First-time director Richard Wilson's B&W '50s western is different. Robert Mitchum is on-task as a town tamer with believable problems, both in exterminating gunslingers Claude Akins and Leo Gordon, and with making peace with his estranged wife, Jan Sterling. That's not to mention Mitchum's attraction for pacifist Karen Sharpe, and ditzy showgirl Barbara Lawrence. And don't forget an incredibly young Angie Dickinson. Man with the Gun Blu-ray Kl Studio Classics 1955 / B&W / 1:85 widescreen / 83 min. / Deadly Peacemaker / Street Date September 25, 2015 / available through Kino Lorber / 29.95 Starring Robert Mitchum, Jan Sterling, Karen Sharpe, Henry Hull, Emile Meyer, John Lupton, Barbara Lawrence, Ted de Corsia, Leo Gordon, James Westerfield, Jay Adler, Claude Akins, Joe Barry, Norma Calderón, Angie Dickinson, Mara McAfee, Maidie Norman, Robert Osterloh, Maudie Prickett, Stafford Repp. Cinematography Lee Garmes Film Editor Gene Milford Original Music Alex North Written by N.B. Stone Jr., Richard Wilson Produced by Samuel Goldwyn Jr....
- 9/22/2015
- by Glenn Erickson
- Trailers from Hell
(Francesco Rosi, 1963; Eureka!, PG)
In the 1960s, serious Italian cinema led by Fellini, Antonioni and Visconti moved decisively from neorealism into a new phase of more formal and personal movies with a wider social focus. Alongside them was Francesco Rosi, a former lawyer and one-time assistant to Visconti and Antonioni, who made an immediate impression with his film Salvatore Giuliano. A sort of Marxist Citizen Kane, it used the career of the eponymous bandit to anatomise Sicilian society and the role of the Mafia. It was the beginning of a series of political dramas about crime, corruption and exploitation in Italy that occupied Rosi for the next decade. The next one, Le mani sulla città (Hands over the City), took him back to his native Naples and a collaboration with an old friend, Raffaele La Capria.
Most films in this series (Salvatore Giuliano, The Mattei Affair, Lucky Luciano, Christ Stopped...
In the 1960s, serious Italian cinema led by Fellini, Antonioni and Visconti moved decisively from neorealism into a new phase of more formal and personal movies with a wider social focus. Alongside them was Francesco Rosi, a former lawyer and one-time assistant to Visconti and Antonioni, who made an immediate impression with his film Salvatore Giuliano. A sort of Marxist Citizen Kane, it used the career of the eponymous bandit to anatomise Sicilian society and the role of the Mafia. It was the beginning of a series of political dramas about crime, corruption and exploitation in Italy that occupied Rosi for the next decade. The next one, Le mani sulla città (Hands over the City), took him back to his native Naples and a collaboration with an old friend, Raffaele La Capria.
Most films in this series (Salvatore Giuliano, The Mattei Affair, Lucky Luciano, Christ Stopped...
- 4/12/2014
- by Philip French
- The Guardian - Film News
‘Ryan’s Daughter’ actor Christopher Jones dead at 72: Quit acting following nervous breakdown after Sharon Tate murder, in later years turned down Quentin Tarantino movie offer Christopher Jones, who had a key role in David Lean’s 1970 romantic epic Ryan’s Daughter, died of complications from gallbladder cancer last Friday, January 31, 2014, at Los Alamitos Medical Center, approximately 35 km southwest of downtown Los Angeles. Christopher Jones (born William Franklin Jones on August 18, 1941, in Jackson, Tennessee) was 72. After growing up in a children’s home, joining the army at 16 and then going Awol, being handpicked by Tennessee Williams for a small role in the playwright’s The Night of the Iguana in 1961, and starring in the television series The Legend of Jesse James (1965-1966), Christopher Jones began getting film roles. His first was the title role in Allen H. Miner’s 1967 clash-of-generations drama Chubasco, in which Jones plays a misunderstood youth...
- 2/6/2014
- by Andre Soares
- Alt Film Guide
Rossana Podestà dead at 79: ‘Helen of Troy’ actress later featured in sword-and-sandal spectacles, risqué sex comedies (photo: Jacques Sernas and Rossana Podestà in ‘Helen of Troy’) Rossana Podestà, the sensual star of the 1955 epic Helen of Troy and other sword-and-sandal European productions of the ’50s and ’60s — in addition to a handful of risqué sex comedies of the ’70s — died earlier today, December 10, 2013, in Rome according to several Italian news outlets. Podestà was 79. She was born Carla Dora Podestà on August 20, 1934, in, depending on the source, either Zlitan or Tripoli, in Libya, at the time an Italian colony. According to the IMDb, the renamed Rossana Podestà began her film career in 1950, when she was featured in a small role in Dezsö Ákos Hamza’s Strano appuntamento ("Strange Appointment"). However, according to online reports, she was actually discovered by director Léonide Moguy, who cast her in a small role in...
- 12/10/2013
- by Andre Soares
- Alt Film Guide
The Imposter (15)
(Bart Layton, 2012, UK) Frédéric Bourdin, Charlie Parker, Carey Gibson. 99 mins.
Documentaries don't come much stranger than this. The film begins with the discovery in Spain in 1997 of a 16-year-old boy. Could this really be Nicholas Barclay, who went missing aged 13 from his home in San Antonio, Texas? Well, no. Nicholas's family welcomed this "boy" into their home without realising that he was in fact a 23-year-old French-Algerian master of deception named Frédéric Bourdin. Then things got really weird.
Shadow Dancer (15)
(James Marsh, 2012, UK/Ire) Clive Owen, Andrea Riseborough, Aidan Gillen, Gillian Anderson. 102 mins.
An embittered mother dedicated to the Ira struggle is forced to turn informer by MI5. This stark and suspenseful thriller returns documentary-maker Marsh to scripted drama after Man On Wire and Project Nim.
The Watch (15)
(Akiva Schaffer, 2012, Us) Ben Stiller, Jonah Hill, Vince Vaughn, Richard Ayoade, Rosemarie DeWitt, Mel Rodriguez. 102 mins.
Paul Blart: Mall Cop...
(Bart Layton, 2012, UK) Frédéric Bourdin, Charlie Parker, Carey Gibson. 99 mins.
Documentaries don't come much stranger than this. The film begins with the discovery in Spain in 1997 of a 16-year-old boy. Could this really be Nicholas Barclay, who went missing aged 13 from his home in San Antonio, Texas? Well, no. Nicholas's family welcomed this "boy" into their home without realising that he was in fact a 23-year-old French-Algerian master of deception named Frédéric Bourdin. Then things got really weird.
Shadow Dancer (15)
(James Marsh, 2012, UK/Ire) Clive Owen, Andrea Riseborough, Aidan Gillen, Gillian Anderson. 102 mins.
An embittered mother dedicated to the Ira struggle is forced to turn informer by MI5. This stark and suspenseful thriller returns documentary-maker Marsh to scripted drama after Man On Wire and Project Nim.
The Watch (15)
(Akiva Schaffer, 2012, Us) Ben Stiller, Jonah Hill, Vince Vaughn, Richard Ayoade, Rosemarie DeWitt, Mel Rodriguez. 102 mins.
Paul Blart: Mall Cop...
- 8/24/2012
- by Ryan Gilbey
- The Guardian - Film News
The St. Louis Globe-Democrat is a monthly newspaper run by Steve DeBellis, a well know St. Louis historian, and it.s the largest one-man newspaper in the world. The concept of The Globe is that there is an old historic headline, then all the articles in that issue are written as though it.s the year that the headline is from. It.s an unusual concept but the paper is now in its 25th successful year! Steve and I collaborated last Spring on an all-Vincent Price issue of The Globe and I.ve been writing a regular monthly movie-related column since. Since there is no on-line version of The Globe, I post all of my articles here at We Are Movie Geeks. This month’s edition of The Globe takes place in 1947. The headline on the cover will scream “Al Capone Dead!” and there will be several articles about the famous gangster.
- 1/10/2012
- by Tom Stockman
- WeAreMovieGeeks.com
Leave it to The Daily Beast to get Scorsese talking about films. Not that it would be hard to do. The man is “Mr. Cinema.” He directs, produces and he even has his own nonprofit organization for preserving classic films, The Film Foundation. The director may have toyed with other genres during his lifetime, but the one people would discuss aplenty is his contributions to crime cinema. To think of Scorsese is to think of Goodfellas, Casino and The Departed, despite also directing films like After Hours and The Last Temptation of Christ. As he turns his attention to the small screen with HBO’s Boardwalk Empire – touted as being the network’s costliest production to date – the director lists off his 15 favorite gangster movies. Scorsese writes:
“Here are 15 gangster pictures that had a profound effect on me and the way I thought about crime and how to portray it on film.
“Here are 15 gangster pictures that had a profound effect on me and the way I thought about crime and how to portray it on film.
- 9/17/2010
- by thedvdlounge
- Examiner Movies Channel
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