Andy Canny scooped Best Editing in a Feature Drama for The Invisible Man at the 2020 Ellie Awards yesterday, backing up his recent Aacta win.
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
- 12/7/2020
- by Jackie Keast
- IF.com.au
Australia’s screen industry craft guilds have decried the Federal Government’s abrupt decision to fold the Department of Communications and the Arts into a new super ministry, omitting the Arts, as an insult to the industry.
They say the removal of ‘Arts’ from the Department of Infrastructure, Transport, Regional Development and Communications signals a fundamental disregard for the arts and arts education in Australia and a lack of respect for the vital role a federal Arts department plays in maintaining a national arts policy and supporting creative industries.
Stressing the sector’s economic value, they point out the screen industry generates more than $3 billion a year and employs more than 40,000 people.
Noting the industry is struggling with ongoing funding cuts, threats to Australian children’s content across broadcast platforms and no requirement on streaming platforms to provide significant Australian content, the guilds fear the move signals further funding cuts,...
They say the removal of ‘Arts’ from the Department of Infrastructure, Transport, Regional Development and Communications signals a fundamental disregard for the arts and arts education in Australia and a lack of respect for the vital role a federal Arts department plays in maintaining a national arts policy and supporting creative industries.
Stressing the sector’s economic value, they point out the screen industry generates more than $3 billion a year and employs more than 40,000 people.
Noting the industry is struggling with ongoing funding cuts, threats to Australian children’s content across broadcast platforms and no requirement on streaming platforms to provide significant Australian content, the guilds fear the move signals further funding cuts,...
- 12/10/2019
- by The IF Team
- IF.com.au
Mark Warner receives his award from Karen Eastmure.
The editors of Ladies in Black, Bloom and The Final Quarter were among the honorees of the Australian Screen Editors’ annual Ellie Awards presented on Saturday night at the Eternity Playhouse in Darlinghurst.
Mark Warner’s work on Ladies in Black won best editing in a feature drama, James Manché’s episode 5 of Bloom was recognised as best editing in a drama and Sally Fryer’s The Final Quarter took the feature documentary editing prize.
That followed Fryer’s win at the Aacta Awards while the Adam Goodes doco directed by Ian Darling was named best documentary program at the Asian Academy Creative Awards in Singapore last Friday night.
The other recipients included Sara Edwards’ Gatwick – The Last Chance Hotel (documentary), Julie-Anne De Ruvo’s The Letdown (comedy), Nicholas Dunlop and Lawrie Silvestrin’s Don’t Stop the Music (factual entertainment) and...
The editors of Ladies in Black, Bloom and The Final Quarter were among the honorees of the Australian Screen Editors’ annual Ellie Awards presented on Saturday night at the Eternity Playhouse in Darlinghurst.
Mark Warner’s work on Ladies in Black won best editing in a feature drama, James Manché’s episode 5 of Bloom was recognised as best editing in a drama and Sally Fryer’s The Final Quarter took the feature documentary editing prize.
That followed Fryer’s win at the Aacta Awards while the Adam Goodes doco directed by Ian Darling was named best documentary program at the Asian Academy Creative Awards in Singapore last Friday night.
The other recipients included Sara Edwards’ Gatwick – The Last Chance Hotel (documentary), Julie-Anne De Ruvo’s The Letdown (comedy), Nicholas Dunlop and Lawrie Silvestrin’s Don’t Stop the Music (factual entertainment) and...
- 12/8/2019
- by The IF Team
- IF.com.au
Dany Cooper has won the Best Editing category at the Australian Screen Editors Awards, for her work on Beneath Hill 60.
The television drama award went to James Manche for Packed to the Rafters (episode 44), while the documentary trophy was for Andrew Arestides for My Asian Heart.The “Ellies” were held in Sydney over the weekend, hosted by Andrea Lang. The keynote speech was in charge of director Peter Andrikidis, who said editors are “the most important creative collaborators for a director in TV drama, and it is time their contribution was recognised by the AFI Awards”.
During the ceremony, Harriet Clutterbuck, Scott Gray, Michael J Hagan and Lindi Harrison were added to the list of Ase Accredited Members.
The winners of the 2010 Australian Screen Editors Awards are:
Avid Award for Best Editing in a Feature Film – Dany Cooper Ase for Beneath Hill 60
The Lab Award for Best Editing...
The television drama award went to James Manche for Packed to the Rafters (episode 44), while the documentary trophy was for Andrew Arestides for My Asian Heart.The “Ellies” were held in Sydney over the weekend, hosted by Andrea Lang. The keynote speech was in charge of director Peter Andrikidis, who said editors are “the most important creative collaborators for a director in TV drama, and it is time their contribution was recognised by the AFI Awards”.
During the ceremony, Harriet Clutterbuck, Scott Gray, Michael J Hagan and Lindi Harrison were added to the list of Ase Accredited Members.
The winners of the 2010 Australian Screen Editors Awards are:
Avid Award for Best Editing in a Feature Film – Dany Cooper Ase for Beneath Hill 60
The Lab Award for Best Editing...
- 12/19/2010
- by Miguel Gonzalez
- Encore Magazine
The Australian Screen Editors Guild has nominated Animal Kingdom, Bright Star and Beneath Hill 60 for Best Editing in a Feature, alongside 2009 releases Balibo and – surprisingly – Coffin Rock.
This is the first and only award nomination the David Lightfoot production has received since its release in November 2009.
The TV drama category sees the telemovie A Model Daughter competing against All Saints, Packed to the Rafters and Wilfred.
The nominees are:
Avid Award for Best Editing in a Feature Film
Animal Kingdom – Luke Doolan
Balibo - Nick Meyers Ase
Beneath Hill 60 – Dany Cooper Ase
Bright Star – Alexandre de Franceschi Ase
Coffin Rock - Adrian Rostirolla
The Lab Award for Best Editing in a Television Drama
A Model Daughter: The Killing of Caroline Byrne – Deborah Peart
All Saints, Episode 478 – Nicholas Holmes Ase
Packed to the Rafters, Episode 44 – James Manche Ase
Wilfred Series 2, Episode 8 – Richard Hamer
Best Editing in a Documentary
Catching Cancer...
This is the first and only award nomination the David Lightfoot production has received since its release in November 2009.
The TV drama category sees the telemovie A Model Daughter competing against All Saints, Packed to the Rafters and Wilfred.
The nominees are:
Avid Award for Best Editing in a Feature Film
Animal Kingdom – Luke Doolan
Balibo - Nick Meyers Ase
Beneath Hill 60 – Dany Cooper Ase
Bright Star – Alexandre de Franceschi Ase
Coffin Rock - Adrian Rostirolla
The Lab Award for Best Editing in a Television Drama
A Model Daughter: The Killing of Caroline Byrne – Deborah Peart
All Saints, Episode 478 – Nicholas Holmes Ase
Packed to the Rafters, Episode 44 – James Manche Ase
Wilfred Series 2, Episode 8 – Richard Hamer
Best Editing in a Documentary
Catching Cancer...
- 11/18/2010
- by Miguel Gonzalez
- Encore Magazine
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