Apple TV+ has set an October 27, 2023 premiere date for The Enfield Poltergeist, a four-part documentary series focused on the true story behind the events portrayed in The Conjuring 2. The streaming service just released the official trailer, featuring the actual recordings made during the 1977 investigation, one month out from the docuseries’ premiere.
Per Apple TV+, the real recordings made during the investigation are incorporated into the series via actors lip-syncing to the tapes.
Jerry Rothwell directs and Al Morrow, BAFTA winner Stewart le Maréchal, Oscar winner Davis Guggenheim, Jonathan Silberberg, and Nicole Stott serve as executive producers. MetFilm and Concordia Studios produced the docuseries for Apple TV+.
Poster for ‘The Enfield Poltergeist’ documentary series (Photo Credit: Apple TV+)
The Enfield Poltergeist Synopsis, Courtesy of Apple TV+:
In 1977, the terrifying haunting of an everyday family in Enfield, London, dominated headlines across the United Kingdom and had a tremendous impact on an entire generation of children.
Per Apple TV+, the real recordings made during the investigation are incorporated into the series via actors lip-syncing to the tapes.
Jerry Rothwell directs and Al Morrow, BAFTA winner Stewart le Maréchal, Oscar winner Davis Guggenheim, Jonathan Silberberg, and Nicole Stott serve as executive producers. MetFilm and Concordia Studios produced the docuseries for Apple TV+.
Poster for ‘The Enfield Poltergeist’ documentary series (Photo Credit: Apple TV+)
The Enfield Poltergeist Synopsis, Courtesy of Apple TV+:
In 1977, the terrifying haunting of an everyday family in Enfield, London, dominated headlines across the United Kingdom and had a tremendous impact on an entire generation of children.
- 9/26/2023
- by Rebecca Murray
- Showbiz Junkies
Apple TV+ has announced that they will be releasing the four-part documentary The Enfield Poltergeist – which tells about the case that served as inspiration for The Conjuring 2 – on October 27th, just in time for Halloween viewings. Along with that announcement comes the unveiling of a trailer for the docu-series, and you can check it out in the embed above.
According to Deadline, The Enfield Poltergeist relies on more than 250 hours of audio archive to help recreate the infamous events in Enfield. Throughout four episodes, the events at Enfield are reconstructed using the recordings captured by Maurice Grosse, a paranormal investigator who archived all of his interviews from back in the day. The doc built a replica of the council house where the incidents took place so performers could reenact what is heard on the tapes.
The docu-series also features appearances by people who were actually involved in the haunting case.
According to Deadline, The Enfield Poltergeist relies on more than 250 hours of audio archive to help recreate the infamous events in Enfield. Throughout four episodes, the events at Enfield are reconstructed using the recordings captured by Maurice Grosse, a paranormal investigator who archived all of his interviews from back in the day. The doc built a replica of the council house where the incidents took place so performers could reenact what is heard on the tapes.
The docu-series also features appearances by people who were actually involved in the haunting case.
- 9/26/2023
- by Cody Hamman
- JoBlo.com
While Netflix explores the true story that inspired The Conjuring 3 this Halloween, Apple TV+ will be investigating “The Enfield Poltergeist,” the basis for The Conjuring 2.
The new four-part documentary series “The Enfield Poltergeist” tells the riveting story of the most famous poltergeist haunting in history.
Combining more than 250 hours of rare audio archive, meticulous recreation of the setting of the haunting and original interviews with the people impacted by the case, the series is an ambitious genre-bending story that explores the human fascination with the unexplained and its impact on those who live it. All episodes premiere globally on Friday, October 27.
In 1977, the terrifying haunting of an everyday family in Enfield, London, dominated headlines across the United Kingdom and had a tremendous impact on an entire generation of children. The mysterious case forever changed ideas about the supernatural and that it wasn’t just restricted to castles and...
The new four-part documentary series “The Enfield Poltergeist” tells the riveting story of the most famous poltergeist haunting in history.
Combining more than 250 hours of rare audio archive, meticulous recreation of the setting of the haunting and original interviews with the people impacted by the case, the series is an ambitious genre-bending story that explores the human fascination with the unexplained and its impact on those who live it. All episodes premiere globally on Friday, October 27.
In 1977, the terrifying haunting of an everyday family in Enfield, London, dominated headlines across the United Kingdom and had a tremendous impact on an entire generation of children. The mysterious case forever changed ideas about the supernatural and that it wasn’t just restricted to castles and...
- 9/26/2023
- by John Squires
- bloody-disgusting.com
Apple TV+ has conjured up The Enfield Poltergeist, a four-part documentary that revisits the supposedly real-life haunting of a family in ’70s London.
The doc relies on more than 250 hours of audio archive to help recreate the infamous events in Enfield that went on to inspire The Conjuring 2. It will drop Oct. 27 – just in time for your Halloween party.
Throughout four episodes, the events at Enfield are reconstructed using the recordings captured by Maurice Grosse, a paranormal investigator who archived all of his interviews from back in the day. The doc built a replica of the council house where the incidents took place so performers could reenact what is heard on the tapes.
There are also appearances by those originally involved in the incident involving sisters Janet and Margaret Hodgson.
The Enfield Poltergeist is produced for Apple TV+ by MetFilm and Concordia Studios, the producers of Apple’s Still: A Michael J.
The doc relies on more than 250 hours of audio archive to help recreate the infamous events in Enfield that went on to inspire The Conjuring 2. It will drop Oct. 27 – just in time for your Halloween party.
Throughout four episodes, the events at Enfield are reconstructed using the recordings captured by Maurice Grosse, a paranormal investigator who archived all of his interviews from back in the day. The doc built a replica of the council house where the incidents took place so performers could reenact what is heard on the tapes.
There are also appearances by those originally involved in the incident involving sisters Janet and Margaret Hodgson.
The Enfield Poltergeist is produced for Apple TV+ by MetFilm and Concordia Studios, the producers of Apple’s Still: A Michael J.
- 9/26/2023
- by Lynette Rice
- Deadline Film + TV
The Conjuring 2, the 2016 horror blockbuster directed by James Wan, was based on the true story of the Enfield Poltergeist, a terrifying case of paranormal activity that plagued a family in London in the late 1970s. Now, Apple TV+ is bringing the real story to life in a new four-part docuseries that will premiere on October 27, just in time for Halloween.
The docuseries, titled The Enfield Poltergeist, will use more than 250 hours of rare audio archive, original interviews with the people impacted by the case, and meticulous recreation of the setting of the haunting to explore the human fascination with the unexplained and its impact on those who live it. The series will feature the recordings captured by Maurice Grosse, a paranormal investigator who documented all of his interviews with the Hodgson family, who experienced poltergeist phenomena in their council house in Enfield. The series will also build an exact...
The docuseries, titled The Enfield Poltergeist, will use more than 250 hours of rare audio archive, original interviews with the people impacted by the case, and meticulous recreation of the setting of the haunting to explore the human fascination with the unexplained and its impact on those who live it. The series will feature the recordings captured by Maurice Grosse, a paranormal investigator who documented all of his interviews with the Hodgson family, who experienced poltergeist phenomena in their council house in Enfield. The series will also build an exact...
- 9/25/2023
- by CineArticles Editorial Team
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
Philip Barantini’s Boiling Point leads the way with six nominations.
The shortlist for The Big Screen Awards 2022 has been announced, with Philip Barantini’s Boiling Point leading the way with six nominations.
Two of the new categories, Breakthrough British Filmmaker and Actor, include the likes of Reggie Yates, Bella Ramsey, Honor Swinton Byrne and Jim Archer.
Companies nominated for this years awards include The Walt Disney Company, Picturehouse, Vue, Odeon, Altitude, Curzon, Lionsgate UK, Everyman Group, Cineworld, Sony Pictures, Mubi and BFI Distribution.
Scroll down for full nominations
The Big Screen Awards were rebranded from the Screen Awards, last...
The shortlist for The Big Screen Awards 2022 has been announced, with Philip Barantini’s Boiling Point leading the way with six nominations.
Two of the new categories, Breakthrough British Filmmaker and Actor, include the likes of Reggie Yates, Bella Ramsey, Honor Swinton Byrne and Jim Archer.
Companies nominated for this years awards include The Walt Disney Company, Picturehouse, Vue, Odeon, Altitude, Curzon, Lionsgate UK, Everyman Group, Cineworld, Sony Pictures, Mubi and BFI Distribution.
Scroll down for full nominations
The Big Screen Awards were rebranded from the Screen Awards, last...
- 10/12/2022
- by Screen staff
- ScreenDaily
Woody Harrelson, Simu Liu and Djimon Hounsou have been cast to star in the upcoming deep-sea thriller ‘Last Breath.’
Based on the 2019 documentary, the story is about a commercial diver who was stranded on the bottom of the North Sea with only five minutes of oxygen and no chance of rescue for over 35 minutes. The project is said to have elements of ‘Apollo 13’ and ‘The Perfect Storm.’
Alex Parkinson, the co-director of the documentary, will helm the project from a screenplay by Mitchell Lafortune. Paul Brooks, David Brooks, Stewart le Maréchal, Al Morrow, Anna Mohr-Pietsch and Jeremy Plager will produce the film.
Also in news – ‘Cobra Kai’ season 5 sets September premiere; Teaser trailer released
Harrelson most recently starred in “’Venom: Let There Be Carnage.’ He’ll also be seen in ‘Man From Toronto’ with Kevin Hart.
Having led Marvel’s ‘Shang-Chi and the Legend of the Ten Rings’, Liu...
Based on the 2019 documentary, the story is about a commercial diver who was stranded on the bottom of the North Sea with only five minutes of oxygen and no chance of rescue for over 35 minutes. The project is said to have elements of ‘Apollo 13’ and ‘The Perfect Storm.’
Alex Parkinson, the co-director of the documentary, will helm the project from a screenplay by Mitchell Lafortune. Paul Brooks, David Brooks, Stewart le Maréchal, Al Morrow, Anna Mohr-Pietsch and Jeremy Plager will produce the film.
Also in news – ‘Cobra Kai’ season 5 sets September premiere; Teaser trailer released
Harrelson most recently starred in “’Venom: Let There Be Carnage.’ He’ll also be seen in ‘Man From Toronto’ with Kevin Hart.
Having led Marvel’s ‘Shang-Chi and the Legend of the Ten Rings’, Liu...
- 5/9/2022
- by Zehra Phelan
- HeyUGuys.co.uk
Woody Harrelson, Simu Liu and Djimon Hounsou are attached to star in “Last Breath,” a deep-sea diving thriller that’s based on a 2019 documentary of the same name.
Alex Parkinson co-directed with Richard de Costa the 2019 film “Last Breath” about a commercial diver who was stranded on the bottom of the North Sea with only five minutes of oxygen and no chance of rescue for over 35 minutes. Parkinson will direct the narrative feature based on his documentary. Mitchell Lafortune wrote the screenplay.
“Last Breath” will be presented to buyers at this month’s Cannes Film Market, with CAA Media Finance representing domestic sales rights, while FilmNation Entertainment will represent international sales.
Producers on the film include Paul Brooks, David Brooks, Stewart le Maréchal, Al Morrow, Anna Mohr-Pietsch and Jeremy Plager.
Harrelson most recently starred in “Venom: Let There Be Carnage” and will be on hand at Cannes for the premiere...
Alex Parkinson co-directed with Richard de Costa the 2019 film “Last Breath” about a commercial diver who was stranded on the bottom of the North Sea with only five minutes of oxygen and no chance of rescue for over 35 minutes. Parkinson will direct the narrative feature based on his documentary. Mitchell Lafortune wrote the screenplay.
“Last Breath” will be presented to buyers at this month’s Cannes Film Market, with CAA Media Finance representing domestic sales rights, while FilmNation Entertainment will represent international sales.
Producers on the film include Paul Brooks, David Brooks, Stewart le Maréchal, Al Morrow, Anna Mohr-Pietsch and Jeremy Plager.
Harrelson most recently starred in “Venom: Let There Be Carnage” and will be on hand at Cannes for the premiere...
- 5/6/2022
- by Brian Welk
- The Wrap
Exclusive: In what is sure to be one of the hot packages of the upcoming Cannes Market, Woody Harrelson, Shang-Chi’s Simu Liu and Djimon Honsou are set to star in Last Breath, a fact-based narrative thriller that will be directed by Alex Parkinson. He co-directed with Richard da Costa the 2019 documentary of the same title that informs the film.
Last Breath has elements of Apollo 13 and The Perfect Storm, in the life saving ingenuity that is the only chance of keeping an impossible rescue situation in harsh elements from turning tragic. The premise: a diver is stranded on bottom of the North Sea, and when his umbilical cord snaps because of rough seas and an equipment mishap on the ship above, he is left with only five minutes of oxygen, in total darkness and freezing water, with no chance of rescue for at least thirty minutes. Mitchell Lafortune wrote the script,...
Last Breath has elements of Apollo 13 and The Perfect Storm, in the life saving ingenuity that is the only chance of keeping an impossible rescue situation in harsh elements from turning tragic. The premise: a diver is stranded on bottom of the North Sea, and when his umbilical cord snaps because of rough seas and an equipment mishap on the ship above, he is left with only five minutes of oxygen, in total darkness and freezing water, with no chance of rescue for at least thirty minutes. Mitchell Lafortune wrote the script,...
- 5/6/2022
- by Mike Fleming Jr
- Deadline Film + TV
Series
“Transplant,” Canada’s most-watched drama series, will be back for a third season at CTV, produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.
Season 3 will shoot in Montréal, with Hamza Haq returning as protagonist Dr. Bashir Hamed, a Syrian refugee who fled to Canada where he now practices medicine. The show, currently airing its second season on CTV, CTV.ca and on the CTV app, is the country’s most-watched drama series at an average of 1.1 million viewers. The show has also done well abroad, airing on NBC in the U.S. with Season 2 scheduled to premiere March 6.
“Viewers around the world have embraced ‘Transplant,’ and we look forward to bringing this exceptional cast back as we continue to tell the stories of York Memorial Hospital,” said Justin Stockman, VP of content development and programming at Bell Media. “With our...
“Transplant,” Canada’s most-watched drama series, will be back for a third season at CTV, produced by Sphere Media in association with CTV and Universal International Studios, a division of Universal Studio Group.
Season 3 will shoot in Montréal, with Hamza Haq returning as protagonist Dr. Bashir Hamed, a Syrian refugee who fled to Canada where he now practices medicine. The show, currently airing its second season on CTV, CTV.ca and on the CTV app, is the country’s most-watched drama series at an average of 1.1 million viewers. The show has also done well abroad, airing on NBC in the U.S. with Season 2 scheduled to premiere March 6.
“Viewers around the world have embraced ‘Transplant,’ and we look forward to bringing this exceptional cast back as we continue to tell the stories of York Memorial Hospital,” said Justin Stockman, VP of content development and programming at Bell Media. “With our...
- 2/18/2022
- by Jamie Lang
- Variety Film + TV
Sales outfit MetFilm renegotiated rights with distributors to make deal happen.
Disney+ has secured rights to documentary The Reason I Jump from the UK’s MetFilm Sales, which renegotiated previous agreements with distributors to close the deal.
The streaming giant has picked up SVoD rights to Jerry Rothwell’s Sundance-award winning feature for Emea and Latin America and plans to launch the film around World Autism Day on April 2.
The documentary is an exploration of neurodiversity through the experiences of non-speaking autistic people from around the world, based on Naoki Higashida’s 2007 book of the same name, translated into English...
Disney+ has secured rights to documentary The Reason I Jump from the UK’s MetFilm Sales, which renegotiated previous agreements with distributors to close the deal.
The streaming giant has picked up SVoD rights to Jerry Rothwell’s Sundance-award winning feature for Emea and Latin America and plans to launch the film around World Autism Day on April 2.
The documentary is an exploration of neurodiversity through the experiences of non-speaking autistic people from around the world, based on Naoki Higashida’s 2007 book of the same name, translated into English...
- 2/18/2022
- by Geoffrey Macnab
- ScreenDaily
Republic Film Distribution has acquired the title.
Republic Film Distribution has acquired UK-Ireland rights to Sam Hobkinson’s Sundance 2021 documentary Misha And The Wolves.
The distributor has set an exclusive theatrical release for September 3 across the territory; the film will then be broadcast by BBC Storyville later in the year. Netflix previously acquired US rights on the film.
Misha And The Wolves follows a woman whose Holocaust memoir took the world by storm, before a fallout with her publisher – who turned detective – revealed a deception created to hide a darker truth.
The film is produced by Arts Alliance and MetFilm from the UK,...
Republic Film Distribution has acquired UK-Ireland rights to Sam Hobkinson’s Sundance 2021 documentary Misha And The Wolves.
The distributor has set an exclusive theatrical release for September 3 across the territory; the film will then be broadcast by BBC Storyville later in the year. Netflix previously acquired US rights on the film.
Misha And The Wolves follows a woman whose Holocaust memoir took the world by storm, before a fallout with her publisher – who turned detective – revealed a deception created to hide a darker truth.
The film is produced by Arts Alliance and MetFilm from the UK,...
- 6/2/2021
- by Ben Dalton
- ScreenDaily
Sundance Film Festival: London has revealed that “Zola” and “Coda” will be among the 2021 lineup, when the festival returns to Picturehouse Central next month.
“Coda” — an acronym meaning “Child of Deaf Adults” — features Marlee Matlin (“The West Wing”) and 19-year-old Emilia Jones (“Locke & Key”) navigating their relationship, while “Zola” is based on a 148-tweet viral Twitter thread from 2015 by Aziah “Zola” Wells. It stars Taylor Paige (“Ma Rainey’s Black Bottom”) and Riley Keough (“Max Max: Fury Road”) and will close the 4-day festival.
Edgar Wright’s rockumentary “The Sparks Brothers,” described as a “musical odyssey,” opens the festival on July 29.
Other feature film offerings, which have been selected from the longer line-up shown at the Sundance Film Festival, include “The Nest,” starring Jude Law (“Sherlock Holmes”), animation “Cryptozoo,” which features Lake Bell (“BoJack Horseman”) and Michael Cera (“Arrested Development”), and documentary “Writing With Fire,” about a female-run Indian newspaper, which...
“Coda” — an acronym meaning “Child of Deaf Adults” — features Marlee Matlin (“The West Wing”) and 19-year-old Emilia Jones (“Locke & Key”) navigating their relationship, while “Zola” is based on a 148-tweet viral Twitter thread from 2015 by Aziah “Zola” Wells. It stars Taylor Paige (“Ma Rainey’s Black Bottom”) and Riley Keough (“Max Max: Fury Road”) and will close the 4-day festival.
Edgar Wright’s rockumentary “The Sparks Brothers,” described as a “musical odyssey,” opens the festival on July 29.
Other feature film offerings, which have been selected from the longer line-up shown at the Sundance Film Festival, include “The Nest,” starring Jude Law (“Sherlock Holmes”), animation “Cryptozoo,” which features Lake Bell (“BoJack Horseman”) and Michael Cera (“Arrested Development”), and documentary “Writing With Fire,” about a female-run Indian newspaper, which...
- 6/2/2021
- by K.J. Yossman
- Variety Film + TV
The gripping Sundance documentary Misha and the Wolves, premiering at the festival today, possesses a fairy tale-like quality, beginning with its title. Those four words evoke ancient stories of children deep in the woods, threatened by menacing animals, as in Little Red Riding Hood.
The similarities go further. The documentary tells the story of Misha Defonseca, a woman living inMassachusetts who purported to be a Holocaust survivor. She told neighbors a remarkable tale of growing up a young Jewish girl in Belgium during the war, saying she was secreted with a Catholic family after her parents were deported. She said her foster parents hated her.
Desperate to reunite with her mother and father, she told of setting out on foot for Germany, with little more than a compass and a knife, keeping to the woods. On her way she encountered a female wolf,...
The similarities go further. The documentary tells the story of Misha Defonseca, a woman living inMassachusetts who purported to be a Holocaust survivor. She told neighbors a remarkable tale of growing up a young Jewish girl in Belgium during the war, saying she was secreted with a Catholic family after her parents were deported. She said her foster parents hated her.
Desperate to reunite with her mother and father, she told of setting out on foot for Germany, with little more than a compass and a knife, keeping to the woods. On her way she encountered a female wolf,...
- 1/31/2021
- by Matthew Carey
- Deadline Film + TV
An immersive documentary inspired by Naoki Higashida’s groundbreaking book of poetry, Jerry Rothwell’s The Reason I Jump places us in the mind of nonverbal autistic children, focusing on the ways in which they navigate the world. The result is a poetic and experimental documentary made for the big screen, and thankfully I had the rare opportunity to see it that way when it premiered last year at Sundance, presented in a version mixed for Dolby Atmos, the 360-degree sound system.
Now arriving in Virtual Cinemas around the country via Kino Marquee and ahead of a release in Rothwell’s native UK once cinemas reopen, we talked with the director about his experience adapting Higashida’s book and launching the film at a time when cinemas are largely closed.
The Film Stage: Thinking of your previous works exploring man in nature, how did you come to adapt Naomi Higashida’s The Reason I Jump?...
Now arriving in Virtual Cinemas around the country via Kino Marquee and ahead of a release in Rothwell’s native UK once cinemas reopen, we talked with the director about his experience adapting Higashida’s book and launching the film at a time when cinemas are largely closed.
The Film Stage: Thinking of your previous works exploring man in nature, how did you come to adapt Naomi Higashida’s The Reason I Jump?...
- 1/11/2021
- by John Fink
- The Film Stage
“Crip Camp” leads all films in nominations for the 36th annual IDA Documentary Awards, the International Documentary Association announced on Tuesday.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
- 11/24/2020
- by Steve Pond
- The Wrap
Leading the International Documentary Association Documentary Awards nominees with five nominations is “Crip Camp,” Netflix’s look back at an influential activist summer camp for the disabled, followed by Garrett Bradley’s poetic black-and-white “Time” (Amazon Studios) and Sam Pollard’s 60s archival dive “MLK/FBI” (IFC Films) with four noms each.
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
- 11/24/2020
- by Anne Thompson
- Indiewire
The International Documentary Association has announced the nominees for its 36th Annual IDA Documentary Awards, and a certain streaming service dominates. Netflix scored a leading 18 noms for the 2020 IDAs, more than three times its nearest rival. PBS is second with five, followed by HBO (four).
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
- 11/24/2020
- by Erik Pedersen
- Deadline Film + TV
The American Film Institute has revealed its full slate of films being presented online for the AFI Docs 2020 Film Festival, which will take place digitally this year. The lineup features 59 films from 11 countries and 12 virtual world premieres, with 61 percent of the films directed by women, 25 percent by Poc directors, and 14 percent by LGBTQ directors. The festival runs June 17–21, with films available to view on Docs.AFI.com. See the full lineup below.
“Now more than ever, it is important to expand our perspectives and listen to voices that may differ from our own, and this year’s festival includes a diverse range of insights and experiences for audiences to share in,” said Michael Lumpkin, AFI Festivals director. “These films explore political and social issues in the U.S. and across the globe, introducing us to the next generation of leaders and shedding new light on figures of the past.”
The...
“Now more than ever, it is important to expand our perspectives and listen to voices that may differ from our own, and this year’s festival includes a diverse range of insights and experiences for audiences to share in,” said Michael Lumpkin, AFI Festivals director. “These films explore political and social issues in the U.S. and across the globe, introducing us to the next generation of leaders and shedding new light on figures of the past.”
The...
- 6/8/2020
- by Ryan Lattanzio
- Indiewire
Deep Water is a stunning documentary that not only beautifully elucidates a nearly forgotten incident but touches on crucial themes involving isolation, sanity, self-worth, impossible dreams, the nature of heroism and limits of human endurance. The film asks the right questions and never settles for glib answers; indeed this incident defies answers because the enterprise -- an attempt to circumnavigate the globe in a nonstop sailing race by an Englishman who was at best a weekend yachtsman -- lacks all rationality.
The film opens Friday in Los Angeles and New York preceding a national rollout. With vigorous marketing, IFC Films should see solid art house boxoffice, and the film undoubtedly will live long on TV and DVD.
In 1968, searching for a circulation booster and mindful of the fuss the year before when Francis Chichester became a national hero by sailing single-handedly around the world, the Sunday Times of London announced a race open to anyone willing to sail solo and nonstop around the world. Two prizes were offered: one to the first man home and a second prize, worth a then-hefty £5,000, for the fastest voyage.
Donald Crowhurst, a 36-year-old father of four with a loundering marine electronics business, is determined to enter. He persuades a local businessman to fund the construction of a "revolutionary" boat. But the businessman exacts a high price: Should Crowhurst fail to complete the voyage, he must buy back the boat, which would mean financial ruin for the struggling businessman.
The boat never gets put together correctly in the rush to meet an Oct. 31 launch date. Nor does Crowhurst really know what he is doing. But no one, not even his loving wife Clare, says, "Don't go." So he steps aboard the unseaworthy craft -- in a tie no less! -- to set sail. He is leaving too late to be the first home, but he can still run the fastest.
Crowhurst has a 16mm camera and tape recorder on board. So filmmakers Louise Osmond and Jerry Rothwell have a treasure trove of documents from which to fashion this utterly fascinating film. They also have footage and diaries of another racer, Frenchman Bernard Moitessier, to supplement Crowhurst's.
The guides for this journey include Tilda Swinton's narration, Crowhurst's own log and writings and remarkably insightful interviews with Crowhurst's wife, son Simon, his best friend and a Fleet Street journalist, among others.
Making poor time in a leaky craft, Crowhurst is faced with a fateful decision after two weeks. To continue into the stormy Southern Ocean is sheer suicide. To turn back means bankruptcy and humiliation. He chooses a third option.
In a day when satellite positioning did not exist, he reports back record-breaking daily speeds and wrong positions while he drifts aimlessly toward South America. Then he breaks all radio contact. He even makes an illegal landing in Argentina for repairs.
His plan is to wait for the race to catch up with him, then slip back in unnoticed. As long as he finishes but does not win, no one will scrutinize his logbooks. Then two unthinkable events conspired to trap him in his own lie.
A salient fact almost slips by in one of the interviews: Crowhurst is clearly driven by the memory of his own father's destitution and early death after returning home from British India, where the family must have felt a sense of privilege. He also battles with his own self-image of a confident, can-do guy who will rescue his family from similar straits.
Then there is the isolation. A person becomes a god in the vastness of the sea. All decisions belong to you and you alone. Really, though, just by staying at sea in a "bloody boat that is falling to pieces" for 243 days is a kind of triumph. In his own way, Donald Crowhurst did achieve a tainted heroism.
DEEP WATER
IFC Films
Pathe Prods., U.K. Film Council and FilmFour present an APT Films and Stir Friend Films production in association with Darlow Smithson Prods.
Credits:
Directors: Louise Osmond, Jerry Rothwell
Producers: Al Morrow, Jonny Persey, John Smithson
Executive producers: Francois Ivernel, Ralph Lee, Cameron McCracken, Paul Trijbits
Director of photography: Nina Kellgren
Music: Molly Nyman, Harry Escott
Co-producer: Stewart Le Marechal
Supervising editor: Justine Wright
Editor: Ben Lester
Narrator: Tilda Swinton
Running time -- 93 minutes
MPAA rating PG...
The film opens Friday in Los Angeles and New York preceding a national rollout. With vigorous marketing, IFC Films should see solid art house boxoffice, and the film undoubtedly will live long on TV and DVD.
In 1968, searching for a circulation booster and mindful of the fuss the year before when Francis Chichester became a national hero by sailing single-handedly around the world, the Sunday Times of London announced a race open to anyone willing to sail solo and nonstop around the world. Two prizes were offered: one to the first man home and a second prize, worth a then-hefty £5,000, for the fastest voyage.
Donald Crowhurst, a 36-year-old father of four with a loundering marine electronics business, is determined to enter. He persuades a local businessman to fund the construction of a "revolutionary" boat. But the businessman exacts a high price: Should Crowhurst fail to complete the voyage, he must buy back the boat, which would mean financial ruin for the struggling businessman.
The boat never gets put together correctly in the rush to meet an Oct. 31 launch date. Nor does Crowhurst really know what he is doing. But no one, not even his loving wife Clare, says, "Don't go." So he steps aboard the unseaworthy craft -- in a tie no less! -- to set sail. He is leaving too late to be the first home, but he can still run the fastest.
Crowhurst has a 16mm camera and tape recorder on board. So filmmakers Louise Osmond and Jerry Rothwell have a treasure trove of documents from which to fashion this utterly fascinating film. They also have footage and diaries of another racer, Frenchman Bernard Moitessier, to supplement Crowhurst's.
The guides for this journey include Tilda Swinton's narration, Crowhurst's own log and writings and remarkably insightful interviews with Crowhurst's wife, son Simon, his best friend and a Fleet Street journalist, among others.
Making poor time in a leaky craft, Crowhurst is faced with a fateful decision after two weeks. To continue into the stormy Southern Ocean is sheer suicide. To turn back means bankruptcy and humiliation. He chooses a third option.
In a day when satellite positioning did not exist, he reports back record-breaking daily speeds and wrong positions while he drifts aimlessly toward South America. Then he breaks all radio contact. He even makes an illegal landing in Argentina for repairs.
His plan is to wait for the race to catch up with him, then slip back in unnoticed. As long as he finishes but does not win, no one will scrutinize his logbooks. Then two unthinkable events conspired to trap him in his own lie.
A salient fact almost slips by in one of the interviews: Crowhurst is clearly driven by the memory of his own father's destitution and early death after returning home from British India, where the family must have felt a sense of privilege. He also battles with his own self-image of a confident, can-do guy who will rescue his family from similar straits.
Then there is the isolation. A person becomes a god in the vastness of the sea. All decisions belong to you and you alone. Really, though, just by staying at sea in a "bloody boat that is falling to pieces" for 243 days is a kind of triumph. In his own way, Donald Crowhurst did achieve a tainted heroism.
DEEP WATER
IFC Films
Pathe Prods., U.K. Film Council and FilmFour present an APT Films and Stir Friend Films production in association with Darlow Smithson Prods.
Credits:
Directors: Louise Osmond, Jerry Rothwell
Producers: Al Morrow, Jonny Persey, John Smithson
Executive producers: Francois Ivernel, Ralph Lee, Cameron McCracken, Paul Trijbits
Director of photography: Nina Kellgren
Music: Molly Nyman, Harry Escott
Co-producer: Stewart Le Marechal
Supervising editor: Justine Wright
Editor: Ben Lester
Narrator: Tilda Swinton
Running time -- 93 minutes
MPAA rating PG...
- 8/24/2007
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.