Exclusive: Big Talk Studios, producer of Amazon/BBC series The Outlaws, has turned to Brontë Film & TV to find its first creative director of drama.
Jenny van der Lande will join Big Talk in the newly-created role having developed all six seasons of J.K. Rowling’s BBC/Max series Strike, starring Tom Burke and Holliday Grainger.
Alongside her creative director duties at Brontë, she has also led the editorial side of Snowed-In Productions, overseeing projects including Itvx’s upcoming Sophie Turner series Joan and Mrs Wilson, the BBC’s Ruth Wilson drama.
Joining in June, Van der Lande will report to Big Talk CEO Kenton Allen and work closely with Luke Alkin, drama executive producer. She will split her time between London and Bristol, and is tasked with growing the ITV Studios-backed company’s drama slate.
Allen said: “She brings a wealth of experience and relationships and has...
Jenny van der Lande will join Big Talk in the newly-created role having developed all six seasons of J.K. Rowling’s BBC/Max series Strike, starring Tom Burke and Holliday Grainger.
Alongside her creative director duties at Brontë, she has also led the editorial side of Snowed-In Productions, overseeing projects including Itvx’s upcoming Sophie Turner series Joan and Mrs Wilson, the BBC’s Ruth Wilson drama.
Joining in June, Van der Lande will report to Big Talk CEO Kenton Allen and work closely with Luke Alkin, drama executive producer. She will split her time between London and Bristol, and is tasked with growing the ITV Studios-backed company’s drama slate.
Allen said: “She brings a wealth of experience and relationships and has...
- 5/15/2024
- by Jake Kanter
- Deadline Film + TV
Looks like Taylor Swift’s lyricism might be hereditary!
On Monday, the genealogy company Ancestry revealed that it found historical documents that connect Swift’s family tree to American poet Emily Dickinson. Swift and Dickinson are sixth cousins, three times removed.
According to Ancestry, both Swift and Dickinson descend from a 17th-century English immigrant — Swift’s ninth great-grandfather, Dickinson’s sixth great-grandfather — who settled in Windsor, Connecticut.
Swift’s ancestors stayed in Connecticut for six generations until part of her family line moved to Pennsylvania, where they married into the Swifts,...
On Monday, the genealogy company Ancestry revealed that it found historical documents that connect Swift’s family tree to American poet Emily Dickinson. Swift and Dickinson are sixth cousins, three times removed.
According to Ancestry, both Swift and Dickinson descend from a 17th-century English immigrant — Swift’s ninth great-grandfather, Dickinson’s sixth great-grandfather — who settled in Windsor, Connecticut.
Swift’s ancestors stayed in Connecticut for six generations until part of her family line moved to Pennsylvania, where they married into the Swifts,...
- 3/4/2024
- by Tomás Mier
- Rollingstone.com
Emily Ratajkowski is in final talks to join the cast of Lena Dunham’s upcoming Netflix comedy series “Too Much,” Variety has learned exclusively from sources.
She joins previously announced series leads Megan Stalter and Will Sharpe. Variety exclusively reported the series was in the works back in December.
Netflix declined to comment.
“Too Much” follows Jessica (Stalter), described as “a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in ‘Notting Hill’ and more Hugh Grant’s drunken roommate — she finds that their unusual connection is impossible to ignore,...
She joins previously announced series leads Megan Stalter and Will Sharpe. Variety exclusively reported the series was in the works back in December.
Netflix declined to comment.
“Too Much” follows Jessica (Stalter), described as “a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in ‘Notting Hill’ and more Hugh Grant’s drunken roommate — she finds that their unusual connection is impossible to ignore,...
- 2/6/2024
- by Joe Otterson
- Variety Film + TV
Lena Dunham’s new comedy series will be called Too Much, which is currently in production for Netflix, here are the details.
Lena Dunham made her mark as a creative powerhouse early in her career, with the gargantuan success of her comedy drama Girls, which ran for six seasons on HBO between 2012 and 2017.
She then successfully transitioned to feature films, writing and directing Tiny Furniture, Sharp Stick and, most recently, Catherine Called Birdy. She then adapted Julia Davis’ superb dark comedy Camping in America, also for HBO. It ran for a single season in 2018.
Too Much is now the second show Dunham has created, alongside her husband Luis Felber.
The synopsis reads as follows:
Too Much follows Jessica (Megan Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block...
Lena Dunham made her mark as a creative powerhouse early in her career, with the gargantuan success of her comedy drama Girls, which ran for six seasons on HBO between 2012 and 2017.
She then successfully transitioned to feature films, writing and directing Tiny Furniture, Sharp Stick and, most recently, Catherine Called Birdy. She then adapted Julia Davis’ superb dark comedy Camping in America, also for HBO. It ran for a single season in 2018.
Too Much is now the second show Dunham has created, alongside her husband Luis Felber.
The synopsis reads as follows:
Too Much follows Jessica (Megan Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block...
- 12/12/2023
- by Jake Godfrey
- Film Stories
Lena Dunham has found the stars of her new Netflix series!
The 37-year-old actress and her husband Luis Felber have co-created a new romantic comedy series titled Too Much for Netflix and it has now been announced that The White Lotus actor Will Sharpe and Hacks actress Megan Stalter will be starring in the series.
Keep reading to find out more…
Here’s the show’s synopsis via Variety: “Too Much follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in...
The 37-year-old actress and her husband Luis Felber have co-created a new romantic comedy series titled Too Much for Netflix and it has now been announced that The White Lotus actor Will Sharpe and Hacks actress Megan Stalter will be starring in the series.
Keep reading to find out more…
Here’s the show’s synopsis via Variety: “Too Much follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in...
- 12/11/2023
- by Just Jared
- Just Jared
Lena Dunham has set a new romantic comedy series at Netflix, with Megan Stalter & Will Sharpe set to star, Deadline has confirmed. The 10-episode Too Much is the first series created by Dunham since HBO’s Camping, which aired for one season in 2018. Production will begin in the UK in 2024.
From Dunham and her husband Luis Felber, Too Much, set in London, follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in “Notting Hill” and more Hugh Grant’s drunken roommate...
From Dunham and her husband Luis Felber, Too Much, set in London, follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in “Notting Hill” and more Hugh Grant’s drunken roommate...
- 12/11/2023
- by Denise Petski
- Deadline Film + TV
Lena Dunham and her husband Luis Felber have co-created a romantic comedy series titled “Too Much” for Netflix. Megan Stalter and Will Sharpe are set to star.
“Too Much” follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in “Notting Hill” and more Hugh Grant’s drunken roommate — she finds that their unusual connection is impossible to ignore, even as it creates more problems than it solves. Now they have to ask themselves: Do Americans and Brits actually speak the same language?...
“Too Much” follows Jessica (Stalter), a New York workaholic in her mid-30s who is reeling from a broken relationship that she thought would last forever and slowly isolating everyone she knows. When every block in New York tells a story of her own bad behavior, the only solution is to take a job in London, where she plans to live a life of solitude like a Brontë sister. But when she meets Felix (Sharpe) — who is less Hugh Grant in “Notting Hill” and more Hugh Grant’s drunken roommate — she finds that their unusual connection is impossible to ignore, even as it creates more problems than it solves. Now they have to ask themselves: Do Americans and Brits actually speak the same language?...
- 12/11/2023
- by Joe Otterson and Selome Hailu
- Variety Film + TV
Cool air in the evenings, pumpkins on doorsteps, and Spirit of Halloween stores everywhere you look. Yes, it is the most wonderful time of the year for a certain set of us who like our weather settings left at “autumnal” and our genre of choice to be on the spooky side of things.
With that in mind, one of the most pleasurable things to do each October is curl up with a good horror movie and feel the goosebumps gather on the back of your neck. But how do you know if something is a good horror movie, exactly? You watch it for yourself, or you trust the experts, of course! For instance, the most popular streaming service in the world, Netflix, offers a cornucopia of chillers, but which are the ones that might be worth your time? Our staff has put their heads together and come up with the below list.
With that in mind, one of the most pleasurable things to do each October is curl up with a good horror movie and feel the goosebumps gather on the back of your neck. But how do you know if something is a good horror movie, exactly? You watch it for yourself, or you trust the experts, of course! For instance, the most popular streaming service in the world, Netflix, offers a cornucopia of chillers, but which are the ones that might be worth your time? Our staff has put their heads together and come up with the below list.
- 10/1/2023
- by John Saavedra
- Den of Geek
We’ve come a long way since the start of “Sex Education,” when we were all rooting for (or at least commiserating with) Otis Milburn (Asa Butterfield), the Netflix dramedy’s awkward, anxious and slightly dysfunctional hero. Four years later, we’re saying goodbye to the show’s high school student-turned-amateur sex therapist and his brilliant sex therapist mother, Dr. Jean Milburn (played by the incomparable Gillian Anderson), along with a lengthy cast of characters we’ve all grown to love.
In this final season, we get to see each character develop into the people we’ve wanted them to become. And in a sense, it seems like some end up outshining Otis, making it feel like perhaps he was never really the hero of this story, but rather an entry point into the interwoven lives of the diverse residents of the fictional town of Moordale.
But first, some bad...
In this final season, we get to see each character develop into the people we’ve wanted them to become. And in a sense, it seems like some end up outshining Otis, making it feel like perhaps he was never really the hero of this story, but rather an entry point into the interwoven lives of the diverse residents of the fictional town of Moordale.
But first, some bad...
- 9/21/2023
- by Priscilla Blossom
- The Wrap
Emily Brontë's 1847 barn burner of a debut (and final) novel, "Wuthering Heights," has the not unique distinction of being an extraordinary piece of writing without any great screen adaptations to its name. Plenty of great books have been adapted into great films.
But even more great literary adaptations litter the studio rubbish heaps, the victims of crippling executive intervention, directors who took a Coppola-like big swing and missed, and most common of all, filmmakers who didn't take a big swing and ended up with perfectly fine, perfectly flat, one-for-one translations that ultimately leave you feeling the story just should have stayed on the page.
Paramount's 1992 take on "Wuthering Heights" ultimately belongs to that last category. And it's a shame, because the project had so much potential. Mirroring its source author, the film was prolific television director Peter Kosminsky's first theatrical feature (and ended up being his last...
But even more great literary adaptations litter the studio rubbish heaps, the victims of crippling executive intervention, directors who took a Coppola-like big swing and missed, and most common of all, filmmakers who didn't take a big swing and ended up with perfectly fine, perfectly flat, one-for-one translations that ultimately leave you feeling the story just should have stayed on the page.
Paramount's 1992 take on "Wuthering Heights" ultimately belongs to that last category. And it's a shame, because the project had so much potential. Mirroring its source author, the film was prolific television director Peter Kosminsky's first theatrical feature (and ended up being his last...
- 7/27/2023
- by Ryan Coleman
- Slash Film
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: VOD
Chile ’76 (Manuela Martelli)
Manuela Martelli’s debut film opens with a sequence that perfectly captures the tone and themes Chile ‘76 will explore. Carmen (played by Aline Kuppenheim) is at a paint shop,...
Asteroid City (Wes Anderson)
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by fox, animated Japan by dog, motel Texas by friends, New York City by family. But––despite the feeling that this couldn’t possibly be true––he’s never told a story in western America. In setting he hasn’t gone further west than Houston. Until Asteroid City: Arizona desert by quarantine. – Luke H. (full review)
Where to Stream: VOD
Chile ’76 (Manuela Martelli)
Manuela Martelli’s debut film opens with a sequence that perfectly captures the tone and themes Chile ‘76 will explore. Carmen (played by Aline Kuppenheim) is at a paint shop,...
- 7/14/2023
- by Jordan Raup
- The Film Stage
With “I Shot Andy Warhol” in 1996, Mary Harron launched her filmmaking career by depicting an artist with a complicated legacy, and that fixation never left her. Her latest effort, “Dalíland,” follows that trajectory with a trenchant look at the later years of Salvador Dalí. While the legacies of many legendary creators have been reevaluated in modern times, Harron’s own fixations haven’t kept from appreciating her troubled subjects.
“There are a lot of artists’ work that I do not want people to cut themselves off from,” the director told IndieWire in a recent interview. “I love reading Dostoyevsky, who was anti-Semitic and had crazy political ideas. I was very influenced as a young person by Polanski, who did terrible things and really should’ve been in prison for them. But that doesn’t mean his films didn’t continue to inspire.”
As for Dalí: The Surrealist may have been...
“There are a lot of artists’ work that I do not want people to cut themselves off from,” the director told IndieWire in a recent interview. “I love reading Dostoyevsky, who was anti-Semitic and had crazy political ideas. I was very influenced as a young person by Polanski, who did terrible things and really should’ve been in prison for them. But that doesn’t mean his films didn’t continue to inspire.”
As for Dalí: The Surrealist may have been...
- 6/16/2023
- by Eric Kohn
- Indiewire
Exclusive: Mammoth Pictures has inked a deal out of Cannes with the Bulgarian production company Bazuka to exclusively develop and produce a narrative feature take on the cultural tradition spotlighted in Kukeri, their documentary short produced for The New Yorker which was just unveiled at the beginning of the month. (View it above.)
Set to direct the as-yet-untitled new film, described as a folkloric horror thriller, is Mammoth’s Kourosh Ahari (Parallel).
Helmed by Killian Lassablière, the Bazuka doc spotlights an enigmatic Bulgarian tradition known as “Surva” that has united small villages across the country once a year for centuries — a festival that has residents known as “Kukeri” dress up in otherworldly costumes in the hopes of driving away evil spirits. The animalistic costumes, covering most of the body, are often made from the fur and skins of goats or sheep, and can also include toothed wooden masks — sometimes, peppered with horns,...
Set to direct the as-yet-untitled new film, described as a folkloric horror thriller, is Mammoth’s Kourosh Ahari (Parallel).
Helmed by Killian Lassablière, the Bazuka doc spotlights an enigmatic Bulgarian tradition known as “Surva” that has united small villages across the country once a year for centuries — a festival that has residents known as “Kukeri” dress up in otherworldly costumes in the hopes of driving away evil spirits. The animalistic costumes, covering most of the body, are often made from the fur and skins of goats or sheep, and can also include toothed wooden masks — sometimes, peppered with horns,...
- 5/31/2023
- by Matt Grobar
- Deadline Film + TV
“Emily,” Frances O’Connor’s take on the inner life of one of literature’s moodiest, broodiest romantics, embraces life on the moors as a clear alternative to the bulk of 19th-century English society. Now available on VOD and starring Emma Mackey as Emily Brontë — the gangly outcast who poured her ache for what cannot be into “Wuthering Heights” — her place in the world and within her own family is subtly but craftily conveyed by her dresses.
Oscar-nominated costume designer Michael O’Connor is no stranger to the 19th century, having done everything from “The Duchess” to the 2011 “Jane Eyre.” Within the era’s fashion, he finds ways in which to make Emily stick out, her unease in her own skin peeking through what she wears.
For the model of how to get along as an intellectual woman with limited vocational options (and of firstborn sibling syndrome in overdrive), the film offers...
Oscar-nominated costume designer Michael O’Connor is no stranger to the 19th century, having done everything from “The Duchess” to the 2011 “Jane Eyre.” Within the era’s fashion, he finds ways in which to make Emily stick out, her unease in her own skin peeking through what she wears.
For the model of how to get along as an intellectual woman with limited vocational options (and of firstborn sibling syndrome in overdrive), the film offers...
- 4/17/2023
- by Sarah Shachat
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Country Gold (Mickey Reece)
The cost of fame sits in the living room wondering aloud whether dad will be home for Christmas. Why these two young boys’ voices have been deepened to sound like they’re 40-year-old drunks slurring through a bender is beyond me (an assumption of it being a dream or game is squashed once mom enters without the effect being called out), but their words have meaning. Troyal’s (Mickey Reece channeling Garth Brooks) star has risen to unimaginable heights and he’s embraced it to the point where his “good ol’ boy” demeanor can’t quite hide the growing ego beneath a cowboy hat. While Jamie (Leah N.H. Philpott) tries toeing the line of admiring his accomplishments and...
Country Gold (Mickey Reece)
The cost of fame sits in the living room wondering aloud whether dad will be home for Christmas. Why these two young boys’ voices have been deepened to sound like they’re 40-year-old drunks slurring through a bender is beyond me (an assumption of it being a dream or game is squashed once mom enters without the effect being called out), but their words have meaning. Troyal’s (Mickey Reece channeling Garth Brooks) star has risen to unimaginable heights and he’s embraced it to the point where his “good ol’ boy” demeanor can’t quite hide the growing ego beneath a cowboy hat. While Jamie (Leah N.H. Philpott) tries toeing the line of admiring his accomplishments and...
- 4/14/2023
- by Jordan Raup
- The Film Stage
Jk Rowling’s production company Brontë Film and TV has reported a 74 per cent drop in profits.
The company was established in 2012, and focuses largely on adaptations of Rowling’s work.
Its output includes the BBC drama Strike, an adaptation of the private investigator series of novels that Rowling wrote under the pseudonym Robert Galbraith, and a 2015 TV adaptation of Rowling’s book The Casual Vacancy, starring Keeley Hawes.
Harry Potter Theatrical Productions, which produces the play Harry Potter and The Cursed Child, is a subsidiary of Brontë Film and TV. Brontë has attributed its plummeting profits to the closure of theatres during the Covid lockdown.
Rowling founded Brontë with her literary agent Neil Blair. She is the majority shareholder.
According to Deadline, Brontë’s pre-tax profit was £1.8m in the 12 months to March 2022, compared with £6.9m over the same period the previous year. The publication saw a UK Companies...
The company was established in 2012, and focuses largely on adaptations of Rowling’s work.
Its output includes the BBC drama Strike, an adaptation of the private investigator series of novels that Rowling wrote under the pseudonym Robert Galbraith, and a 2015 TV adaptation of Rowling’s book The Casual Vacancy, starring Keeley Hawes.
Harry Potter Theatrical Productions, which produces the play Harry Potter and The Cursed Child, is a subsidiary of Brontë Film and TV. Brontë has attributed its plummeting profits to the closure of theatres during the Covid lockdown.
Rowling founded Brontë with her literary agent Neil Blair. She is the majority shareholder.
According to Deadline, Brontë’s pre-tax profit was £1.8m in the 12 months to March 2022, compared with £6.9m over the same period the previous year. The publication saw a UK Companies...
- 3/31/2023
- by Ellie Harrison
- The Independent - TV
Exclusive: Jk Rowling’s production company Brontë Film and TV has posted a 74% drop in profits after Covid closed theatre performances of Harry Potter And The Cursed Child.
Brontë Film and TV was established in 2012 as a vehicle through which to adapt Rowling’s work. She founded the company with her literary agent Neil Blair and is the majority shareholder.
The outfit’s pre-tax profit was £1.8M ($2.2M) in the 12 months to March 2022, compared with £6.9M over the same period the year before. Brontë Film and TV’s revenue halved to £8.8M, according to a UK Companies House filing.
The company’s earnings report blamed “lower income streams and profit shares from theatrical productions which were closed for a large part of the [financial] period due to Covid restrictions.”
Brontë’s subsiduary, Harry Potter Theatrical Productions, reported revenue of £3.5M, which was down £6.6M, or 65%, compared with 2021. Its pre-tax profit fell 84% to £1.1M.
Brontë Film and TV was established in 2012 as a vehicle through which to adapt Rowling’s work. She founded the company with her literary agent Neil Blair and is the majority shareholder.
The outfit’s pre-tax profit was £1.8M ($2.2M) in the 12 months to March 2022, compared with £6.9M over the same period the year before. Brontë Film and TV’s revenue halved to £8.8M, according to a UK Companies House filing.
The company’s earnings report blamed “lower income streams and profit shares from theatrical productions which were closed for a large part of the [financial] period due to Covid restrictions.”
Brontë’s subsiduary, Harry Potter Theatrical Productions, reported revenue of £3.5M, which was down £6.6M, or 65%, compared with 2021. Its pre-tax profit fell 84% to £1.1M.
- 3/31/2023
- by Jake Kanter
- Deadline Film + TV
With his piercing on-screen appeal, Ralph Fiennes (along with his film legacy) has proven to be anything but boring. Since his feature-length film debut in the 1992 version of "Emily Brontë's Wuthering Heights" Fiennes has transformed into a cinematic force, with a range that continues to surprise viewers again and again. To some, he's known primarily for playing the iconic Lord Voldemort from the "Harry Potter" franchise, yet to others, he's known for portraying everything from dashing romantic leads to terrifying real world antagonists. Needless to say, Fiennes has done it all and then some.
But which of Fiennes many beloved performances stands in a class all their own? Well, with the help of this list, we hope to solve such a complicated puzzle. Featuring everything from his notable work on lesser-known gems to his franchise accomplishments, we'll take a look into the ever-evolving career of this talented performer to determine...
But which of Fiennes many beloved performances stands in a class all their own? Well, with the help of this list, we hope to solve such a complicated puzzle. Featuring everything from his notable work on lesser-known gems to his franchise accomplishments, we'll take a look into the ever-evolving career of this talented performer to determine...
- 3/11/2023
- by Dalin Rowell
- Slash Film
The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by Super Ltd is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts in a specialty market that’s showing consistent signs of recovery amid a wider slate of films. Emily from Bleecker Street expanded to solid numbers and this year’s program of Oscar Nominated Short Films blew past last year with a $1.6 million cume in week two.
It’s hard to describe the specialty landscape. “We’re not where we want to be yet,” said one distributor. “Slowly approaching pre-Covid” levels sounds too optimistic. But there is a recovery underway that seems to be consistent. “It used to be one step forward, one step back. A good sign,...
It’s hard to describe the specialty landscape. “We’re not where we want to be yet,” said one distributor. “Slowly approaching pre-Covid” levels sounds too optimistic. But there is a recovery underway that seems to be consistent. “It used to be one step forward, one step back. A good sign,...
- 2/26/2023
- by Jill Goldsmith
- Deadline Film + TV
Emily begins and ends with Emily Brontë on her deathbed. Is it heartbreak that led to her early death at the age of 30 or something less dramatic? Her death’s attributed to tuberculosis (the same disease that took her siblings), but first-time feature film writer/director Frances O’Connor paints such a gorgeous picture of a life full of tragedy, romance, betrayal, and longing that she makes it possible to believe Emily succumbed to something more mysterious and befitting of the author of Wuthering Heights.
Brontë siblings Emily (Emma Mackey), Charlotte (Alexandra Dowling), Anne (Amelia Gething), and Branwell (Fionn Whitehead) are artistically inclined, with Branwell – the sole male – the free-spirited, wild child of the group. They all share an ability and desire to write.
Of the siblings, Branwell and Emily’s relationship proves the most interesting in O’Connor’s directorial debut. Emily dearly loves her impulsive brother, and both push...
Brontë siblings Emily (Emma Mackey), Charlotte (Alexandra Dowling), Anne (Amelia Gething), and Branwell (Fionn Whitehead) are artistically inclined, with Branwell – the sole male – the free-spirited, wild child of the group. They all share an ability and desire to write.
Of the siblings, Branwell and Emily’s relationship proves the most interesting in O’Connor’s directorial debut. Emily dearly loves her impulsive brother, and both push...
- 2/23/2023
- by Rebecca Murray
- Showbiz Junkies
Eo, the Sideshow/Janus films release told from the point of view of a donkey, is set to pass the 1 million mark in week 14. The Cannes-premiering film by Jerzy Skolimowski, Academy Award nominated for Best International Feature, will gross an estimated 27.6k for the four-day President’s weekend on 37 screens for a cume of just over 1M.
The three-day estimate is 23.1k and a 997 cume for Eo, which has been exclusively in theaters. It arrives on VOD and streaming on The Criterion Channel Tuesday. Similar to the rollout for Janus/Sideshow’s Best International Film winner Drive My Car last year, Eo grew through word of mouth and awards momentum at over 250 independent and art house theaters only. No runs at a major U.S. chain.
Focus Features’ Of...
The three-day estimate is 23.1k and a 997 cume for Eo, which has been exclusively in theaters. It arrives on VOD and streaming on The Criterion Channel Tuesday. Similar to the rollout for Janus/Sideshow’s Best International Film winner Drive My Car last year, Eo grew through word of mouth and awards momentum at over 250 independent and art house theaters only. No runs at a major U.S. chain.
Focus Features’ Of...
- 2/19/2023
- by Jill Goldsmith
- Deadline Film + TV
With the Sundance Film Festival now wrapped up, offering our first glimpse at the 2023 cinematic offerings, eyes are now on Berlinale, which kicks off later this month. Looking at this month’s theatrical releases, it’s an eclectic mix of fest favorites (including the best film from last year’s Cannes and a pair of highlights from last year’s Slamdance), underseen gems, and a few auteur-driven studio offerings.
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
12. The Blind Man Who Did Not Want to See Titanic (Teemu Nikki; Feb. 3)
A week before James Cameron’s 1997 box-office behemoth returns to theaters, we’ll see the release of an acclaimed festival favorite in which his Best Picture winner figures into the central narrative. Winner of the Orizzonti Extra Audience Award at the Venice International Film Festival, Teemu Nikki’s The Blind Man Who Did Not Want to See Titanic follows Jaakko (Petri Poikolainen), a charming Finn who loves movies despite his blindness,...
- 2/2/2023
- by Jordan Raup
- The Film Stage
"Emily" is the new biographical drama feature, written and directed by Frances O'Connor, depicting a version of the life of English writer 'Emily Brontë' (Emma Mackey), co-starring Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Amelia Gething, Adrian Dunbar and Gemma Jones:
"...as author 'Emily Brontë' is near death, her older sister 'Charlotte' asks her what inspired her to write her novel 'Wuthering Heights...
"...as she begins to recount a love affair with 'William Weightman'..."
Click the images to enlarge...
"...as author 'Emily Brontë' is near death, her older sister 'Charlotte' asks her what inspired her to write her novel 'Wuthering Heights...
"...as she begins to recount a love affair with 'William Weightman'..."
Click the images to enlarge...
- 1/6/2023
- by Unknown
- SneakPeek
A highlight at the 2022 Toronto International Film Festival, actor Frances O’Connor’s directorial debut Emily finds Emma Mackey playing Emily Brontë, set in her own Gothic story that inspired her seminal novel, Wuthering Heights. Haunted by the death of her mother, Emily struggles within the confines of her family life and yearns for artistic and personal freedom, and so begins a journey to channel her creative potential into one of the greatest novels of all time. Ahead of the February 17 release from Bleecker Street, the first trailer has now arrived for the film also starring Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Adrian Dunbar, and Amelia Gething.
Christopher Schobert said in his TIFF review, “Emily, the directorial debut for Mansfield Park and A.I.: Artificial Intelligence star Frances O’Connor, is one of the more remarkably assured first efforts in recent memory. Shot with breathtaking beauty and acted with extraordinary emotion and grace,...
Christopher Schobert said in his TIFF review, “Emily, the directorial debut for Mansfield Park and A.I.: Artificial Intelligence star Frances O’Connor, is one of the more remarkably assured first efforts in recent memory. Shot with breathtaking beauty and acted with extraordinary emotion and grace,...
- 1/6/2023
- by Jordan Raup
- The Film Stage
"Freedom in thought!!" Say it louder. Louder!! Bleecker Street has debuted the official US trailer for Emily, a fresh Emily Brontë biopic made by actress / filmmaker Frances O'Connor making her feature directorial debut. This first premiered at TIFF last year, and already opened in the UK in October - we posted the first trailer last year for it. Emily imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, one of the world's most famous, enigmatic, and provocative writers who died too soon at the age of 30. Delve into the mind that wrote "Wuthering Heights" – "so begins a journey to channel her creative potential into one of the greatest novels of all time." Young actress Emma Mackey (from "Sex Education" and Death on the Nile) stars as Emily, with Alexandra Dowling, Amelia Gething, Oliver Jackson-Cohen, Adrian Dunbar, & Gemma Jones. I've heard mixed reviews on this film,...
- 1/5/2023
- by Alex Billington
- firstshowing.net
Emma Mackey reaches new heights as ill-fated author Emily Brontë.
Set during the events that inspired “Wuthering Heights,” Frances O’Connor’s directorial debut “Emily” reimagines Brontë’s brush with love, embarking on an epic romance. Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Adrian Dunbar, and Amelia Gething also star in the feature from Bleecker Street.
“Emily” debuted at 2022 TIFF and charts Brontë’s own Gothic story that inspired her seminal novel, “Wuthering Heights.” The official synopsis reads: “Haunted by the death of her mother, Emily struggles within the confines of her family life and yearns for artistic and personal freedom, and so begins a journey to channel her creative potential into one of the greatest novels of all time.”
“Emily” is produced by Piers Tempest, Robert Connolly, and David Barron.
IndieWire critic David Ehrlich praised “Sex Education” star Mackey’s “brilliant” performance in the titular role, writing, “invented splashes of rebellion...
Set during the events that inspired “Wuthering Heights,” Frances O’Connor’s directorial debut “Emily” reimagines Brontë’s brush with love, embarking on an epic romance. Fionn Whitehead, Oliver Jackson-Cohen, Alexandra Dowling, Adrian Dunbar, and Amelia Gething also star in the feature from Bleecker Street.
“Emily” debuted at 2022 TIFF and charts Brontë’s own Gothic story that inspired her seminal novel, “Wuthering Heights.” The official synopsis reads: “Haunted by the death of her mother, Emily struggles within the confines of her family life and yearns for artistic and personal freedom, and so begins a journey to channel her creative potential into one of the greatest novels of all time.”
“Emily” is produced by Piers Tempest, Robert Connolly, and David Barron.
IndieWire critic David Ehrlich praised “Sex Education” star Mackey’s “brilliant” performance in the titular role, writing, “invented splashes of rebellion...
- 1/5/2023
- by Samantha Bergeson
- Indiewire
Some filmmakers are as well-known as their films. Think of the likes of Scorsese, Tarantino, and Spielberg — directors typically referred to solely by their last names. Others are every bit as beloved, even without the same kind of name recognition. Peter Weir is one such filmmaker, and while you won't hear casual film fans discussing "the best Weir," the odds are quite good that they love many of his films without even knowing his name.
Weir has made 13 feature films over his half-century career. Eight of them received Academy Award nominations with four of them taking home some gold. Some of Weir's films are better than others, but there's not a misfire in the bunch. Even the weakest among them is beautifully shot and filled with intriguing ideas and Weir's affection for humanity. That's great for Weir, but it's bad news for someone trying to rank his filmography. What kind...
Weir has made 13 feature films over his half-century career. Eight of them received Academy Award nominations with four of them taking home some gold. Some of Weir's films are better than others, but there's not a misfire in the bunch. Even the weakest among them is beautifully shot and filled with intriguing ideas and Weir's affection for humanity. That's great for Weir, but it's bad news for someone trying to rank his filmography. What kind...
- 12/20/2022
- by Rob Hunter
- Slash Film
Dir: Martin McDonagh. Starring: Colin Farrell, Brendan Gleeson, Kerry Condon, Barry Keoghan. 15, 114 minutes.
Violence always bursts forth from the pen of Martin McDonagh. The British-Irish director and playwright has spent decades larking about in the realm of angry, impotent men – whether it’s The Lieutenant of Inishmore (2001) or In Bruges (2008). But The Banshees of Inisherin, which reunites his In Bruges stars Colin Farrell and Brendan Gleeson, may contain the most exquisitely McDonagh-ish image of them all. Gleeson’s Colm Doherty, without warning, has ended his friendship with Farrell’s Pádraic Súilleabháin. “I just don’t like you no more,” he states, as if it were the simplest thing in the world. When Pádraic, wounded, attempts to rebuild the bridge between them, Colm threatens to take a pair of shears to each of his fingers until he’s finally left alone. The threat is not an idle one.
McDonagh’s latest is heart-wrenching in its simplicity,...
Violence always bursts forth from the pen of Martin McDonagh. The British-Irish director and playwright has spent decades larking about in the realm of angry, impotent men – whether it’s The Lieutenant of Inishmore (2001) or In Bruges (2008). But The Banshees of Inisherin, which reunites his In Bruges stars Colin Farrell and Brendan Gleeson, may contain the most exquisitely McDonagh-ish image of them all. Gleeson’s Colm Doherty, without warning, has ended his friendship with Farrell’s Pádraic Súilleabháin. “I just don’t like you no more,” he states, as if it were the simplest thing in the world. When Pádraic, wounded, attempts to rebuild the bridge between them, Colm threatens to take a pair of shears to each of his fingers until he’s finally left alone. The threat is not an idle one.
McDonagh’s latest is heart-wrenching in its simplicity,...
- 10/20/2022
- by Clarisse Loughrey
- The Independent - Film
Emma Mackey has revealed that Russell Brand gave her an unusual nickname on the set of the 2022 mystery film Death on the Nile.
The movie, directed by Kenneth Branagh, is based on the 1937 Agatha Christie novel, and follows sleuth Hercule Poirot’s Egyptian holiday aboard a glamorous river steamer, which turns into a hunt for a killer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.
In it, Mackey played Jacqueline “Jackie” de Bellefort, the scorned lover of Armie Hammer’s Simon Doyle, while Brand portrayed Linus Windlesham, the former fiancé of Gal Gadot’s wealthy heiress.
In a new interview with The Telegraph, when discussing why a close-up scene of her face in the new fictionalised Brontë biopic Emily was so powerful, Mackey said: “I think I just have a lot of eye. When I was working with Russell Brand on Death on the Nile, he called me ‘Eye-Face’. I was like,...
The movie, directed by Kenneth Branagh, is based on the 1937 Agatha Christie novel, and follows sleuth Hercule Poirot’s Egyptian holiday aboard a glamorous river steamer, which turns into a hunt for a killer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.
In it, Mackey played Jacqueline “Jackie” de Bellefort, the scorned lover of Armie Hammer’s Simon Doyle, while Brand portrayed Linus Windlesham, the former fiancé of Gal Gadot’s wealthy heiress.
In a new interview with The Telegraph, when discussing why a close-up scene of her face in the new fictionalised Brontë biopic Emily was so powerful, Mackey said: “I think I just have a lot of eye. When I was working with Russell Brand on Death on the Nile, he called me ‘Eye-Face’. I was like,...
- 10/16/2022
- by Ellie Harrison
- The Independent - Film
The author of Wuthering Heights is no sickly recluse in actor turned director Frances O’Connor’s sensuous, spine-tingling feature debut
“How did you write Wuthering Heights?” demands a rattled Charlotte Brontë (Alexandra Dowling) in the opening moments of this inventive, urgent gothic fable that, like Andrew Dominik’s misunderstood Blonde, could hardly be mistaken for a drearily factual biopic. “It’s an ugly book,” Charlotte complains as her sister Emily (Sex Education’s Emma Mackey) swoons beside her, a three-volume edition of the offending text (“full of selfish people who only really care for themselves”) propped next to a medicine bottle at her elbow. When Emily replies that she simply put pen to paper, Charlotte is unassuaged, insisting that “there is something…”. Only later, when the literary torch is passed on and she can make peace with her own ghosts, does Charlotte start to realise what that “something” is…
Punctuated...
“How did you write Wuthering Heights?” demands a rattled Charlotte Brontë (Alexandra Dowling) in the opening moments of this inventive, urgent gothic fable that, like Andrew Dominik’s misunderstood Blonde, could hardly be mistaken for a drearily factual biopic. “It’s an ugly book,” Charlotte complains as her sister Emily (Sex Education’s Emma Mackey) swoons beside her, a three-volume edition of the offending text (“full of selfish people who only really care for themselves”) propped next to a medicine bottle at her elbow. When Emily replies that she simply put pen to paper, Charlotte is unassuaged, insisting that “there is something…”. Only later, when the literary torch is passed on and she can make peace with her own ghosts, does Charlotte start to realise what that “something” is…
Punctuated...
- 10/16/2022
- by Mark Kermode, Observer film critic
- The Guardian - Film News
Biopics of our great ladies of literature seem to fall into one of two camps, either holding the authors at a remove and peering at their lives with careful reverence or reimagining their realities as twee picture postcard fantasies and patronising them with a love interest to keep things interesting. Mercifully, Frances O’Connor’s Emily is a different creature altogether; raw, vulnerable and brave; captured with bold strokes and brimming with female rage. I loved her.
Emily (Emma Mackey) is feeling the pressure to put away childish things such as hopes and dreams and follow in her sisters’ footsteps by going out to work and supporting the family. Her brother Branwell may be free to follow his artistic whims but the three surviving sisters have to be more pragmatic. Their days of running free on the moors with the wind wuthering at their backs are far behind them and the...
Emily (Emma Mackey) is feeling the pressure to put away childish things such as hopes and dreams and follow in her sisters’ footsteps by going out to work and supporting the family. Her brother Branwell may be free to follow his artistic whims but the three surviving sisters have to be more pragmatic. Their days of running free on the moors with the wind wuthering at their backs are far behind them and the...
- 10/14/2022
- by Emily Breen
- HeyUGuys.co.uk
Taylor Swift is the Songwriter of the Decade!
The “Red” singer was granted the honorary Songwriter-Artist of the Decade Award by the Nashville Songwriters Association International (Nsai) during Tuesday night’s annual Nsai Songwriter Awards.
In true Swift fashion, her speech was exactly 13 minutes long. She touched upon her songwriting approach, re-recording her first six albums and the extended 10-minute version of “All Too Well” — the track that caused a frenzy among Swifties ever since it was released last year.
Read More: Taylor Swift Reveals First New Album Track Title In ‘Midnights Mayhem’ TikTok Series
“I’m up here receiving this beautiful award for a decade of work, and I can’t possibly explain how nice that feels. Because the way I see it, this is an award that celebrates a culmination of moments,” Swift said during her speech, according to Pitchfork.
“Challenges. Gauntlets laid down. Albums I’m proud of.
The “Red” singer was granted the honorary Songwriter-Artist of the Decade Award by the Nashville Songwriters Association International (Nsai) during Tuesday night’s annual Nsai Songwriter Awards.
In true Swift fashion, her speech was exactly 13 minutes long. She touched upon her songwriting approach, re-recording her first six albums and the extended 10-minute version of “All Too Well” — the track that caused a frenzy among Swifties ever since it was released last year.
Read More: Taylor Swift Reveals First New Album Track Title In ‘Midnights Mayhem’ TikTok Series
“I’m up here receiving this beautiful award for a decade of work, and I can’t possibly explain how nice that feels. Because the way I see it, this is an award that celebrates a culmination of moments,” Swift said during her speech, according to Pitchfork.
“Challenges. Gauntlets laid down. Albums I’m proud of.
- 9/21/2022
- by Melissa Romualdi
- ET Canada
Click here to read the full article.
Taylor Swift wowed the crowds at the Nsai’s 2022 Nashville Songwriter Awards on Tuesday night, revealing some of her writing secrets as she accepted the Songwriter-Artist of the Decade award.
Taking the stage at the Ryman Auditorium in Tennessee, Swift was awarded for her work between 2010 and 2019, a period which included the hits “Fearless,”“Mine,”“We Are Never Ever Getting Back Together,” “Shake It Off,” “Style” and “Blank Space” and saw her crossover from country star to mainstream music phenomenon. Swift’s acceptance speech, which ran well over ten minutes, had the crowd listening attentively as the multiple Grammy winner laid out her songwriting process and also included an acoustic rendition of “All Too Well (10-Minute Version).”
The singer-songwriter revealed that her “dorky” writing method would see her categorize songs under three genres, which she dubbed “Quill Lyrics,” “Fountain Pen Lyrics,” and “Glitter Gel Pen Lyrics.
Taylor Swift wowed the crowds at the Nsai’s 2022 Nashville Songwriter Awards on Tuesday night, revealing some of her writing secrets as she accepted the Songwriter-Artist of the Decade award.
Taking the stage at the Ryman Auditorium in Tennessee, Swift was awarded for her work between 2010 and 2019, a period which included the hits “Fearless,”“Mine,”“We Are Never Ever Getting Back Together,” “Shake It Off,” “Style” and “Blank Space” and saw her crossover from country star to mainstream music phenomenon. Swift’s acceptance speech, which ran well over ten minutes, had the crowd listening attentively as the multiple Grammy winner laid out her songwriting process and also included an acoustic rendition of “All Too Well (10-Minute Version).”
The singer-songwriter revealed that her “dorky” writing method would see her categorize songs under three genres, which she dubbed “Quill Lyrics,” “Fountain Pen Lyrics,” and “Glitter Gel Pen Lyrics.
- 9/21/2022
- by Abid Rahman
- The Hollywood Reporter - Movie News
“This award celebrates my family and my co-writers and my team. My friends and my fiercest fans and my harshest detractors and everyone who entered my life or left it.”
Taylor Swift took the stage Tuesday night at Nashville’s Ryman Auditorium to receive the Songwriter-Artist of the Decade award from the Nashville Songwriters Association International at the Nsai’s annual ceremony. In her illuminating speech, the superstar naturally focused on the songwriting part of her creative process, revealing the three imaginary genres she thinks about when writing lyrics: Quill Lyrics,...
Taylor Swift took the stage Tuesday night at Nashville’s Ryman Auditorium to receive the Songwriter-Artist of the Decade award from the Nashville Songwriters Association International at the Nsai’s annual ceremony. In her illuminating speech, the superstar naturally focused on the songwriting part of her creative process, revealing the three imaginary genres she thinks about when writing lyrics: Quill Lyrics,...
- 9/21/2022
- by Jason Newman
- Rollingstone.com
There are no flirtations with the fourth wall in Frances O’Connor’s “Emily.” There is no synthpop on the soundtrack. No one ranks the relative attractiveness of the Brontë sisters on a scale out of 10, or attempts, bustle be damned, to twerk. Yet despite lacking all markers of the recent trend for girlbossified costume drama, the directorial debut from O’Connor — an actor who is no stranger to corsetry herself after “Mansfield Park” and “The Importance of Being Earnest” — gives us a strikingly current take on the Brontë behind “Wuthering Heights.” Unlike many a literary biopic, it feels anything but pagebound. If “Emily” were a book, however, it would be a fresh reissue of a Penguin Classic, with its timeless orange cover unobtrusively updated to be crisp and covetable all over again.
In attentively reimagining Emily Brontë as a new woman unluckily born into old days, O’Connor’s chief ally is her star,...
In attentively reimagining Emily Brontë as a new woman unluckily born into old days, O’Connor’s chief ally is her star,...
- 9/15/2022
- by Jessica Kiang
- Variety Film + TV
By Abe Friedtanzer
Fans of Netflix’s beloved series Sex Education will surely be excited to learn that star Emma Mackey is playing the famed poet and "Wuthering Heights" author Emily Brontë, who died at age thirty after publishing an incredible work. Emily also marks the directorial debut of a terrific actress who does not appear in the film, Frances O’Connor. She has a fantastic TV series of her own worth checking out, The End, which is streaming on Showtime in the United States. It turns out that O’Connor has been a lifelong devotee of Brontë, and her passion for the subject shows in this finished product…...
Fans of Netflix’s beloved series Sex Education will surely be excited to learn that star Emma Mackey is playing the famed poet and "Wuthering Heights" author Emily Brontë, who died at age thirty after publishing an incredible work. Emily also marks the directorial debut of a terrific actress who does not appear in the film, Frances O’Connor. She has a fantastic TV series of her own worth checking out, The End, which is streaming on Showtime in the United States. It turns out that O’Connor has been a lifelong devotee of Brontë, and her passion for the subject shows in this finished product…...
- 9/14/2022
- by Abe Friedtanzer
- FilmExperience
Emily, the directorial debut for Mansfield Park and A.I.: Artificial Intelligence star Frances O’Connor, is one of the more remarkably assured first efforts in recent memory. Shot with breathtaking beauty and acted with extraordinary emotion and grace, this exploration of the life and development of Emily Brontë is tremendously enveloping. Emily looks deep into Brontë’s life story for evidence of what that really means. While it is unclear how much of the film is historically accurate and how much is conjecture, O’Connor’s account of the author of Wuthering Heights feels respectful and well-reasoned.
Emma Mackey (Sex Education) plays Emily Brontë as an intelligent, emotionally fragile figure attempting to figure out where she fits in both her family and the world-at-large in 1800s England. She lives with her mostly dour father, her younger sister Anna (Amelia Gething), and older sister Charlotte. Hovering on the outskirts is...
Emma Mackey (Sex Education) plays Emily Brontë as an intelligent, emotionally fragile figure attempting to figure out where she fits in both her family and the world-at-large in 1800s England. She lives with her mostly dour father, her younger sister Anna (Amelia Gething), and older sister Charlotte. Hovering on the outskirts is...
- 9/10/2022
- by Christopher Schobert
- The Film Stage
Despite writing one of the most rugged and enduring novels in all English literature before her 30th — and final — birthday, Emily Brontë spent the whole of her life in a suffocating environment that saw her brilliant imagination dampened at every turn. It was dampened by the patriarchy scared of her talent (“Wuthering Heights” was of course published under a pseudonym), by the individual men who knew her personally, and even sometimes by her own sisters, two of whom survived childhood to become accomplished writers themselves. Vindicating as it might be that Brontë’s one great book is still read widely some 200 years later, her remarkable victory over death pales in comparison to the poetic irony of her legacy: Few authors of any age have ever so inflamed public imagination by the mere fact of their existence.
In that light, it’s easy to appreciate why Brontë’s life so naturally...
In that light, it’s easy to appreciate why Brontë’s life so naturally...
- 9/10/2022
- by David Ehrlich
- Indiewire
If you’ve ever wondered what inspired Emily Brontë to write Wuthering Heights, you’re not alone – and Frances O’Connor has made a film about it. The actor turns writer-director with the imaginative period drama Emily, premiering at Toronto International Film Festival. Sex Education star Emma Mackey puts in a spirited performance in a feminist, revisionist spin on a much-loved author.
We meet Emily along with her sisters Charlotte (Alexandra Dowling) and Anne (Amelia Gething), when their happy but sheltered existence is enlivened by the arrival of a new parish priest, Weightman (Oliver Jackson-Cohen). It’s hard to know which sister he fancies the most, and this uncertainty keeps both audience and Brontes guessing. When a romance develops, it’s intense and invariably heartbreaking – perhaps a little too tragic in its design, with one contrivance too many. Nonetheless, O’Connor’s film is very entertaining as it elaborates on the...
We meet Emily along with her sisters Charlotte (Alexandra Dowling) and Anne (Amelia Gething), when their happy but sheltered existence is enlivened by the arrival of a new parish priest, Weightman (Oliver Jackson-Cohen). It’s hard to know which sister he fancies the most, and this uncertainty keeps both audience and Brontes guessing. When a romance develops, it’s intense and invariably heartbreaking – perhaps a little too tragic in its design, with one contrivance too many. Nonetheless, O’Connor’s film is very entertaining as it elaborates on the...
- 9/10/2022
- by Anna Smith
- Deadline Film + TV
Click here to read the full article.
She was an impenetrable figure: shy, reclusive, suspicious of new friends and more at home in the Yorkshire moors than any village or city. She was also brilliant — a gifted poet whose foray into fiction, Wuthering Heights (the only novel she wrote before her death in 1848), spins a tale so eccentric and passionate that it’s gathered a febrile following since its publication.
Emily Brontë, the second youngest of the accomplished Brontë family, was an abstract figure. Details of her life are scant. (Most known testimony was provided by her overbearing older sister, Charlotte.) She was not a fastidious diarist and existing journal entries blur the lines between fact and fiction. In other words, Emily, a virtually unknowable person, is the perfect subject for a film.
The English-Australian actress Frances O’Connor (Mansfield Park) knows this, and that’s why her directorial debut Emily...
She was an impenetrable figure: shy, reclusive, suspicious of new friends and more at home in the Yorkshire moors than any village or city. She was also brilliant — a gifted poet whose foray into fiction, Wuthering Heights (the only novel she wrote before her death in 1848), spins a tale so eccentric and passionate that it’s gathered a febrile following since its publication.
Emily Brontë, the second youngest of the accomplished Brontë family, was an abstract figure. Details of her life are scant. (Most known testimony was provided by her overbearing older sister, Charlotte.) She was not a fastidious diarist and existing journal entries blur the lines between fact and fiction. In other words, Emily, a virtually unknowable person, is the perfect subject for a film.
The English-Australian actress Frances O’Connor (Mansfield Park) knows this, and that’s why her directorial debut Emily...
- 9/10/2022
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Toronto film festival: Sex Education’s Emma Mackey makes for a perfect Emily Brontë in actor turned writer-director Frances O’Connor’s deft drama
Actor turned writer-director Frances O’Connor’s sensuous and loosely biographical drama about the Wuthering Heights author Emily Brontë captures the Victorian era with a modern sensibility.
Not modern in that post-Bridgerton sense, where Black and brown characters hold positions of power in a fantastical British society stripped of colonial history. Instead, Emily feels modern in the way it imagines Brontë’s reclusive demeanor and emotional swings with consideration towards trauma, depression and other possible mental health issues that we have the language for today. The characters in the film can’t diagnose these things, but a contemporary audience will spot the signs that O’Connor shrewdly layers into the role played by Sex Education’s Emma Mackey.
Actor turned writer-director Frances O’Connor’s sensuous and loosely biographical drama about the Wuthering Heights author Emily Brontë captures the Victorian era with a modern sensibility.
Not modern in that post-Bridgerton sense, where Black and brown characters hold positions of power in a fantastical British society stripped of colonial history. Instead, Emily feels modern in the way it imagines Brontë’s reclusive demeanor and emotional swings with consideration towards trauma, depression and other possible mental health issues that we have the language for today. The characters in the film can’t diagnose these things, but a contemporary audience will spot the signs that O’Connor shrewdly layers into the role played by Sex Education’s Emma Mackey.
- 9/10/2022
- by Radheyan Simonpillai in Toronto
- The Guardian - Film News
Exclusive: Mammoth Pictures has announced that it’s bringing back its Mammoth Pictures Screenplay Competition, for the first time since the outbreak of the Covid pandemic.
Mammoth looks with its competition to discover and support emerging writers, particularly those from underrepresented backgrounds. The competition is unique in that the Grand Prize-winning screenwriter will have their screenplay developed, financed and produced as a feature-length film by Mammoth Pictures, with the screenwriter receiving a standard pay scale. Mammoth Pictures has partnered with Coverfly for the first time this season to accept submissions for the competition on their platform, which can be entered now.
Mammoth’s new Head of Development Alexis Brontë is heading up this year’s competition, which is geared toward genre feature screenplays — particularly those under the speculative fiction umbrella in the categories of horror thriller, psychological thriller, mystery thriller, crime thriller, science fiction, dystopian and fantasy — though it remains...
Mammoth looks with its competition to discover and support emerging writers, particularly those from underrepresented backgrounds. The competition is unique in that the Grand Prize-winning screenwriter will have their screenplay developed, financed and produced as a feature-length film by Mammoth Pictures, with the screenwriter receiving a standard pay scale. Mammoth Pictures has partnered with Coverfly for the first time this season to accept submissions for the competition on their platform, which can be entered now.
Mammoth’s new Head of Development Alexis Brontë is heading up this year’s competition, which is geared toward genre feature screenplays — particularly those under the speculative fiction umbrella in the categories of horror thriller, psychological thriller, mystery thriller, crime thriller, science fiction, dystopian and fantasy — though it remains...
- 9/1/2022
- by Matt Grobar
- Deadline Film + TV
We’ve all looked at skyscrapers thrusting tall and proud into the unsuspecting sky and snorted to think of what was subconsciously driving the (inevitably male) architects. Right? Of course we have. Yet I cannot think of a single film before this one that takes our presumptions and seems to say, “Yes, heh heh, yesssss,” with a glint in its eye. I mean, sure, Kate Winslet’s snide aside in Titanic to White Star exec Bruce Ismay about Freud’s “ideas about the male preoccupation with size” is one thing. Eiffel is something else entirely. Also what it does is almost surely subconscious, too, which is sort of perfect. *snort*
This French romantic drama posits that engineer Gustave Eiffel had no interest in his company — which had just delivered the Statue of Liberty to New York City as a gift to America — building a massive tower for the 1889 World’s Fair in Paris.
This French romantic drama posits that engineer Gustave Eiffel had no interest in his company — which had just delivered the Statue of Liberty to New York City as a gift to America — building a massive tower for the 1889 World’s Fair in Paris.
- 8/17/2022
- by MaryAnn Johanson
- www.flickfilosopher.com
Exclusive: Mammoth Pictures has acquired film and TV rights to the bestselling novella Diary of a Murderer from award-winning Korean author Young-ha Kim. The company’s Creative Director Kourosh Ahari is set to direct an English-language feature adaptation, marking the first production under the deal, from a script by Henry Chaisson.
Diary of a Murderer tells the story of a former serial killer stricken with Alzheimer’s disease and suffering from escalating memory loss. When his now peaceful life with his daughter is threatened by new killings mimicking his murders of decades past, he sets his sights on one final kill before he loses his memory completely: the new serial killer he suspects is stalking his daughter – all told in a series of notes the narrator writes to himself throughout his psychological descent into dementia.
Kim’s novella was previously...
Diary of a Murderer tells the story of a former serial killer stricken with Alzheimer’s disease and suffering from escalating memory loss. When his now peaceful life with his daughter is threatened by new killings mimicking his murders of decades past, he sets his sights on one final kill before he loses his memory completely: the new serial killer he suspects is stalking his daughter – all told in a series of notes the narrator writes to himself throughout his psychological descent into dementia.
Kim’s novella was previously...
- 8/17/2022
- by Matt Grobar
- Deadline Film + TV
Emma Mackey is starring in a new fictionalized biopic about the life of Emily Brontë, best known for writing "Wuthering Heights." Before she appears alongside Margot Robbie in "Barbie" in 2023, the "Sex Education" star will play the iconic writer in the period drama, which will imagine Brontë's theoretical relationship with William Weightman (Oliver Jackson-Cohen), a real-life figure who was an associate of her father. While Brontë's personal life is famously enigmatic, the film will imagine a more dramatic backstory to the writer's life.
Bronte was born in 1818 and died of tuberculosis at the age of 30. Along with her sister Charlotte, who wrote "Jane Eyre," she is now one of the most beloved writers of her era. A relative recluse during her life, she has proven a difficult subject from biographers, and most of what's known about her is taken from her sister Charlotte's writing.
"My sister's disposition was not...
Bronte was born in 1818 and died of tuberculosis at the age of 30. Along with her sister Charlotte, who wrote "Jane Eyre," she is now one of the most beloved writers of her era. A relative recluse during her life, she has proven a difficult subject from biographers, and most of what's known about her is taken from her sister Charlotte's writing.
"My sister's disposition was not...
- 8/13/2022
- by Eden Arielle Gordon
- Popsugar.com
Rebel. Misfit. Genius. Yep, that’s famous author Emily Brontë reimagined. “Emily, how did you write ‘Wuthering Heights?” That’s the first question and line of dialogue in the new trailer for “Emily,” which imagines the transformative, exhilarating, and uplifting journey to womanhood of a rebel and a misfit, Brontë, one of the world’s most famous, enigmatic, and provocative writers who died too soon at the age of 30.
Continue reading ‘Emily’ Trailer’: Emma Mackey Is The Rebel, Misfit, Genius, Emily Brontë at The Playlist.
Continue reading ‘Emily’ Trailer’: Emma Mackey Is The Rebel, Misfit, Genius, Emily Brontë at The Playlist.
- 8/11/2022
- by Edward Davis
- The Playlist
Toronto announced the 10 world premieres in its Platform program, a section comprised of first-time feature filmmakers and vets whose voices are emerging in the cinematic landscape.
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, TIFF CEO. “Now in year seven, it’s become a true home for international auteurs on the rise.”
Named after Jia Zhang-ke’s groundbreaking second feature, Platform is curated by TIFF Chief Programming Officer Anita Lee; Director, Festival Programming Robyn Citizen; and Senior Manager, Festival Programming Ravi Srinivasan.
“Eclectic in vision, this year’s selection not only represents all World Premieres of exciting, on-the-rise voices from around the world, but it also reflects the very timely and unique perspectives of racialized filmmakers from diasporic communities broadening the canvas,” said Lee.
Of the ten Platform titles making their world premiere at TIFF,...
“We launched Platform to shine a brighter light on some of the most original films and distinct voices at our Festival,” said Cameron Bailey, TIFF CEO. “Now in year seven, it’s become a true home for international auteurs on the rise.”
Named after Jia Zhang-ke’s groundbreaking second feature, Platform is curated by TIFF Chief Programming Officer Anita Lee; Director, Festival Programming Robyn Citizen; and Senior Manager, Festival Programming Ravi Srinivasan.
“Eclectic in vision, this year’s selection not only represents all World Premieres of exciting, on-the-rise voices from around the world, but it also reflects the very timely and unique perspectives of racialized filmmakers from diasporic communities broadening the canvas,” said Lee.
Of the ten Platform titles making their world premiere at TIFF,...
- 8/3/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Prior to William Wyler's acclaimed 1939 film, Emily Brontë's 1847 novel "Wuthering Heights" had — perhaps surprisingly — only been adapted to film once. The 1920 version directed by A.V. Bramble is presumed lost, leaving Wyler's version to remain the earliest — and in many ways, the standard — for Brontë's work on screen. In Wyler's version, Merle Oberon, a rising star at Goldwyn, played the role of Catherine, and a young Laurence Olivier played the gruff, handsome stable boy Heathcliff. Their tempestuous near-romance provides the dramatic center of the film, although — like in most movie versions of "Heights" — the second half...
The post Laurence Olivier Was Less Than Polite On The Set Of Wuthering Heights appeared first on /Film.
The post Laurence Olivier Was Less Than Polite On The Set Of Wuthering Heights appeared first on /Film.
- 6/15/2022
- by Witney Seibold
- Slash Film
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