Netflix’s series adaptation of Australian novel Boy Swallows Universe has unveiled its cast, and first images from the shoot have been released.
Travis Fimmel, Simon Baker and Phoebe Tonkin topline an ensemble cast for the eight-part limited series, which is based on Trent Dalton’s book and is now in production in Brisbane, Australia.
Deadline first revealed news of the project in May 2019, and Netflix boarded it earlier this year.
2022 Netflix Pilot & Series Orders
The book, set in the violent working-class suburban fringe of Brisbane in 1983, follows Eli Bell, an articulate 12-year-old boy, and his mute brother Gus. A synopsis for the novel reads: “Eli Bell’s life is complicated. His father is lost, his mother is in jail and his stepdad is a heroin dealer. The most steadfast adult in Eli’s life is Slim — a...
Travis Fimmel, Simon Baker and Phoebe Tonkin topline an ensemble cast for the eight-part limited series, which is based on Trent Dalton’s book and is now in production in Brisbane, Australia.
Deadline first revealed news of the project in May 2019, and Netflix boarded it earlier this year.
2022 Netflix Pilot & Series Orders
The book, set in the violent working-class suburban fringe of Brisbane in 1983, follows Eli Bell, an articulate 12-year-old boy, and his mute brother Gus. A synopsis for the novel reads: “Eli Bell’s life is complicated. His father is lost, his mother is in jail and his stepdad is a heroin dealer. The most steadfast adult in Eli’s life is Slim — a...
- 8/31/2022
- by Jesse Whittock
- Deadline Film + TV
Travis Fimmel, Simon Baker and Phoebe Tonkin head the adult cast of “Boy Swallows Universe,” an Australia-set fantasy-drama series. Production has now begun in Brisbane, Queensland.
The eight-part limited series is an adaptation of Trent Dalton’s international best-selling novel “Boy Swallows Universe” and is being produced by Brouhaha Entertainment, together with Anonymous Content and Chapter One, for streaming platform Netflix.
“Boy Swallows Universe” follows working-class Brisbane teenager Eli Bell in a whirlwind story about drug addiction, ex-cons, poverty, violence and the discovery of hope through the power of love. Dalton has pitched the story as involving “a boy who receives a message on a red rotary dial phone in a secret underground room that tells him he must bust into Brisbane’s notorious Boggo Road Prison to save his mum’s life on Christmas Day.”
The roles of the young Eli and Gus Bell will be played by Felix Cameron...
The eight-part limited series is an adaptation of Trent Dalton’s international best-selling novel “Boy Swallows Universe” and is being produced by Brouhaha Entertainment, together with Anonymous Content and Chapter One, for streaming platform Netflix.
“Boy Swallows Universe” follows working-class Brisbane teenager Eli Bell in a whirlwind story about drug addiction, ex-cons, poverty, violence and the discovery of hope through the power of love. Dalton has pitched the story as involving “a boy who receives a message on a red rotary dial phone in a secret underground room that tells him he must bust into Brisbane’s notorious Boggo Road Prison to save his mum’s life on Christmas Day.”
The roles of the young Eli and Gus Bell will be played by Felix Cameron...
- 8/31/2022
- by Patrick Frater
- Variety Film + TV
While live-blogging the Oscars you really don't get too much of a chance to take in all the acceptance speeches. I catch a few moments here and there, and I can pretty much tell when the air is being let out of the room as well as those moments where someone is really capturing the moment. What I've put together below are the five speeches where I think the winner really managed to stand-out. I also love the true excitement coupled with the words chosen in these speeches. Lupita Nyong'o (12 Years a Slave, especially, seemed to capture the room with her infectious smile as much as Jennifer Lawrence a year before, not to forget her brother, Peter, who photobombed Ellen's Twitter-breaking selfie and is clearly someone very special in Lupita's life and she in his. The only truly strange thing about these speeches is John Ridley and Steve McQueen failing...
- 3/3/2014
- by Brad Brevet
- Rope of Silicon
The Oscars speech of the night goes to newcomer Lupita Nyong’o, who won best supporting actress for her role as Patsey in Steve McQueen’s 12 Years A Slave.
Transcripts of all Academy Awards winners’ onstage speeches…
Performance by an actress in a supporting role
Lupita Nyong’o, 12 Years a Slave
Yes! Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own. Steve McQueen, you charge everything you fashion with a breath of your own spirit. Thank you so much for putting me in this position. This has been the joy of my life. I’m certain that the dead are standing about you and watching and they...
Transcripts of all Academy Awards winners’ onstage speeches…
Performance by an actress in a supporting role
Lupita Nyong’o, 12 Years a Slave
Yes! Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own. Steve McQueen, you charge everything you fashion with a breath of your own spirit. Thank you so much for putting me in this position. This has been the joy of my life. I’m certain that the dead are standing about you and watching and they...
- 3/3/2014
- ScreenDaily
Baz Luhrmann’s adaptation wins every film category but two at the annual Australian awards ceremony.
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
- 1/30/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Baz Luhrmann’s adaptation wins every film category but two at the annual Australian awards ceremony.
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
- 1/30/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
Baz Luhrmann’s adaptation wins every film category but two at the annual Australian awards ceremony.
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
The big budget Us-financed jazz age extravaganza The Great Gatsby won every film category but two at the annual Aacta (Australian Academy of Cinema and Television) Awards this evening Australian time in Sydney.
This included the best film gong, which goes to Australian producers Baz Luhrmann, Catherine Martin and Catherine Knapman and their Us counterparts Douglas Wick and Lucy Fisher.
Luhrmann also scored best director and, with his high school friend and regular collaborator Craig Pearce, best adapted screenplay.
The only award The Great Gatsby could have won but didn’t was for best actress: that instead went to Rose Byrne for her small part — all the actors had small roles overall — in the bold anthology film The Turning, adapted from a book of short stories by popular novelist Tim Winton.
The Rocket, a festival hit made on a shoestring budget...
- 1/30/2014
- by Sandy.George@me.com (Sandy George)
- ScreenDaily
The Great Gatsby dominated. Aacta.s technical and short films awards today, collecting gongs in all six craft categories for which it was nominated, plus the Aacta award for outstanding achievement in visual effects.
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
The co-production Top of the Lake bagged two TV trophies while Matchbox Pictures. Nowhere Boys, created by Tony Ayres, was named best children.s TV series.
The TV documentary prize went to Redesign My Brain, which explores the revolutionary new science of brain plasticity, written and directed by Paul Scott and produced by Isabel Perez and Scott for ABC TV.
Writer-director Nick Verso's The Last Time I Saw Richard, produced by John Molloy, was honoured as best short fiction film. Developed and funded through Screen Australia.s Springboard program, the short is a prequel to the upcoming feature film Boys In The Trees, tracing the friendship between two teenagers in a mental health clinic in...
- 1/28/2014
- by Don Groves
- IF.com.au
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