerman, costume designer Khadija Zeggaï, and the magic of Sintra for the first half of our conversation on Frankie.
One day in the beautiful town of Sintra...
Ira Sachs' Frankie, co-written with longtime collaborator Mauricio Zacharias, starring Isabelle Huppert in the title role, with Brendan Gleeson, Jérémie Renier, Marisa Tomei, Pascal Greggory (Olivier Assayas' Non-Fiction), Greg Kinnear, Vinette Robinson, Ariyon Bakare, Carloto Cotta, and Sennia Nanua, shot by Rui Poças in Sintra, Portugal, had its world première at the Cannes Film Festival.
Frankie (Isabelle Huppert) with her son Paul (Jérémie Renier)
At the Four Seasons on a stormy afternoon in New York, Isabelle connected Werner Schroeter's Two, Michael Haneke's The Piano Teacher, Chantal Akerman, costume designer Khadija Zeggaï, and the magic of Sintra for the first half of our conversation on Frankie.
One day in the beautiful town of Sintra...
- 10/18/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
A Portuguese Woman“It doesn’t really matter where things come from. What matters is picking things up again, mess them up, try to push them forward in a different way. All of us do it, we’ve all been doing it all through time, and things haven’t really changed that much since Greece. What we can try is to do something that seems to be new, or that is shown in a whole different way—even if not necessarily intentionally.”In a way, that’s what Rita Azevedo Gomes has been doing through her career as a filmmaker. A career, avowedly, somewhat confidential—her latest fiction, The Portuguese Woman, is only her 9th film since her 1990 debut O Som da Terra a Tremer—but one that has been quietly snowballing since 2012’s The Revenge of a Woman, to her own surprise, became a firm festival favorite. Her 2016 poetic...
- 8/1/2019
- MUBI
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday.
“Tolkien” and “All Is True” are opening this weekend, and both films illustrate how difficult it can be to capture the writing process on screen.
This week’s question: What is the best movie about the writing process (or about a writer)?
Mae Abdulbaki (@MaeAbdu), The Young Folks, Movies with Mae
“Shakespeare in Love” probably doesn’t come to mind for most, but it is a great example of the ups and downs of writing. It strangely nails the writing process, while also tackling the business of theater. Simply put, “Shakespeare in Love” follows the journey of William Shakespeare’s writing of his famous play, “Romeo and Juliet.” The film strikes a balance between Shakespeare’s struggles with writer’s block and the maddening passion to write that comes after inspiration strikes:...
“Tolkien” and “All Is True” are opening this weekend, and both films illustrate how difficult it can be to capture the writing process on screen.
This week’s question: What is the best movie about the writing process (or about a writer)?
Mae Abdulbaki (@MaeAbdu), The Young Folks, Movies with Mae
“Shakespeare in Love” probably doesn’t come to mind for most, but it is a great example of the ups and downs of writing. It strangely nails the writing process, while also tackling the business of theater. Simply put, “Shakespeare in Love” follows the journey of William Shakespeare’s writing of his famous play, “Romeo and Juliet.” The film strikes a balance between Shakespeare’s struggles with writer’s block and the maddening passion to write that comes after inspiration strikes:...
- 5/6/2019
- by David Ehrlich
- Indiewire
Though it will be 80 years Saturday since the crash that took the lives of his father and sister, the memories of that day have not faded for Werner Doehner.
Doehner, now 88, was just eight years old when he and his parents, brother and sister boarded the ill-fated Hindenburg on their way home from a vacation in Germany, he told the Associated Press in a rare telephone interview from this home in Parachute, Colorado this week.
But, as the Hindenburg approached the Lakehurst Naval Air Station on May 6, 1937, flames began to flicker on top of the ship, quickly fueled into an...
Doehner, now 88, was just eight years old when he and his parents, brother and sister boarded the ill-fated Hindenburg on their way home from a vacation in Germany, he told the Associated Press in a rare telephone interview from this home in Parachute, Colorado this week.
But, as the Hindenburg approached the Lakehurst Naval Air Station on May 6, 1937, flames began to flicker on top of the ship, quickly fueled into an...
- 5/5/2017
- by Nicole Weisensee Egan
- PEOPLE.com
The late cinematographer Michael Ballhaus didn’t grow up watching movies. His parents were stage actors, and he first fell in love with the art of performance. And as a cinematographer, one of his many gifts was the way he captures actors’ faces and how his camera found its rhythm with their movements and emotions.
Read More: Martin Scorsese Remembers His Cinematographer Michael Ballhaus: ‘He Changed My Way Of Thinking’
He fell in love with movies at age 20 when he visited the set of Max Ophuls’ “Lola Montes.” Ballhaus spent 10 days on the circus set and became entranced by the period style and the master director’s virtuoso swirling camera movement. Not until Ballhaus’ later Hollywood work, on films like “The Age of Innocence” or “Bram Stoker’s Dracula,” did he get the chance to work on lavish sets and play with all the toys of prestige filmmaking. Yet...
Read More: Martin Scorsese Remembers His Cinematographer Michael Ballhaus: ‘He Changed My Way Of Thinking’
He fell in love with movies at age 20 when he visited the set of Max Ophuls’ “Lola Montes.” Ballhaus spent 10 days on the circus set and became entranced by the period style and the master director’s virtuoso swirling camera movement. Not until Ballhaus’ later Hollywood work, on films like “The Age of Innocence” or “Bram Stoker’s Dracula,” did he get the chance to work on lavish sets and play with all the toys of prestige filmmaking. Yet...
- 4/13/2017
- by Chris O'Falt
- Indiewire
Rainer Werner Fassbinder made more than 40 features in his 37 years on this planet, 23 of which starred Hanna Schygulla. The two first met in their early 20s when they were attending acting school in Munich, hitting it off instantly: “It suddenly became crystal clear to me that Hanna Schygulla would one day be the star of my films,” the New German Cinema stalwart wrote. “Maybe even something like their driving force.”
Schygulla was recently interviewed by the Guardian on the eve of an extensive BFI retrospective dedicated to Fassbinder, referring to herself as “one of the survivors” of the “Ali: Fear Eats the Soul” and “The Marriage of Maria Braun” director.
Read More: Rainer Werner Fassbinder’s Top 10 Favorite Films
“He had a strong smell about him,” she recalls. “He smelled how he looked. Like a spotty rebel filled with angst.” Fassbinder, who died of an overdose in 1982, cast the actress in his debut film.
Schygulla was recently interviewed by the Guardian on the eve of an extensive BFI retrospective dedicated to Fassbinder, referring to herself as “one of the survivors” of the “Ali: Fear Eats the Soul” and “The Marriage of Maria Braun” director.
Read More: Rainer Werner Fassbinder’s Top 10 Favorite Films
“He had a strong smell about him,” she recalls. “He smelled how he looked. Like a spotty rebel filled with angst.” Fassbinder, who died of an overdose in 1982, cast the actress in his debut film.
- 3/27/2017
- by Michael Nordine
- Indiewire
Isabelle Huppert in Werner Schroeter's MalinaFresh off the triumph of her Golden Globe win and Oscar nomination for her performance in Paul Verhoeven’s Elle (2016), the French actress Isabelle Huppert is, at 63 and four decades into her career, starting to reap major American award season appreciation. The Golden Globe was a surprise win, but to those who are familiar with her work, it’s well-deserved. Her accumulation of critical acclaim and European awards has garnered her the title of the “French Meryl Streep,” but her career’s variety, international scope and pure nerve outstrip even Streep’s. “Fearless” could be the most commonly used descriptor applied to Huppert, who is known to take on roles that other major actresses won’t go near: insanity, depravity, crime, and other controversial subject matter are Huppert hallmarks. However, it’s not merely the nature of her characters that sets her apart, it...
- 2/21/2017
- MUBI
Upcoming films by Babak Jalali, Kaouther Ben Hania and Bassem among the 34 projects due to attend this year.Scroll down for full list of projects
Argentine film-maker Lucrecia Martel and veteran producer Paulo Branco have been confirmed as the final two ‘masters’ at the Doha Film Institute’s talent development event Qumra.
They will join previously announced mentor-speakers Iranian director Asghar Farhadi, French auteur Bruno Dumont and creative documentarian Rithy Panh at the third edition of the bespoke event, running March 3 to 8, 2017.
Colourful Portuguese producer Paulo Branco – who is based between Paris and Lisbon – has more than 300 producing credits to his name, amassed over four decades, working with the likes of David Cronenberg, Wim Wenders, Chantal Akerman, Alain Tanner, Werner Schroeter, Olivier Assayas, and Cédric Kahn.
His Paris-based sales and production company Alfama Films is at the Efm this year with Robert Schwentke’s long-awaited Second World War adventure title The Captain.
“Paulo Branco is one...
Argentine film-maker Lucrecia Martel and veteran producer Paulo Branco have been confirmed as the final two ‘masters’ at the Doha Film Institute’s talent development event Qumra.
They will join previously announced mentor-speakers Iranian director Asghar Farhadi, French auteur Bruno Dumont and creative documentarian Rithy Panh at the third edition of the bespoke event, running March 3 to 8, 2017.
Colourful Portuguese producer Paulo Branco – who is based between Paris and Lisbon – has more than 300 producing credits to his name, amassed over four decades, working with the likes of David Cronenberg, Wim Wenders, Chantal Akerman, Alain Tanner, Werner Schroeter, Olivier Assayas, and Cédric Kahn.
His Paris-based sales and production company Alfama Films is at the Efm this year with Robert Schwentke’s long-awaited Second World War adventure title The Captain.
“Paulo Branco is one...
- 2/12/2017
- ScreenDaily
Moonlight fan poster by Tony StellaMoonlight, Deadpool, Mel Gibson, Trolls: a portrait of mainstream cinema in 2016 in the form of the eclectic list of nominees for the 2017 Golden Globes.Speaking of awards, the European Film Awards were announced over the weekend, with Germany's Toni Erdmann deservedly winning in the film, direction, actor, actress, and screenwriter categories. A moment of pride: our film, The Happiest Day in the Life of Olli Mäki, took home the Discovery award.An even more handsome list of films can be found at Film Comment's best released and unreleased films of the year. The poll is discussed in the magazine's latest podcast.The First Look series, a January festival at New York's Museum of the Moving Image, has always been on the cutting edge of film programming, and the 2017 First Look lineup looks very strong indeed, including a video game (!), Hirokazu Kore-eda's After the Storm,...
- 12/14/2016
- MUBI
6 More Filmmaking Tips From Werner Herzog
If there’s anyone who deserves a second Filmmaking Tips column, it’s Werner Herzog. It’s been almost four years since we posted the first list of his advice to fellow soldiers of cinema, and there’s just so much more to learn from the legend. He actually has his own Rogue Film School, where he directly imparts his wisdom to students during weekend seminars. He also leads a new online course at MasterClass, which began this week, where he talks about all facets of fiction and nonfiction filmmaking in a six-hour video course. He does many interviews (this week he participated in a Reddit Ama) and shares his philosophies and strategies often. Not even two of these columns properly sums it all up.
So, as is often the case, this is just an introduction to some essential tips from a unique artist and craftsman. Herzog...
If there’s anyone who deserves a second Filmmaking Tips column, it’s Werner Herzog. It’s been almost four years since we posted the first list of his advice to fellow soldiers of cinema, and there’s just so much more to learn from the legend. He actually has his own Rogue Film School, where he directly imparts his wisdom to students during weekend seminars. He also leads a new online course at MasterClass, which began this week, where he talks about all facets of fiction and nonfiction filmmaking in a six-hour video course. He does many interviews (this week he participated in a Reddit Ama) and shares his philosophies and strategies often. Not even two of these columns properly sums it all up.
So, as is often the case, this is just an introduction to some essential tips from a unique artist and craftsman. Herzog...
- 7/13/2016
- by Christopher Campbell
- FilmSchoolRejects.com
The Australian Film Television and Radio School has unleashed a new crop of talent on the industry with the 2015 Graduation Ceremony. . .
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
- 12/8/2015
- by Staff Writer
- IF.com.au
Park City, Utah – HollywoodChicago.com’s coverage of the 2015 Sundance Film Festival is far from over. This is the latest batch of reviews of movies that I’ve seen there. One film was a triumph while the other two are titles that I wouldn’t want to be stuck talking to at a party.
Don Verdean
‘Don Verdean’
Image credit: Sundance Institute
Running equal portions of dry goofiness and finite inspired storytelling, Jared Hess’ “Don Verdean” is a rewarding comedy about Biblical archaeology that’s necessary for times in which religious institutions crave sensationalism to get their good word across. For those who read “The Boy Who Came Back from Heaven” before its child author said he made it all up, or those who saw “Heaven Is For Real” as a type of precursor to their own death’s aftermath, this movie is for them. It’s a brilliant take...
Don Verdean
‘Don Verdean’
Image credit: Sundance Institute
Running equal portions of dry goofiness and finite inspired storytelling, Jared Hess’ “Don Verdean” is a rewarding comedy about Biblical archaeology that’s necessary for times in which religious institutions crave sensationalism to get their good word across. For those who read “The Boy Who Came Back from Heaven” before its child author said he made it all up, or those who saw “Heaven Is For Real” as a type of precursor to their own death’s aftermath, this movie is for them. It’s a brilliant take...
- 1/30/2015
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The 2014 Viennale gets underway on October 23rd and runs to November 6th. The festival has published a preview of their lineup:
Features
Frank (Lenny Abrahamson)
Jauja (Lisandro Alonso)
Clouds of Sils Maria (Olivier Assayas)
Winter Sleep (Nuri Bilge Ceylan)
Whiplash (Damien Chazelle)
Two Day, One Night (Jean-Pierre & Luc Dardenne)
Li'l Quinguin (Bruno Demont)
Hard to Be a God (Aeksej German)
Adieu au langage (Jean-Luc Godard)
Mambo Cool (Chris Gude)
Amour fou (Jessica Hausner)
The Last Summer of the Rich (Peter Kern)
Time Lapse (Bradley King)
The Kindergarten Teacher (Nadav Lapid)
Sorrow and Joy (Nils Malmros)
Suddarth (Richie Mehta)
Macondo (Sudabeh Mortezai)
Force Majeure (Ruben Ostlund)
I'm Not Him (Tayfun Pirselimoglu)
Favula (Raúl Perrone)
Buzzard (Joel Potrykus)
A Proletarian Winter's Tale (Julian Radlmaier)
Two Shots Fired (Martín Rejtman)
Mauro (Hernán Rosselli)
The Sad Smell of Flesh (Cristóbal Arteaga Rozas)
Love is Strange (Ira Sachs)
The Tribe (Myroslav Slaboshpytskiy)
Why Don't You Play in Hell?...
Features
Frank (Lenny Abrahamson)
Jauja (Lisandro Alonso)
Clouds of Sils Maria (Olivier Assayas)
Winter Sleep (Nuri Bilge Ceylan)
Whiplash (Damien Chazelle)
Two Day, One Night (Jean-Pierre & Luc Dardenne)
Li'l Quinguin (Bruno Demont)
Hard to Be a God (Aeksej German)
Adieu au langage (Jean-Luc Godard)
Mambo Cool (Chris Gude)
Amour fou (Jessica Hausner)
The Last Summer of the Rich (Peter Kern)
Time Lapse (Bradley King)
The Kindergarten Teacher (Nadav Lapid)
Sorrow and Joy (Nils Malmros)
Suddarth (Richie Mehta)
Macondo (Sudabeh Mortezai)
Force Majeure (Ruben Ostlund)
I'm Not Him (Tayfun Pirselimoglu)
Favula (Raúl Perrone)
Buzzard (Joel Potrykus)
A Proletarian Winter's Tale (Julian Radlmaier)
Two Shots Fired (Martín Rejtman)
Mauro (Hernán Rosselli)
The Sad Smell of Flesh (Cristóbal Arteaga Rozas)
Love is Strange (Ira Sachs)
The Tribe (Myroslav Slaboshpytskiy)
Why Don't You Play in Hell?...
- 8/22/2014
- by Notebook
- MUBI
John Waters gets serious with Isabelle Huppert at the Film Society of Lincoln Center: "So Michael Haneke, he's a a real laugh riot, I bet?" Photo: Anne-Katrin Titze
An Evening with Isabelle Huppert, the star of Catherine Breillat's Abuse Of Weakness (Abus De Faiblesse) was held at the Film Society of Lincoln Center with John Waters. Discussing Michael Haneke's sense of humor, Barbara Loden's Wanda - Andy Warhol connection, working with Werner Schroeter and not Fassbinder, lead to Huppert wishing she had worked with Ingmar Bergman, Luis Buñuel, Jean Renoir, Douglas Sirk, Alfred Hitchcock and Waters himself. Marguerite Duras, Jean-Luc Godard, Nathalie Sarraute ending with a David O. Russell - Lily Tomlin moment rounded out the evening.
Huppert will be starring with Cate Blanchett and Elizabeth Debicki in the Sydney Theatre Company production of Jean Genet's The Maids, starting next week during the Lincoln Center Festival.
An Evening with Isabelle Huppert, the star of Catherine Breillat's Abuse Of Weakness (Abus De Faiblesse) was held at the Film Society of Lincoln Center with John Waters. Discussing Michael Haneke's sense of humor, Barbara Loden's Wanda - Andy Warhol connection, working with Werner Schroeter and not Fassbinder, lead to Huppert wishing she had worked with Ingmar Bergman, Luis Buñuel, Jean Renoir, Douglas Sirk, Alfred Hitchcock and Waters himself. Marguerite Duras, Jean-Luc Godard, Nathalie Sarraute ending with a David O. Russell - Lily Tomlin moment rounded out the evening.
Huppert will be starring with Cate Blanchett and Elizabeth Debicki in the Sydney Theatre Company production of Jean Genet's The Maids, starting next week during the Lincoln Center Festival.
- 8/1/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Moviefone's Top Blu-ray of the Week
"Twin Peaks: The Entire Mystery"
What's It About? David Lynch's two season TV series had viewers riveted to figure out who killed the beaming blonde homecoming queen Laura Palmer. And maybe, just maybe, some of us fell a little in love with Special Agent Dale Cooper (Kyle MacLachlan), the curious FBI agent sent to investigate Laura's murder while enjoying many damn fine cups of coffee.
Why We're In: This ten-disc set comes with both seasons of "Twin Peaks," as well as the movie "Fire Walk With Me," plenty of featurettes, and deleted scenes (!!!!) from the beloved TV series. Not that we'll ever really know what happened in the strange little town of Twin Peaks, Wa.
New on DVD and Blu-ray
"Cuban Fury"
What's It About? Nick Frost ("The World's End," "Hot Fuzz," "Shaun of the Dead") stars as a down-and-out dude named...
"Twin Peaks: The Entire Mystery"
What's It About? David Lynch's two season TV series had viewers riveted to figure out who killed the beaming blonde homecoming queen Laura Palmer. And maybe, just maybe, some of us fell a little in love with Special Agent Dale Cooper (Kyle MacLachlan), the curious FBI agent sent to investigate Laura's murder while enjoying many damn fine cups of coffee.
Why We're In: This ten-disc set comes with both seasons of "Twin Peaks," as well as the movie "Fire Walk With Me," plenty of featurettes, and deleted scenes (!!!!) from the beloved TV series. Not that we'll ever really know what happened in the strange little town of Twin Peaks, Wa.
New on DVD and Blu-ray
"Cuban Fury"
What's It About? Nick Frost ("The World's End," "Hot Fuzz," "Shaun of the Dead") stars as a down-and-out dude named...
- 7/29/2014
- by Jenni Miller
- Moviefone
This contest is so good it speaks for itself. ShoutFactory is putting out a massive, limited edition Werner Hezog box set titled “Herzog: The Collection.” Limited to 5,000 copies, the 13-disc set features 16 acclaimed films and documentaries from the German iconoclast, 15 of which are making their Blu-ray debuts. "The Collection" also features a 40 page booklet that includes photos, an essay by award-winning author Stephen J. Smith, and in-depth film synopses by Herzog scholars Brad Prager and Chris Wahl. Herzog: The Collection includes: Even Dwarfs Started Small Land of Silence and Darkness Fata Morgana Aguirre, the Wrath of God The Enigma of Kaspar Hauser Heart of Glass Stroszek Woyzeck Nosferatu the Vampyre Fitzcarraldo Ballad of the Little Soldier Where the Green Ants Dream Cobra Verde Lessons of Darkness Little Dieter Needs to Fly My Best Fiend · English Audio Commentaries: Even Dwarfs Started Small, Fata Morgana,...
- 7/28/2014
- by The Playlist
- The Playlist
Willem Dafoe and Gael Garcia Bernal also among those called up for jury service at the 67th Cannes Film Festival.
The Cannes Film Festival has named the jury for its 67th edition, comprising eight world cinema names from China, Korea, Denmark, Iran, the Us, France and Mexico.
Jane Campion, the New Zealand filmmaker who won the Palme d’or for The Piano, was previously announced as the president of the jury, which will include five women and four men.
Cannes 2014: films
Those selected include Nicolas Winding Refn, the Danish director, screenwriter and producer who won Best Direction at Cannes in 2011 with Drive. His most recent film, Only God Forgives, played in Competition at Cannes last year.
Also chosen is Sofia Coppola, the Us director and screenwriter whose debut The Virgin Suicides was selected for the Directors’ Fortnight at Cannes in 1999. Coppola, who won a screenwriting Oscar for Lost in Translation, made it into...
The Cannes Film Festival has named the jury for its 67th edition, comprising eight world cinema names from China, Korea, Denmark, Iran, the Us, France and Mexico.
Jane Campion, the New Zealand filmmaker who won the Palme d’or for The Piano, was previously announced as the president of the jury, which will include five women and four men.
Cannes 2014: films
Those selected include Nicolas Winding Refn, the Danish director, screenwriter and producer who won Best Direction at Cannes in 2011 with Drive. His most recent film, Only God Forgives, played in Competition at Cannes last year.
Also chosen is Sofia Coppola, the Us director and screenwriter whose debut The Virgin Suicides was selected for the Directors’ Fortnight at Cannes in 1999. Coppola, who won a screenwriting Oscar for Lost in Translation, made it into...
- 4/28/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Blue Is the Warmest Colour, the award-winning French film, is already notorious for its fisticuffs between stars and director. It's the latest in an unhappy tradition of histrionics and control-freakery. Here are some vintage feuds
Directors and actors being what they are, they like a good argument. On one side are obsessive perfectionists, on the other self-involved exhibitionists – or so the theory goes. It's often proved a combustible mix in the past, with what is euphemistically termed "creative tension" often adding to the dynamic of the final film.
The media, obviously, is the silent third partner in all this; though you, the reader, ought to be equally ashamed, gleefully drinking in all the foul-mouthed resentment and high-decibel score-settling. You don't have to look far: actors Léa Seydoux and Adèle Exarchopolous turned on Blue Is the Warmest Colour director Abdellatif Kechiche, accusing him of traumatising them during the extended periods shooting sex and fight scenes.
Directors and actors being what they are, they like a good argument. On one side are obsessive perfectionists, on the other self-involved exhibitionists – or so the theory goes. It's often proved a combustible mix in the past, with what is euphemistically termed "creative tension" often adding to the dynamic of the final film.
The media, obviously, is the silent third partner in all this; though you, the reader, ought to be equally ashamed, gleefully drinking in all the foul-mouthed resentment and high-decibel score-settling. You don't have to look far: actors Léa Seydoux and Adèle Exarchopolous turned on Blue Is the Warmest Colour director Abdellatif Kechiche, accusing him of traumatising them during the extended periods shooting sex and fight scenes.
- 11/22/2013
- by Andrew Pulver
- The Guardian - Film News
“My name is Joaquim, and my life has nothing special.”
This is how the film begins, and the film is what makes (among other things) Joaquim Pinto special.
A notebook, a diary. A tale of pains and joys, of suffering and struggling. Of books and films. Of many places and moves. Of memories and images that come again and again. A tale of bodies, cells, and the making of mankind.
Almost 20 years ago, Joaquim Pinto has been diagnosed with AIDS. After having gone through all available treatments, he has entered an experimental program with a Spanish specialist.
From November 2011 on, Joaquim has been making a film: the notebook of one year of tests and treatment, of limited activity. But also a year of going through one’s memories, a year to study and think, a year to live with Nuno, his life partner and husband, to live with the neighbors and the friends,...
This is how the film begins, and the film is what makes (among other things) Joaquim Pinto special.
A notebook, a diary. A tale of pains and joys, of suffering and struggling. Of books and films. Of many places and moves. Of memories and images that come again and again. A tale of bodies, cells, and the making of mankind.
Almost 20 years ago, Joaquim Pinto has been diagnosed with AIDS. After having gone through all available treatments, he has entered an experimental program with a Spanish specialist.
From November 2011 on, Joaquim has been making a film: the notebook of one year of tests and treatment, of limited activity. But also a year of going through one’s memories, a year to study and think, a year to live with Nuno, his life partner and husband, to live with the neighbors and the friends,...
- 8/10/2013
- by Marie-Pierre Duhamel
- MUBI
Herzog's films portray humans as frail creatures caught in the gap between an indifferent nature and a punishing God. Ahead of the UK release of As Joshua Oppenheimer's The Act of Killing, which Herzog executive produced, Michael Newton celebrates a unique world view
For a man whose "social network" is his kitchen table, Werner Herzog's image is very present on the internet. You can see him (deceptively edited) discoursing in doom-laden tones concerning the "enormity of the stupidity" of hipsters or Republicans. (Originally he was discussing chickens.) He's there (or rather someone impersonating him is) intoning about the dark intensities of "Where's Waldo". (The clip has had more than a million hits on YouTube.) And, most notably, he can be seen in Les Blank's short film (this time for real) eating his shoe to celebrate the successful completion of Errol Morris's Gates of Heaven (1978). While the shoe boils,...
For a man whose "social network" is his kitchen table, Werner Herzog's image is very present on the internet. You can see him (deceptively edited) discoursing in doom-laden tones concerning the "enormity of the stupidity" of hipsters or Republicans. (Originally he was discussing chickens.) He's there (or rather someone impersonating him is) intoning about the dark intensities of "Where's Waldo". (The clip has had more than a million hits on YouTube.) And, most notably, he can be seen in Les Blank's short film (this time for real) eating his shoe to celebrate the successful completion of Errol Morris's Gates of Heaven (1978). While the shoe boils,...
- 6/1/2013
- by Michael Newton
- The Guardian - Film News
German film-maker's television campaign features boy paralysed after being hit by texting driver
The eminent German film director Werner Herzog recently starred as a sinister villain in Tom Cruise thriller Jack Reacher, reminding us he's as adept in front of the camera as he is behind it. Now, yet another unheralded string to the film-maker's bow has emerged: Herzog has delivered a public-safety advertisement in the Us about the dangers of texting and driving.
Phone company At&T's "It Can Wait" campaign urges viewers to put down their phones until they are safely parked and off the road. Herzog's instalment features the mother of a young boy, Xzavier, who is now paralysed after being hit by a driver who had been texting their partner with the words "I'm on my way". She asks: "Was the text that important? That would be my question for her," as the camera reveals her son's debilitated condition.
The eminent German film director Werner Herzog recently starred as a sinister villain in Tom Cruise thriller Jack Reacher, reminding us he's as adept in front of the camera as he is behind it. Now, yet another unheralded string to the film-maker's bow has emerged: Herzog has delivered a public-safety advertisement in the Us about the dangers of texting and driving.
Phone company At&T's "It Can Wait" campaign urges viewers to put down their phones until they are safely parked and off the road. Herzog's instalment features the mother of a young boy, Xzavier, who is now paralysed after being hit by a driver who had been texting their partner with the words "I'm on my way". She asks: "Was the text that important? That would be my question for her," as the camera reveals her son's debilitated condition.
- 5/30/2013
- by Ben Child
- The Guardian - Film News
The actor has long had a fraught relationship with the media and their intrusions on his private life. As he promotes his new film with Steven Soderbergh, he talks about life post-Leveson and his love of theatre
'I'm 40! I'm an adult!" shouts Jude Law. "Aren't I?" We hold these truths to be self-evident, I reply, as the actor, laughing, stares across the table with those adorable baby blues and more hair than's fair. "But," he says more quietly, "part of me thinks I can't play a doctor. Who would come to me?"
You've got to be kidding. Who wouldn't come to Dr Jude? In Steven Soderbergh's film Side Effects, Law plays an Englishman in New York, a slimy limey of a pill-dispensing psychiatrist who becomes entangled in murder, drug switcheroos, a risible lesbian insider trading scam and lots more vaguely voguish, putatively Hitchkockian hokum before the credits. Astute critics...
'I'm 40! I'm an adult!" shouts Jude Law. "Aren't I?" We hold these truths to be self-evident, I reply, as the actor, laughing, stares across the table with those adorable baby blues and more hair than's fair. "But," he says more quietly, "part of me thinks I can't play a doctor. Who would come to me?"
You've got to be kidding. Who wouldn't come to Dr Jude? In Steven Soderbergh's film Side Effects, Law plays an Englishman in New York, a slimy limey of a pill-dispensing psychiatrist who becomes entangled in murder, drug switcheroos, a risible lesbian insider trading scam and lots more vaguely voguish, putatively Hitchkockian hokum before the credits. Astute critics...
- 3/4/2013
- by Stuart Jeffries
- The Guardian - Film News
A man said to the universe:
"Sir, I exist!"
"However," replied the universe,
"The fact has not created in me
"A sense of obligation."
--Stephen Crane
 
That man can be found at the center of Werner Herzog's films. He is Aguirre. He is Fitzcarraldo. He is the Nosferatu. He is Timothy Treadwell, who lived among the grizzlies. He is Little Dieter Dengler, who needed to fly. She is Fini Straubinger, who lived in a land of silence and darkness since she was 12. He is Kaspar Hauser. He is Klaus Kinski. He is the man who will not leave the slopes of the Guadeloupe volcano when it is about to explode. He is those who live in the Antarctic. She is Juliana Koepcke, whose plane crashed in the rain forest and she walked out alive. He is Graham Dorrington, who flew one of the smallest airships ever built...
"Sir, I exist!"
"However," replied the universe,
"The fact has not created in me
"A sense of obligation."
--Stephen Crane
 
That man can be found at the center of Werner Herzog's films. He is Aguirre. He is Fitzcarraldo. He is the Nosferatu. He is Timothy Treadwell, who lived among the grizzlies. He is Little Dieter Dengler, who needed to fly. She is Fini Straubinger, who lived in a land of silence and darkness since she was 12. He is Kaspar Hauser. He is Klaus Kinski. He is the man who will not leave the slopes of the Guadeloupe volcano when it is about to explode. He is those who live in the Antarctic. She is Juliana Koepcke, whose plane crashed in the rain forest and she walked out alive. He is Graham Dorrington, who flew one of the smallest airships ever built...
- 2/2/2013
- by Roger Ebert
- blogs.suntimes.com/ebert
From dragging a steamship across a mountain to eating his own shoes, Werner Herzog has always traded in the unexpected. Now he is co-starring in a Tom Cruise action film
Werner Herzog has dragged a real-life steamship across a real-life mountain; he once pulled a gun on his longtime star collaborator Klaus Kinski and told him to act or die; he took a film crew to the lip of la Grande Soufrière, a volcano in Guadeloupe that seismologists had predicted would erupt at any moment (it didn't); he was accidentally shot in the stomach during a filmed interview with the BBC ("It is not a significant bullet") and once, aided by Californian chef Alice Waters, he cooked – with garlic and herbs – and then ate his own shoe, an event chronicled in his friend Les Blank's evocatively title docushort Werner Herzog Eats His Shoe.
These are the bedrock fables of the...
Werner Herzog has dragged a real-life steamship across a real-life mountain; he once pulled a gun on his longtime star collaborator Klaus Kinski and told him to act or die; he took a film crew to the lip of la Grande Soufrière, a volcano in Guadeloupe that seismologists had predicted would erupt at any moment (it didn't); he was accidentally shot in the stomach during a filmed interview with the BBC ("It is not a significant bullet") and once, aided by Californian chef Alice Waters, he cooked – with garlic and herbs – and then ate his own shoe, an event chronicled in his friend Les Blank's evocatively title docushort Werner Herzog Eats His Shoe.
These are the bedrock fables of the...
- 12/21/2012
- by John Patterson
- The Guardian - Film News
News.
The Locarno Film Festival announced its 2013 edition will feature a complete retrospective of the films of George Cukor. They also announced their lineup of programmers, which features Cinema Scope editor/publisher Mark Peranson as the head of programming. An archive of Andrei Tarkovsky's personal photographs, letters and other items are going up for auction. According to The Guardian:
"The archive is being sold by Olga Surkova, who was Tarkovsky's pupil, amanuensis and friend as well as co-author of the book Sculpting in Time, in which the director sets out his theories on cinema....In the sale are notebooks with shot-by-shot analysis of his films; printed scripts for films, containing significant differences to the final versions; and a collection of 32 audio tapes and 13 MiniDiscs from his final years on which he talks about his films and cinema.
There are photo albums of Tarkovsky and his family on holiday in places...
The Locarno Film Festival announced its 2013 edition will feature a complete retrospective of the films of George Cukor. They also announced their lineup of programmers, which features Cinema Scope editor/publisher Mark Peranson as the head of programming. An archive of Andrei Tarkovsky's personal photographs, letters and other items are going up for auction. According to The Guardian:
"The archive is being sold by Olga Surkova, who was Tarkovsky's pupil, amanuensis and friend as well as co-author of the book Sculpting in Time, in which the director sets out his theories on cinema....In the sale are notebooks with shot-by-shot analysis of his films; printed scripts for films, containing significant differences to the final versions; and a collection of 32 audio tapes and 13 MiniDiscs from his final years on which he talks about his films and cinema.
There are photo albums of Tarkovsky and his family on holiday in places...
- 11/7/2012
- by Adam Cook
- MUBI
“Movie House of Worship” is a regular feature spotlighting our favorite movie theaters around the world, those that are like temples of cinema catering to the most religious-like film geeks. This week we look at a currently relevant but always excellent movie house in Canada. If you’d like to suggest or submit a place you regularly worship at the altar of cinema, please email our weekend editor. Name: Tiff Bell Lightbox Location: 350 King Street West, Toronto, Ontario, Canada Opened: September 12, 2010, as the official hub and screening venue for the Toronto International Film Festival, as well as the home for Tiff programming and events throughout the year. The theater is located in and part of a newly constructed complex. No. of screens: 5 Current first run titles: For the past ten days, the 2012 festival has naturally monopolized the theater’s screens, but starting Friday, September 21st, there is Beasts of the Southern Wild, Tabu...
- 9/16/2012
- by Alexander Huls
- FilmSchoolRejects.com
Werner Herzog's documentary about a triple murder in Texas is a compelling reflection on capital punishment
Many film-makers cut their teeth directing documentaries before moving on to features. Relatively few continue making them in tandem with their fiction work. Louis Malle is perhaps the most notable example of a director who did, and there is a fascinating and fruitful interplay between the two aspects of his career stretching from his first movie, Le Monde du silence, the film of marine exploration he co-directed with Jacques-Yves Cousteau in 1956, to his final film, Vanya on 42nd Street, in 1994, where it is hard to say whether it's a documentary about an Andre Gregory production of Chekhov in New York or a fictional film built around the play.
Born a decade after Malle and a key member of the German new wave that followed the French one, Werner Herzog's career has taken him along a similar path.
Many film-makers cut their teeth directing documentaries before moving on to features. Relatively few continue making them in tandem with their fiction work. Louis Malle is perhaps the most notable example of a director who did, and there is a fascinating and fruitful interplay between the two aspects of his career stretching from his first movie, Le Monde du silence, the film of marine exploration he co-directed with Jacques-Yves Cousteau in 1956, to his final film, Vanya on 42nd Street, in 1994, where it is hard to say whether it's a documentary about an Andre Gregory production of Chekhov in New York or a fictional film built around the play.
Born a decade after Malle and a key member of the German new wave that followed the French one, Werner Herzog's career has taken him along a similar path.
- 3/31/2012
- by Philip French
- The Guardian - Film News
Looking back at 2011 on what films moved and impressed us it becomes more and more clear—to me at least—that watching old films is a crucial part of making new films meaningful. Thus, our end of year poll, now an annual tradition, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2011—in theaters or at a festival—and creatively pair it with an old film they also saw in 2011 to create a unique double feature. Many contributors chose their favorites of 2011, some picked out-of-the-way gems, others made some pretty strange connections—and some frankly just want to create a kerfuffle. All the contributors were asked to write a paragraph explaining their 2011 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative...
- 1/5/2012
- MUBI
With one eye on the currently empty director's chair for Thor 2, we've got a few ideas for people who should tackle a Marvel movie...
With the directorial job for Thor 2 currently up in the air and a number of other Marvel properties without directors, I thought I’d have a look at some of the projects currently in progress, and suggest a suitable director for each.
A couple of the films below aren’t Marvel Studios productions, but are based on Marvel comics, so they still count...
Thor 2: Werner Herzog
I appreciate this is a bit of a leftfield choice and highly unlikely to happen, but imagine Werner in charge of Thor 2 – it would be magnificent. As Branagh brought Shakespearian elements to Thor, the themes and eccentricities explored in Herzog’s movies, such as Fitzcarraldo and Aguirre, Wrath Of God, would be interesting in the follow up.
With the directorial job for Thor 2 currently up in the air and a number of other Marvel properties without directors, I thought I’d have a look at some of the projects currently in progress, and suggest a suitable director for each.
A couple of the films below aren’t Marvel Studios productions, but are based on Marvel comics, so they still count...
Thor 2: Werner Herzog
I appreciate this is a bit of a leftfield choice and highly unlikely to happen, but imagine Werner in charge of Thor 2 – it would be magnificent. As Branagh brought Shakespearian elements to Thor, the themes and eccentricities explored in Herzog’s movies, such as Fitzcarraldo and Aguirre, Wrath Of God, would be interesting in the follow up.
- 12/12/2011
- Den of Geek
The luminous star of 8½ and The Leopard, Claudia Cardinale lit up the screen in the 1960s. She talks to Steve Rose about life as a muse, her 'man's voice' – and never going naked
Being in London is making Claudia Cardinale nostalgic. The Italian actor remembers shooting one of her first films here, in 1959: Upstairs and Downstairs, a forgotten domestic comedy. She met the Queen at the premiere of West Side Story in Leicester Square in 1962, and looked the more regal of the two. She came here to see one of Marlene Dietrich's last concerts, in 1973, with her friend and regular director Luchino Visconti. "In his room he kept a signed photo of Marlene Dietrich, in her costume. Fantastic!"
This time, she's here for the London Turkish film festival, which opened last month with a new film starring herself; but on a quiet afternoon in a Mayfair hotel, the...
Being in London is making Claudia Cardinale nostalgic. The Italian actor remembers shooting one of her first films here, in 1959: Upstairs and Downstairs, a forgotten domestic comedy. She met the Queen at the premiere of West Side Story in Leicester Square in 1962, and looked the more regal of the two. She came here to see one of Marlene Dietrich's last concerts, in 1973, with her friend and regular director Luchino Visconti. "In his room he kept a signed photo of Marlene Dietrich, in her costume. Fantastic!"
This time, she's here for the London Turkish film festival, which opened last month with a new film starring herself; but on a quiet afternoon in a Mayfair hotel, the...
- 12/8/2011
- by Steve Rose
- The Guardian - Film News
Today, Montreal's Festival du nouveau cinéma (Fnc), which will take place between October 12 to 23. Here's the complete line-up of feature films according to the press release we received.
Opening and closing
The 40th edition of the Fnc kicks off on Wednesday, October 12, with Declaration of War by Valérie Donzelli (France) at Cinéma Impérial (Centre Sandra & Leo Kolber, Salle Lucie & André Chagnon). This critically-acclaimed second feature by Valérie Donzelli (The Queen of Hearts) tells the love story of Roméo and Juliette who are battling to save their sick child. The director and her producer Edouard Weil will be in attendance.
Ten days later, on Saturday, October 22, Monsieur Lazhar (Quebec/Canada) by Philippe Falardeau will close the Festival. Selected to represent Canada at the Oscars for Best Foreign Language Film, Monsieur Lahzar shows the efforts of an Algerian schoolteacher to help his Grade 6 students come to terms with their teacher’s death.
Opening and closing
The 40th edition of the Fnc kicks off on Wednesday, October 12, with Declaration of War by Valérie Donzelli (France) at Cinéma Impérial (Centre Sandra & Leo Kolber, Salle Lucie & André Chagnon). This critically-acclaimed second feature by Valérie Donzelli (The Queen of Hearts) tells the love story of Roméo and Juliette who are battling to save their sick child. The director and her producer Edouard Weil will be in attendance.
Ten days later, on Saturday, October 22, Monsieur Lazhar (Quebec/Canada) by Philippe Falardeau will close the Festival. Selected to represent Canada at the Oscars for Best Foreign Language Film, Monsieur Lahzar shows the efforts of an Algerian schoolteacher to help his Grade 6 students come to terms with their teacher’s death.
- 9/27/2011
- by noreply@blogger.com (Anh Khoi Do)
- The Cultural Post
I will soon post a list of films I have already seen that I highly recommend as well as a list of my most anticipated films screening at this year’s Festival du Nouveau Cinema. For now here is the press release from the festival. Make sure you read carefully because there are a ton of great films to check out.
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
- 9/27/2011
- by Ricky
- SoundOnSight
George Clooney, Pierre Étaix and Tilda Swinton
to receive Silver Medallion Awards Over twenty-five new features plus revival programs
and unique programming from Guest Director Caetano Veloso will be presented as part of the 2011 exhibition
Telluride, Co (September 1, 2011) . Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe, Tff once again sets the stage for some of the year.s most highly anticipated films.
Tff opens its 38th year with over twenty-five new feature films plus special artist tributes, Guest Director programs selected by Caetano Veloso, Backlot programs, classics and restorations, shorts, student films, seminars and conversations, each introduced or proceeded with a Q&A by its filmmaker, actors, writer or producer. Telluride Film Festival opens Friday, September 2 and runs through Labor Day, Monday, September 5.
The .Show.
38th Telluride Film Festival is proud...
to receive Silver Medallion Awards Over twenty-five new features plus revival programs
and unique programming from Guest Director Caetano Veloso will be presented as part of the 2011 exhibition
Telluride, Co (September 1, 2011) . Telluride Film Festival (September 2-5, 2011), presented by the National Film Preserve, announces its program for the 38th Telluride Film Festival. Featuring diverse programming from around the globe, Tff once again sets the stage for some of the year.s most highly anticipated films.
Tff opens its 38th year with over twenty-five new feature films plus special artist tributes, Guest Director programs selected by Caetano Veloso, Backlot programs, classics and restorations, shorts, student films, seminars and conversations, each introduced or proceeded with a Q&A by its filmmaker, actors, writer or producer. Telluride Film Festival opens Friday, September 2 and runs through Labor Day, Monday, September 5.
The .Show.
38th Telluride Film Festival is proud...
- 9/1/2011
- by Michelle McCue
- WeAreMovieGeeks.com
The crows knew it from Day One: Berlin 2011 would be a—slightly—happier experience. Normally, when night began to fall, the crows descended upon the frost-bleak trees around Potsdamer Platz and cawcawed for hours, filling the silence of bad cinema, crushed hopes and now-for-real lost illusions with their woe-cum sorrowful sounding songs. Hundreds, maybe thousands of them. The trees were black for birds. Every evening, starting around 5pm or 6pm, reliably—you could set your watch to them (if you take things easy, that is...). Yet, this time around, the crows were nowhere to be seen. Maybe it's true what a friend of TO1..., comrade Möller suggested: It looks as if the crows were trying to make Berlin their permanent home, become true city slickers, which necessitates certain changes of behavior; rings scientifically solid. Still, we couldn't shake off the feeling that they somehow sensed a thing or two,...
- 8/2/2011
- MUBI
"Romanian films set in the era after the fall of Communism suggest the nation suffers a hell of a hangover from the ideology," writes Steve Erickson in Gay City News. "For instance, Corneliu Porumboiu's Police, Adjective attacks draconian drug laws left over from the old regime. Tuesday, After Christmas presents a very different vision of Romania. Its characters can afford to buy expensive Christmas gifts; one of them picks up a 3,300 Euro telescope. It may not be entirely accurate to call the film apolitical, but the most political thing about it is its avoidance of Eastern European miserabilism and its depiction of people who could be living much the same lifestyles in Western Europe."
Damon Smith introduces an interview with director Radu Muntean for Filmmaker: "Tuesday, After Christmas, which premiered at Cannes last year, opens on a dreamy scene: sunlight bathes a naked couple, middle-aged Paul (Mimi Branescu) and pretty,...
Damon Smith introduces an interview with director Radu Muntean for Filmmaker: "Tuesday, After Christmas, which premiered at Cannes last year, opens on a dreamy scene: sunlight bathes a naked couple, middle-aged Paul (Mimi Branescu) and pretty,...
- 5/26/2011
- MUBI
There are four French films in the Main Competition at this year's Cannes festival, a number that is generally seen as a set figure from year to year. That number can get a bit hazy when it comes to defining either a filmmaker's nationality or shooting locations or funding support, but we can at least count on four, French-born directors every year. There is no ambiguity with Bertrand Bonello's newest film House of Tolerance (L'Apollonide - souvenirs de la maison close), though, as the film was shot near Paris, and Bonello himself was actually born in Nice, a spitting distance from Cannes' shore. His career has stayed pretty closely tied to the festival since then, too; his last three films (out of five total) have all had their world premieres there, and while his film Tiresia was participating in the 2003 Competition - I kid you not - his first daughter was being born.
- 4/29/2011
- IONCINEMA.com
Werner Herzog's presence in his own films – including the new Cave of Forgotten Dreams – marks him out as a romantic, eager to experience what he's trying to understand
Few film directors seem as directly present in their work as Werner Herzog. Not only does he have an instantly recognisable aesthetic, but unlike most European auteurs of his generation, he has become a familiar face in front of the camera. We are so accustomed to seeing him – playing football with Peruvian indians, arguing with Klaus Kinski, eating his own shoe at Chez Panisse – that we might mistake him for just another "personality", one of the celebrities who parade past at various scales, from cellphone to Times Square, on our screens. Directors are required to be showmen, particularly directors of documentaries, who always have to hustle to finance and screen their work. But Herzog's presence, his insistence on being in the middle of things,...
Few film directors seem as directly present in their work as Werner Herzog. Not only does he have an instantly recognisable aesthetic, but unlike most European auteurs of his generation, he has become a familiar face in front of the camera. We are so accustomed to seeing him – playing football with Peruvian indians, arguing with Klaus Kinski, eating his own shoe at Chez Panisse – that we might mistake him for just another "personality", one of the celebrities who parade past at various scales, from cellphone to Times Square, on our screens. Directors are required to be showmen, particularly directors of documentaries, who always have to hustle to finance and screen their work. But Herzog's presence, his insistence on being in the middle of things,...
- 4/18/2011
- by Hari Kunzru
- The Guardian - Film News
By Elliot V. Kotek
(from Moving Pictures, spring issue, 2011)
Keanu Reeves has embodied popular culture like few other actors, yet he’s retained a level of privacy that has enabled the media to label him “mysterious.” What is a mystery is how Reeves has managed to maintain an element of anonymity in a 24/7 world that denies even minor celebrities their time in the shade.
When I caught up with Reeves for a chat just prior to the U.S. opening of his latest film “Henry’s Crime,” it became clear this is a guy who is all about the work, about applying himself first and foremost to his role, and about ensuring that everyone on set is similarly geared.
By not declaring favorites just as keenly as not revealing others’ secrets — and by being open to all forms of artistic media — Reeves has become one of the most likable (and bankable) stars on the planet.
(from Moving Pictures, spring issue, 2011)
Keanu Reeves has embodied popular culture like few other actors, yet he’s retained a level of privacy that has enabled the media to label him “mysterious.” What is a mystery is how Reeves has managed to maintain an element of anonymity in a 24/7 world that denies even minor celebrities their time in the shade.
When I caught up with Reeves for a chat just prior to the U.S. opening of his latest film “Henry’s Crime,” it became clear this is a guy who is all about the work, about applying himself first and foremost to his role, and about ensuring that everyone on set is similarly geared.
By not declaring favorites just as keenly as not revealing others’ secrets — and by being open to all forms of artistic media — Reeves has become one of the most likable (and bankable) stars on the planet.
- 4/6/2011
- by admin
- Moving Pictures Network
By Elliot V. Kotek
(from Moving Pictures, spring issue, 2011)
Keanu Reeves has embodied popular culture like few other actors, yet he’s retained a level of privacy that has enabled the media to label him “mysterious.” What is a mystery is how Reeves has managed to maintain an element of anonymity in a 24/7 world that denies even minor celebrities their time in the shade.
When I caught up with Reeves for a chat just prior to the U.S. opening of his latest film “Henry’s Crime,” it became clear this is a guy who is all about the work, about applying himself first and foremost to his role, and about ensuring that everyone on set is similarly geared.
By not declaring favorites just as keenly as not revealing others’ secrets — and by being open to all forms of artistic media — Reeves has become one of the most likable (and bankable) stars on the planet.
(from Moving Pictures, spring issue, 2011)
Keanu Reeves has embodied popular culture like few other actors, yet he’s retained a level of privacy that has enabled the media to label him “mysterious.” What is a mystery is how Reeves has managed to maintain an element of anonymity in a 24/7 world that denies even minor celebrities their time in the shade.
When I caught up with Reeves for a chat just prior to the U.S. opening of his latest film “Henry’s Crime,” it became clear this is a guy who is all about the work, about applying himself first and foremost to his role, and about ensuring that everyone on set is similarly geared.
By not declaring favorites just as keenly as not revealing others’ secrets — and by being open to all forms of artistic media — Reeves has become one of the most likable (and bankable) stars on the planet.
- 4/6/2011
- by admin
- Moving Pictures Magazine
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