Randy Spendlove, president of worldwide music and publishing at Paramount Pictures, is no stranger to musical biopics. His roster includes “Dreamgirls” and “Rocketman.” When it came time to bring reggae icon Bob Marley’s story to the big screen, his challenge remained the same as always: “How do you tell the story about a legendary figure? How do you accomplish it? And how do we make sure we utilize Bob?”
Early meetings took place during the pandemic with Marley’s sons Ziggy and Stephen as well as director Reinaldo Marcus Green over Zoom. The answer would be in authentically preserving Bob Marley’s live recordings and enhancing them – with actor Kingsley Ben-Adir’s vocals layered in.
However, the first complication the team needed to overcome was clearing the music rights.
While Marley’s family owns many aspects of his estate under the Tuff Gong/House of Marley and Universal Music Group...
Early meetings took place during the pandemic with Marley’s sons Ziggy and Stephen as well as director Reinaldo Marcus Green over Zoom. The answer would be in authentically preserving Bob Marley’s live recordings and enhancing them – with actor Kingsley Ben-Adir’s vocals layered in.
However, the first complication the team needed to overcome was clearing the music rights.
While Marley’s family owns many aspects of his estate under the Tuff Gong/House of Marley and Universal Music Group...
- 2/26/2024
- by Jazz Tangcay
- Variety Film + TV
This year’s Oscar song competition is the usual mix of musical superstars and intriguing unknowns. But for the first time in 30 years, four out of the five entries have a past Oscar winner among their writers.
And for only the 14th time in Oscar history, one of the nominated songs is not sung in English; “Naatu Naatu” is the fourth nominee to be performed in an Indian language (including two from 2008’s “Slumdog Millionaire” and one from 2012’s “Life of Pi”).
“Applause” from “Tell It Like a Woman”
Diane Warren, who recently received an Honorary Oscar for her body of work, earned her 14th competitive nomination for this little-seen anthology of seven short films made by women directors. “I needed a song that could tie it all together,” she says.
Sofia Carson sings what Warren calls “a positive, empowering song. A lot of times we humans don’t love ourselves enough.
And for only the 14th time in Oscar history, one of the nominated songs is not sung in English; “Naatu Naatu” is the fourth nominee to be performed in an Indian language (including two from 2008’s “Slumdog Millionaire” and one from 2012’s “Life of Pi”).
“Applause” from “Tell It Like a Woman”
Diane Warren, who recently received an Honorary Oscar for her body of work, earned her 14th competitive nomination for this little-seen anthology of seven short films made by women directors. “I needed a song that could tie it all together,” she says.
Sofia Carson sings what Warren calls “a positive, empowering song. A lot of times we humans don’t love ourselves enough.
- 2/23/2023
- by Jon Burlingame
- Variety Film + TV
The main title credits to “Top Gun: Maverick” are both surprising and confusing: “Music by Harold Faltermeyer, Lady Gaga and Hans Zimmer. Score produced by Lorne Balfe.”
That may sound like a musical mess, but aside from Gaga, all the players have connections to the original “Top Gun” or each other through previous collaborations. Berlin-based Faltermeyer scored the original 1986 “Top Gun,” winning a Grammy for the instrumental “Top Gun Anthem,” while Zimmer scored four earlier Tom Cruise films including “Rain Man,” “Days of Thunder” and “Mission: Impossible II.”
The London-based Balfe has frequently collaborated with Zimmer on various scores (from “The Dark Knight” to “Dunkirk”), scored “Mission: Impossible – Fallout” for Cruise, and and is currently working with Cruise on “Mission: Impossible — Dead Reckoning.” The Oscar- and multiple Grammy-winning Gaga penned the new movie’s “Hold My Hand,” already touted as an original song front-runner.
So how did their musical duties...
That may sound like a musical mess, but aside from Gaga, all the players have connections to the original “Top Gun” or each other through previous collaborations. Berlin-based Faltermeyer scored the original 1986 “Top Gun,” winning a Grammy for the instrumental “Top Gun Anthem,” while Zimmer scored four earlier Tom Cruise films including “Rain Man,” “Days of Thunder” and “Mission: Impossible II.”
The London-based Balfe has frequently collaborated with Zimmer on various scores (from “The Dark Knight” to “Dunkirk”), scored “Mission: Impossible – Fallout” for Cruise, and and is currently working with Cruise on “Mission: Impossible — Dead Reckoning.” The Oscar- and multiple Grammy-winning Gaga penned the new movie’s “Hold My Hand,” already touted as an original song front-runner.
So how did their musical duties...
- 5/26/2022
- by Jon Burlingame and Jazz Tangcay
- Variety Film + TV
Like the 1988 comedy, “Coming to America,” its sequel 33 years later also features its share of memorable musical moments.
Director Craig Brewer, who worked with Eddie Murphy on “Dolemite Is My Name,” knew how passionate people were about the original and “didn’t want to mess anything up,” he tells Variety. The director wanted to tackle such universal themes as parenthood and tradition using the film’s soundtrack combined with Jermaine Stegall’s score.
Brewer admits one of the first ideas he pitched was the “Gett Off” sequence. The 1991 song by Prince also happens to be one of his favorites. Says Brewer: “If we viewed the first movie as a template for what Zamundan custom is and a princess is being presented to a prince, there has to be a dance. I thought ‘Wouldn’t it be fun if he did ‘Gett Off’ by Prince?”
That “fun idea” evolved into a...
Director Craig Brewer, who worked with Eddie Murphy on “Dolemite Is My Name,” knew how passionate people were about the original and “didn’t want to mess anything up,” he tells Variety. The director wanted to tackle such universal themes as parenthood and tradition using the film’s soundtrack combined with Jermaine Stegall’s score.
Brewer admits one of the first ideas he pitched was the “Gett Off” sequence. The 1991 song by Prince also happens to be one of his favorites. Says Brewer: “If we viewed the first movie as a template for what Zamundan custom is and a princess is being presented to a prince, there has to be a dance. I thought ‘Wouldn’t it be fun if he did ‘Gett Off’ by Prince?”
That “fun idea” evolved into a...
- 3/8/2021
- by Jazz Tangcay
- Variety Film + TV
On Tuesday, December 4, 2018, Education Through Music-Los Angeles hosted its 13th Annual Benefit Gala at The Novo-Microsoft Theater in Downtown Los Angeles to raise funds for music instruction in disadvantaged La County schools.
Sheila E. performing with La Santa Cecilia
Supporters from the music, film, business, and education communities gathered to honor Grammy-Winning Music Producer Sebastian Krys, Veteran Music Teacher Sue Edwards (L.A. Unified School District), and Korg Education.
Grammy Award-Winning Band La Santa Cecilia and Sheila E. (Prince) kicked off the gala with an electric Latin number, followed by a soulful piece from Latin Grammy-Winner Noel Schajris (Sin Bandera). Students from Etm-la and other schools ushered in the holiday season with heartwarming and festive performances. Honorary hosts of the gala included music education champions and celebrities Christophe Beck, Joshua Bell, John Debney, Germaine Franco, Mayor Eric Garcetti, Michael Giacchino, Michael Gorfaine, Julianne Jordan, Larisa Martinez, Julia Michels, Arturo Sandoval,...
Sheila E. performing with La Santa Cecilia
Supporters from the music, film, business, and education communities gathered to honor Grammy-Winning Music Producer Sebastian Krys, Veteran Music Teacher Sue Edwards (L.A. Unified School District), and Korg Education.
Grammy Award-Winning Band La Santa Cecilia and Sheila E. (Prince) kicked off the gala with an electric Latin number, followed by a soulful piece from Latin Grammy-Winner Noel Schajris (Sin Bandera). Students from Etm-la and other schools ushered in the holiday season with heartwarming and festive performances. Honorary hosts of the gala included music education champions and celebrities Christophe Beck, Joshua Bell, John Debney, Germaine Franco, Mayor Eric Garcetti, Michael Giacchino, Michael Gorfaine, Julianne Jordan, Larisa Martinez, Julia Michels, Arturo Sandoval,...
- 12/14/2018
- Look to the Stars
Composer Lorne Balfe’s task, like any in the 52-year history of the “Mission: Impossible” franchise, was simple but not easy: Use Lalo Schifrin’s classic, iconic television theme, but find a fresh approach to effectively score Tom Cruise’s sixth outing as Ethan Hunt in “Fallout.”
It took nine months of writing music, 30 full days of recording at two major London stages, and nearly 300 musicians and choristers to realize Balfe’s sonic vision. And nearly every moment in Balfe’s two-and-a-half-hour score derives in one way or another from either Schifrin’s famous main theme or his secondary theme (“The Plot”) from the original 1960s TV show.
“What a tune to be able to work with,” Balfe says. “One of the most famous in the world. It’s an honor. But how do you modernize it without simply doing dance remixes? The audience knows that melody, and you’ve...
It took nine months of writing music, 30 full days of recording at two major London stages, and nearly 300 musicians and choristers to realize Balfe’s sonic vision. And nearly every moment in Balfe’s two-and-a-half-hour score derives in one way or another from either Schifrin’s famous main theme or his secondary theme (“The Plot”) from the original 1960s TV show.
“What a tune to be able to work with,” Balfe says. “One of the most famous in the world. It’s an honor. But how do you modernize it without simply doing dance remixes? The audience knows that melody, and you’ve...
- 7/26/2018
- by Jon Burlingame
- Variety Film + TV
November 28, 2017 was a note-worthy evening as Education Through Music-Los Angeles (Etm-la) hosted its 12th Anniversary Benefit Gala.
Vincent Womack and Joshua Bell with Host Malcolm McDowell
Credit/Copyright: Danny Moloshok
Supporters from the music, film and education communities gathered to honor Grammy-Winning Violinist Joshua Bell, and Veteran Music Teacher (Foshay Learning Center, Los Angeles Unified School District) Vincent Womack at the Skirball Cultural Center.
The event was hosted by Malcolm McDowell (Mozart in the Jungle), and featured special performances and presentations by Joshua Bell (Grammy winning violinist), Billy Childs (Grammy winning pianist/composer), Judith Hill (The Voice, Prince, Michael Jackson), Joanne Pearce Martin (pianist, Los Angeles Philharmonic,) Dr. Lemmon McMillan, guest Chris Botti (Grammy winning trumpeter), Foshay Learning Center Students and Education Through Music-La Students. Executive Director of Etm-la Victoria Lanier welcomed co-chair hosts Lola Debney and Alecia Spendlove. Honorary chairs of the gala include music education champions and...
Vincent Womack and Joshua Bell with Host Malcolm McDowell
Credit/Copyright: Danny Moloshok
Supporters from the music, film and education communities gathered to honor Grammy-Winning Violinist Joshua Bell, and Veteran Music Teacher (Foshay Learning Center, Los Angeles Unified School District) Vincent Womack at the Skirball Cultural Center.
The event was hosted by Malcolm McDowell (Mozart in the Jungle), and featured special performances and presentations by Joshua Bell (Grammy winning violinist), Billy Childs (Grammy winning pianist/composer), Judith Hill (The Voice, Prince, Michael Jackson), Joanne Pearce Martin (pianist, Los Angeles Philharmonic,) Dr. Lemmon McMillan, guest Chris Botti (Grammy winning trumpeter), Foshay Learning Center Students and Education Through Music-La Students. Executive Director of Etm-la Victoria Lanier welcomed co-chair hosts Lola Debney and Alecia Spendlove. Honorary chairs of the gala include music education champions and...
- 12/7/2017
- Look to the Stars
On Wednesday (June 19), I had the great pleasure of talking to Marco Beltrami, composer of World War Z. It was really a thrill for me to speak to him because I am such a fan of composers and film scores.
A prolific, Italian-born film composer who had his start with the teen horror franchise “Scream,” Beltrami was raised in the U.S. and underwent intensive musical training both abroad and at Yale University, composing music for symphonies and dance ensembles before entering the world of film and television scoring with projects like “Hellboy” (2004) and blockbuster sequels such as “Terminator 3: Rise of the Machines” (2003).
Outside of his genre work, Beltrami held that contemporary film music should include a variety of musical styles and instruments, which he put to use with his critically acclaimed work on the Scandinavian film “I am Dina” (2002) before returning to mainstream films with his traditional sweeping...
A prolific, Italian-born film composer who had his start with the teen horror franchise “Scream,” Beltrami was raised in the U.S. and underwent intensive musical training both abroad and at Yale University, composing music for symphonies and dance ensembles before entering the world of film and television scoring with projects like “Hellboy” (2004) and blockbuster sequels such as “Terminator 3: Rise of the Machines” (2003).
Outside of his genre work, Beltrami held that contemporary film music should include a variety of musical styles and instruments, which he put to use with his critically acclaimed work on the Scandinavian film “I am Dina” (2002) before returning to mainstream films with his traditional sweeping...
- 6/20/2013
- by Melissa Thompson
- WeAreMovieGeeks.com
One of Hollywood's biggest music execs just wanted new carpeting in his home ... but he allegedly ended up getting the rug pulled out from underneath him. Randy Spendlove -- who oversees all music for Paramount and won a Grammy for the “Chicago” soundtrack -- says he paid $8,200 to a man in January 2009 to install flooring in his home, but instead the guy ran off with the money ... so now he's suing. According to the lawsuit,...
- 12/4/2011
- by TMZ Staff
- TMZ
The Academy of Motion Picture Arts and Sciences has released its annual list of invited new members, and it’s clear they’re continuing to try to make their membership younger. On the list alongside veterans like John Hawkes and David Duchovny are a slew of twentysomethings, including Mia Wasikowska, Ellen Page, Jesse Eisenberg, Mila Kunis, Beyonce Knowles, Jennifer Lawrence, and Rooney Mara. The Board of Governors also decided to extend an invitation to Restrepo codirector Tim Hetherington, the first time Academy membership has been bestowed posthumously. As a side note, it’s also a hoot to now say the phrase Oscar voter Russell Brand.
- 6/17/2011
- by Dave Karger
- EW - Inside Movies
Beverly Hills, CA . The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 178 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2011 to the Academy.s roster of members.
.These individuals are among the best filmmakers working in the industry today,. said Academy President Tom Sherak. .Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks..
The Academy.s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.
In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April.
.These individuals are among the best filmmakers working in the industry today,. said Academy President Tom Sherak. .Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks..
The Academy.s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.
In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April.
- 6/17/2011
- by Michelle McCue
- WeAreMovieGeeks.com
HollywoodNews.com: The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 178 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2011 to the Academy’s roster of members.
“These individuals are among the best filmmakers working in the industry today,” said Academy President Tom Sherak. “Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks.”
The Academy’s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.
In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April.
“These individuals are among the best filmmakers working in the industry today,” said Academy President Tom Sherak. “Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks.”
The Academy’s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.
In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April.
- 6/17/2011
- by Josh Abraham
- Hollywoodnews.com
I thought you Danny Elfman/Tim Burton fans might like this. For $500 you can pre-order a limited edition collector's set of all 13 scores that Elfman compased for Burton's movies. But this is a pretty kick ass package that you're getting for $500.It's a 16 cd set packaged with artwork by Tim Burton, with over 19 hours of music, which include 7 hours of previously un-released masters, demos, work tapes and rarities.It comes with a ton of stuff, so I'll list it here for you from the official site.A Collectible Zoetrope Box A collection of music as unique as Danny Elfman’s for the film of Tim Burton needed to be housed in something equally special, wondrous, and whimsical. Designed to evoke a treasure chest found in a mysterious attic, The Danny Elfman & Tim Burton 25th Anniversary Music Box is a work of art in itself. Grammy-winning designer Matt Taylor has transformed...
- 10/26/2010
- LRMonline.com
The climate of the record industry is changing the nature of the soundtrack business, a panel of music supervisors agreed Wednesday during a discussion at The Hollywood Reporter/Billboard Film & TV Music Conference at the Beverly Hilton.
Robert Kraft, president of Fox Music Inc., said record labels nowadays aren't as willing to offer up cash to help finance soundtracks.
"Now labels are not interested in financing an album for the simple reason that unless it's on Disney Channel, soundtracks don't sell," he said.
As a result, the studios don't rely solely on music from the record companies anymore, said Randy Spendlove, head of music at Paramount Pictures.
"We often create our own music or reach out to musicians ourselves, which we didn't do before," he said during the discussion, which was moderated by Paula Parisi, The Reporter's editorial director, features.
Doug Frank, president of music operations at Warner Bros., pointed out that sometimes it's more beneficial to a label to have an artist's music featured in the marketing campaign for a film rather than the movie itself.
"Maybe the best get is being part of a $30 million or $40 million advertising campaign (because) some films don't do that well at the boxoffice," he said.
Robert Kraft, president of Fox Music Inc., said record labels nowadays aren't as willing to offer up cash to help finance soundtracks.
"Now labels are not interested in financing an album for the simple reason that unless it's on Disney Channel, soundtracks don't sell," he said.
As a result, the studios don't rely solely on music from the record companies anymore, said Randy Spendlove, head of music at Paramount Pictures.
"We often create our own music or reach out to musicians ourselves, which we didn't do before," he said during the discussion, which was moderated by Paula Parisi, The Reporter's editorial director, features.
Doug Frank, president of music operations at Warner Bros., pointed out that sometimes it's more beneficial to a label to have an artist's music featured in the marketing campaign for a film rather than the movie itself.
"Maybe the best get is being part of a $30 million or $40 million advertising campaign (because) some films don't do that well at the boxoffice," he said.
- 11/15/2006
- The Hollywood Reporter - Movie News
Pop diva Janet Jackson has recorded a song for the soundtrack to new Hollywood movie Chicago. The track - which has yet to be named - is expected to be Janet's next single, and will appear in the movie version of the hit musical. The flick - starring Catherine Zeta-Jones, Renee Zellweger and Richard Gere - is currently in post-production, and due for release in the US in December. Miramax President of Motion Picture Music Randy Spendlove says, "Janet Jackson was a perfect choice for this soundtrack because this is a dance-oriented movie. The song will reflect the spirit of the film."...
- 9/24/2002
- WENN
As relationships go, they don't get much more mundane or artificial than those found in "Boys and Girls".
A talky, forced romantic comedy that attempts to retool a "When Harry Met Sally ..." take on sex and friendship for the college crowd, the picture shows few signs of life, despite the efforts of its energetic cast.
And though the presence of Freddie Prinze Jr. and Jason
Biggs could initially draw young females, you know Miramax is sweating it when one of the funniest bits in the trailer involving
Biggs and a quartet of Victoria Secret's models is actually a closing credits outtake.
Prinze is Ryan, a compulsive, repressed engineering student who meets up with the impulsive, direct Jennifer Claire Forlani) in college after a couple of previous antagonistic encounters.
They certainly make for an unlikely pair. Ryan, who plans everything to within an inch of its life, likes building intricate bridges in his spare time. Free-spirited Latin major Jennifer squirms at the mere concept of commitment. When they cross paths at UC Berkeley, they're involved with other people, but you know they're destined to be together -- mainly because the movie wants them to be, rather than there being any palpable spark between them.
While writing partners Andrew Lowery and Andrew Miller, a k a the Drews (Dennis Rodman's "Simon Sez"), obviously intended to deliver a hip dissertation on contemporary mating rituals, the game plays out more like Parcheesi than Twister. The story is continually covering the same old ground.
Although the leads try mightily, they're unable to scrape all of the bogus cut-and-paste dialogue off the page and make it sound authentic. Biggs and Amanda Detmer fare better as Ryan and Jennifer's respective roommates, injecting welcome comic energy into the drudgery.
Director Robert Iscove, who worked with Prinze on the successful "She's All That", matter-of-factly choreographs blocks of scenes as if he were governed by invisible commercial breaks.
In fact, there's a prevailing small-screen feel to the whole enterprise, despite worthy contributions from veteran cinematographer Ralf Bode ("Coal Miner's Daughter", "Saturday Night Fever") and costume designer April Ferry ("Maverick", "The Big Chill"). The soundtrack attempts to pick up the considerable slack by spinning proven hits (Apollo Four Forty's "Stop the Rock") and the obligatory Diane Warren ballad ("If I Don't Tell You Now").
BOYS AND GIRLS
Dimension Films
Punch 21
A film by Robert Iscove
Director: Robert Iscove
Producers: Jay Cohen, Lee Gottsegen,
Murray Schisgal
Screenwriters:
the Drews (Andrew Lowery, Andrew Miller)
Executive producers: Bob Weinstein,
Harvey Weinstein, Jeremy Kramer,
Jill Sobel Messick
Director of photography: Ralf Bode
Production designer: Marcia Hinds-Johnson
Editor: Casey O. Rohrs
Costume designer: April Ferry
Music: Stewart Copeland
Music supervisors: Randy Spendlove,
Leslie Lewis
Color/stereo
Cast:
Ryan: Freddie Prinze Jr.
Jennifer: Claire Forlani
Hunter: Jason Biggs
Amy: Amanda Detmer
Megan: Heather Donahue
Betty: Alyson Hannigan
Running time -- 97 minutes
MPAA rating: PG-13...
A talky, forced romantic comedy that attempts to retool a "When Harry Met Sally ..." take on sex and friendship for the college crowd, the picture shows few signs of life, despite the efforts of its energetic cast.
And though the presence of Freddie Prinze Jr. and Jason
Biggs could initially draw young females, you know Miramax is sweating it when one of the funniest bits in the trailer involving
Biggs and a quartet of Victoria Secret's models is actually a closing credits outtake.
Prinze is Ryan, a compulsive, repressed engineering student who meets up with the impulsive, direct Jennifer Claire Forlani) in college after a couple of previous antagonistic encounters.
They certainly make for an unlikely pair. Ryan, who plans everything to within an inch of its life, likes building intricate bridges in his spare time. Free-spirited Latin major Jennifer squirms at the mere concept of commitment. When they cross paths at UC Berkeley, they're involved with other people, but you know they're destined to be together -- mainly because the movie wants them to be, rather than there being any palpable spark between them.
While writing partners Andrew Lowery and Andrew Miller, a k a the Drews (Dennis Rodman's "Simon Sez"), obviously intended to deliver a hip dissertation on contemporary mating rituals, the game plays out more like Parcheesi than Twister. The story is continually covering the same old ground.
Although the leads try mightily, they're unable to scrape all of the bogus cut-and-paste dialogue off the page and make it sound authentic. Biggs and Amanda Detmer fare better as Ryan and Jennifer's respective roommates, injecting welcome comic energy into the drudgery.
Director Robert Iscove, who worked with Prinze on the successful "She's All That", matter-of-factly choreographs blocks of scenes as if he were governed by invisible commercial breaks.
In fact, there's a prevailing small-screen feel to the whole enterprise, despite worthy contributions from veteran cinematographer Ralf Bode ("Coal Miner's Daughter", "Saturday Night Fever") and costume designer April Ferry ("Maverick", "The Big Chill"). The soundtrack attempts to pick up the considerable slack by spinning proven hits (Apollo Four Forty's "Stop the Rock") and the obligatory Diane Warren ballad ("If I Don't Tell You Now").
BOYS AND GIRLS
Dimension Films
Punch 21
A film by Robert Iscove
Director: Robert Iscove
Producers: Jay Cohen, Lee Gottsegen,
Murray Schisgal
Screenwriters:
the Drews (Andrew Lowery, Andrew Miller)
Executive producers: Bob Weinstein,
Harvey Weinstein, Jeremy Kramer,
Jill Sobel Messick
Director of photography: Ralf Bode
Production designer: Marcia Hinds-Johnson
Editor: Casey O. Rohrs
Costume designer: April Ferry
Music: Stewart Copeland
Music supervisors: Randy Spendlove,
Leslie Lewis
Color/stereo
Cast:
Ryan: Freddie Prinze Jr.
Jennifer: Claire Forlani
Hunter: Jason Biggs
Amy: Amanda Detmer
Megan: Heather Donahue
Betty: Alyson Hannigan
Running time -- 97 minutes
MPAA rating: PG-13...
- 6/16/2000
- The Hollywood Reporter - Movie News
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