In Other People’s Children, the latest from director Rebecca Zlowtowski, a woman in her 40s named Rachel (Virginie Efira) grapples with the idea of being a mother—as well as the idea of going down a child-free path. Editor Geraldine Mangenot, who’s worked with Zlowtowski since her 2019 film An Easy Girl, discusses how being a mother herself influenced the film’s edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Mangenot: […]
The post “I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children first appeared on Filmmaker Magazine.
The post “I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children first appeared on Filmmaker Magazine.
- 1/30/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
In Other People’s Children, the latest from director Rebecca Zlowtowski, a woman in her 40s named Rachel (Virginie Efira) grapples with the idea of being a mother—as well as the idea of going down a child-free path. Editor Geraldine Mangenot, who’s worked with Zlowtowski since her 2019 film An Easy Girl, discusses how being a mother herself influenced the film’s edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Mangenot: […]
The post “I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children first appeared on Filmmaker Magazine.
The post “I Like To Edit Ideas, Not Sequences”: Editor Geraldine Mangenot on Other People’s Children first appeared on Filmmaker Magazine.
- 1/30/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Click here to read the full article.
The setting and subject of Laure de Clermont-Tonnerre’s second film couldn’t be more different from those of her first. But the contemporary drama The Mustang and the director’s interpretation of D.H. Lawrence’s century-old novel share a sensuous physicality, an appreciation for skin and muscle — how bodies move, how they spar, how they intertwine. In the 2019 film, the beautiful bodies belong to Matthias Schoenaerts and a wild horse; in Lady Chatterley’s Lover, Emma Corrin and Jack O’Connell steam up the screen as kindred spirits ignited by carnal passion.
Lawrence was dismissed as a pornographer by many, and his oft-adapted 1928 novel, his last, was for years banned as obscene in several countries. Then it became part of the English-lit canon. Eventually it would be dissed by Susan Sontag as reactionary. Even in this telling, where the intelligence of Corrin’s character...
The setting and subject of Laure de Clermont-Tonnerre’s second film couldn’t be more different from those of her first. But the contemporary drama The Mustang and the director’s interpretation of D.H. Lawrence’s century-old novel share a sensuous physicality, an appreciation for skin and muscle — how bodies move, how they spar, how they intertwine. In the 2019 film, the beautiful bodies belong to Matthias Schoenaerts and a wild horse; in Lady Chatterley’s Lover, Emma Corrin and Jack O’Connell steam up the screen as kindred spirits ignited by carnal passion.
Lawrence was dismissed as a pornographer by many, and his oft-adapted 1928 novel, his last, was for years banned as obscene in several countries. Then it became part of the English-lit canon. Eventually it would be dissed by Susan Sontag as reactionary. Even in this telling, where the intelligence of Corrin’s character...
- 9/8/2022
- by Sheri Linden
- The Hollywood Reporter - Movie News
The Trouble With You (En Liberté!) star Pio Marmaï with director Pierre Salvadori: "Write it down. I prefer being a bastard." Photo: Anne-Katrin Titze
New York's 2019 uniFrance Rendez-Vous with French Cinema opening night film at the Film Society of Lincoln Center was Pierre Salvadori's The Trouble With You (En Liberté!), co-written with Benoît Graffin and Benjamin Charbit, starring Adèle Haenel and Pio Marmaï with Audrey Tautou, Vincent Elbaz, and Damien Bonnard. The morning after the première, Pierre Salvadori and Pio Marmaï joined me for a conversation on rehearsing a scene to find the "right rhythm and logic", editors Isabelle Devinck (Salvadori's In The Courtyard) and Géraldine Mangenot, Claude Lelouch's La Bonne Année with Lino Ventura, and Kim Novak in Alfred Hitchcock's Vertigo.
Pierre Salvadori on Pio Marmaï's character: "The thing about Antoine is that he is running after a chimera to catch back the time." Photo: Anne-Katrin...
New York's 2019 uniFrance Rendez-Vous with French Cinema opening night film at the Film Society of Lincoln Center was Pierre Salvadori's The Trouble With You (En Liberté!), co-written with Benoît Graffin and Benjamin Charbit, starring Adèle Haenel and Pio Marmaï with Audrey Tautou, Vincent Elbaz, and Damien Bonnard. The morning after the première, Pierre Salvadori and Pio Marmaï joined me for a conversation on rehearsing a scene to find the "right rhythm and logic", editors Isabelle Devinck (Salvadori's In The Courtyard) and Géraldine Mangenot, Claude Lelouch's La Bonne Année with Lino Ventura, and Kim Novak in Alfred Hitchcock's Vertigo.
Pierre Salvadori on Pio Marmaï's character: "The thing about Antoine is that he is running after a chimera to catch back the time." Photo: Anne-Katrin...
- 3/26/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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