- (1888) Short story: "The Devoted Friend".
- (1888) Short story: "The Happy Prince".
- (1891) Play: "The Selfish Giant". NOTE: Filmed as Wilde (1997), The Selfish Giant (1971), The Story of the Selfish Giant (1998), The Selfish Giant (1939).
- (1888) Short story: "The Remarkable Rocket". NOTE: Filmed as The Remarkable Rocket (1975).
- (1891) Short story: "The Nightingale and the Rose".
- (1891) Short story: "The Young King".
- (1891) Short story: "The Star-Child".
- (1891) Short story: "The Fisherman and His Soul". NOTE: Filmed as Odoiá (1995).
- (1891) Short story: "The Birthday of the Infanta".
- (1895) Stage: Wrote: "Mr. Ernest". NOTE: Filmed as Mr Ernest (1961).
- (1900) Incomplete Short story: "A Florentine Tragedy". NOTE: Filmed as En florentinsk tragedi (1965), Een florentijns treurspel (1965).
- (1895) Stage: Wrote: "Bunbury". NOTE: Filmed as Bunbury (1976).
- (1880) Stage: Wrote: "Vera, or the Nihilists". NOTE: Filmed as De bannelingen (1911).
- (1891) Short story: "Lord Arthur Savile's Crime". NOTE: Filmed as Lord Saviles brott (1922), a segment of Flesh and Fantasy (1943), Prestuplenie lorda Artura (1993), Le crime de Lord Arthur Saville (1968), Voor donderdagavond twaalf uur Mylord (1957).
- (1891) Stage: Wrote : "Salome". NOTE: Filmed as Salome's Last Dance (1988), Salomé (1986), Oye Salomé! (1978), Salome (1973), Salome (1972), Salome (1969), Salome (1923), A Modern Salome (1920), Salome (1908), Salome (1997), Salome (1992), Oye Salomé! (1978), Salome (1975), Salome (1973), Salome (1971).
- (1887) Short story: "The Canterville Ghost". NOTE: Filmed as The Canterville Ghost (1990), Neskolko stranits iz zhizni prizraka (1993), O Caçador de Fantasma (1975), Kentervilskoe prividenie (1970), The Canterville Ghost (1944), Ghost of Canterville (2005), The Canterville Ghost (2001), The Canterville Ghost (1997), The Canterville Ghost (1996), The Canterville Ghost (1988), The Canterville Ghost (1986), The Canterville Ghost (1985), The Canterville Ghost (1974), Das Gespenst von Canterville (1964), Le fantôme de Canterville (1962), Spöket på Canterville (1962), Kentervilski duh (1962).
- (1895) Stage: Wrote "An Ideal Husband". Comedy. Lyceum Theatre: 12 Mar 1895-unknown (unknown performances). Cast: Unknown. Produced by Daniel Frohman. NOTE: Filmed as An Ideal Husband (1999), An Ideal Husband (1999), An Ideal Husband (1947), Un marido ideal (1947), An Ideal Spouse (1935), Ideální manzel (2002), Ein idealer Gatte (1966), Ein idealer Gatte (1965)).
- (1948) Stage: Wrote "The Importance of Being Earnest", produced on Broadway. NOTE: Filmed as The Importance of Being Earnest (2002), The Importance of Being Earnest (1992), The Importance of Being Earnest (1952), Al compás de tu mentira (1950), The Importance of Being Earnest (1992), The Importance of Being Earnest (1988), The Importance of Being Earnest (1985), The Importance of Being Earnest (1946), The Importance of Being Earnest (1938), The Importance of Being Earnest (1937), The Importance of Being Earnest (1947)).
- (1892) Stage: Wrote : "Lady Windemere's Fan". NOTE: Filmed as A Good Woman (2004), The Fan (1949), Historia de una mala mujer (1948), El abanico de Lady Windermere (1944), The Young Mistress Fan (1939), Lady Windermeres Fächer (1935), Lady Windermere's Fan (1925), Lady Windermere's Fan (1916), Lepeza ledi Vindemir (1976), L'éventail de Lady Windermere (1961), Lady Windermere's waaier (1960).
- (1891) Novel: "The Picture of Dorian Gray". NOTE: Filmed as The Picture of Dorian Gray (2007), Dorian (2005), The Picture of Dorian Gray (2004), Pact with the Devil (2003), The Picture of Dorian Gray (1977), Dorian Gray (1970), The Picture of Dorian Gray (1945), Das Bildnis des Dorian Gray (1917), The Picture of Dorian Gray (1916), The Picture of Dorian Gray (1915), Portret Doryana Greya (1915), The Picture of Dorian Gray (1913), Dorian Grays Portræt (1910), The Sins of Dorian Gray (1983), The Picture of Dorian Gray (1973), The Picture of Dorian Gray (1953))
- (1891) Short story: "The Sum of Our Choices". NOTE: Filmed as The Sum of Our Choices (2010).
- (1893) Stage: Wrote "A Woman of No Importance". NOTE: Filmed as A Woman of No Importance), Una mujer sin importancia (1945), A Woman of No Importance (1936), A Woman of No Importance (1921), Eine Frau ohne Bedeutung (1969), Eine Frau ohne Bedeutung (1964), Quanto Importa Ser Leal (1959).
- (1992) Stage: Wrote "An Ideal Husband", performed at the Globe Theatre in London, England, with Anna Carteret, Michael Denison, Hannah Gordon, Dulcie Gray, Martin Shaw, David Yelland. Directed by Sir Peter Hall.
- (1992) Stage: Wrote "A Woman of No Importance", performed at the Theatre Royal Haymarket in London, England, with Barbara Leigh-Hunt, John Carlisle, Faith Brook. Directed by David Prowse.
- (1/09-2/09) Stage: Wrote "The Importance of Being Earnest", performed at the Paper Mill Playhouse in Millburn, NJ, with Lynn Redgrave (as "Lady Bracknell"). Directed by David Schweizer.
- (2004) Stage: Wrote "Lady Windermere's Fan", performed at the Northlight Theatre in Chicago, IL, with Tracey Dispensa in the cast. Rachel Anne Healy was costume designer.
- (9/17/63) Stage: Wrote "An Ideal Husband", performed at the Northampton Repertory Theatre in Northampton, Northamptonshire, England, with Lionel Hamilton, Jonathan Adams, Marion McNaughton, Valerie Bond, Dorothy Alison and Desmond Gill in the cast.
- (1910) Stage: Wrote "The Importance of Being Earnest", performed on Broadway. Comedy (revival). Lyceum Theatre: 14 Nov 1910-Dec 1910 (closing date unknown/48 performances). Cast: May Blaney, Florence Edney, A.E. Matthews, Jane Oaker, Frederick Raymond, Hamilton Revelle, Albert Tavernier, Ethel Winthrop. Produced by Charles Frohman.
- (1992) Stage: Wrote "A Woman of No Importance," performed at the Theatre Royal Haymarket in London, England, with Barbara Leigh-Hunt, John Carlisle and Faith Brook in the cast. Philip Prowse was director.
- (1992) Stage: Wrote "An Ideal Husband," performed at the Globe Theatre in London, England, with Anna Carteret, Michael Denison, Hannah Gordon, Dulcie Gray, Martin Shaw and David Yelland in the cast. Peter Hall was director.
- (2000) Stage: Wrote "A Woman of No Importance," performed at the Royal Exchange Theatre in Manchester, England, with Jonny Phillips, Geraldine Alexander, Alison McKenna, Paul Chequer, Richenda Carey, Gaye Brown and Steven Beard in the cast.
- (2003) Stage: Wrote "A Woman of No Importance," performed at the Theatre Royal Haymarket in London, England, with Rupert Graves, Samantha Bond, Julian Ovenden, Rachel Stirling, Prunella Scales, Joanne Pearce, Caroline Blakiston, John Normington and Peter Cellier in the cast. Adrian Noble was director.
- (1970) Stage: Wrote "The Importance of Being Earnest," performed in an American Conservatory Theatre production at the Geary and Marine Memorial Theatres in San Francisco, CA. Jack O'Brien was director.
- (12/20/76-1/21/79) Stage: Wrote "The Importance of Being Earnest," performed at the Public Theater in Pittsburgh, PA.
- (10/14/65-11/7/65) Stage: Wrote "The Importance of Being Earnest," performed at the Actors Theatre of Louisville (Mainstage) in Louisville, KY, with Bryan E. Clark (John Worthing); Jack Johnson (Algernon Moncrieff); John Seitz (Canon Chasuble D.D.); Charles Kissinger (Lane); Donald Cooper (Merriman); Kathryn Wheeler (Lady Bracknell); Patricia Stewart (Hon. Gwendolyn Fairfax); Sally Douglass (Cecily Cardew); and Jo Deodato (Miss Prism) in the cast. James Dyas was director.
- (10/26/2002-11/23/02) Stage: Wrote "The Importance of Being Earnest," performed in a Brown-Forman Series production at the Actors Theatre of Louisville in Louisville, KY, with Leo Kittay (Algernon Moncrieff); J.C. Hoyt (Lane, Mr. Moncreieff's manservant; Merriman, Butler to Mr. Worthing); Rex Young (John Worthing, J.P. of the Manor House, Woolton); Adale O'Brien (Lady Bracknell); Heidi Armbruster (Hon. Gwendolen Fairfax, her daughter); Tarah Flanagan (Cecily Cardew, John Worthing's ward); Zoaunne LeRoy (Miss Prism, her governess); Fred Major (Rev. Canon Chasuble, D.D., Rector of Woolton) in the cast. Marc Masterson was director.
- (1967-68 season) Stage: Wrote "The Importance of Being Earnest," performed at the Trinity Repertory Company Theatre in Providence, RI. Henry Butler was director. Eugene Lee was set designer. John Lehrmeyer was costume designer. Roger Morgan was lighting designer.
- (12/10/1917-12/15/1917) Stage: Wrote "Lady Windermere's Fan," performed in a Pasadena Playhouse production at the Savoy Theatre in Pasadena, CA. Gilmor Brown was artistic director / director.
- (8/6/1920-8/7/1920) Stage: Wrote (w/Dickson Morgan) "The Fisherman and His Soul," performed in a Pasadena Community Playhouse production at Brookside Park in Pasadena, CA. Gilmor Brown was artistic director. Cloyd Dalzell was director.
- (7/1-/1922-7/15/1922) Stage: Wrote "The Importance of Being Earnest," performed in a Pasadena Community Playhouse production at the Savoy Theatre in Pasadena, CA. Gilmor Brown was artistic director / director.
- (12/23/1923, 12/27/1924, 1/23/1924) Stage: Wrote "The Importance of Being Earnest," performed in a Pasadena Community Playhouse production at the Savoy Theatre in Pasadena, CA. Gilmor Brown was artistic director. Lenore Shanewise was director.
- (6/30/24-7/5/24) Stage: Wrote "Lady Windermere's Fan," performed in a Pasadena Community Playhouse production at the Savoy Theatre in Pasadena, CA. Gilmor Brown was artistic director. Lenore Shanewise was director.
- (8/28/30-9/6/30) Stage: Wrote "The Importance of Being Earnest," performed at the Pasadena Playhouse in Pasadena, CA. Gilmor Brown was artistic director. Lenore Shanewise was director.
- (3/4/34-3/7/1934) Stage: Wrote "Salome," performed at the Pasadena Playhouse in Pasadena, CA. Gilmor Brown was artistic director. Benjamin Zemach was director.
- (2017) Stage: Wrote "The Importance of Being Earnest," performed at the Writers Theatre in Chicago, IL, with Shannon Cochran in the cast. Mara Blumenfeld was costume designer.
- (11/47-3/48) Stage: Wrote "The Importance of Being Earnest," performed at the Theatre '48 in Dallas, TX, with Jack Warden (Lane); Tod Andrews (Algernon Moncrieff); Wilson Brooks (John Worthing J.P.); Mary Finney (Lady Bracknell): Louise Latham (Hon. Gwendolen Fairfax); Katherine Squire (Miss Prism); Frances Waller (Cecily Cardew); George Mitchell (Rev. Canon Chasuble D.D.) and Clinton Anderson (Merriman) in the cast. Margo Jones was managing director. Manning Gurian was business manager. J.B. Tad Adoue III was company manager. Mabel Duke and Watson Associates were public relations. Jed Mace was production designer. Marshall Yokelson was technical director. Marilyn Putnam was technical assistant. Jonathan Seymour was production / stage manager. Clinton Anderson, Jack Warden, Charles Taliaferro and Louise Latham were production assistants. Billie Baker was treasurer.
- (1970) Stage: Wrote "The Importance of Being Earnest," performed in an American Conservatory Theatre production (Short Season 22 weeks) at the Geary and Marines Theatres in San Francisco, CA. William Ball was artistic director. Jack O'Brien was director.
- (1938-39 winter) Stage: Wrote "The Importance of Being Earnest," performed at the Old Globe Theatre in San Diego, CA. Luther Martin Kennett. Craig Noel was artistic director.
- (1961-62 winter) Stage: Wrote "The Importance of Being Earnest," performed at the Old Globe Theatre in San Diego, CA. Craig Noel was artistic director and director.
- (1982 summer) Stage: Wrote "The Importance of Being Earnest," performed at the Old Globe Theatre in San Diego, CA. Jack O'Brien was artistic director. Tom Moore was director. Craig Noel was company director.
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