Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Makeup and Hairstyling “Poor Things” – Willem Dafoe
Weekly Commentary: Another deathmatch between two movies — Bradley Cooper’s Leonard Bernstein biopic “Maestro” and Yorgos Lanthimos’ sci-fi comedy “Poor Things.”
“Maestro” won big at the Makeup and Hair guild while “Poor Things” took home the BAFTA prize.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best Achievement in Makeup and Hairstyling “Poor Things” – Willem Dafoe
Weekly Commentary: Another deathmatch between two movies — Bradley Cooper’s Leonard Bernstein biopic “Maestro” and Yorgos Lanthimos’ sci-fi comedy “Poor Things.”
“Maestro” won big at the Makeup and Hair guild while “Poor Things” took home the BAFTA prize.
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
“Maestro” (Netflix) is the one to beat at this point for the remarkable transformation of Bradley Cooper as legendary conductor/composer Leonard Bernstein, but also in the running are “Barbie” (Warner Bros.), “Priscilla” (A24), “Poor Things” (Searchlight), and “Oppenheimer” (Universal).
Other Oscar hopefuls include “The Color Purple” (Warner Bros.), “The Exorcist: Believer” (Universal), “Napoleon” (Apple TV+/Sony Pictures), “The Little Mermaid” (Disney), “Guardians of the Galaxy Vol. 3” (Marvel/Disney), “Killers of the Flower Moon” (Apple TV+/Paramount), “Wonka” (Warner Bros.), and “Saltburn” (Amazon/MGM).
Oscar-winning prosthetic makeup guru Kazu Hiro...
The State of the Race
“Maestro” (Netflix) is the one to beat at this point for the remarkable transformation of Bradley Cooper as legendary conductor/composer Leonard Bernstein, but also in the running are “Barbie” (Warner Bros.), “Priscilla” (A24), “Poor Things” (Searchlight), and “Oppenheimer” (Universal).
Other Oscar hopefuls include “The Color Purple” (Warner Bros.), “The Exorcist: Believer” (Universal), “Napoleon” (Apple TV+/Sony Pictures), “The Little Mermaid” (Disney), “Guardians of the Galaxy Vol. 3” (Marvel/Disney), “Killers of the Flower Moon” (Apple TV+/Paramount), “Wonka” (Warner Bros.), and “Saltburn” (Amazon/MGM).
Oscar-winning prosthetic makeup guru Kazu Hiro...
- 10/24/2023
- by Bill Desowitz
- Indiewire
“You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema
At a small gathering recently at New York’s Posterati in honor of Jeremy Thomas, the legendary producer sat surrounded by international posters of the classic films he’s made over the course of his nearly 60-year career. Nodding at one for David Cronenberg’s adaptation of J.G. Ballard’s Crash, I tell him how much I love the film, whose Criterion re-release Joanne McNeil recently wrote about for Filmmaker. “You couldn’t make it today,” Thomas leans over to say to me. I know he’s right, but why exactly? Business reasons, cultural ones, or a confluence of the two? “Every reason,” he tells me […]
The post “You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema first appeared on Filmmaker Magazine.
The post “You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema first appeared on Filmmaker Magazine.
- 10/2/2023
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
“You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema
At a small gathering recently at New York’s Posterati in honor of Jeremy Thomas, the legendary producer sat surrounded by international posters of the classic films he’s made over the course of his nearly 60-year career. Nodding at one for David Cronenberg’s adaptation of J.G. Ballard’s Crash, I tell him how much I love the film, whose Criterion re-release Joanne McNeil recently wrote about for Filmmaker. “You couldn’t make it today,” Thomas leans over to say to me. I know he’s right, but why exactly? Business reasons, cultural ones, or a confluence of the two? “Every reason,” he tells me […]
The post “You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema first appeared on Filmmaker Magazine.
The post “You Have to Mutate or Die in this Business”: Jeremy Thomas on a Career Producing Challenging Cinema first appeared on Filmmaker Magazine.
- 10/2/2023
- by Scott Macaulay
- Filmmaker Magazine - Blog
Raised in tow of a military stepfather, 14-year-old Priscilla Beaulieu lives in a West German US Air Force base when we meet her in 1959––the year she meets Elvis. It happens through means befitting a ninth-grader, less so a man in his mid-20s. You know the method, but you probably haven’t used it since grade school. That’s right: the King of Rock ‘n’ Roll, five years into stardom, enlists a buddy to ask her out on his behalf. Flattered, stunned, and barely allowed to attend, she goes, the last choice she’ll ever make pre-Elvis.
But if there’s one thing Sofia Coppola’s breezy, crushing biopic wants us to remember, it’s that there was a post-Elvis. Coppola doesn’t depict those years, but the storied 14-year stretch “with” him emphasizes Priscilla’s emancipation. It provides all the context we need to appreciate the autonomy of...
But if there’s one thing Sofia Coppola’s breezy, crushing biopic wants us to remember, it’s that there was a post-Elvis. Coppola doesn’t depict those years, but the storied 14-year stretch “with” him emphasizes Priscilla’s emancipation. It provides all the context we need to appreciate the autonomy of...
- 9/5/2023
- by Luke Hicks
- The Film Stage
“Coming 2 America” dominated the Makeup Artists & Hair Stylists Guild on Feb. 19 winning all three of its bids. The sequel to the comedy classic won both contemporary awards plus the special make-up prize. The period/character awards went to the makeup of “Cruella” and the hairstyling of “Being the Ricardos.”
This haul positions “Coming 2 America” well for the Academy Awards. In the first eight years of these guild awards, the eventual Oscar winner claimed at least one prize here first. Of its four rivals for Best Makeup and Hairstyling at the Oscars, only “Cruella” came away from here a winner. Both “House of Gucci” and “The Eyes of Tammy Faye” were bested in all three of their races while “Dune” was a two-time also-ran.
The Oscar and Emmy-winning makeup artist Michèle Burke and the Emmy-winning hair stylist Joy Zapata were feted with Lifetime Achievement Awards.
Best Contemporary Make-up
“Black Widow...
This haul positions “Coming 2 America” well for the Academy Awards. In the first eight years of these guild awards, the eventual Oscar winner claimed at least one prize here first. Of its four rivals for Best Makeup and Hairstyling at the Oscars, only “Cruella” came away from here a winner. Both “House of Gucci” and “The Eyes of Tammy Faye” were bested in all three of their races while “Dune” was a two-time also-ran.
The Oscar and Emmy-winning makeup artist Michèle Burke and the Emmy-winning hair stylist Joy Zapata were feted with Lifetime Achievement Awards.
Best Contemporary Make-up
“Black Widow...
- 2/21/2022
- by Paul Sheehan
- Gold Derby
During a later scene in Guillermo del Toro’s “Nightmare Alley,” Rooney Mara’s character Molly jumps in a car with Stan (Bradley Cooper) and takes off a wig that she had been wearing to disguise herself. The filming of that scene was trickier than anyone in the audience could have guessed, since there was a whole lot happening on the Oscar-nominated actress’s head.
“Rooney’s normal 1940s shoulder length-hair was a wig,” Cliona Furey, the film’s hair designer, explained to TheWrap. “So when Rooney removes the wig in the car, that was a wig on top of a wig.”
Pulling that off, so to speak, is considered one of the biggest challenges for any tresses team. “It’s every hairstylist’s nightmare,” said Furey. “But we carefully designed the wigs and we and somehow it worked.”
In fact, those two pieces of hair handiwork were among more...
“Rooney’s normal 1940s shoulder length-hair was a wig,” Cliona Furey, the film’s hair designer, explained to TheWrap. “So when Rooney removes the wig in the car, that was a wig on top of a wig.”
Pulling that off, so to speak, is considered one of the biggest challenges for any tresses team. “It’s every hairstylist’s nightmare,” said Furey. “But we carefully designed the wigs and we and somehow it worked.”
In fact, those two pieces of hair handiwork were among more...
- 2/1/2022
- by Joe McGovern
- The Wrap
The Makeup Artists & Hair Stylists Guild got a jump on the Oscars by announcing nominations on January 11. Of the 10 films that remain in the running for Best Makeup and Hairstyling at the Oscars, eight are vying for these precursor prizes. “House of Gucci,” “The Eyes of Tammy Faye,” “Coming 2 America” and “The Suicide Squad” reaped three bids apiece with the guild; “Cruella,” “Dune” and “No Time to Die” earned two each; and “West Side Story” has one.
Two films still in contention at the Academy Awards — “Cyrano” and “Nightmare Alley” — were snubbed by the guild. Conversely, five of the Muahs favorites — “Being the Ricardos,” “Black Widow,” “Don’t Look Up,” “In the Heights” and “The Matrix Resurrections” — didn’t make the cut with the academy in phase 1 of voting.
The 9th annual Makeup Artists & Hair Stylists Guild Awards are set for February 17. The Oscar and Emmy-winning makeup artist Michèle Burke...
Two films still in contention at the Academy Awards — “Cyrano” and “Nightmare Alley” — were snubbed by the guild. Conversely, five of the Muahs favorites — “Being the Ricardos,” “Black Widow,” “Don’t Look Up,” “In the Heights” and “The Matrix Resurrections” — didn’t make the cut with the academy in phase 1 of voting.
The 9th annual Makeup Artists & Hair Stylists Guild Awards are set for February 17. The Oscar and Emmy-winning makeup artist Michèle Burke...
- 1/11/2022
- by Paul Sheehan
- Gold Derby
Let the gussying-up begin. The Make-Up Artists & Hair Stylists Guild has applied the nominations for its ninth annual awards show next month. See the film list of nominations below.
Triple nominees on the film side are The Suicide Squad, House of Gucci, Coming 2 America and The Eyes of Tammy Faye. Among the pics scoring two noms apiece are Dune, No Time to Die, Being the Ricardos and Cruella.
The movies vying for Best Contemporary Make-Up are Black Widow, Coming 2 America, Don’t Look Up, No Time to Die and The Suicide Squad. Films in the hunt for Best Contemporary Hair Styling are Coming 2 America, In the Heights, No Time to Die, The Matrix Resurrections and The Suicide Squad.
The Period and/or Character Make-Up nominees are Being the Ricardos, Cruella, Dune, House of Gucci and The Eyes of Tammy Faye. All of those also will compete for Best Period...
Triple nominees on the film side are The Suicide Squad, House of Gucci, Coming 2 America and The Eyes of Tammy Faye. Among the pics scoring two noms apiece are Dune, No Time to Die, Being the Ricardos and Cruella.
The movies vying for Best Contemporary Make-Up are Black Widow, Coming 2 America, Don’t Look Up, No Time to Die and The Suicide Squad. Films in the hunt for Best Contemporary Hair Styling are Coming 2 America, In the Heights, No Time to Die, The Matrix Resurrections and The Suicide Squad.
The Period and/or Character Make-Up nominees are Being the Ricardos, Cruella, Dune, House of Gucci and The Eyes of Tammy Faye. All of those also will compete for Best Period...
- 1/11/2022
- by Erik Pedersen
- Deadline Film + TV
“The Suicide Squad,” “The Eyes of Tammy Faye,” “Coming 2 America” and “House of Gucci” lead the ninth annual Make-Up Artists and Hair Stylists Guild nominations (IATSE Local 706).
“The Suicide Squad,” released last August, was nominated in special makeup effects, contemporary makeup and contemporary hairstyling.
“The Eyes of Tammy Faye,” “Coming 2 America” and “House of Gucci” also landed three nominations, while “Dune” scored two nods. This bodes well for all the films which made the Oscar shortlist.
As previously announced, makeup artist Michèle Burke, known for her work on the Mission Impossible and Austin Powers franchises, and hairstylist Joy Zapata, who worked on “A Star is Born” and “Wonder Woman 1984,” will receive the 2022 Muahs Lifetime Achievement awards. The Distinguished Artisan award will be announced shortly.
The winners will be announced on Feb. 19 at the Beverly Hilton Hotel.
Find the full list of nominations below.
Best Contemporary Make-Up,...
“The Suicide Squad,” released last August, was nominated in special makeup effects, contemporary makeup and contemporary hairstyling.
“The Eyes of Tammy Faye,” “Coming 2 America” and “House of Gucci” also landed three nominations, while “Dune” scored two nods. This bodes well for all the films which made the Oscar shortlist.
As previously announced, makeup artist Michèle Burke, known for her work on the Mission Impossible and Austin Powers franchises, and hairstylist Joy Zapata, who worked on “A Star is Born” and “Wonder Woman 1984,” will receive the 2022 Muahs Lifetime Achievement awards. The Distinguished Artisan award will be announced shortly.
The winners will be announced on Feb. 19 at the Beverly Hilton Hotel.
Find the full list of nominations below.
Best Contemporary Make-Up,...
- 1/11/2022
- by Jazz Tangcay
- Variety Film + TV
Oscars Predictions: Best Makeup and Hairstyling – MGM/Uar Dominate with Transformations and Musicals
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars and Emmys ceremonies from film awards editor Clayton Davis. Following history, buzz, news, reviews and sources, the Oscar and Emmy predictions are updated regularly with the current year's list of contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. The eligibility calendar and dates of awards will determine how long each phase lasts and is subject to change.
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
Houhhd
2022 Oscars Predictions:
Best Makeup And Hairstyling
Updated: Dec 21, 2021
Awards Prediction Commentary: The Oscars have the shortlist of...
To see all the latest predictions, of all the categories, in one place, visit The Oscars Collective
Visit each category, per the individual awards show from The Oscars Hub
Revisit the prediction archive of the 2021 season The Archive
Link to television awards is atTHE Emmys Hub
Houhhd
2022 Oscars Predictions:
Best Makeup And Hairstyling
Updated: Dec 21, 2021
Awards Prediction Commentary: The Oscars have the shortlist of...
- 12/22/2021
- by Clayton Davis
- Variety Film + TV
At the Makeup Artists & Hair Stylists Guild Awards on Feb. 24, Oscar frontrunner “Darkest Hour” won two of its three races: special makeup effects and best period/character makeup. It lost best period/character hairstyling to “I, Tonya.”
Among those films that “Darkest Hour” edged out for best special makeup effects was “Wonder,” one of its two Oscar rivals for Best Makeup & Hairstyling. That film contended on the contemporary side here and lost its bid for hairstyling to “Pitch Perfect 3″ and makeup to “Guardians of the Galaxy: Vol. 2.” The third Oscar nominee, “Victoria and Abdul,” was snubbed by the guild.
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While each of the five guild races has five contenders, members do not always nominate those films that made the shortlist for the Best Makeup & Hairstyling Oscar. Likewise, it often cites films that failed to make the cut with...
Among those films that “Darkest Hour” edged out for best special makeup effects was “Wonder,” one of its two Oscar rivals for Best Makeup & Hairstyling. That film contended on the contemporary side here and lost its bid for hairstyling to “Pitch Perfect 3″ and makeup to “Guardians of the Galaxy: Vol. 2.” The third Oscar nominee, “Victoria and Abdul,” was snubbed by the guild.
Sign Up for Gold Derby’s free newsletter with latest predictions
While each of the five guild races has five contenders, members do not always nominate those films that made the shortlist for the Best Makeup & Hairstyling Oscar. Likewise, it often cites films that failed to make the cut with...
- 2/25/2018
- by Paul Sheehan
- Gold Derby
“The Shape of Water,” which reaped a leading 13 Oscar nominations, is in the running for 12 of the 13 guild awards missing out only with the visual effects artists. It has won with three of the six groups to be heard from to date: the directors, producers and art directors. This fantasy film lost its races at the awards held by the actors, casting directors and film editors.
One of its main Oscar rivals for Best Picture, “Three Billboards Outside Ebbing, Missouri,” edged it out with the casting directors. And this character study was a favorite of the actors as well, taking home a whopping three SAG Awards.
Two of the other nine Best Picture nominees — “Dunkirk” and “Lady Bird” — also won with the casting directors with the former also finding favor with the film editors. Another Best Picture contender, “Darkest Hour,” picked up a prize from the actors.
Four more groups — cinematographers,...
One of its main Oscar rivals for Best Picture, “Three Billboards Outside Ebbing, Missouri,” edged it out with the casting directors. And this character study was a favorite of the actors as well, taking home a whopping three SAG Awards.
Two of the other nine Best Picture nominees — “Dunkirk” and “Lady Bird” — also won with the casting directors with the former also finding favor with the film editors. Another Best Picture contender, “Darkest Hour,” picked up a prize from the actors.
Four more groups — cinematographers,...
- 2/5/2018
- by Paul Sheehan
- Gold Derby
Before Oscar nominations were announced on Jan. 23, we’d already heard from the casting directors, producers and actors with their picks for the best of the year. Two more (art directors, film editors) hand out prizes on the weekend of Jan. 27. Five more — cinematographers, directors, sound editors, visual effects wizards and writers — will weigh in before final voting for the Oscars commences on Feb. 20. The remaining three (costume designers, makeup artists & hair stylists, sound mixers) will have their say during the eight days of voting for the Academy Awards that ends on Feb. 27.
“The Shape of Water,” which reaped 13 Oscar nominations, is in the running for 12 of the 13 guild awards missing out only with Visual Effects Society. While it has won with just one of the three groups to date, but it was a biggie: the producers.
One of its main Oscar rivals for Best Picture, “Three Billboards Outside Ebbing,...
“The Shape of Water,” which reaped 13 Oscar nominations, is in the running for 12 of the 13 guild awards missing out only with Visual Effects Society. While it has won with just one of the three groups to date, but it was a biggie: the producers.
One of its main Oscar rivals for Best Picture, “Three Billboards Outside Ebbing,...
- 1/24/2018
- by Paul Sheehan
- Gold Derby
With just hours before the Oscar nominations are announced, we heard from the Motion Picture Sound Editors with their nominees for the best of the year. These masters of sound were 13th guild to weigh in with their choices following the actors, art directors, cinematographers, costume designers, directors, film editors, makeup artists & hairstylists, producers, sound mixers, visual effects wizards and writers. In addition, the casting directors have had their say.
With its three bids from the Mpse, “The Shape of Water” is represented at 12 of the 13 guild awards; the Visual Effects Society had ended a streak that had seen it reap bids from the first 11 precursor prizes to reveal their rosters.
“Dunkirk” is at 11, having missed out with the writers and makeup artists/hairstylists. The Best Picture frontrunner, “Three Billboards Outside Ebbing, Missouri,” is in contention at nine guilds.”Get Out” and “Lady Bird” are each missing from the line-ups of five guilds.
With its three bids from the Mpse, “The Shape of Water” is represented at 12 of the 13 guild awards; the Visual Effects Society had ended a streak that had seen it reap bids from the first 11 precursor prizes to reveal their rosters.
“Dunkirk” is at 11, having missed out with the writers and makeup artists/hairstylists. The Best Picture frontrunner, “Three Billboards Outside Ebbing, Missouri,” is in contention at nine guilds.”Get Out” and “Lady Bird” are each missing from the line-ups of five guilds.
- 1/22/2018
- by Paul Sheehan
- Gold Derby
The Make-Up Artists and Hair Stylists Guild (Muahs) have announced nominations for outstanding achievements in motion pictures, television, commercials and live theater during 2017. Winners will be announced on Saturday, February 24 at The Novo by Microsoft at L.A. Live.
Read More:Oscars 2018: Best Makeup & Hairstyling Shortlist Includes ‘Darkest Hour,’ ‘I, Tonya’ and More
This year’s nominees include six of the seven films short listed for the Best Make-Up and Hairstyling Oscar, including “I, Tonya,” “Ghost in the Shell,” and the Netflix tentpole “Bright.” The only Oscar shortlisted film not to earn a Muahs nomination is “Victoria & Abdul.”
The full nominations list is included below.
Feature-Length Motion Picture – Best Contemporary Make-Up
Baby Driver
Fionagh Cush, Phyllis Temple
The Big Sick
Leo Won, Kirsten Sylvester
Ghost In The Shell
Deborah La Mia Denaver, Jane O.Kane
Pitch Perfect 3
Melanie Hughes-Weaver, Judy Yonemoto, Erica Kyker
Wonder
Naomi Bakstad, Jean Black, Megan Harkness...
Read More:Oscars 2018: Best Makeup & Hairstyling Shortlist Includes ‘Darkest Hour,’ ‘I, Tonya’ and More
This year’s nominees include six of the seven films short listed for the Best Make-Up and Hairstyling Oscar, including “I, Tonya,” “Ghost in the Shell,” and the Netflix tentpole “Bright.” The only Oscar shortlisted film not to earn a Muahs nomination is “Victoria & Abdul.”
The full nominations list is included below.
Feature-Length Motion Picture – Best Contemporary Make-Up
Baby Driver
Fionagh Cush, Phyllis Temple
The Big Sick
Leo Won, Kirsten Sylvester
Ghost In The Shell
Deborah La Mia Denaver, Jane O.Kane
Pitch Perfect 3
Melanie Hughes-Weaver, Judy Yonemoto, Erica Kyker
Wonder
Naomi Bakstad, Jean Black, Megan Harkness...
- 1/5/2018
- by Zack Sharf
- Indiewire
Despite not being nominated for Best Director, Louise Archambault’s Gabrielle managed to pull off what we thought was the impossible (our Leora Heilbronn has pegged the drama as the film that should win, but favored Denis Villeneuve’s Enemy as the best bet) winning Best Motion Picture at the 2014 Canadian Screen Awards (a.k.a Canadian Oscars). If the out of synch supposed “live” telecast wasn’t bad enough (all awards including the winning film were announced almost one hour prior to on twittersphere), the show’s producers gave Gabrielle winning producers Luc Déry and Kim McCraw the equivalent of end of toilette paper roll in terms of time.
The voters also choose Gabrielle‘s Gabrielle Marion-Rivard as Best Actress in a Leading Role, while the heavily favored Enemy grabbed five awards, Best Direction for Villeneuve, Best Original Score for the excellent Danny Bensi/Saunder Jurriaans pairing , Best Editing,...
The voters also choose Gabrielle‘s Gabrielle Marion-Rivard as Best Actress in a Leading Role, while the heavily favored Enemy grabbed five awards, Best Direction for Villeneuve, Best Original Score for the excellent Danny Bensi/Saunder Jurriaans pairing , Best Editing,...
- 3/10/2014
- by Eric Lavallee
- IONCINEMA.com
The Academy Of Canadian Cinema & Television has announced the Canadian Screen Awards nominees.
“We are exceedingly proud today to reveal the nominees for the 2014 Canadian Screen Awards,” said Academy chair Martin Katz.
“This was a year marked by a record-breaking number of submissions, reflecting a robust level of activity in the screen-based industries in Canada which we will celebrate during Canadian Screen Week, March 3-9. Congratulations to all.”
David Cronenberg will receive the lifetime achievement award. For the full list of winners invcluding television, digital and special awards click here.
The feature nominees in full:
Best Motion Picture
The Dismantlement (Le Démantèlement) – Bernadette Payeur, Marc Daigle
Empire Of Dirt – Jennifer Podemski
Enemy – Kim McCraw, Luc Déry, Miguel A Faura, Niv Fichman, Sari Friedland
The F-Word – Andre Rouleau, David Gross, Macdara Kelleher
Gabrielle – Kim McCraw, Luc Déry
The Grand Seduction – Barbara Doran, Roger Frappier
Maïna – Karine Martin, Michel Poulette, Yves Fortin
Tom At The Farm (Tom À La Ferme) – [link...
“We are exceedingly proud today to reveal the nominees for the 2014 Canadian Screen Awards,” said Academy chair Martin Katz.
“This was a year marked by a record-breaking number of submissions, reflecting a robust level of activity in the screen-based industries in Canada which we will celebrate during Canadian Screen Week, March 3-9. Congratulations to all.”
David Cronenberg will receive the lifetime achievement award. For the full list of winners invcluding television, digital and special awards click here.
The feature nominees in full:
Best Motion Picture
The Dismantlement (Le Démantèlement) – Bernadette Payeur, Marc Daigle
Empire Of Dirt – Jennifer Podemski
Enemy – Kim McCraw, Luc Déry, Miguel A Faura, Niv Fichman, Sari Friedland
The F-Word – Andre Rouleau, David Gross, Macdara Kelleher
Gabrielle – Kim McCraw, Luc Déry
The Grand Seduction – Barbara Doran, Roger Frappier
Maïna – Karine Martin, Michel Poulette, Yves Fortin
Tom At The Farm (Tom À La Ferme) – [link...
- 1/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The Academy Of Canadian Cinema & Television has announced its nominees.
“We are exceedingly proud today to reveal the nominees for the 2014 Canadian Screen Awards,” said Academy chair Martin Katz. “This was a year marked by a record-breaking number of submissions, reflecting a robust level of activity in the screen-based industries in Canada which we will celebrate during Canadian Screen Week, March 3-9. Congratulations to all.”
David Cronenberg will receive the lifetime achievement award. For the full list of winners invcluding television, digital and special awards click here.
The fearure nominees in full:
Best Motion Picture
The Dismantlement (Le Démantèlement) – Bernadette Payeur, Marc Daigle
Empire Of Dirt (pictured) – Jennifer Podemski
Enemy – Kim McCraw, Luc Déry, Miguel A Faura, Niv Fichman, Sari Friedland
The F-Word – Andre Rouleau, David Gross, Macdara Kelleher
Gabrielle – Kim McCraw, Luc Déry
The Grand Seduction – Barbara Doran, Roger Frappier
Maïna – Karine Martin, Michel Poulette, Yves Fortin
Tom At The Farm (Tom À La Ferme) – [link...
“We are exceedingly proud today to reveal the nominees for the 2014 Canadian Screen Awards,” said Academy chair Martin Katz. “This was a year marked by a record-breaking number of submissions, reflecting a robust level of activity in the screen-based industries in Canada which we will celebrate during Canadian Screen Week, March 3-9. Congratulations to all.”
David Cronenberg will receive the lifetime achievement award. For the full list of winners invcluding television, digital and special awards click here.
The fearure nominees in full:
Best Motion Picture
The Dismantlement (Le Démantèlement) – Bernadette Payeur, Marc Daigle
Empire Of Dirt (pictured) – Jennifer Podemski
Enemy – Kim McCraw, Luc Déry, Miguel A Faura, Niv Fichman, Sari Friedland
The F-Word – Andre Rouleau, David Gross, Macdara Kelleher
Gabrielle – Kim McCraw, Luc Déry
The Grand Seduction – Barbara Doran, Roger Frappier
Maïna – Karine Martin, Michel Poulette, Yves Fortin
Tom At The Farm (Tom À La Ferme) – [link...
- 1/13/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
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