Ten years after the release of his Def Jam debut, the Hell Can Wait EP, Vince Staples occupies an ambiguous middle-ground, stuck between platinum-certified arena status and the ephemeral virality that defines too much of the mainstream rap industry. It’s a space that he shares with a handful of others – Maxo, Rapsody, Navy Blue, his onetime Odd Future colleague Earl Sweatshirt – and which allows him to craft densely thematic musical suites on a major-label platform without the pressure of landing a radio hit. He’s made good use of...
- 5/24/2024
- by Mosi Reeves
- Rollingstone.com
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