Much of my personal love [1] for Scott Pilgrim vs. The World doesn't derive from where you'd think. People point to the funny dialogue, the great music or kick ass action while others might highlight the interesting story or some of the individual performances. That's all well and good. But when I pop in my Blu-ray, autographed by the whole cast [2], my personal love for the film comes from the the title sequence. The first 5 minutes or including everything from the 8-Bit Universal Logo through director Edgar Wright's credit. The awesome site The Art of the Title Sequence spoke not only with Wright, but concept designer and head storyboard artist Oscar Wright as well as main title designer Richard Kenworthy in painstaking detail about the creation of the pulse-pounding credits sequence. We've got some highlights below. The title sequence in Scott Pilgrim vs. The World sets you up for the...
- 1/18/2011
- by Germain Lussier
- Slash Film
Visual-effects supervisor Frazer Churchill gives us behind-the-scenes scoop on the technology used in the film.
By Eric Ditzian
Mark Webber and Michael Cera in "Scott Pilgrim vs. The World"
Photo: Universal Pictures
"It was all pretty tricky." That's how "Scott Pilgrim vs. the World" visual-effects supervisor Frazer Churchill describes the film's inimitable look — part manga, part 16-bit video game, exploding on every frame with bright colors and pulsing graphics. That's also a crazy understatement.
Each of the film's fight scenes offers a master class in the very latest in moviemaking technology, from the use of cutting-edge CG software to on-the-ground practical effects work. "Tricky" is putting it lightly. It was damn hard work, and although "Scott Pilgrim" performed disappointingly at the box office this weekend — opening to just $10.5 million in ticket sales — what director Edgar Wright and his team managed to pull off on the screen is deserving of wide acclaim.
By Eric Ditzian
Mark Webber and Michael Cera in "Scott Pilgrim vs. The World"
Photo: Universal Pictures
"It was all pretty tricky." That's how "Scott Pilgrim vs. the World" visual-effects supervisor Frazer Churchill describes the film's inimitable look — part manga, part 16-bit video game, exploding on every frame with bright colors and pulsing graphics. That's also a crazy understatement.
Each of the film's fight scenes offers a master class in the very latest in moviemaking technology, from the use of cutting-edge CG software to on-the-ground practical effects work. "Tricky" is putting it lightly. It was damn hard work, and although "Scott Pilgrim" performed disappointingly at the box office this weekend — opening to just $10.5 million in ticket sales — what director Edgar Wright and his team managed to pull off on the screen is deserving of wide acclaim.
- 8/16/2010
- MTV Movie News
Visual-effects supervisor Frazer Churchill gives us behind-the-scenes scoop on the technology used in the film.
By Eric Ditzian
Mark Webber and Michael Cera in "Scott Pilgrim vs. The World"
Photo: Universal Pictures
"It was all pretty tricky." That's how "Scott Pilgrim vs. the World" visual-effects supervisor Frazer Churchill describes the film's inimitable look — part manga, part 16-bit video game, exploding on every frame with bright colors and pulsing graphics. That's also a crazy understatement.
Each of the film's fight scenes offers a master class in the very latest in moviemaking technology, from the use of cutting-edge CG software to on-the-ground practical effects work. "Tricky" is putting it lightly. It was damn hard work, and although "Scott Pilgrim" performed disappointingly at the box office this weekend — opening to just $10.5 million in ticket sales — what director Edgar Wright and his team managed to pull off on the screen is deserving of wide acclaim.
By Eric Ditzian
Mark Webber and Michael Cera in "Scott Pilgrim vs. The World"
Photo: Universal Pictures
"It was all pretty tricky." That's how "Scott Pilgrim vs. the World" visual-effects supervisor Frazer Churchill describes the film's inimitable look — part manga, part 16-bit video game, exploding on every frame with bright colors and pulsing graphics. That's also a crazy understatement.
Each of the film's fight scenes offers a master class in the very latest in moviemaking technology, from the use of cutting-edge CG software to on-the-ground practical effects work. "Tricky" is putting it lightly. It was damn hard work, and although "Scott Pilgrim" performed disappointingly at the box office this weekend — opening to just $10.5 million in ticket sales — what director Edgar Wright and his team managed to pull off on the screen is deserving of wide acclaim.
- 8/16/2010
- MTV Music News
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