Amid a Toronto Film Festival light on sales, Greenwich Entertainment has nabbed domestic distribution for a documentary on Louis C.K., TheWrap has learned.
The film, “Sorry/Not Sorry,” details the stand-up’s downfall after he was accused in a 2017 New York Times article of sexual misconduct by five women. It also deals with C.K.’s attempts at a post-scandal comeback — including a Grammy win in 2021 — along with backlash faced by the accusers. The sale came hours after the film’s TIFF world premiere.
Directed by Caroline Suh and Cara Mones, “Sorry/Not Sorry” is a New York Times production. Financial terms have not been disclosed, but Greenwich’s Andy Bohn negotiated the acquisition with CAA Media Finance on behalf of The New York Times.
“We couldn’t be happier to be partnering with Greenwich in the release of ‘Sorry/Not Sorry,'” Suh stated. “Their support means that the film – and the...
The film, “Sorry/Not Sorry,” details the stand-up’s downfall after he was accused in a 2017 New York Times article of sexual misconduct by five women. It also deals with C.K.’s attempts at a post-scandal comeback — including a Grammy win in 2021 — along with backlash faced by the accusers. The sale came hours after the film’s TIFF world premiere.
Directed by Caroline Suh and Cara Mones, “Sorry/Not Sorry” is a New York Times production. Financial terms have not been disclosed, but Greenwich’s Andy Bohn negotiated the acquisition with CAA Media Finance on behalf of The New York Times.
“We couldn’t be happier to be partnering with Greenwich in the release of ‘Sorry/Not Sorry,'” Suh stated. “Their support means that the film – and the...
- 9/11/2023
- by Scott Mendelson
- The Wrap
Greenwich Entertainment has picked up Sorry/Not Sorry, a new documentary that examines the sexual misconduct scandal that engulfed comedian Louis C.K. and its aftermath, hours after the film had its world premiere at the Toronto Film Festival.
Greenwich took North American rights to the film, co-directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is based on the expose of Louis C.K. published by The New York Times, with the Times also producing together with Left/Right. Suh, Mones and Kathleen Lingo produced the film. New York Times journalists Melena Ryzik, Cara Buckley and Jodi Kantor, authors of the original 2017 article, served as consulting producers. Sam Dolnick, Jason Stallman, Ken Druckerman and Banks Tarver executive produced.
Sorry/Not Sorry drew a mixed response from critics in Toronto. The Hollywood Reporter found the documentary “struggled to find a new perspective” on the Louis C.K. scandal and the issue of whether he,...
Greenwich took North American rights to the film, co-directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is based on the expose of Louis C.K. published by The New York Times, with the Times also producing together with Left/Right. Suh, Mones and Kathleen Lingo produced the film. New York Times journalists Melena Ryzik, Cara Buckley and Jodi Kantor, authors of the original 2017 article, served as consulting producers. Sam Dolnick, Jason Stallman, Ken Druckerman and Banks Tarver executive produced.
Sorry/Not Sorry drew a mixed response from critics in Toronto. The Hollywood Reporter found the documentary “struggled to find a new perspective” on the Louis C.K. scandal and the issue of whether he,...
- 9/11/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: In one of the first acquisition deals at Toronto, Greenwich Entertainment today announced it has picked up Sorry/Not Sorry, the documentary about the Louis C.K. sexual misconduct scandal and its aftermath, hours after the film’s TIFF world premiere.
The deal covers North American distribution rights to the film directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is a production of The New York Times.
“In 2017, The New York Times published an article in which five women accused comedian Louis C.K. of sexual harassment,” notes a description of the film. “Nine months later, he returned to the stage and went on to win a Grammy in 2021. Sorry/Not Sorry examines the cultural fixation with Louis C.K. and his comeback while revealing the backlash faced by the women who spoke up about his behavior.”
Collider, in its review of the film, wrote, “While there have been plenty of...
The deal covers North American distribution rights to the film directed by Caroline Suh and Cara Mones. Sorry/Not Sorry is a production of The New York Times.
“In 2017, The New York Times published an article in which five women accused comedian Louis C.K. of sexual harassment,” notes a description of the film. “Nine months later, he returned to the stage and went on to win a Grammy in 2021. Sorry/Not Sorry examines the cultural fixation with Louis C.K. and his comeback while revealing the backlash faced by the women who spoke up about his behavior.”
Collider, in its review of the film, wrote, “While there have been plenty of...
- 9/11/2023
- by Matthew Carey
- Deadline Film + TV
At some point in our culture, we began to see male comedians as philosophers. Invoking the legacies of George Carlin, Richard Pryor and Bill Hicks, comedy fans have labeled funny men as paternalistic truth tellers that we all must revere. Never mind the fact that these men are no longer alive and thus have no opportunity to challenge the way their work has been framed and which living comics they are compared to.
Louis C.K. is one such comedian who has often been spoken of in the same breath as these men, despite lacking the often political edge of their work. C.K. and comics like Chris Rock and Dave Chappelle are the confirmed gold standard of comedy, standing at the top of the mountain looking down at the rest of us. There’s no denying their talent and insight, but they are very much still human, despite the prevailing...
Louis C.K. is one such comedian who has often been spoken of in the same breath as these men, despite lacking the often political edge of their work. C.K. and comics like Chris Rock and Dave Chappelle are the confirmed gold standard of comedy, standing at the top of the mountain looking down at the rest of us. There’s no denying their talent and insight, but they are very much still human, despite the prevailing...
- 9/11/2023
- by Jourdain Searles
- The Hollywood Reporter - Movie News
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