Chris Smith’s “Devo” will open the ninth edition of Chicago’s Doc10 documentary film festival on May 2.
The film, which premiered at Sundance 2024, charts the life of the art-movement-turned-band Devo from Akron, Ohio, through archival footage of the band and candid sit-down interviews with band members. Smith follows the band on their journey from Dadaist, Kent State radicals to unlikely icons of 1980s MTV. Currently celebrating their 50 years of De-Evolution Tour, Devo band members will join Doc10 in a live, virtual Q&a moderated by Wxrt’s Marty Lennartz.
Doc10, a four-day fest running May 2-5, features a selection of 10 documentaries making their Chicago premieres along with a package of 10 prestigious documentary shorts. The fest is hosted by Chicago Media Project, a company that has generated more than $8.5 million in funding for documentary projects. Cmp has directly supported over 150 films including “Icarus,” “Crip Camp” and most recently “Gaucho, Gaucho,...
The film, which premiered at Sundance 2024, charts the life of the art-movement-turned-band Devo from Akron, Ohio, through archival footage of the band and candid sit-down interviews with band members. Smith follows the band on their journey from Dadaist, Kent State radicals to unlikely icons of 1980s MTV. Currently celebrating their 50 years of De-Evolution Tour, Devo band members will join Doc10 in a live, virtual Q&a moderated by Wxrt’s Marty Lennartz.
Doc10, a four-day fest running May 2-5, features a selection of 10 documentaries making their Chicago premieres along with a package of 10 prestigious documentary shorts. The fest is hosted by Chicago Media Project, a company that has generated more than $8.5 million in funding for documentary projects. Cmp has directly supported over 150 films including “Icarus,” “Crip Camp” and most recently “Gaucho, Gaucho,...
- 4/3/2024
- by Addie Morfoot
- Variety Film + TV
Carla Gutiérrez’s documentary Frida about the Mexican artist Frida Kahlo will open the inaugural Sundance Film Festival Cdmx 2024 in Mexico City.
Running April 25-28 in partnership with exhibition giant Cinépolis, the event will present 12 features in total. Selections include Alessandra Lacorazza’s Grand Jury Prize U.S. Dramatic Competition winner In The Summers, and Angela Patton and Natalie Rae’s Daughters, winner of the Audience Award: U.S. Documentary and Festival Favorite Award.
Mstyslav Chernov’s best documentary feature Oscar winner 20 Days In Mariupol and Rose Glass’s Love Lies Bleeding starring Kristen Stewart will also screen.
Sundance...
Running April 25-28 in partnership with exhibition giant Cinépolis, the event will present 12 features in total. Selections include Alessandra Lacorazza’s Grand Jury Prize U.S. Dramatic Competition winner In The Summers, and Angela Patton and Natalie Rae’s Daughters, winner of the Audience Award: U.S. Documentary and Festival Favorite Award.
Mstyslav Chernov’s best documentary feature Oscar winner 20 Days In Mariupol and Rose Glass’s Love Lies Bleeding starring Kristen Stewart will also screen.
Sundance...
- 4/2/2024
- ScreenDaily
Exclusive: First Lady Jill Biden will be the featured speaker at Monday’s A Day Of Unreasonable Conversation, a social impact event featuring entertainment industry figures and activists.
Biden will take part in a conversation with Halle Berry to talk about the first-ever White House Initiative on Women’s Health Research. Their talk, titled “Writing New Stories About Women’s Health,” will delve into how cultural figures and content can advance conversation’s about the topic.
The first lady is heading to Southern California today for a round of fundraising and an appearance this weekend at the Los Angeles Human Rights Campaign dinner.
Others taking part in the Getty Center event include Paris Hilton, Yvette Nicole Brown, Christine Blasey Ford, Amy Spitalnick and Sitarah Pendleton-Eaglin. The lineup includes Jane Fonda, Cord Jefferson, Yusef Salaam, Charli d’Amelio, Dorian Warren, Maurice Mitchell, Sinead Bovell, Angela Patton, Dr. Christine Blasey Ford,...
Biden will take part in a conversation with Halle Berry to talk about the first-ever White House Initiative on Women’s Health Research. Their talk, titled “Writing New Stories About Women’s Health,” will delve into how cultural figures and content can advance conversation’s about the topic.
The first lady is heading to Southern California today for a round of fundraising and an appearance this weekend at the Los Angeles Human Rights Campaign dinner.
Others taking part in the Getty Center event include Paris Hilton, Yvette Nicole Brown, Christine Blasey Ford, Amy Spitalnick and Sitarah Pendleton-Eaglin. The lineup includes Jane Fonda, Cord Jefferson, Yusef Salaam, Charli d’Amelio, Dorian Warren, Maurice Mitchell, Sinead Bovell, Angela Patton, Dr. Christine Blasey Ford,...
- 3/22/2024
- by Ted Johnson
- Deadline Film + TV
Steve Buscemi’s “The Listener” is heading to the Sarasota Film Festival.
The 26th edition of the Florida fest will feature live and in-person screenings and events that will take place across Sarasota beginning on April 5. The 10-day fest will feature 23 narrative features, 41 documentary features and 81 short films.
Buscemi will be in Sarasota to participate in a Q&a following the screening of “The Listener,” which will serve as the closing night film. About a crisis hotline worker enduring the pressures of her job, the film starring Tessa Thompson made its world premiere at Venice Film Festival in 2022.
Lynn Dow’s “Bull Street,” starring Loretta Devine and Amy Madigan, will open the fest on April 5. The drama centers on a South Carolina small-town lawyer (Malynda Hale) as she faces local politics and an unwavering judge (Madigan) when her estranged father’s family tries to evict her and her grandmother (Devine) from her home.
The 26th edition of the Florida fest will feature live and in-person screenings and events that will take place across Sarasota beginning on April 5. The 10-day fest will feature 23 narrative features, 41 documentary features and 81 short films.
Buscemi will be in Sarasota to participate in a Q&a following the screening of “The Listener,” which will serve as the closing night film. About a crisis hotline worker enduring the pressures of her job, the film starring Tessa Thompson made its world premiere at Venice Film Festival in 2022.
Lynn Dow’s “Bull Street,” starring Loretta Devine and Amy Madigan, will open the fest on April 5. The drama centers on a South Carolina small-town lawyer (Malynda Hale) as she faces local politics and an unwavering judge (Madigan) when her estranged father’s family tries to evict her and her grandmother (Devine) from her home.
- 3/21/2024
- by Addie Morfoot
- Variety Film + TV
After a year-long hiatus the Full Frame Documentary Film Festival has unveiled the lineup for its 26th edition, which will take place in Durham, N.C., from April 4-7. The festival will kick things off with “Girls State,” the Apple Original docu that premiered at Sundance earlier this year.
It’s been five years since Full Frame, often referred to as “a filmmaker’s festival,” was held as an in-person event. Full Frame was held entirely online for the 2020–22 festivals due to Covid-19. Then in 2023 the festival was put on hold last year due to financial struggles and leadership turnover at Duke’s Center for Documentary Studies (Cds), a nonprofit affiliate of the university that puts on the fest. Notably, Cds executive director Opeyemi Olukemi resigned last year. As reported by The Assembly, Olukemi, who took the role in 2021, was criticized as the Cds staff shrank and a bulk of...
It’s been five years since Full Frame, often referred to as “a filmmaker’s festival,” was held as an in-person event. Full Frame was held entirely online for the 2020–22 festivals due to Covid-19. Then in 2023 the festival was put on hold last year due to financial struggles and leadership turnover at Duke’s Center for Documentary Studies (Cds), a nonprofit affiliate of the university that puts on the fest. Notably, Cds executive director Opeyemi Olukemi resigned last year. As reported by The Assembly, Olukemi, who took the role in 2021, was criticized as the Cds staff shrank and a bulk of...
- 3/14/2024
- by Addie Morfoot
- Variety Film + TV
Exclusive: Sugarcane has become the latest big documentary deal out of the Sundance Film Festival.
Nat Geo has snapped up the doc, an investigation into abuse and missing children at an Indian residential school which ignites a reckoning on the nearby Sugarcane Reserve.
Deadline understands that the Disney-owned factual brand has struck a deal in the low seven-figures. The doc comes from filmmakers Julian Brave NoiseCat and Emily Kassie.
National Geographic Documentary Films will roll out Sugarcane at global festivals throughout the rest of the year and release it in theaters before its streaming debut on Disney+.
It is the latest deal out of Sundance for National Geographic Documentary Films; the company picked up Fire Of Love, which was nominated for Best Documentary Feature at the Oscars, out of the festival in 2022 as well as The Territory, which came from director Alex Pritz.
There were numerous documentary deals out of...
Nat Geo has snapped up the doc, an investigation into abuse and missing children at an Indian residential school which ignites a reckoning on the nearby Sugarcane Reserve.
Deadline understands that the Disney-owned factual brand has struck a deal in the low seven-figures. The doc comes from filmmakers Julian Brave NoiseCat and Emily Kassie.
National Geographic Documentary Films will roll out Sugarcane at global festivals throughout the rest of the year and release it in theaters before its streaming debut on Disney+.
It is the latest deal out of Sundance for National Geographic Documentary Films; the company picked up Fire Of Love, which was nominated for Best Documentary Feature at the Oscars, out of the festival in 2022 as well as The Territory, which came from director Alex Pritz.
There were numerous documentary deals out of...
- 2/21/2024
- by Peter White
- Deadline Film + TV
Over 60 films came into this year’s Sundance Film Festival looking for buyers, but many of the key players on the indie film market already had movies premiering in the festival, with many of those among the most commercial and star-studded movies making their debuts.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
Last year’s market was slow, especially for documentaries, but this year’s festival market was nothing but robust in 2024. We’re tracking everything that already has a home and will update this space throughout the month with every sale that comes in.
“Good One”
Section: U.S. Dramatic
Director: India Donaldson
Buyer: Metrograph Pictures
Cast: Lily Collias, James Le Gros, Danny McCarthy
Release Plans: Theatrical in Summer 2024
Buzz: India Donaldson’s “Good One” will be the first title acquired by Metrograph Pictures, as the company known for its film restorations and SVOD platform is now getting into theatrical distribution. And they picked a good one too.
- 2/13/2024
- by Brian Welk
- Indiewire
Angela Patton has dedicated her life to the empowerment of Black girls. As the CEO of the nonprofit organization Girls for a Change, which works to close opportunity gaps and mold future leaders, Patton devotes her time and energy to developing initiatives that meet the unique needs of her community — like Date with Dad, a program that fosters father-daughter bonding for families separated by the carceral system. Fathers in the program take part in therapy sessions before the final event: a daddy-daughter dance in which the men trade their state-issued clothing for semiformal attire and reunite with their daughters for a sweet moment of familial closeness.
After a 2012 TEDWomen talk about Date with Dad went viral, filmmaker Natalie Rae approached Patton about chronicling the program on camera. Patton agreed, and after eight years of filming, Daughters will be soon be available on Netflix. The critically acclaimed documentary premiered...
After a 2012 TEDWomen talk about Date with Dad went viral, filmmaker Natalie Rae approached Patton about chronicling the program on camera. Patton agreed, and after eight years of filming, Daughters will be soon be available on Netflix. The critically acclaimed documentary premiered...
- 2/5/2024
- by Roxanne Fequiere
- Tudum - Netflix
The Sundance documentary Daughters has landed at Netflix.
The feature follows four young girls as they prepare for a daddy-daughter dance, which is a chance to reunite with their incarcerated fathers as part of a fatherhood program in a Washington, D.C., prison. Daughters took home the audience award in the documentary competition and earned the festival favorite award.
Directors Angela Patton and Natalie Rae are behind the feature. Patton is the CEO of Girls for a Change, a nonprofit that launched the Date With Dad Program, which holds a dance for the daughters of men incarcerated in a D.C. prison. The documentary details a ten-week program the men enter upon in preparation for the dance, as well as the anticipation the girls feel for the big day.
“Daughters peaks an hour in with the father-daughter dance, which is astonishing and as potent as you could hope for. From the preparations for the dance,...
The feature follows four young girls as they prepare for a daddy-daughter dance, which is a chance to reunite with their incarcerated fathers as part of a fatherhood program in a Washington, D.C., prison. Daughters took home the audience award in the documentary competition and earned the festival favorite award.
Directors Angela Patton and Natalie Rae are behind the feature. Patton is the CEO of Girls for a Change, a nonprofit that launched the Date With Dad Program, which holds a dance for the daughters of men incarcerated in a D.C. prison. The documentary details a ten-week program the men enter upon in preparation for the dance, as well as the anticipation the girls feel for the big day.
“Daughters peaks an hour in with the father-daughter dance, which is astonishing and as potent as you could hope for. From the preparations for the dance,...
- 1/31/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Sundance documentaries are alive and well. And it looks like there’s some acquisition action this year, too. Which Sundance documentaries have the best shot at landing in Oscar contention this year? It helps to get bought early or to have an international footprint.
A rickety theatrical market for non-fiction features and a dwindling number of active documentary buyers meant that many Sundance 2023 films did not get picked up for distribution, or met serious delays before companies came through. As the top American film festival for docs, Sundance usually supplies as many as four out of the final five Oscar nominees each year.
And usually, by late summer, Oscar promotion is well underway. But last year, “Going to Mars: The Nikki Giovanni Project,” which was rumored to be an HBO Documentary Films pickup for months, wasn’t announced until August 29, when other Sundance grads had been campaigning all summer.
One...
A rickety theatrical market for non-fiction features and a dwindling number of active documentary buyers meant that many Sundance 2023 films did not get picked up for distribution, or met serious delays before companies came through. As the top American film festival for docs, Sundance usually supplies as many as four out of the final five Oscar nominees each year.
And usually, by late summer, Oscar promotion is well underway. But last year, “Going to Mars: The Nikki Giovanni Project,” which was rumored to be an HBO Documentary Films pickup for months, wasn’t announced until August 29, when other Sundance grads had been campaigning all summer.
One...
- 1/31/2024
- by Anne Thompson
- Indiewire
Netflix has confirmed its acquisition of Daughters, winner of Sundance’s Festival Favorite and Audience Award: US Documentary awards.
‘Daughters’: Sundance Review
Angela Patton and Natalie Rae co-directed the film, which follows four young girls as they prepare for a Daddy Daughter Dance with their incarcerated fathers as part of a prison fatherhood programme in Washington, D.C.
Lisa Mazzotta, Rae, Justin Benoliel, Mindy Goldberg, Sam Bisbee, Kathryn Everett, Laura Choi Raycroft, and James Cunningham served as producers. Kerry Washington Patton, and Joel Edgerton are among the executive producers.
This marks the third Netflix buy out of Sundance after...
‘Daughters’: Sundance Review
Angela Patton and Natalie Rae co-directed the film, which follows four young girls as they prepare for a Daddy Daughter Dance with their incarcerated fathers as part of a prison fatherhood programme in Washington, D.C.
Lisa Mazzotta, Rae, Justin Benoliel, Mindy Goldberg, Sam Bisbee, Kathryn Everett, Laura Choi Raycroft, and James Cunningham served as producers. Kerry Washington Patton, and Joel Edgerton are among the executive producers.
This marks the third Netflix buy out of Sundance after...
- 1/31/2024
- ScreenDaily
Natalie Rae and Angela Patton’s “Daughters,” an acclaimed documentary about a program that allows young girls to participate in a special dance with their incarcerated fathers, is finalizing a sale to Netflix. If the deal closes, it is expected to be in the seven-figure range. It was a competitive situation with at least three companies circling the picture.
“Daughters” premiered at this year’s Sundance Film Festival, where it won the Audience Award in Documentary Competition and was named overall Festival Favorite. The film took eight years to produce.
In a rave review in Variety, Lisa Kennedy praised “Daughters,” writing that the film adds “depth and dimension to stories of incarceration.” Kennedy added: “The film is rife with visually lyrical moments that connect viewers with the young ones’ sorrows, fears, insights and hopes. In the hands of the directors, cinematographer Michael Cambio Fernandez and editors Troy Lewis and Adelina Bichis,...
“Daughters” premiered at this year’s Sundance Film Festival, where it won the Audience Award in Documentary Competition and was named overall Festival Favorite. The film took eight years to produce.
In a rave review in Variety, Lisa Kennedy praised “Daughters,” writing that the film adds “depth and dimension to stories of incarceration.” Kennedy added: “The film is rife with visually lyrical moments that connect viewers with the young ones’ sorrows, fears, insights and hopes. In the hands of the directors, cinematographer Michael Cambio Fernandez and editors Troy Lewis and Adelina Bichis,...
- 1/30/2024
- by Brent Lang and Angelique Jackson
- Variety Film + TV
Back at the 2023 Sundance Film Festival, Celine Song’s debut feature, “Past Lives,” premiered to rave reviews and early speculation about its awards chances. That turned out to be prescient. One year later, “Past Lives” is a 2024 Oscars Best Picture nominee, while Song is a nominee for Best Original Screenplay. So with the 2024 Sundance Film Festival at its end, what better time than now to speculate about what next year’s “Past Lives” will be? Whether anything on 2024’s Sundance roster can scale those heights is up for debate, but plenty of promising titles could compete for acting and screenplay prizes. The documentary lineup was robust this year, which makes sense: Six of the last 10 Best Documentary Feature Film winners got their start at Sundance.
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
Below is a sample of Sundance highlights that could be award contenders this time next year.
Narrative features
“Between the Temples”: It’s hard to fathom,...
- 1/29/2024
- by Matthew Jacobs
- Gold Derby
Updated throughout with new buys. Despite some initial trepidation, big sales were not in short supply at this year’s Sundance Film Festival, with Netflix spending big on everything from “It’s What’s Inside” to “Skywalkers: A Love Story,” Searchlight Pictures going for “A Real Pain,” Amazon MGM getting in on the “My Old Ass” action, Neon wisely snapping up “Presence,” and Sony Pictures Classics getting down with “Kneecap”, but that doesn’t mean there aren’t plenty of superior films still looking for homes.
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
Of the still-for-sale titles that premiered at this year’s festival, there’s plenty to intrigue all sorts of buyers, from those looking for films with excellent performances that could inspire major awards pushes (like Saoirse Ronan in “The Outrun”), those in search of the next big director, or documentary lovers looking for films with incredible real world impact and fascinating true stories.
And while it’s still early days,...
- 1/29/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
The Sundance Film Festival has wrapped in snowy Park City, and Deadline was on the ground to watch all of the key films. Here is a compilation of our reviews from the fest, which include festival award winners like Daughters, the documentary that took the Festival Favorite Award, and A Real Pain, which won the Waldo Salt Screenwriter Award for its writer-director-star Jesse Eisenberg.
Other pics include several that were scooped up by distributors, led by Steven Soderbergh’s ghost story Presence selling to Neon, A Real Pain going to Searchlight, Ghostlight to IFC Films, and Netflix’s smash $17 million deal for It’s What’s Inside.
Check out the reviews below, click on the titles to read them in full, and keep checking back as we add more.
The American Society of Magical Negroes (L-r) Justice Smith and David Alan Grier in ‘The American Society of Magical Negroes’
Section: Premieres
Director-screenwriter: Kobi Libii
Cast: Justice Smith,...
Other pics include several that were scooped up by distributors, led by Steven Soderbergh’s ghost story Presence selling to Neon, A Real Pain going to Searchlight, Ghostlight to IFC Films, and Netflix’s smash $17 million deal for It’s What’s Inside.
Check out the reviews below, click on the titles to read them in full, and keep checking back as we add more.
The American Society of Magical Negroes (L-r) Justice Smith and David Alan Grier in ‘The American Society of Magical Negroes’
Section: Premieres
Director-screenwriter: Kobi Libii
Cast: Justice Smith,...
- 1/29/2024
- by Damon Wise, Valerie Complex and Pete Hammond
- Deadline Film + TV
Daughters is Natalie Rae and Angela Patton’s odyssey documenting Patton’s program that empowers girls of incarcerated men yields insight through the subjects themselves — carefree tweens enjoying their chance to just be kids.
Aubrey, Santana, Raziah and Ja’Ana open up on camera about cherishing lifelong connections to jailed fathers some rarely visit. Their reflections on maintaining hope with imperfect parental bonds defy assumptions around what families touched by long-term sentences or flawed rehabilitation systems need most. Moments defending and questioning their dads in the same breath showcase conflicting loyalties beyond most youths’ years.
The lens of Daughters hands the mic to the girls at its center. Rather than a parade of expositional interviews, we witness the girls of varying ages and their suppression of anger over feeling deprived of fatherly support. Their vulnerability and confusion rings out through self-aware proclamations far beyond childhood. The emotional aftermath also means...
Aubrey, Santana, Raziah and Ja’Ana open up on camera about cherishing lifelong connections to jailed fathers some rarely visit. Their reflections on maintaining hope with imperfect parental bonds defy assumptions around what families touched by long-term sentences or flawed rehabilitation systems need most. Moments defending and questioning their dads in the same breath showcase conflicting loyalties beyond most youths’ years.
The lens of Daughters hands the mic to the girls at its center. Rather than a parade of expositional interviews, we witness the girls of varying ages and their suppression of anger over feeling deprived of fatherly support. Their vulnerability and confusion rings out through self-aware proclamations far beyond childhood. The emotional aftermath also means...
- 1/29/2024
- by Valerie Complex
- Deadline Film + TV
That’s almost a wrap, folks, as this year’s Sundance Film Festival concludes its eleven-day run tomorrow. While Team IndieWire has already decamped back to their various home bases (eleven is a lot of days), we’re all still enjoying what this year’s festival has to offer through both its virtual screening platform and our already-fond memories of the best films we saw at this year’s festival.
And what films are those, you might ask? We’re all too happy to share, care of the following list of 17 standout features from this year’s festival, hereby termed the best of the fest. The following list includes over a dozen films one IndieWire staffer really wanted to highlight. Narratives and documentaries, first-time filmmakers and old favorites, comedies, dramas, horror films, and so much more, this list also captures the breadth of filmmaking prowess put on display at this year’s festival.
And what films are those, you might ask? We’re all too happy to share, care of the following list of 17 standout features from this year’s festival, hereby termed the best of the fest. The following list includes over a dozen films one IndieWire staffer really wanted to highlight. Narratives and documentaries, first-time filmmakers and old favorites, comedies, dramas, horror films, and so much more, this list also captures the breadth of filmmaking prowess put on display at this year’s festival.
- 1/27/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
Watching Brendan Bellomo and Slava Leontyev’s visually confident, intellectually insecure documentary Porcelain War is like listening to a recitation from a brilliant poet while somebody sitting next to you is whispering what the poems are actually about. And the person sitting next to you explaining what the poet is trying to say is… twist… also the poet!
There’s a great deal of beauty in Porcelain War and there’s a potent artistry behind it, but I’ve never watched a documentary with so many running visual metaphors and so little faith that the audience will be able to grasp them. It’s a bit stunning and a bit insulting all at once. That it often tends more toward the former explains its top award in the U.S. Documentary Competition at this year’s Sundance Film Festival.
The documentary is the story of Slava (the co-director) and Anya,...
There’s a great deal of beauty in Porcelain War and there’s a potent artistry behind it, but I’ve never watched a documentary with so many running visual metaphors and so little faith that the audience will be able to grasp them. It’s a bit stunning and a bit insulting all at once. That it often tends more toward the former explains its top award in the U.S. Documentary Competition at this year’s Sundance Film Festival.
The documentary is the story of Slava (the co-director) and Anya,...
- 1/27/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
The Sundance Film Festival announced its 2024 winners on January 26, two days before the festival’s end date. The Awards Ceremony took place at The Ray Theater in Park City, Utah. This year marks its 40th annual festival run taking place from January 18 to January 28.
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
In the Summer, a film director Alessandra Lacorazza, won the top honor, U.S. Grand Jury Prize, starring Lio Mehiel.
Last year, Mehiel told uInterview exclusively about the importance of trans representation.
“Whenever there is an uptick of queer or trans representation in the media, there is an equal and perhaps greater response from the other side … that are looking to suppress trans rights, trans agency [and] queer liberation,” Mehiel told uInterview founder Erik Meers. “While in Hollywood we are seeing trans representation and this film is able to be part of that movement, this film is more important now than ever because even just in Utah,...
- 1/27/2024
- by Ann Hoang
- Uinterview
A still from In ‘The Summers’ by Alessandra Lacorazza (Courtesy of Sundance Institute.)
In the Summers took home the U.S. Grand Jury Prize: Dramatic and Porcelain War was named the U.S. Grand Jury Prize: Documentary winner at the 2024 Sundance Film Festival. Sujo and A New Kind of Wilderness were also recognized with Grand Jury Prizes during the awards ceremony held on February 26, 2024 at The Ray Theatre in Park City, Utah.
Daughters, directed by Angela Patton and Natalie Rae, was named the Festival Favorite Award winner and also received the Audience Award: U.S. Documentary.
“This year was especially meaningful to all of us for being the 40th edition of the Sundance Film Festival,” stated Joana Vicente, Sundance Institute CEO. “We congratulate all of our artists in the program this year for their contributions to an incredible slate and Festival experience. Something we were pleasantly surprised by was how...
In the Summers took home the U.S. Grand Jury Prize: Dramatic and Porcelain War was named the U.S. Grand Jury Prize: Documentary winner at the 2024 Sundance Film Festival. Sujo and A New Kind of Wilderness were also recognized with Grand Jury Prizes during the awards ceremony held on February 26, 2024 at The Ray Theatre in Park City, Utah.
Daughters, directed by Angela Patton and Natalie Rae, was named the Festival Favorite Award winner and also received the Audience Award: U.S. Documentary.
“This year was especially meaningful to all of us for being the 40th edition of the Sundance Film Festival,” stated Joana Vicente, Sundance Institute CEO. “We congratulate all of our artists in the program this year for their contributions to an incredible slate and Festival experience. Something we were pleasantly surprised by was how...
- 1/26/2024
- by Rebecca Murray
- Showbiz Junkies
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
Sundance announced its winners on Friday morning, with Alessandra Lacorazza’s In The Summers took the U.S. Grand Jury Prize: Dramatic and Brendan Bellomo’s Porcelain War the U.S. Grand Jury Prize: Documentary.
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
Silje Evensmo Jacobsen’s A New Kind Of Wilderness won the World Cinema Grand Jury Prize: Documentary, while Astrid Rondero and Fernanda Valadez earned the corresponding world cinema dramatic prize for Sujo.
The pair collaborated as writers on the 2020 World Cinema – Dramatic prize winner Identifying Features directed by Valadez.
The Festival Favorite Award went to Daughters by Angela Patton and Natalie Rae, whose film also...
- 1/26/2024
- ScreenDaily
The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S. Dramatic and the Directing Award in that category; Sean Wang’s “Didi,” and Angela Patton and Natalie Rae’s “Daughters.” “Didi” took the Audience Awards in the U.S.
Continue reading ‘In The Summers,’ Didi,’ & ‘Daughters’ Top 2024 Sundance Film Festival Awards at The Playlist.
Continue reading ‘In The Summers,’ Didi,’ & ‘Daughters’ Top 2024 Sundance Film Festival Awards at The Playlist.
- 1/26/2024
- by Gregory Ellwood
- The Playlist
The 2024 Sundance Film Festival awards ceremony revealed winners Friday honoring the best of this year’s lineup in Park City.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
The U.S. Dramatic Grand Jury prize went to Alessandra Lacorazza’s In the Summers, about two sisters who navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, Nm. Lacorazza also won a special jury prize for directing.
See the full list of winners below.
Other Grand Jury winners unveiled today in the ceremony at the Ray Theatre included Porcelain War in the U.S. Documentary competition, A New Kind of Wilderness in the World Cinema Documentary competition, and Sujo in the World Cinema Dramatic competition.
Angela Patton and Natalie Rae’s documentary Daughters received the Festival Favorite Award, which Park City audiences select across all new feature films presented at the festival, as well as the Audience Award for the U.
- 1/26/2024
- by Anthony D'Alessandro and Patrick Hipes
- Deadline Film + TV
A striking film that evokes a wave of emotions, Natalie Rae and Angela Patton’s Daughters is another picture––à la Rudy Valdez’s The Sentence, Garrett Bradley’s Time, and Zara Katz and Lisa Riordan Seville’s A Women on the Outside––focusing directly on the impact prison sentences have on families. All three films discuss the direct and indirect costs of keeping in touch with loved ones “inside,” from visiting far-flung facilities across the state or country to the exorbitant rates charged by companies (e.g. Secures Technologies) for video visits and emails. Daughters is an oft-poetic look at the impact this separation has on four girls, ages five to 15: Aubrey, Santana, Ja’Anna, and Raziah.
Early on we learn from Clinique Chapman, a prison social worker overseeing this project, that a group of girls have petitioned the local sheriff overseeing the prison in Washington, DC, for...
Early on we learn from Clinique Chapman, a prison social worker overseeing this project, that a group of girls have petitioned the local sheriff overseeing the prison in Washington, DC, for...
- 1/26/2024
- by John Fink
- The Film Stage
The 2024 Sundance Film Festival awards were announced today at The Ray Theatre in Park City, Utah.
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
See the list of 2024 winners below, and congrats to all the winners.
Festival Favorite Award
Daughters (USA) – Angela Patton and Natalie Rae
U.S. Dramatic Competition
Grand Jury Prize
In the Summers (USA) – Alessandra Lacorazza
Directing Award
In the Summers (USA) – Alessandra Lacorazza
The Waldo Salt Screenwriting Award
A Real Pain – Jesse Eisenberg
Special Jury Award for Breakthrough Performance
Suncoast (USA) – Nico Parker
Special Jury Award for Best Ensemble
Dìdi – Sean Wang
Audience Award
Dìdi – Sean Wang
U.S. Documentary Competition
Grand Jury Prize
Porcelain War – Brendan Bellomo and Slava Leontyev
Directing Award
Sugarcane – Julian Brave NoiseCat and Emily Kassie
Special Jury Award for Sound
Gaucho Gaucho (USA, Argentina) – Michael Dweck and Gregory Kershaw
Special Jury Award for The Art of Change
Union (USA) – Stephen Maing and Brett Story
Jonathan Oppenheim Editing Award
Frida...
- 1/26/2024
- by Prem
- Talking Films
The 2024 Sundance Film Festival winners are in, with films like “In the Summers,” “Didi,” and “Daughters” dominating across the categories. “In the Summers” filmmaker Alessandra Lacorazza, whose film centers on a fractured family in New Mexico, also won the Directing prize in U.S. Dramatic.
On Friday, January 26, the winners of juried prizes were shared out of the competition sections, including the U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition, and the Next lineup.
The 2024 Sundance jury consisted of 16 filmmakers and artists across all sections, with the U.S. Dramatic Competition jury made up of “Winter’s Bone” director/co-writer Debra Granik, “Shortcomings” screenwriter Adrian Tomine, and “Master of None” producer Lena Waithe.
“Navalny” producer Shane Boris, “The Disappearance of Shere Hite” director Nicole Newnham, and “The Sentence” director Rudy Valdez serve on the U.S. Documentary Competition jury, with “The Babadook” director Jennifer Kent,...
On Friday, January 26, the winners of juried prizes were shared out of the competition sections, including the U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition, and the Next lineup.
The 2024 Sundance jury consisted of 16 filmmakers and artists across all sections, with the U.S. Dramatic Competition jury made up of “Winter’s Bone” director/co-writer Debra Granik, “Shortcomings” screenwriter Adrian Tomine, and “Master of None” producer Lena Waithe.
“Navalny” producer Shane Boris, “The Disappearance of Shere Hite” director Nicole Newnham, and “The Sentence” director Rudy Valdez serve on the U.S. Documentary Competition jury, with “The Babadook” director Jennifer Kent,...
- 1/26/2024
- by Samantha Bergeson and Ryan Lattanzio
- Indiewire
An enormously moving documentary made all the more effective by co-directors Angela Patton and Natalie Rae’s steadfast refusal to settle for easy sentiment in the face of difficult outcomes, “Daughters” has as much ugly-cry potential as any film in recent memory. But the most lasting power of this film about a unique father-daughter dance for D.C.-area Black girls whose fathers are in jail comes in a final act that wipes those tears away to examine the hurt they leave behind.
Like Garrett Bradley’s similarly lilting and delicate “Time” before it, “Daughters” conveys the destructive inhumanity of America’s prison system by pointing our attention toward its collateral victims: in this case, the children denied a meaningful relationship with their dads. “Daughters” doesn’t absolve the inmates of their role in that process, but it also doesn’t tell us what they’ve done to deserve their sentences.
Like Garrett Bradley’s similarly lilting and delicate “Time” before it, “Daughters” conveys the destructive inhumanity of America’s prison system by pointing our attention toward its collateral victims: in this case, the children denied a meaningful relationship with their dads. “Daughters” doesn’t absolve the inmates of their role in that process, but it also doesn’t tell us what they’ve done to deserve their sentences.
- 1/25/2024
- by David Ehrlich
- Indiewire
In “Daughters,” a group of men gathers in a sunny, brightly hued prison meeting room. Each man wears an orange jumpsuit and has signed on for a 10-week course about fatherhood with life coach Chad Morris in directors Natalie Rae and Angela Patton’s entrancing documentary, debuting at the Sundance Film Festival. The body language in the room is instructive, not least because it will change over time. Show-me postures will give way to leaning in. Crickets become questions and confessions as the day nears when the men will attend a dance and luncheon in the repurposed prison gymnasium, reunited with the daughters from whom they’ve been separated.
As interesting as the goings-on in that prison room will be, the stars of “Daughters” are the titular girls: Aubrey Smith, 5, Santana Stewart, 10, Ja’Ana Crudup, 11, and Raziah Lewis, 15. “One thing I know from working over a decade with girls is they know what they need,...
As interesting as the goings-on in that prison room will be, the stars of “Daughters” are the titular girls: Aubrey Smith, 5, Santana Stewart, 10, Ja’Ana Crudup, 11, and Raziah Lewis, 15. “One thing I know from working over a decade with girls is they know what they need,...
- 1/23/2024
- by Lisa Kennedy
- Variety Film + TV
Angela Patton and Natalie Rae’s Daughters targets viewers squarely and simultaneously in the head and the heart, succeeding much more effectively at the latter, presumably with the hope that the former will follow.
It isn’t ineffective. It’s a documentary that is almost certain to make viewers cry — not from sadness, but from a surplus of complicated emotions — with a crescendo two-thirds of the way through that’s rather devastating. The key points of advocacy are more complicated, and while they come through, a series of questionable decisions regarding structure and aesthetics makes it perhaps less effective than it could be.
Patton, the CEO of Girls for a Change, established the Date With Dad program, where the daughters of inmates at a D.C. prison and their fathers are brought together for a dance.
“Our daddies are our mirrors that we reflect back on when we decide about...
It isn’t ineffective. It’s a documentary that is almost certain to make viewers cry — not from sadness, but from a surplus of complicated emotions — with a crescendo two-thirds of the way through that’s rather devastating. The key points of advocacy are more complicated, and while they come through, a series of questionable decisions regarding structure and aesthetics makes it perhaps less effective than it could be.
Patton, the CEO of Girls for a Change, established the Date With Dad program, where the daughters of inmates at a D.C. prison and their fathers are brought together for a dance.
“Our daddies are our mirrors that we reflect back on when we decide about...
- 1/23/2024
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
By Monday afternoon, the buzz hit Main Street: the Seinfelds have arrived at the Sundance Film Festival.
The superstar comedian accompanied his wife, Jessica Seinfeld, to Park City for the world premiere of her Sundance documentary Daughters, held just after noon Monday at the Ray Theatre. And what an event it proved to be. “Daughters received multiple standing ovations at our sold-out premiere today,” Jessica shared on Instagram Stories along with a video showing a packed crowd on its feet. The film marks the entrepreneur, author and philanthropist’s first feature film.
Daughters, directed by Angela Patton and Natalie Rae, focuses a lens on four young girls — Aubrey, Santana, Raziah and Ja’Ana — as they prep for a special daddy-daughter dance with their incarcerated fathers as part of a unique program in a Washington D.C. jail. Per Sundance literature, Daughters is a result of an eight-year doc journey for its filmmakers.
The superstar comedian accompanied his wife, Jessica Seinfeld, to Park City for the world premiere of her Sundance documentary Daughters, held just after noon Monday at the Ray Theatre. And what an event it proved to be. “Daughters received multiple standing ovations at our sold-out premiere today,” Jessica shared on Instagram Stories along with a video showing a packed crowd on its feet. The film marks the entrepreneur, author and philanthropist’s first feature film.
Daughters, directed by Angela Patton and Natalie Rae, focuses a lens on four young girls — Aubrey, Santana, Raziah and Ja’Ana — as they prep for a special daddy-daughter dance with their incarcerated fathers as part of a unique program in a Washington D.C. jail. Per Sundance literature, Daughters is a result of an eight-year doc journey for its filmmakers.
- 1/23/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Filmed over a remarkable eight years, Natalie Rae and Angela Patton’s Sundance-premiering Daughters is an on-the-ground (and behind the bars) look at the preparations — physical, mental and above all emotional — leading up to the DC-jail-based Daddy Daughter Dance, the culmination of a fatherhood program for the incarcerated. Following Aubrey, Santana, Raziah, and Ja’Ana — four “at-promise” girls ranging from tiny to teenage — and the respective dads who are desperate to bond with them (and are serving sentences that likewise range in years) the doc is every bit as inspiring as one would expect from a co-director (Patton) […]
The post “There Was No Backup Plan Other Than We’d Make It Happen Somehow”: Natalie Rae and Angela Patton on Their Sundance-Debuting Daughters first appeared on Filmmaker Magazine.
The post “There Was No Backup Plan Other Than We’d Make It Happen Somehow”: Natalie Rae and Angela Patton on Their Sundance-Debuting Daughters first appeared on Filmmaker Magazine.
- 1/22/2024
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Filmed over a remarkable eight years, Natalie Rae and Angela Patton’s Sundance-premiering Daughters is an on-the-ground (and behind the bars) look at the preparations — physical, mental and above all emotional — leading up to the DC-jail-based Daddy Daughter Dance, the culmination of a fatherhood program for the incarcerated. Following Aubrey, Santana, Raziah, and Ja’Ana — four “at-promise” girls ranging from tiny to teenage — and the respective dads who are desperate to bond with them (and are serving sentences that likewise range in years) the doc is every bit as inspiring as one would expect from a co-director (Patton) […]
The post “There Was No Backup Plan Other Than We’d Make It Happen Somehow”: Natalie Rae and Angela Patton on Their Sundance-Debuting Daughters first appeared on Filmmaker Magazine.
The post “There Was No Backup Plan Other Than We’d Make It Happen Somehow”: Natalie Rae and Angela Patton on Their Sundance-Debuting Daughters first appeared on Filmmaker Magazine.
- 1/22/2024
- by Lauren Wissot
- Filmmaker Magazine - Blog
In 2013, Angela Patton gave a TEDWomen talk that described a father-daughter dance for incarcerated dads and their daughters. That talk was viewed over a million times and inspired the documentary “Daughters,” which has its world premiere Monday at the Sundance Film Festival.
In the film, Patton, who in the past decade has helped arrange approximately 15 Daddy Daughter Dances across the nation, and co-director Natalie Rae follow four young girls preparing for the event with their fathers in a prison in Washington, D.C. For some of the girls, the dance will be the only time they can touch or hug their fathers during sentences, some of which are as long as 20 years. The docu capture the girls as they get ready for the dance, while also filming the incarcerated fathers as they attend a part of the 12-week program within the jail that is meant to strengthen their relationship with their daughters.
In the film, Patton, who in the past decade has helped arrange approximately 15 Daddy Daughter Dances across the nation, and co-director Natalie Rae follow four young girls preparing for the event with their fathers in a prison in Washington, D.C. For some of the girls, the dance will be the only time they can touch or hug their fathers during sentences, some of which are as long as 20 years. The docu capture the girls as they get ready for the dance, while also filming the incarcerated fathers as they attend a part of the 12-week program within the jail that is meant to strengthen their relationship with their daughters.
- 1/21/2024
- by Addie Morfoot
- Variety Film + TV
Kerry Washington joined the Variety Studio presented by Audible at the Sundance Film Festival, where she is an executive producer on the documentary “Daughters.” The movie centers on four girls in Washington D.C. as they prepare for a Daddy Daughter Dance with their incarcerated fathers.
“People always ask me why I’m drawn to political work,” Washington said about boarding the documentary. “I’m not drawn to political work. It’s just I am a woman and I am a Black person. In this body, when I center stories about me or stories that star people that look like me, it’s considered political because the world wants to push us out into the margins and we all deserve to be at the center of our lives.”
“A story like this that centers people that society often ignores — incarcerated fathers and young Black woman — that’s so important to us,...
“People always ask me why I’m drawn to political work,” Washington said about boarding the documentary. “I’m not drawn to political work. It’s just I am a woman and I am a Black person. In this body, when I center stories about me or stories that star people that look like me, it’s considered political because the world wants to push us out into the margins and we all deserve to be at the center of our lives.”
“A story like this that centers people that society often ignores — incarcerated fathers and young Black woman — that’s so important to us,...
- 1/20/2024
- by Zack Sharf
- Variety Film + TV
Exclusive: Actress Kerry Washington is boarding the Sundance documentary Daughters as an executive producer, joining a roster of EPs that includes fellow actor Joel Edgerton, and author-philanthropist Jessica Seinfeld, wife of comedian Jerry Seinfeld.
The film directed by Angela Patton and Natalie Rae focuses on four young girls as they prepare “for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.” Daughters premieres in U.S. Documentary Competition on Monday.
‘Daughters’
“A moving lesson in empathy and forgiveness, Daughters is a result of an eight-year documentary journey that filmmaker Natalie Rae and Angela Patton, an activist advocating for ‘at-promise’ girls, embarked upon,” notes the Sundance program. “As Aubrey, Santana, Raziah, and Ja’Ana get ready for the special event, they speak candidly about their hopes, dreams, and disappointments. There is an innate wisdom and honesty to what...
The film directed by Angela Patton and Natalie Rae focuses on four young girls as they prepare “for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.” Daughters premieres in U.S. Documentary Competition on Monday.
‘Daughters’
“A moving lesson in empathy and forgiveness, Daughters is a result of an eight-year documentary journey that filmmaker Natalie Rae and Angela Patton, an activist advocating for ‘at-promise’ girls, embarked upon,” notes the Sundance program. “As Aubrey, Santana, Raziah, and Ja’Ana get ready for the special event, they speak candidly about their hopes, dreams, and disappointments. There is an innate wisdom and honesty to what...
- 1/19/2024
- by Matthew Carey
- Deadline Film + TV
Hollywood decamps for Park City this week, braving snow drifts and thin air in a quest to find the next indie breakouts, Oscar contenders and buzzy horror hits.
Yes, Sundance has returned in all its mountain-side glory, and with it comes the expectation that with enough tenacity and some big checks, studios and streamers will land the next “Little Miss Sunshine,” “Brooklyn,” “Manchester by the Sea” or “The Big Sick” (to rattle off just a few of the festival films that have sparked all-night bidding wars).
Of course, not every heated battle for the next big Sundance-bred hit leads to commercial success and Oscar glory (“Hamlet 2” or “Me and Earl and the Dying Girl” know a bit about that). Even some of the 2023 films that landed major deals, such as John Carney’s “Flora and Son” or the Anne Hathaway-led “Eileen,” received a muted reception when they made...
Yes, Sundance has returned in all its mountain-side glory, and with it comes the expectation that with enough tenacity and some big checks, studios and streamers will land the next “Little Miss Sunshine,” “Brooklyn,” “Manchester by the Sea” or “The Big Sick” (to rattle off just a few of the festival films that have sparked all-night bidding wars).
Of course, not every heated battle for the next big Sundance-bred hit leads to commercial success and Oscar glory (“Hamlet 2” or “Me and Earl and the Dying Girl” know a bit about that). Even some of the 2023 films that landed major deals, such as John Carney’s “Flora and Son” or the Anne Hathaway-led “Eileen,” received a muted reception when they made...
- 1/18/2024
- by Brent Lang, Rebecca Rubin and Matt Donnelly
- Variety Film + TV
No one quite knows what to expect of the 40th edition of the Sundance Film Festival, the first major fest following the end of the dual Hollywood strikes.
The strikes, which stopped production during the months when many Sundance features normally film, have had some impact on the lineup of U.S.-produced titles, with insiders noting that many titles needed some more time, post-strikes, to finish production than the Sundance submissions deadlines allowed. A slimmed U.S. Dramatic Competition section is now 10 films, down from 13.
As for sales, a top agent pegs this year’s market as landing “somewhere between last year’s Sundance and this year’s Toronto.” That is to say, there likely will be several big sellers like Chloe Domont’s Fair Play (Sundance) and Richard Linklater’s Hitman (Toronto), both of which landed at Netflix in big eight-figure deals, followed by a long tail of...
The strikes, which stopped production during the months when many Sundance features normally film, have had some impact on the lineup of U.S.-produced titles, with insiders noting that many titles needed some more time, post-strikes, to finish production than the Sundance submissions deadlines allowed. A slimmed U.S. Dramatic Competition section is now 10 films, down from 13.
As for sales, a top agent pegs this year’s market as landing “somewhere between last year’s Sundance and this year’s Toronto.” That is to say, there likely will be several big sellers like Chloe Domont’s Fair Play (Sundance) and Richard Linklater’s Hitman (Toronto), both of which landed at Netflix in big eight-figure deals, followed by a long tail of...
- 1/18/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Variety is returning to the Sundance Film Festival this year with its annual Interview Studio, presented by Audible, the leading creator and provider of premium audio storytelling. Throughout the festival, videos from the interview studio will be distributed across Variety.com as well as Variety and Audible’s social media channels.
Beginning Friday, January 19, running through Sunday, January 21, the Variety Studio, presented by Audible, will feature interviews with industry-leading directors and top talent from the films premiering at the Sundance Film Festival. Confirmed talent includes Jesse Eisenberg, Kieran Culkin (“A Real Pain”); Jodie Foster, Alex Hedison, Alok Vaid-Menon (“Alok”); Lionel Richie, Bao Nguyen, Julia Nottingham (“The Greatest Night in Pop”); Kerry Washington, Angela Patton, Natalie Rae (“Daughters”); June Squibb, Fred Hechinger, Clark Gregg, Josh Margolin (“Thelma”); Anna Fleck, Ryan Boden, Pedro Pascal, Jay Ellis, Normani, Dominique Thorn, Ji-Young Yoo, Jack Champion (“Freaky Tales”); Richard Linklater, Glen Powell (“Hit Man”); Susanna Fogel,...
Beginning Friday, January 19, running through Sunday, January 21, the Variety Studio, presented by Audible, will feature interviews with industry-leading directors and top talent from the films premiering at the Sundance Film Festival. Confirmed talent includes Jesse Eisenberg, Kieran Culkin (“A Real Pain”); Jodie Foster, Alex Hedison, Alok Vaid-Menon (“Alok”); Lionel Richie, Bao Nguyen, Julia Nottingham (“The Greatest Night in Pop”); Kerry Washington, Angela Patton, Natalie Rae (“Daughters”); June Squibb, Fred Hechinger, Clark Gregg, Josh Margolin (“Thelma”); Anna Fleck, Ryan Boden, Pedro Pascal, Jay Ellis, Normani, Dominique Thorn, Ji-Young Yoo, Jack Champion (“Freaky Tales”); Richard Linklater, Glen Powell (“Hit Man”); Susanna Fogel,...
- 1/17/2024
- by William Earl
- Variety Film + TV
After three years of virtual and hybrid event offerings, the Sundance Film Festival is set to celebrate its fortieth anniversary with its most robust in-person edition of the festival since the beginning of the Covid-19 pandemic. While online offerings will still be available to those who wish to participate from home, with the official online viewing window opening on Thursday, January 25. That lineup will include at-home screenings of the five competition sections (including Next).
On the ground, however, seems like the place to be. As ever, this year’s festival boasts a wide variety of new films from some of our favorite filmmakers, plus an assortment of rising stars, new talents to keep an eye on, and perhaps a few surprises.
This year’s program includes new films from Steven Soderbergh, Debra Granik, David and Nathan Zellner, Richard Linklater, Lana Wilson, Amanda McBaine and Jesse Moss, Dawn Porter, Ryan Fleck and Anna Boden,...
On the ground, however, seems like the place to be. As ever, this year’s festival boasts a wide variety of new films from some of our favorite filmmakers, plus an assortment of rising stars, new talents to keep an eye on, and perhaps a few surprises.
This year’s program includes new films from Steven Soderbergh, Debra Granik, David and Nathan Zellner, Richard Linklater, Lana Wilson, Amanda McBaine and Jesse Moss, Dawn Porter, Ryan Fleck and Anna Boden,...
- 1/11/2024
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
Subject Matter will award a grant of $25,000 to “Daughters” by Angela Patton and Natalie Rae. The documentary will have its world premiere in the U.S. Documentary Competition at the 2024 Sundance Film Festival. The nonprofit organization Girls For A Change, led by Patton, will also receive a $20,000 grant.
“The ‘Daughters’ documentary has been an 8-year journey, and every day of hard work and dedication has been worth it,” Patton said in a statement.
The grant from Subject Matter will help with the film reach more audiences. Per the release, “Daughters” tells the story of “four young girls as they prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C. jail.”
“The wisdom of these girls — a sense of healing for themselves that can transcend to their fathers, is at the core of this film. Whether they have...
“The ‘Daughters’ documentary has been an 8-year journey, and every day of hard work and dedication has been worth it,” Patton said in a statement.
The grant from Subject Matter will help with the film reach more audiences. Per the release, “Daughters” tells the story of “four young girls as they prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C. jail.”
“The wisdom of these girls — a sense of healing for themselves that can transcend to their fathers, is at the core of this film. Whether they have...
- 1/10/2024
- by Caroline Brew
- Variety Film + TV
Exhibiting Forgiveness.The Sundance Institute has announced the films selected for their 2024 Festival, which will take place January 18-28, 2024, in person in Utah. A selection of the films are available online across the U.S. from January 25-28.U.S. Dramatic COMPETITIONBetween the Temples (Nathan Silver): A cantor in a crisis of faith finds his world turned upside down when his grade school music teacher reenters his life as his new adult bat mitzvah student. World Premiere. DìDi (弟弟) (Sean Wang): In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom. World Premiere. Exhibiting Forgiveness (Titus Kaphar): Utilizing his paintings to find freedom from his past, a Black artist on the path to success is derailed by an unexpected visit from his estranged father,...
- 12/13/2023
- MUBI
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