With bankruptcy looming over, Daiei decided to release one more Gamera movie to cash in on the giant turtle’s popularity. The budget was to be the same as the “Gamera vs. Jiger” but the plot, a return to the more child-friendly alien installments like “Gamera vs. Viras” or “Gamera vs. Guiron.” This couldn’t save Daiei Film and the company went bankrupt soon after the July release of the flick, forcing another to distribute the recently released movie. As a result, “Gamera vs. Zigra” turned out being the last Gamera film in a very long time if we don’t count the disastrous “Gamera: Super Monsters” from 1980.
A shark-shaped spaceship kidnaps a buggy from the surface of the Moon. On Earth, the same sentient ship kidnaps two marine biologists and their children, Kenichi (Yasushi Sakagami) and Helen (Gloria Zoellner) who are on an expedition to research about ocean pollution.
A shark-shaped spaceship kidnaps a buggy from the surface of the Moon. On Earth, the same sentient ship kidnaps two marine biologists and their children, Kenichi (Yasushi Sakagami) and Helen (Gloria Zoellner) who are on an expedition to research about ocean pollution.
- 8/19/2020
- by martin
- AsianMoviePulse
The original hero in a half-shell returns! For the first time ever worldwide, all twelve tales of the adventures of everyone’s favourite titanic terrapin are collected together in one deluxe Blu-ray boxset.
This limited edition collectors’ set traces the decades-long evolution of Gamera, from the “friend of all children” in his more light-hearted earlier films to the Guardian of the Universe in the groundbreaking 1990s reboot series, often hailed as three of the best kaiju films ever made.
Limited Edition Contents
• Limited collectors’ edition packaging, housed in a large-format rigid box, fully illustrated by Matt Frank
• All twelve uncut original Japanese versions of the films in high definition, with lossless Japanese and English audio
• 4K restorations of the critically acclaimed Heisei trilogy
• Hours of new and archive bonus features, expert commentaries, interviews with cast and crew, and the worldwide Blu-ray premiere of Gammera The Invincible (the American theatrical version...
This limited edition collectors’ set traces the decades-long evolution of Gamera, from the “friend of all children” in his more light-hearted earlier films to the Guardian of the Universe in the groundbreaking 1990s reboot series, often hailed as three of the best kaiju films ever made.
Limited Edition Contents
• Limited collectors’ edition packaging, housed in a large-format rigid box, fully illustrated by Matt Frank
• All twelve uncut original Japanese versions of the films in high definition, with lossless Japanese and English audio
• 4K restorations of the critically acclaimed Heisei trilogy
• Hours of new and archive bonus features, expert commentaries, interviews with cast and crew, and the worldwide Blu-ray premiere of Gammera The Invincible (the American theatrical version...
- 2/23/2020
- by Don Anelli
- AsianMoviePulse
In 1972, Japanese director Akio Jissoji concluded his Buddhist trilogy, whose previous entries were “This Transient Life” and “Mandala”. As viewers are now finally able to experience these films on blu-ray format thanks to a recent release by Arrow Academy, we can take a closer look at an important entry within the Japanese New Wave Movement, which many of us associate with names such as Seijun Suzuki and Nagisa Oshima since they, among others, remain the most known or popular artists of that time (at least for many Western audiences).
In general, Jissoji addition to the movement, or rather Japanese cinema as a whole, is a bridge between modernity and tradition, between the revolutionary ideologies of the 1960s and the system of beliefs which have defined the country for so long (and still do). As film scholar David Desser points out in his introduction to “Poem”, Jissoji has managed to create...
In general, Jissoji addition to the movement, or rather Japanese cinema as a whole, is a bridge between modernity and tradition, between the revolutionary ideologies of the 1960s and the system of beliefs which have defined the country for so long (and still do). As film scholar David Desser points out in his introduction to “Poem”, Jissoji has managed to create...
- 9/2/2019
- by Rouven Linnarz
- AsianMoviePulse
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