Tom Fleischman working on Aviva Kempner's captivating Moe Berg documentary The Spy Behind Home Plate Photo: Anne-Katrin Titze
After I watched the rough cut of Aviva Kempner's The Spy Behind Home Plate, the director invited me to meet her at Soundtracks F/T, where re-recording mixer Tom Fleischman, Oscar-winner for Martin Scorsese's Hugo (with John Midgley) and nominee for The Aviator, Gangs of New York, Jonathan Demme's The Silence Of The Lambs, and Warren Beatty's Reds, was working on her documentary on the elusive Moe Berg. Ira Spiegel, Aviva's sound editor, was also on hand inside Stage B, where Tom was working on the film.
Aviva Kempner on William Donovan's Oss recruitments, including John Ford: "Really bright people, Ivy League, Moe fit in that. A lot of women, Julia Child, Marlene Dietrich - who is my heroine of heroines." Photo: Anne-Katrin Titze
In 1934, Moe...
After I watched the rough cut of Aviva Kempner's The Spy Behind Home Plate, the director invited me to meet her at Soundtracks F/T, where re-recording mixer Tom Fleischman, Oscar-winner for Martin Scorsese's Hugo (with John Midgley) and nominee for The Aviator, Gangs of New York, Jonathan Demme's The Silence Of The Lambs, and Warren Beatty's Reds, was working on her documentary on the elusive Moe Berg. Ira Spiegel, Aviva's sound editor, was also on hand inside Stage B, where Tom was working on the film.
Aviva Kempner on William Donovan's Oss recruitments, including John Ford: "Really bright people, Ivy League, Moe fit in that. A lot of women, Julia Child, Marlene Dietrich - who is my heroine of heroines." Photo: Anne-Katrin Titze
In 1934, Moe...
- 5/21/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Ira Spiegel on Brian DePalma's Carlito's Way: "A wonderful effects film with a grand shootout in Grand Central Terminal. Sound editors love violence and noise." Photo: Anne-Katrin Titze
When I met with Aviva Kempner, the director of The Spy Behind Home Plate, at Soundtracks F/T, where she and Martin Scorsese mainstay re-recording mixer Tom Fleischman were putting in the final touches on her documentary, I had the chance to borrow her sound editor Ira Spiegel (Ken Burns's longtime collaborator) for a short while to clue me in on his work in creating the velvety flow of the picture.
Ira Spiegel with Aviva Kempner while re-recording mixer Tom Fleischman works on The Spy Behind Home Plate. Photo: Anne-Katrin Titze
Steven Spielberg's Saving Private Ryan and Carroll Ballard's The Black Stallion, executive produced...
When I met with Aviva Kempner, the director of The Spy Behind Home Plate, at Soundtracks F/T, where she and Martin Scorsese mainstay re-recording mixer Tom Fleischman were putting in the final touches on her documentary, I had the chance to borrow her sound editor Ira Spiegel (Ken Burns's longtime collaborator) for a short while to clue me in on his work in creating the velvety flow of the picture.
Ira Spiegel with Aviva Kempner while re-recording mixer Tom Fleischman works on The Spy Behind Home Plate. Photo: Anne-Katrin Titze
Steven Spielberg's Saving Private Ryan and Carroll Ballard's The Black Stallion, executive produced...
- 5/3/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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