With the 96th Academy Awards now only a month away, each weekend brings a new award show that reveals a new look at the shape of the Oscar race. Tonight, the auteurs behind some of 2023’s biggest films gathered at the Beverly Hilton in Los Angeles to celebrate the craft of filmmaking at the Directors Guild of America Awards.
Martin Scorsese, Greta Gerwig, Christopher Nolan, Yorgos Lanthimos, and Alexander Payne were nominated for the night’s top prize, Outstanding Directorial Achievement in Theatrical Feature Film, with Oscar frontrunner Nolan walking away with the coveted trophy. Celine Song, Cord Jefferson, A.V. Rockwell, Manuela Martelli, and Noora Niasari competed for Outstanding Directorial Achievement in First-Time Theatrical Feature Film, which ultimately went to Song.
The show celebrated some of the best directors working in television, with awards in a variety of categories ranging from TV dramas and sitcoms to commercials and reality TV.
Martin Scorsese, Greta Gerwig, Christopher Nolan, Yorgos Lanthimos, and Alexander Payne were nominated for the night’s top prize, Outstanding Directorial Achievement in Theatrical Feature Film, with Oscar frontrunner Nolan walking away with the coveted trophy. Celine Song, Cord Jefferson, A.V. Rockwell, Manuela Martelli, and Noora Niasari competed for Outstanding Directorial Achievement in First-Time Theatrical Feature Film, which ultimately went to Song.
The show celebrated some of the best directors working in television, with awards in a variety of categories ranging from TV dramas and sitcoms to commercials and reality TV.
- 2/11/2024
- by Christian Zilko
- Indiewire
The 76th Directors Guild of America Awards took place on Saturday, February 10 at 7:30 p.m. Pt with Judd Apatow hosting the in-person, non-televised ceremony. These kudos honored the best helmers of the year in movies and television, as voted on by more than 18,000 members of the directing guild. Scroll down for the 2024 DGA Awards winners list in three film and eight TV categories.
As always, the all-important feature film category is one of the most telling bellwethers for the eventual Best Director Oscar. The guild and the academy have only disagreed for Best Director eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s “Everything Everywhere All at Once”), Jane Campion (2021’s “The Power of the Dog”) and Chloé Zhao (2020’s “Nomadland”).
This year, just three of the DGA’s nominees also reaped directing Oscar bids: Yorgos Lanthimos...
As always, the all-important feature film category is one of the most telling bellwethers for the eventual Best Director Oscar. The guild and the academy have only disagreed for Best Director eight times over the past seven decades, with the last three years lining up perfectly for Daniel Kwan & Daniel Scheinert (2022’s “Everything Everywhere All at Once”), Jane Campion (2021’s “The Power of the Dog”) and Chloé Zhao (2020’s “Nomadland”).
This year, just three of the DGA’s nominees also reaped directing Oscar bids: Yorgos Lanthimos...
- 2/11/2024
- by Marcus James Dixon
- Gold Derby
Because the Primetime Emmys and the DGA Awards are operating on two different schedules, nominations often have little overlap. However, with the Director Guild of America (DGA) coincidentally releasing the TV nominations for its DGA Awards the same week as the postponed 75th Primetime Emmys, it’s become even more noticeable the ways in which the two awards bodies aligned and differed on shows from 2023.
For instance, DGA Awards favorite “Succession” once again dominates the Drama Series category, receiving four nominations (one less than the last time the show was eligible). While the guild was on the same page about honoring directors Andrij Parekh and Mark Mylod (a past winner) for their work on the fourth and final season of the HBO awards juggernaut, DGA voters opted to recognize Becky Martin and duo Robert Pulcini and Shari Springer Berman for their “Succession” Season 4 episodes over Lorene Scafaria, the show’s...
For instance, DGA Awards favorite “Succession” once again dominates the Drama Series category, receiving four nominations (one less than the last time the show was eligible). While the guild was on the same page about honoring directors Andrij Parekh and Mark Mylod (a past winner) for their work on the fourth and final season of the HBO awards juggernaut, DGA voters opted to recognize Becky Martin and duo Robert Pulcini and Shari Springer Berman for their “Succession” Season 4 episodes over Lorene Scafaria, the show’s...
- 1/9/2024
- by Marcus Jones
- Indiewire
The Directors Guild of America announced the nominees for television, commercials and documentary for its 76th annual DGA Awards today, a list headed by three-time winner Bill Hader and installments of the third and final season of HBO’s “Succession,” which claimed four of the five Drama Series nomination slots – the fifth going to an episode of fellow HBO hour “The Last of Us.”
The Comedy Series nomination lineup features the directors of a pair of episodes of Apple TV+’s “Ted Lasso” along with two installments of FX’s “The Bear” (including a repeat nomination for showrunner Christopher Storer – the acclaimed “Fishes” edition from Season 2 of the series – and a first for comedian and actor Ramy Youssef).
SEEBill Hader will set multiple SAG Award records with win for ‘Barry’
The Apple TV+ limited series “Lessons in Chemistry” also scored multiple bids in the Movies For Television/Limited Series category with three.
The Comedy Series nomination lineup features the directors of a pair of episodes of Apple TV+’s “Ted Lasso” along with two installments of FX’s “The Bear” (including a repeat nomination for showrunner Christopher Storer – the acclaimed “Fishes” edition from Season 2 of the series – and a first for comedian and actor Ramy Youssef).
SEEBill Hader will set multiple SAG Award records with win for ‘Barry’
The Apple TV+ limited series “Lessons in Chemistry” also scored multiple bids in the Movies For Television/Limited Series category with three.
- 1/9/2024
- by Ray Richmond
- Gold Derby
“Succession,” “Lessons in Chemistry,” “The Bear,” “Ted Lasso” and “American Born Chinese” are among the frontrunners as the Directors Guild of America has announced the 2024 nominees in television categories, including Dramatic Series; Comedy Series; Movies for Television and Limited Series; Variety/Talk/News/Sports – Regularly Scheduled Programming; Variety/Talk/News/Sports – Specials; Reality Program, as well as for children’s programs, commercials and documentary.
“Succession” led all series with four nominations, dominating the drama category with all but one entry. “Ted Lasso” and “The Bear” each took two comedy slots, while “Lessons in Chemistry” grabbed three of the five TV movie/limited nominations.
This year’s DGA Awards take place on Saturday, February 10, 2024. Here are this year’s nominees
Dramatic Series
The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Dramatic Series for 2023 are (in alphabetical order):
Peter Hoar — The Last of Us, “Long,...
“Succession” led all series with four nominations, dominating the drama category with all but one entry. “Ted Lasso” and “The Bear” each took two comedy slots, while “Lessons in Chemistry” grabbed three of the five TV movie/limited nominations.
This year’s DGA Awards take place on Saturday, February 10, 2024. Here are this year’s nominees
Dramatic Series
The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Dramatic Series for 2023 are (in alphabetical order):
Peter Hoar — The Last of Us, “Long,...
- 1/9/2024
- by Michael Schneider
- Variety Film + TV
The 2024 Directors Guild of America Award’s TV nominations were unveiled today, January 9, with “Succession” leading the Dramatic Series category with a whopping four nominations.
The only other series nominated in the “Succession”-dominated category was the “Long, Long Time” episode of “The Last of Us.” Other series nominated in different categories include “Barry,” “Ted Lasso,” and “The Bear,” with the Ramy Youssef-directed episode “Honeydew” especially recognized.
Shawn Levy’s limited series “All the Light We Cannot See” and Nzingha Stewart’s installment of “Daisy Jones and the Six” are additionally nominated.
See the full list of 2024 DGA Award nominations below.
Dramatic Series
The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Dramatic Series for 2023 are (in alphabetical order):
Peter Hoar
The Last of Us, “Long, Long Time”
(HBO | Max)
Directorial Team:
Unit Production Manager: Cecil O’Connor First Assistant Director: Bethan Mowat
Becky Martin
Succession,...
The only other series nominated in the “Succession”-dominated category was the “Long, Long Time” episode of “The Last of Us.” Other series nominated in different categories include “Barry,” “Ted Lasso,” and “The Bear,” with the Ramy Youssef-directed episode “Honeydew” especially recognized.
Shawn Levy’s limited series “All the Light We Cannot See” and Nzingha Stewart’s installment of “Daisy Jones and the Six” are additionally nominated.
See the full list of 2024 DGA Award nominations below.
Dramatic Series
The nominees for the Directors Guild of America Award for Outstanding Directorial Achievement in Dramatic Series for 2023 are (in alphabetical order):
Peter Hoar
The Last of Us, “Long, Long Time”
(HBO | Max)
Directorial Team:
Unit Production Manager: Cecil O’Connor First Assistant Director: Bethan Mowat
Becky Martin
Succession,...
- 1/9/2024
- by Samantha Bergeson
- Indiewire
The Directors Guild of America has unveiled the television and documentary nominations for its 76th annual DGA Awards, which will be handed out next month. See the full list below.
The helmers vying for Dramatic Series are Peter Hoar (The Last of Us) and several for different episodes of Succession: Becky Martin, Mark Mylod, Andrij Parekh and Robert Pulcini & Shari Springer Berman. Up for Comedy Series are Erica Dunton (Ted Lasso), Bill Hader (Barry), Declan Lowney (Ted Lasso), Christopher Storer (The Bear) and Ramy Youssef (The Bear).
The DGA’s film nominees will be revealed Wednesday, and the guild’s trophies will be handed out on Saturday, February 10, at the Beverly Hilton.
Here are the television, documentary and commercials nominees for the 2024 DGA Awards:
Dramatic Series
Peter Hoar
The Last Of Us, “Long, Long Time”
(HBO | Max)
Directorial Team:
Unit Production Manager: Cecil O’Connor First Assistant Director: Bethan Mowat
Becky Martin
Succession,...
The helmers vying for Dramatic Series are Peter Hoar (The Last of Us) and several for different episodes of Succession: Becky Martin, Mark Mylod, Andrij Parekh and Robert Pulcini & Shari Springer Berman. Up for Comedy Series are Erica Dunton (Ted Lasso), Bill Hader (Barry), Declan Lowney (Ted Lasso), Christopher Storer (The Bear) and Ramy Youssef (The Bear).
The DGA’s film nominees will be revealed Wednesday, and the guild’s trophies will be handed out on Saturday, February 10, at the Beverly Hilton.
Here are the television, documentary and commercials nominees for the 2024 DGA Awards:
Dramatic Series
Peter Hoar
The Last Of Us, “Long, Long Time”
(HBO | Max)
Directorial Team:
Unit Production Manager: Cecil O’Connor First Assistant Director: Bethan Mowat
Becky Martin
Succession,...
- 1/9/2024
- by Erik Pedersen
- Deadline Film + TV
The Directors Guild of America (DGA) announced its nominees for the 2024 DGA Awards in the television and commercial categories, as well as the documentary nominees.
HBO’s Succession led the TV nominations, taking four spots in the drama series category, with The Last of Us also receiving a nod. In the comedy category, Ted Lasso and The Bear each got two nominations and Barry was nominated once. In the limited series space, Lessons in Chemistry got three nods, with All The Light We Cannot See and Daisy Jones & The Six rounding out the category.
Last year, Succession also swept the drama race, earning all five slots in the dramatic series category.
In the documentary category, Bobi Wine: The People’s President, Beyond Utopia, Kokomo City, Still: A Michael J. Fox Movie and 20 Days in Mariupol received nominations.
Real Time With Bill Maher, The Late Show With Stephen Colbert, Saturday Night Live,...
HBO’s Succession led the TV nominations, taking four spots in the drama series category, with The Last of Us also receiving a nod. In the comedy category, Ted Lasso and The Bear each got two nominations and Barry was nominated once. In the limited series space, Lessons in Chemistry got three nods, with All The Light We Cannot See and Daisy Jones & The Six rounding out the category.
Last year, Succession also swept the drama race, earning all five slots in the dramatic series category.
In the documentary category, Bobi Wine: The People’s President, Beyond Utopia, Kokomo City, Still: A Michael J. Fox Movie and 20 Days in Mariupol received nominations.
Real Time With Bill Maher, The Late Show With Stephen Colbert, Saturday Night Live,...
- 1/9/2024
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
The ominous task that faced Eve Hewson when she first read John Carney’s script for Flora and Son had been accepted before she even realized it.
Sure, she knew Carney’s work, almost exclusively delivering features that baked music into the very fabric of their construction. She’d seen Glen Hansard belting at the top of his lungs in Carney’s debut, Once; Keira Knightley and Mark Ruffalo making sweet music together in Begin Again; Ferdia Walsh-Peelo embracing ’80s pop in Sing Street. She knew what was coming, but still hoped it never would.
She fell madly in love with Flora, a single mum living in a Dublin apartment block with her delinquent teenage son Max, turning each page as Flora salvaged a guitar from a skip, had it tidied up, and gifted it to Max. She followed along as the character started taking guitar lessons by Zoom with...
Sure, she knew Carney’s work, almost exclusively delivering features that baked music into the very fabric of their construction. She’d seen Glen Hansard belting at the top of his lungs in Carney’s debut, Once; Keira Knightley and Mark Ruffalo making sweet music together in Begin Again; Ferdia Walsh-Peelo embracing ’80s pop in Sing Street. She knew what was coming, but still hoped it never would.
She fell madly in love with Flora, a single mum living in a Dublin apartment block with her delinquent teenage son Max, turning each page as Flora salvaged a guitar from a skip, had it tidied up, and gifted it to Max. She followed along as the character started taking guitar lessons by Zoom with...
- 12/21/2023
- by Joe Utichi
- Deadline Film + TV
[This story contains spoilers for “La Locker Room Aux Folles,” the ninth episode of Ted Lasso season three.]
After several nearly hour-long installments, Ted Lasso comes in at a comparatively lean 44 minutes for “La Locker Room Aux Folles,” which despite its title and the opening and closing tunes on the soundtrack, is definitely not a farce about an elaborate attempt by anyone at Richmond to hide their true nature.
It does, however, bring some resolution to Colin’s (Billy Harris) coming out story and takes a big step in positioning Roy (Brett Goldstein) to become Richmond’s next manager if Ted (Jason Sudeikis) ends up heading back to Kansas at season’s end (and, of course, the even larger if of Apple TV+ continuing its biggest show even if its title character isn’t there anymore).
Written by Chuck Hayward — who, Harris noted to THR, has had a key role in shaping Colin’s story this season — and directed by Erica Dunton, “La Locker...
After several nearly hour-long installments, Ted Lasso comes in at a comparatively lean 44 minutes for “La Locker Room Aux Folles,” which despite its title and the opening and closing tunes on the soundtrack, is definitely not a farce about an elaborate attempt by anyone at Richmond to hide their true nature.
It does, however, bring some resolution to Colin’s (Billy Harris) coming out story and takes a big step in positioning Roy (Brett Goldstein) to become Richmond’s next manager if Ted (Jason Sudeikis) ends up heading back to Kansas at season’s end (and, of course, the even larger if of Apple TV+ continuing its biggest show even if its title character isn’t there anymore).
Written by Chuck Hayward — who, Harris noted to THR, has had a key role in shaping Colin’s story this season — and directed by Erica Dunton, “La Locker...
- 5/10/2023
- by Rick Porter
- The Hollywood Reporter - Movie News
Peacock, the home of the new slasher movie Sick and the upcoming Friday the 13th series “Crystal Lake,” has announced this week that they’ve cancelled “Vampire Academy,” a new series based on Richelle Mead’s line of same-titled books. The drama-horror series had only opened up for business this past September, and it’s gotten the axe after just one season.
Deadline explains, “Deadline understands that execs at Peacock were happy with both shows creatively but they just didn’t find the requisite audience to justify further seasons.”
Here’s the synopsis for the series: “In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart.
“That is,...
Deadline explains, “Deadline understands that execs at Peacock were happy with both shows creatively but they just didn’t find the requisite audience to justify further seasons.”
Here’s the synopsis for the series: “In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart.
“That is,...
- 1/21/2023
- by John Squires
- bloody-disgusting.com
Exclusive: A pair of YA drama series are coming to an end at Peacock.
The NBCU streamer has cancelled One Of Us Is Lying and Vampire Academy.
One Of Us Is Lying ran for two seasons, while Vampire Academy, which comes from Julie Plec, has ended after one.
Deadline understands that execs at Peacock were happy with both shows creatively but they just didn’t find the requisite audience to justify further seasons.
One Of Us Is Lying, which is based on Karen M. McManus’ novel, launched in October 2021 and was the first Peacock pilot to go to series. It was renewed for a second season earlier this year that aired in October 2022.
Vampire Academy was handed a straight-to-series order in May 2021 and premiered in September 2022.
Both shows come from Universal Studio Group.
One Of Us Is Lying, from UCP, follows what happens when five high schoolers walk into detention...
The NBCU streamer has cancelled One Of Us Is Lying and Vampire Academy.
One Of Us Is Lying ran for two seasons, while Vampire Academy, which comes from Julie Plec, has ended after one.
Deadline understands that execs at Peacock were happy with both shows creatively but they just didn’t find the requisite audience to justify further seasons.
One Of Us Is Lying, which is based on Karen M. McManus’ novel, launched in October 2021 and was the first Peacock pilot to go to series. It was renewed for a second season earlier this year that aired in October 2022.
Vampire Academy was handed a straight-to-series order in May 2021 and premiered in September 2022.
Both shows come from Universal Studio Group.
One Of Us Is Lying, from UCP, follows what happens when five high schoolers walk into detention...
- 1/21/2023
- by Peter White
- Deadline Film + TV
Eve Hewson, the Irish actress now starring alongside Sharon Horgan on the dark Apple TV+ comedy Bad Sisters, will be saluted at the 17th annual Oscar Wilde Awards in March, it was announced Monday.
Hewson will receive the Wilde Card Award, which event organizer Trina Vargo, president of the US-Ireland Alliance, notes is used “to bring attention to rising talent who may not yet be a household name, but who we expect will be.” The first such honor was presented in 2010 to Saoirse Ronan.
The daughter of U2 frontman Bono, Hewson can next be seen starring opposite Joseph Gordon-Levitt in John Carney’s Flora and Son, which will premiere Sunday at the Sundance Film Festival.
Fellow Irish actresses Kerry Condon (The Banshees of Inisherin) and Jessie Buckley (Women Talking) also will be feted March 9 at J.J. Abrams and Katie McGrath’s Bad Robot production company in Santa Monica.
Vargo also...
Hewson will receive the Wilde Card Award, which event organizer Trina Vargo, president of the US-Ireland Alliance, notes is used “to bring attention to rising talent who may not yet be a household name, but who we expect will be.” The first such honor was presented in 2010 to Saoirse Ronan.
The daughter of U2 frontman Bono, Hewson can next be seen starring opposite Joseph Gordon-Levitt in John Carney’s Flora and Son, which will premiere Sunday at the Sundance Film Festival.
Fellow Irish actresses Kerry Condon (The Banshees of Inisherin) and Jessie Buckley (Women Talking) also will be feted March 9 at J.J. Abrams and Katie McGrath’s Bad Robot production company in Santa Monica.
Vargo also...
- 1/16/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Sky has revealed the trailer for ‘Vampire Academy,’ streaming on Peacock on 16 September, exclusively on Sky and Now. The 10-episode series will launch with the first four episodes available immediately, and then the series will follow a weekly pattern.
In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart. That is if Royal infighting doesn’t do the job first.
Produced by Universal Television, a division of Universal Studio Group and from executive producers Julie Plec (The Vampire Diaries, The Originals, Legacies) and Marguerite MacIntyre (The Vampire Diaries) comes Peacock Original Vampire Academy, a story of friendship, romance and danger. St. Vladmir’s Academy isn’t just any...
In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart. That is if Royal infighting doesn’t do the job first.
Produced by Universal Television, a division of Universal Studio Group and from executive producers Julie Plec (The Vampire Diaries, The Originals, Legacies) and Marguerite MacIntyre (The Vampire Diaries) comes Peacock Original Vampire Academy, a story of friendship, romance and danger. St. Vladmir’s Academy isn’t just any...
- 8/19/2022
- by Zehra Phelan
- HeyUGuys.co.uk
Eight years after being turned into a feature film, Richelle Mead‘s line of “Vampire Academy” books are getting the series treatment from Peacock, and the trailer has arrived.
Peacock’s “Vampire Academy” opens up for business on September 15, 2022. Sink your teeth into the series trailer below, which brings the fight to the blood-sucking vamps.
Here’s the plot synopsis that comes along with today’s “Vampire Academy” trailer…
“Friendship, romance and danger. In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart.
“That is, if Royal infighting doesn’t do the job first. ”
The six-book young adult vampire series was originally published between 2007 and 2010, with the first...
Peacock’s “Vampire Academy” opens up for business on September 15, 2022. Sink your teeth into the series trailer below, which brings the fight to the blood-sucking vamps.
Here’s the plot synopsis that comes along with today’s “Vampire Academy” trailer…
“Friendship, romance and danger. In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter vampire society. One as a powerful Royal, the other a half-vampire Guardian trained to protect against the savage ‘Strigoi’ who threaten to tear their society apart.
“That is, if Royal infighting doesn’t do the job first. ”
The six-book young adult vampire series was originally published between 2007 and 2010, with the first...
- 8/17/2022
- by John Squires
- bloody-disgusting.com
Not since RuPaul’s Drag Race has a smackdown for the crown been this bloodthirsty.
Peacock has finally released the official trailer for its upcoming, 10-episode adaptation of Richelle Mead’s Vampire Academy books, which premieres Thursday, Sept. 15 with weekly releases.
More from TVLineKaley Cuoco and Pete Davidson Repeatedly Meet Cute in Time Travel Rom-Com -- Get Peacock Release DateMatthew Fox Returns to TV in Last Light -- Watch Trailer for Peacock ThrillerJohn Wick Prequel Series Moves to Peacock, on Track for 2023 Premiere
Vampire Academy is described as a “story of friendship, romance and danger. In a world of privilege and glamour,...
Peacock has finally released the official trailer for its upcoming, 10-episode adaptation of Richelle Mead’s Vampire Academy books, which premieres Thursday, Sept. 15 with weekly releases.
More from TVLineKaley Cuoco and Pete Davidson Repeatedly Meet Cute in Time Travel Rom-Com -- Get Peacock Release DateMatthew Fox Returns to TV in Last Light -- Watch Trailer for Peacock ThrillerJohn Wick Prequel Series Moves to Peacock, on Track for 2023 Premiere
Vampire Academy is described as a “story of friendship, romance and danger. In a world of privilege and glamour,...
- 8/17/2022
- by Andy Swift
- TVLine.com
Rose (Sisi Stringer) is caught between being a protector and a friend to princess Lissa Dragomir (Lucy Fry) in the new trailer for Peacock’s upcoming drama “Vampire Academy.”
The series, from executive producers Julie Plec of “The Vampire Diaries,” “The Originals” and “Legacies,” and Marguerite MacIntyre, follows a vampire princess and the half-vampire guardian trained to protect her. It’s based on the YA books by Richelle Mead, which was previously adapted in the 2014 film starring Zoey Deutch.
The series also stars Kieron Moore as Dimitri Belikov, the model Dhampir Guardian; Andre Dae Kim as Christian Ozera, a Royal Moroi vampire who is the pariah of the school and royal court due to his parents’ unforgivable societal sins; J. August Richards as Victor Dashkov, a Royal Moroi vampire who has dedicated his life to the well-being of not just of his husband and two adopted daughters, but to his entire community,...
The series, from executive producers Julie Plec of “The Vampire Diaries,” “The Originals” and “Legacies,” and Marguerite MacIntyre, follows a vampire princess and the half-vampire guardian trained to protect her. It’s based on the YA books by Richelle Mead, which was previously adapted in the 2014 film starring Zoey Deutch.
The series also stars Kieron Moore as Dimitri Belikov, the model Dhampir Guardian; Andre Dae Kim as Christian Ozera, a Royal Moroi vampire who is the pariah of the school and royal court due to his parents’ unforgivable societal sins; J. August Richards as Victor Dashkov, a Royal Moroi vampire who has dedicated his life to the well-being of not just of his husband and two adopted daughters, but to his entire community,...
- 8/17/2022
- by Sharon Knolle
- The Wrap
We’re getting the first look at Vampire Academy, Peacock’s YA supernatural drama series from Julie Plec and Marguerite MacIntyre, based on Richelle Mead’s book series. The trailer was unveiled during the show’s panel Thursday at Comic-Con in San Diego. You can watch it above and see some first-look photos below.
Written by MacIntyre, Vampire Academy is set in a world of privilege and glamour, where two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society. This serialized and sexy drama combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.
Comic-Con 2022: Deadline’s Full Coverage
The cast includes Sisi Stringer, Daniela Nieves, Kieron Moore, Andre Dae Kim, J. August Richards, Anita-Joy Uwajeh, Mia Mckenna-Bruce, Rhian Blundell, Jonetta Kaiser and Andrew Liner.
Plec and MacIntyre executive produce the Peacock series along with Emily Cummins,...
Written by MacIntyre, Vampire Academy is set in a world of privilege and glamour, where two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society. This serialized and sexy drama combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.
Comic-Con 2022: Deadline’s Full Coverage
The cast includes Sisi Stringer, Daniela Nieves, Kieron Moore, Andre Dae Kim, J. August Richards, Anita-Joy Uwajeh, Mia Mckenna-Bruce, Rhian Blundell, Jonetta Kaiser and Andrew Liner.
Plec and MacIntyre executive produce the Peacock series along with Emily Cummins,...
- 7/21/2022
- by Denise Petski
- Deadline Film + TV
The 2022 Emmy ballot for Best Comedy Directing lists 178 episodes, so there will be seven nominees. As a refresher, last year’s winner was “Hacks” (“There Is No Line” by Lucia Aniello) and the other nominees were “The Flight Attendant” (“In Case of Emergency” by Susanna Fogel), “B Positive” (“Pilot” by James Burrows) and “Mom” (“Scooby-Doo Checks and Salisbury Steak” by James Widdoes), plus “Ted Lasso” with three episodes.
With the exception of “Mom,” which ended last year, all of these series are back in the running. “Hacks” once again went with a solo submission (as it did with writing), with Aniello defending her title with the episode “There Will Be Blood.” After getting three slots last year, “Ted Lasso” takes its shot with four episode submissions, including nominees Lowney (“Inventing The Pyramid Of Success”) and Delaney (“No Weddings and a Funeral”), along with Erica Dunton (“Rainbow”) and Sam Jones (“Beard...
With the exception of “Mom,” which ended last year, all of these series are back in the running. “Hacks” once again went with a solo submission (as it did with writing), with Aniello defending her title with the episode “There Will Be Blood.” After getting three slots last year, “Ted Lasso” takes its shot with four episode submissions, including nominees Lowney (“Inventing The Pyramid Of Success”) and Delaney (“No Weddings and a Funeral”), along with Erica Dunton (“Rainbow”) and Sam Jones (“Beard...
- 6/30/2022
- by Christopher Tsang
- Gold Derby
In our Q&a series "Popsugar Crush," we get to know some of our favorite celebs' more intimate details - from their first celebrity crush to the best love advice they've ever received. This month, we're crushing on "The Summer I Turned Pretty" star David Iacono.
In "The Summer I Turned Pretty," David Iacono has a pretty tough job. The show - based on the series of novels by "To All The Boys I Loved Before" author Jenny Han - focuses on Belly Conklin (Lola Tung), a teenage girl who spends every summer with her mom and brother at her mom's best friend Susannah's beach house. Belly loves everything at Cousins Beach, especially Susannah's two sons. There's Conrad (Nicholas Briney) - the classic misunderstood heartthrob whom Belly's had a crush on since before she could remember - and Jeremiah (Gavin Casalengo), one of Belly's best friends.
Then, there's Iacono's Cam.
In "The Summer I Turned Pretty," David Iacono has a pretty tough job. The show - based on the series of novels by "To All The Boys I Loved Before" author Jenny Han - focuses on Belly Conklin (Lola Tung), a teenage girl who spends every summer with her mom and brother at her mom's best friend Susannah's beach house. Belly loves everything at Cousins Beach, especially Susannah's two sons. There's Conrad (Nicholas Briney) - the classic misunderstood heartthrob whom Belly's had a crush on since before she could remember - and Jeremiah (Gavin Casalengo), one of Belly's best friends.
Then, there's Iacono's Cam.
- 6/15/2022
- by Victoria Edel
- Popsugar.com
Based on a character Jason Sudeikis originally created for NBC promos, Ted Lasso the guy evolved into Ted Lasso, the Apple TV+ comedy series. It quickly became a hit, securing 20 Emmy nominations and seven wins in its first season including for Outstanding Comedy Series. The second season premiered in July 2021, and a third season recently began filming.
The Bill Wrubel-penned Season 2 episode “Rainbow” is the latest installment of It Starts On the Page, Deadline’s annual series that highlights the scripts that serve as the creative backbones of the buzzy shows that will define the now-underway TV awards season. The scripts in our series are all being submitted for Emmy Awards consideration this year and have been selected by Deadline using criteria that includes critical acclaim, selecting from a wide range of networks and platforms, and a mix of established and lesser-known shows.
Lasso (Sudeikis) is a successful coach...
The Bill Wrubel-penned Season 2 episode “Rainbow” is the latest installment of It Starts On the Page, Deadline’s annual series that highlights the scripts that serve as the creative backbones of the buzzy shows that will define the now-underway TV awards season. The scripts in our series are all being submitted for Emmy Awards consideration this year and have been selected by Deadline using criteria that includes critical acclaim, selecting from a wide range of networks and platforms, and a mix of established and lesser-known shows.
Lasso (Sudeikis) is a successful coach...
- 6/10/2022
- by Ryan Fleming
- Deadline Film + TV
The Directors Guild of America (DGA) Awards returned in full force on Saturday night, with an in-person fête held at the Beverly Hilton in Beverly Hills. The annual awards ceremony, where the DGA recognizes the best film and television directorial efforts of the prior year, had to be held virtually in 2021, as the effects of the Covid-19 pandemic were still in full effect.
But this year’s ceremony looked much more like festivities of old. Director Judd Apatow was tapped for hosting duty, having previously had the honor in 2018 and 2020, and more than 800 people were on hand to celebrate the entertainment mediums they cherished.
On the television side, winners were unsurprising, but not undeserved, and most importantly settled the “Succession” direction question. More on that later.
Among the big three TV prizes — for directing in comedy, drama, and limited series, respectively — the DGA voting body both confirmed and clarified a...
But this year’s ceremony looked much more like festivities of old. Director Judd Apatow was tapped for hosting duty, having previously had the honor in 2018 and 2020, and more than 800 people were on hand to celebrate the entertainment mediums they cherished.
On the television side, winners were unsurprising, but not undeserved, and most importantly settled the “Succession” direction question. More on that later.
Among the big three TV prizes — for directing in comedy, drama, and limited series, respectively — the DGA voting body both confirmed and clarified a...
- 3/13/2022
- by Libby Hill
- Indiewire
This weekend is a big one for Oscar watchers, with two awards ceremonies that often predict key categories. Sunday marks the biggest night of the year in British film, with the BAFTAs, whose winners often mirror those of the Oscars, taking place. But first, the biggest names in directing came out for the Directors Guild of America Awards. Judd Apatow returned to host the DGAs, which honor outstanding achievement in directing film, television, and commercials.
The feature film nominees at the DGAs were almost identical to the Best Director nominees at the Oscars, with winner Jane Campion (“The Power of the Dog”) competing against Paul Thomas Anderson (“Licorice Pizza”), Steven Spielberg (“West Side Story”), and Kenneth Branagh (“Belfast”. The only difference is that the DGAs swapped in Denis Villeneuve (“Dune”) for Ryûsuke Hamaguchi (“Drive My Car”).
On the television side, “Succession” and “Ted Lasso” have absolutely dominated the nominations. “Ted Lasso...
The feature film nominees at the DGAs were almost identical to the Best Director nominees at the Oscars, with winner Jane Campion (“The Power of the Dog”) competing against Paul Thomas Anderson (“Licorice Pizza”), Steven Spielberg (“West Side Story”), and Kenneth Branagh (“Belfast”. The only difference is that the DGAs swapped in Denis Villeneuve (“Dune”) for Ryûsuke Hamaguchi (“Drive My Car”).
On the television side, “Succession” and “Ted Lasso” have absolutely dominated the nominations. “Ted Lasso...
- 3/13/2022
- by Christian Zilko
- Indiewire
Jane Campion has been named the best feature-film director of 2021 by the Directors Guild of America for “The Power of the Dog.” She is the second consecutive female director to win after Chloe Zhao’s victory last year for “Nomadland,” and the third overall after Zhao and Kathryn Bigelow (“The Hurt Locker”), who won in 2010 and was also on hand for the ceremony at the Beverly Hilton Hotel.
“I’m here because I care about women having voices,” Campion said in her acceptance speech. She had been the prohibitive favorite going into the DGA Awards, just as she is in the Best Director category at the Academy Awards — and the fact that she won even at the end of a marathon DGA ceremony during which one person after another had paid homage to her fellow nominee Steven Spielberg suggests that the rest of awards season will be smooth sailing for her.
“I’m here because I care about women having voices,” Campion said in her acceptance speech. She had been the prohibitive favorite going into the DGA Awards, just as she is in the Best Director category at the Academy Awards — and the fact that she won even at the end of a marathon DGA ceremony during which one person after another had paid homage to her fellow nominee Steven Spielberg suggests that the rest of awards season will be smooth sailing for her.
- 3/13/2022
- by Steve Pond
- The Wrap
The 74th Directors Guild of America Awards took place on Saturday, March 12 at 7:30 p.m. Pt with Judd Apatow hosting the in-person, non-televised ceremony. (Read our minute-by-minute live blog.) These kudos honored the best helmers of the year in movies and television, as voted on by more than 18,000 members of the directing guild. Scroll down for the 2022 DGA Awards winners list in three film and eight TV categories.
The all-important feature film category is one of the most telling bellwethers for the Best Director Oscar. The guild and the academy have only disagreed eight times over the past seven decades, including in 2019 when Sam Mendes (“1917”) won the DGA but Bong Joon Ho (“Parasite”) claimed the Oscar. Will this year’s winner follow the path of so many prior champs? Reminder: four of the guild’s nominees also reaped Oscar bids: Jane Campion (“The Power of the Dog”), Steven Spielberg...
The all-important feature film category is one of the most telling bellwethers for the Best Director Oscar. The guild and the academy have only disagreed eight times over the past seven decades, including in 2019 when Sam Mendes (“1917”) won the DGA but Bong Joon Ho (“Parasite”) claimed the Oscar. Will this year’s winner follow the path of so many prior champs? Reminder: four of the guild’s nominees also reaped Oscar bids: Jane Campion (“The Power of the Dog”), Steven Spielberg...
- 3/12/2022
- by Marcus James Dixon
- Gold Derby
Awards fans, mark your calendars for Saturday, March 12 as that’s when the 74th Directors Guild of America Awards will take place in Hollywood. Judd Apatow hosts the non-televised ceremony, which will honor the best in film and TV for the 2021 calendar year. According to Gold Derby’s DGA Awards predictions, some of the night’s big winners will include Jane Campion (“The Power of the Dog”) and Maggie Gyllenhaal (“The Lost Daughter”). Scroll down to see the 2022 Directors Guild Awards predictions listed in order of their racetrack odds, with projected winners in gold.
Our DGA Awards odds are based on the combined forecasts of 1,400 Gold Derby readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting last year’s winners, All-Star Users who had the best prediction scores over the last two years, and...
Our DGA Awards odds are based on the combined forecasts of 1,400 Gold Derby readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting last year’s winners, All-Star Users who had the best prediction scores over the last two years, and...
- 3/11/2022
- by Marcus James Dixon
- Gold Derby
After any awards body announces its nominations, the question at hand immediately becomes, “What’s the big takeaway here? What insight have we gleaned from this information, be it about a larger awards race or the vibe of the industry in general?” That’s the case, at least, if awards analysis is your job. Often, it’s difficult to differentiate wheat from chaff. But that’s not the case for this year’s Directors Guild of America (DGA) Award TV nominations. Not in the slightest.
Upon the announcement of this year’s nominees, it was revealed that HBO’s “Succession” had swept the Outstanding Directorial Achievement in Dramatic Series category, garnering mentions for five distinct episodes and directors, including Kevin Bray (“Retired Janitors of Idaho”), Mark Mylod (“All the Bells Say”), Andrij Parekh (“What It Takes”), Robert Pulcini and Shari Springer Berman (“Lion in the Meadow”), and Lorene Scafaria (“Too...
Upon the announcement of this year’s nominees, it was revealed that HBO’s “Succession” had swept the Outstanding Directorial Achievement in Dramatic Series category, garnering mentions for five distinct episodes and directors, including Kevin Bray (“Retired Janitors of Idaho”), Mark Mylod (“All the Bells Say”), Andrij Parekh (“What It Takes”), Robert Pulcini and Shari Springer Berman (“Lion in the Meadow”), and Lorene Scafaria (“Too...
- 1/26/2022
- by Libby Hill
- Indiewire
The Directors Guild of America announced the television, commercial and documentary nominees for the 2022 DGA Awards and one film dominated the Dramatic Series category. In an embarrassment of riches, “Succession” took all five nominations recognizing Kevin Bray, Mark Mylod, Andrij Parekh as well as the team of Robert Pulcini and Shari Springer Bergman. The other categories were thankfully more varied (sort of).
Read More: “Belfast,” “Only Murders in the Building” and “Succession” lead 2022 SAG Awards nominations
For Comedy Series, three different “Ted Lasso” helmers earned nods as well as Lucia Aniello for “Hacks” and Mike White for “The White Lotus.” Barry Jenkins (“The Underground Railroad”), Craig Zobel (“Mare of Easttown”), Barry Levinson (“Dopesick”), Danny Strong (“Dopesick”), and Hiro Murai (“Station Eleven”) composed the Movies for Television and Limited Series category.
Continue reading ‘Succession’ Dominates 2022 DGA TV Nominations at The Playlist.
Read More: “Belfast,” “Only Murders in the Building” and “Succession” lead 2022 SAG Awards nominations
For Comedy Series, three different “Ted Lasso” helmers earned nods as well as Lucia Aniello for “Hacks” and Mike White for “The White Lotus.” Barry Jenkins (“The Underground Railroad”), Craig Zobel (“Mare of Easttown”), Barry Levinson (“Dopesick”), Danny Strong (“Dopesick”), and Hiro Murai (“Station Eleven”) composed the Movies for Television and Limited Series category.
Continue reading ‘Succession’ Dominates 2022 DGA TV Nominations at The Playlist.
- 1/26/2022
- by Gregory Ellwood
- The Playlist
Waystar Royco has prevailed!
The Directors Guild of America announced the nominees for Outstanding Directorial Achievement in Television, Commercials, and Documentary for 2021, with HBO’s “Succession” sweeping the Television Dramatic Series category.
Apple TV+’s “Ted Lasso,” HBO Max’s “Hacks,” and “The White Lotus” all received nods for TV Comedy Series. Barry Jenkins’ critically acclaimed Amazon Prime Video limited series “The Underground Railroad” is in competition with “Mare of Easttown” and Hulu’s twice-nominated “Dopesick” for the Movies for Television and Limited Series category.
Last year, “Homeland” and “The Flight Attendant” won for Drama Series and Comedy Series, respectively, and “The Queen’s Gambit” secured the award for Limited Series and TV movie.
The DGA Awards are voted on by over 18,000 members of the guild. The 2022 nominees include TV series broadcast between March 1, 2021, and December 31, 2021. Voting for the awards occurred between December 15, 2021, and January 21, 2022.
The 74th Annual DGA Awards will take place Saturday,...
The Directors Guild of America announced the nominees for Outstanding Directorial Achievement in Television, Commercials, and Documentary for 2021, with HBO’s “Succession” sweeping the Television Dramatic Series category.
Apple TV+’s “Ted Lasso,” HBO Max’s “Hacks,” and “The White Lotus” all received nods for TV Comedy Series. Barry Jenkins’ critically acclaimed Amazon Prime Video limited series “The Underground Railroad” is in competition with “Mare of Easttown” and Hulu’s twice-nominated “Dopesick” for the Movies for Television and Limited Series category.
Last year, “Homeland” and “The Flight Attendant” won for Drama Series and Comedy Series, respectively, and “The Queen’s Gambit” secured the award for Limited Series and TV movie.
The DGA Awards are voted on by over 18,000 members of the guild. The 2022 nominees include TV series broadcast between March 1, 2021, and December 31, 2021. Voting for the awards occurred between December 15, 2021, and January 21, 2022.
The 74th Annual DGA Awards will take place Saturday,...
- 1/26/2022
- by Samantha Bergeson
- Indiewire
On Wednesday, January 26, the Directors Guild of America (DGA) announced its 2022 nominations for television, commercials and documentaries. Winners of the 74th annual DGA Awards will be rewarded on March 12, 2022 in a ceremony that also honors motion pictures (those noms will be announced on Jan. 27). Read on for the complete list of 2022 Directors Guild Awards nominations for TV, which includes a nice mix of freshman series (like “Hacks” and “The White Lotus”) and established fare (like “Succession” and “Ted Lasso”).
SEEReminder: Here’s who won last year’s DGA Awards
This year’s drama series line-up is filled out by a single show: “Succession.” That’s right, the HBO family drama earned all five spots in the category, an historic first for the guild. As for the comedy series nominees, Apple’s “Ted Lasso” earned three spots while HBO Max’s “Hacks” and HBO’s “The White Lotus” scored one apiece.
SEEReminder: Here’s who won last year’s DGA Awards
This year’s drama series line-up is filled out by a single show: “Succession.” That’s right, the HBO family drama earned all five spots in the category, an historic first for the guild. As for the comedy series nominees, Apple’s “Ted Lasso” earned three spots while HBO Max’s “Hacks” and HBO’s “The White Lotus” scored one apiece.
- 1/26/2022
- by Marcus James Dixon
- Gold Derby
It’ll be a case of Succession-on-Succession violence at the 74th annual DGA Awards. The Directors Guild revealed its TV nominations Wednesday, and all five nominees for Dramatic Series are episodes of HBO’s juggernaut starring Jeremy Strong and Brian Cox.
On the Comedy Series side, Apple TV+’s Ted Lasso is a triple nominee alongside HBO Max’s Hacks and HBO’s The White Lotus.
Today’s nominations for the DGA Awards, which will be handed out March 12, also cover documentaries and commercials. See the full list below. The guild’s film nominations will be revealed Thursday.
The Movies for Television and Limited Series categories is chock-full of big names: Barry Jenkins for Amazon’s The Underground Railroad, Barry Levinson and Danny Strong for separate episodes of Hulu’s Dopesick, Hiro Murai for HBO Max’s Station Eleven and Craig Zobel for HBO’s Mare of Easttown.
Here is...
On the Comedy Series side, Apple TV+’s Ted Lasso is a triple nominee alongside HBO Max’s Hacks and HBO’s The White Lotus.
Today’s nominations for the DGA Awards, which will be handed out March 12, also cover documentaries and commercials. See the full list below. The guild’s film nominations will be revealed Thursday.
The Movies for Television and Limited Series categories is chock-full of big names: Barry Jenkins for Amazon’s The Underground Railroad, Barry Levinson and Danny Strong for separate episodes of Hulu’s Dopesick, Hiro Murai for HBO Max’s Station Eleven and Craig Zobel for HBO’s Mare of Easttown.
Here is...
- 1/26/2022
- by Erik Pedersen
- Deadline Film + TV
Call it now: “Succession” will win the DGA Award this year for drama. That’s because it’s the only nominee this year for drama: Five episodes of the series’ third season filled all five nominated slots for this year’s DGA Awards category for dramatic series.
The “Sucession” sweep comes as the Directors Guild of America has revealed this year’s TV nominees for its 74rd annual DGA Awards, including achievement in drama, comedy, limited/TV movie, variety, reality, children’s and commercials. Also announced on Wednesday were the nominees for this year’s directorial achievement in documentaries.
On the comedy side, “Ted Lasso” led with three of the five DGA Awards nominations in the category, along with episodes of “Hacks” and “The White Lotus” (which somehow landed in the comedy field there).
Last year, top TV prizes went to “Homeland” for drama series and “The Flight Attendant” for comedy series,...
The “Sucession” sweep comes as the Directors Guild of America has revealed this year’s TV nominees for its 74rd annual DGA Awards, including achievement in drama, comedy, limited/TV movie, variety, reality, children’s and commercials. Also announced on Wednesday were the nominees for this year’s directorial achievement in documentaries.
On the comedy side, “Ted Lasso” led with three of the five DGA Awards nominations in the category, along with episodes of “Hacks” and “The White Lotus” (which somehow landed in the comedy field there).
Last year, top TV prizes went to “Homeland” for drama series and “The Flight Attendant” for comedy series,...
- 1/26/2022
- by Michael Schneider
- Variety Film + TV
The Directors Guild of America has announced its nominations in its television categories, with “Succession” sweeping the drama-series category by landing all five nominations for different episodes.
The last time a single series swept all the nominations in the category was 1983, when “Hill Street Blues” took every slot in a category that at the time only consisted of three nominations. No program, drama or comedy, has ever swept all five nominations in a DGA Awards series category.
In the comedy series category, “Ted Lasso” took three of the five slots, with “Hacks” and “The White Lotus” taking the remaining two.
In the category devoted for TV movies and limited series, the nominees were Barry Jenkins for “The Underground Railroad,” Barry Levinson and Danny Strong for separate episodes of “Dopesick,” Hiro Murai for “Station Eleven” and Craig Zobel for “Mare of Easttown.”
Other nominees include Bo Burnham for his special “Bo...
The last time a single series swept all the nominations in the category was 1983, when “Hill Street Blues” took every slot in a category that at the time only consisted of three nominations. No program, drama or comedy, has ever swept all five nominations in a DGA Awards series category.
In the comedy series category, “Ted Lasso” took three of the five slots, with “Hacks” and “The White Lotus” taking the remaining two.
In the category devoted for TV movies and limited series, the nominees were Barry Jenkins for “The Underground Railroad,” Barry Levinson and Danny Strong for separate episodes of “Dopesick,” Hiro Murai for “Station Eleven” and Craig Zobel for “Mare of Easttown.”
Other nominees include Bo Burnham for his special “Bo...
- 1/26/2022
- by Steve Pond
- The Wrap
Julie Plec's latest project about the undead has set its cast.
The series is described as "a story of romance, friendship, death, sex, and scandal."
Vampire Academy is based on a series of young adult paranormal romance novels by international bestselling author Richelle Mead.
In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society.
This serialized and sexy drama combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.
"St. Vladmir’s Academy isn’t just any boarding school — it’s a hidden place where vampire royals are educated and half-human teens train to protect them from the savage ‘Strigoi’ vampires who would like to see them destroyed," reads the logline.
Plec is on board as Showrunner / Writer / Executive Producer / Director, and she'll be joined by Marguerite MacIntyre,...
The series is described as "a story of romance, friendship, death, sex, and scandal."
Vampire Academy is based on a series of young adult paranormal romance novels by international bestselling author Richelle Mead.
In a world of privilege and glamour, two young women’s friendship transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society.
This serialized and sexy drama combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.
"St. Vladmir’s Academy isn’t just any boarding school — it’s a hidden place where vampire royals are educated and half-human teens train to protect them from the savage ‘Strigoi’ vampires who would like to see them destroyed," reads the logline.
Plec is on board as Showrunner / Writer / Executive Producer / Director, and she'll be joined by Marguerite MacIntyre,...
- 8/30/2021
- by Paul Dailly
- TVfanatic
The “Vampire Academy” series at Peacock has set its main cast as well as the directors for Season 1, Variety has learned.
The show, based on the book series by Richelle Mead, will star Sisi Stringer, Daniele Nieves, Kieron Moore, André Dae Kim, J. August Richards, Anita-Joy Uwajeh, Mia McKenna-Bruce, Rhian Blundell, Jonetta Kaiser, and Andrew Liner. In addition, Bille Woodruff will direct the first first episode. Luis Prieto, Jesse Warn, Erica Dunton, Geoff Shotz and series co-creator Julie Plec will also direct episodes in the first season.
The series take place at St. Vladmir’s Academy, which isn’t just any boarding school. It’s a hidden place where vampire royals are educated and half-human teens train to protect them from the savage “Strigoi” vampires who would like to see them destroyed.
Stringer (“Mortal Kombat”) will play Rose Hathaway, a vampire-human hybrid known as a Dhampir. Fiery and outspoken, Rose...
The show, based on the book series by Richelle Mead, will star Sisi Stringer, Daniele Nieves, Kieron Moore, André Dae Kim, J. August Richards, Anita-Joy Uwajeh, Mia McKenna-Bruce, Rhian Blundell, Jonetta Kaiser, and Andrew Liner. In addition, Bille Woodruff will direct the first first episode. Luis Prieto, Jesse Warn, Erica Dunton, Geoff Shotz and series co-creator Julie Plec will also direct episodes in the first season.
The series take place at St. Vladmir’s Academy, which isn’t just any boarding school. It’s a hidden place where vampire royals are educated and half-human teens train to protect them from the savage “Strigoi” vampires who would like to see them destroyed.
Stringer (“Mortal Kombat”) will play Rose Hathaway, a vampire-human hybrid known as a Dhampir. Fiery and outspoken, Rose...
- 8/30/2021
- by Joe Otterson
- Variety Film + TV
Peacock’s “The Vampire Academy” series has set its main cast, including “Mortal Kombat” actress Sisi Stringer in the lead role of Rose Hathaway.
Also set to star in the 10-episode drama are Daniela Nieves as Lissa Dragomir, Kieron Moore as Dimitri Belikov, Andre Dae Kim as Christian Ozera, J. August Richards as Victor Dashkov, Anita-Joy Uwajeh as Tatiana Vogel, Mia McKenna-Bruce as Mia Karp, Rhian Blundell as Meredith, Jonetta Kaiser as Sonya Karp and Andrew Liner as Mason Ashford. Read full character descriptions below.
Based on the young adult paranormal romance novels by author Richelle Mead, “Vampire Academy” follows two young women whose friendship “transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society.” It is described as a “serialized and sexy drama” that “combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.”
“The Vampire Diaries” boss...
Also set to star in the 10-episode drama are Daniela Nieves as Lissa Dragomir, Kieron Moore as Dimitri Belikov, Andre Dae Kim as Christian Ozera, J. August Richards as Victor Dashkov, Anita-Joy Uwajeh as Tatiana Vogel, Mia McKenna-Bruce as Mia Karp, Rhian Blundell as Meredith, Jonetta Kaiser as Sonya Karp and Andrew Liner as Mason Ashford. Read full character descriptions below.
Based on the young adult paranormal romance novels by author Richelle Mead, “Vampire Academy” follows two young women whose friendship “transcends their strikingly different classes as they prepare to complete their education and enter royal vampire society.” It is described as a “serialized and sexy drama” that “combines the elegance of aristocratic romance and the supernatural thrills of the vampire genre.”
“The Vampire Diaries” boss...
- 8/30/2021
- by Reid Nakamura
- The Wrap
It's no question that Good Trouble is a series that's been ahead of the curve, not so much timely as having a headstart, tackling a plethora of issues, and displaying authentic storytelling since 2018.
It has a knack for addressing issues and showcasing diversity before the conversations even hit the mainstream, every bit a groundbreaking trendsetter as its predecessor.
And Good Trouble Season 3 Episode 15 is a perfect example of it with its organic display of intersectionality and Chinese culture through Alice and her Kwan and Coterie family.
We caught up with the personable, passionate, and, of course, funny Sherry Cola to discuss the nuances of another great installment. Check it out!
Good Trouble has always been ahead of its time and topical. How does it feel to be part of a series that produces content at the forefront of the diversity and representation discussion?
Yeah, the truth is Good Trouble is...
It has a knack for addressing issues and showcasing diversity before the conversations even hit the mainstream, every bit a groundbreaking trendsetter as its predecessor.
And Good Trouble Season 3 Episode 15 is a perfect example of it with its organic display of intersectionality and Chinese culture through Alice and her Kwan and Coterie family.
We caught up with the personable, passionate, and, of course, funny Sherry Cola to discuss the nuances of another great installment. Check it out!
Good Trouble has always been ahead of its time and topical. How does it feel to be part of a series that produces content at the forefront of the diversity and representation discussion?
Yeah, the truth is Good Trouble is...
- 8/12/2021
- by Jasmine Blu
- TVfanatic
Oscar winners Melissa Leo, Ray McKinnon, and Emmy winners Jessica Collins, Camryn Manheim, Tim Busfield, and Patricia Wettig are among 19 cast in upcoming anthology series.
The Dolly music you love, the stories you’ve been waiting for. Dolly Parton’s Heartstrings is an anthology series that showcases the stories, memories, and inspirations behind her most beloved songs. New and classic Dolly music will score every episode. Each story will vary in tone, from love stories and inspirational tales to family dramas, westerns, and revenge comedies.
Each episode will begin with an introduction by Dolly talking/singing to the camera (as herself) about the meaning behind each song. Dolly will also star/guest star in some stories. Each episode is a standalone story and will have a different cast.
Produced by Magnolia Hill Productions and Sandollar Productions in association with Warner Bros. Television for Netflix, Dolly Parton’s Heartstrings will premiere...
The Dolly music you love, the stories you’ve been waiting for. Dolly Parton’s Heartstrings is an anthology series that showcases the stories, memories, and inspirations behind her most beloved songs. New and classic Dolly music will score every episode. Each story will vary in tone, from love stories and inspirational tales to family dramas, westerns, and revenge comedies.
Each episode will begin with an introduction by Dolly talking/singing to the camera (as herself) about the meaning behind each song. Dolly will also star/guest star in some stories. Each episode is a standalone story and will have a different cast.
Produced by Magnolia Hill Productions and Sandollar Productions in association with Warner Bros. Television for Netflix, Dolly Parton’s Heartstrings will premiere...
- 2/12/2019
- by Kristyn Clarke
- Age of the Nerd
“Dolly Parton’s Heartstrings,” the Netflix anthology series showcasing memories and inspirations behind the country icon’s most beloved songs, has rounded out its cast.
Melissa Leo, Ray McKinnon, Andy Mientus, Katie Stevens and Michael Willett will star in “Two Doors Down,” in which a family’s “lifetime of secrets” comes bursting out during a chaotic but comedic New Year’s Eve wedding weekend. This episode is written by Mark B. Perry and directed by Wendey Stanzler.
Holly Taylor, Shane McGhie, Robert Taylor, Bellamy Young, Camryn Manheim and Mary Lane Haskell star in “Down From Dover,” in which a pregnant teenager finds support at a home for unwed mothers after being shunned by her father. This story is more complicated by the fact that the man the young woman loves is fighting in the Vietnam War. It was written by John Sacret Young and directed by Erica Dunton.
Patricia Wettig,...
Melissa Leo, Ray McKinnon, Andy Mientus, Katie Stevens and Michael Willett will star in “Two Doors Down,” in which a family’s “lifetime of secrets” comes bursting out during a chaotic but comedic New Year’s Eve wedding weekend. This episode is written by Mark B. Perry and directed by Wendey Stanzler.
Holly Taylor, Shane McGhie, Robert Taylor, Bellamy Young, Camryn Manheim and Mary Lane Haskell star in “Down From Dover,” in which a pregnant teenager finds support at a home for unwed mothers after being shunned by her father. This story is more complicated by the fact that the man the young woman loves is fighting in the Vietnam War. It was written by John Sacret Young and directed by Erica Dunton.
Patricia Wettig,...
- 2/11/2019
- by Danielle Turchiano
- Variety Film + TV
Following their win of the 2014 Audience Award at Sundance for their short film Chapel Perilous , writer/director Matthew Lessner and producer David Gerson's new feature film Automatic at Sea has been selected as 1 of 4 auteur American films to screen at the Black Rabbit U.S. In Progress Paris program as a work in progress.
U.S. in Progress Paris will take place during the third edition of the Champs Elysées Film Festival in Paris, on June 11-12 2014. The program will present 4 Us indie films in post-production to European buyers in order to achieve completion and to foster the circulation and distribution of American indie films in Europe.
We are excited to announce the selection for the third edition of Us in Progress Paris:
« Automatic at Sea » by Matthew Lessner
« Creative Control » by Benjamin Dickinson
« Eugenia and John » by Hossein Keshavarz
« Plastic Jesus » by Erica Dunton
Previous participants of Us in Progress included:
1982
by Tommy Oliver (Toronto 2013),
Ping Pong Summer
by Michael Tully (Sundance 2014, world sales by Films Boutique),
Bluebird
by Lance Edmands (Tribeca 2013, Karlovy Vary 2013),
I Used To Be Darker
by Matthew Porterfield (Sundance 2013, Berlinale 2013),
Milkshake
by David Andalman (Sundance 2013),
Hide Your Smiling Faces
by Daniel Patrick Carbone (Berlinale Generation 14Plus 2013, Tribeca 2013),
A Teacher
by Hannah Fidell (Sundance 2013, SXSW 2013), Jason Cortlund & Julia Halperin’s
Now, Forager: a Film About Love and Fungi
by Jason Cortlund & Julia Halperin (Rotterdam 2012, New Directors/New Films 2012, Gotham Awards nominee)
Sun Don’t Shine
by Amy Seimetz (SXSW 2012, Edinburgh Iff 2013, Gotham Awards nominee 2012)
Not Waving But Drowning
by Devyn Waitt (Sarasota Ff, world sales by Premium Films).
More information here:
http://www.blackrabbitfilm.com/us-in-progress/paris-2014-edition/
www.montelomax.com
http://www.ioncinema.com/news/us-in-progress-paris-tully-meyerhoff-and-zinn-among-6-selected...
U.S. in Progress Paris will take place during the third edition of the Champs Elysées Film Festival in Paris, on June 11-12 2014. The program will present 4 Us indie films in post-production to European buyers in order to achieve completion and to foster the circulation and distribution of American indie films in Europe.
We are excited to announce the selection for the third edition of Us in Progress Paris:
« Automatic at Sea » by Matthew Lessner
« Creative Control » by Benjamin Dickinson
« Eugenia and John » by Hossein Keshavarz
« Plastic Jesus » by Erica Dunton
Previous participants of Us in Progress included:
1982
by Tommy Oliver (Toronto 2013),
Ping Pong Summer
by Michael Tully (Sundance 2014, world sales by Films Boutique),
Bluebird
by Lance Edmands (Tribeca 2013, Karlovy Vary 2013),
I Used To Be Darker
by Matthew Porterfield (Sundance 2013, Berlinale 2013),
Milkshake
by David Andalman (Sundance 2013),
Hide Your Smiling Faces
by Daniel Patrick Carbone (Berlinale Generation 14Plus 2013, Tribeca 2013),
A Teacher
by Hannah Fidell (Sundance 2013, SXSW 2013), Jason Cortlund & Julia Halperin’s
Now, Forager: a Film About Love and Fungi
by Jason Cortlund & Julia Halperin (Rotterdam 2012, New Directors/New Films 2012, Gotham Awards nominee)
Sun Don’t Shine
by Amy Seimetz (SXSW 2012, Edinburgh Iff 2013, Gotham Awards nominee 2012)
Not Waving But Drowning
by Devyn Waitt (Sarasota Ff, world sales by Premium Films).
More information here:
http://www.blackrabbitfilm.com/us-in-progress/paris-2014-edition/
www.montelomax.com
http://www.ioncinema.com/news/us-in-progress-paris-tully-meyerhoff-and-zinn-among-6-selected...
- 5/23/2014
- by Sydney Levine
- Sydney's Buzz
The Sundance Institute has 13 independent films available through a variety of platforms to rent, download or stream via the Institute’s Artist Services program. Titles include 2012 Sundance Film Festival films Detropia, I Am Not a Hipster, The Atomic States of America, and We’re Not Broke. For full details on where to access these films, please visit sundance.org/nowplaying. (The complete list of new titles available follows below.)
“With the proliferation of new digital outlets these days, Sundance Institute saw a real need to help filmmakers and producers easily access these platforms and to provide information on how best to navigate and take advantage of independent distribution,” said Keri Putnam, Executive Director, Sundance Institute. “ It's exciting to see these filmmakers charting their own path towards finding audiences.”
In addition, to making it easier for audiences to find Sundance Institute and Film Festival films all year long, this year’s online film guide and mobile app for the 2013 Sundance Film Festival includes a new feature from GoWatchIt.com which creates a universal ‘queue’ so fans can be notified as soon as films they are interested in become available in the marketplace. Sundance Institute has also installed GoWatchIt on the Now Playing page (www.sundance.org/nowplaying) for the titles accessing distribution through its Artist Services.
Look for the Artist Services films on iTunes, Amazon Instant Video, Hulu, Microsoft Xbox, Netflix, SnagFilms, Sony Entertainment Network, SundanceNOW, Vudu and YouTube. Special bonus video content from the Institute’s archives is available for select titles. The Artist Services program provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work. New Video, a Cinedigm company, is the exclusive aggregation partner for distribution across all portals in the program. The Artist Services initiative is made possible by The Bertha Foundation. These deals were brokered via pro bono legal services generously provided by law firm O’Melveny & Myers, which has built the legal framework for the Artist Services program and participating filmmakers since its inception.
Titles That Are Available:
The American Astronaut (Director and Screenwriter: Cory McAbee) — Sundance Institute Screenwriter’s Lab Fellow Cory McAbee stars in his sci-fi feature film as an interplanetary trader. The film also stars 2012 Independent Spirit Award nominee James Ransone (Starlet, HBO’s Treme and The Wire) as Bodysuit. (2001 Sundance Film Festival)
The Atomic States of America (Directors: Don Argott and Sheena M. Joyce) — Don Argott and Sheena M. Joyce’s provocative documentary takes viewers on a journey to nuclear reactor communities across the country. (2012 Sundance Film Festival)
Budrus (Director: Julia Bachas) — Documentary filmmaker Julia Bacha’s award-winning 2009 documentary follows a Palestinian community organizer who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save the village of Budrus from destruction by Israel's Separation Barrier. Budrus was produced by Just Vision, a nonprofit dedicated to increasing the power and legitimacy of Palestinians and Israelis working nonviolently to end the occupation and resolve the conflict. (2009 Sundance Documentary Film Grant)
Detropia (Directors: Heidi Ewing and Rachel Grady) — Winner of the Best Documentary Editing Award at the 2012 Sundance Film Festival and nominated for Gotham and Cinema Eye awards, Detropiachronicles the lives of several Detroiters trying to survive and make sense of what is happening to their city – once an industrial utopia, now on the brink of bankruptcy. (2012 Sundance Documentary Film Grant, 2012 Sundance Film Festival)
High School Record (Director and Screenwriter: Ben Wolfinsohn) — In Ben Wolfinsohn’s semi-improvised 2005 “mock doc,” four exceptionally awkward 17-year-olds struggle through their senior year as moments of humiliation and triumph are caught on tape in a documentary shot by fellow classmates at a performing arts high school. (2005 Sundance Film Festival)
I Am Not A Hipster (Director and Screenwriter: Destin Daniel Cretton) — Featuring music by indie electronic band, Canines, and a break-out performance by Dominic Bogart (Flash Forward), Cretton’s music-focused drama premiered at sold-out screenings at the 2012 Sundance Film Festival. (2011 and 2012 Cinereach Project at Sundance Institute Grant, 2012 Sundance Film Festival)
Primer (Director and Screenwriter: Shane Carruth) — Shane Carruth’s cult classic won the Grand Jury Prize and Alfred P. Sloan Prize at the 2004 Sundance Film Festival. Timed to the premiere of the director’s much-anticipated follow-up film, Upstream Color, at the 2013 Sundance Film Festival. (2004 Sundance Film Festival)
Pursuit of Loneliness (Director and Screenwriter: Laurence Thrush) — Award-winning director Laurence Thrush’s (Left Handed) 2012 Sundance Film Festival premiere stars a cast of non-professional actors depicted in their own workplace roles. (2012 Sundance Film Festival)
The Slaughter Rule (Directors: Alex Smith and Andrew Smith) — David Morse (Treme) and Ryan Gosling (Drive) star in Alex and Andrew Smith’s feature writing-directorial debut about a fatherless high-school quarterback. Nominated for the Independent Spirit Awards’ John Cassavetes Award.. (2002 Sundance Film Festival)
Stingray Sam (Director and screenwriter: Cory McAbee) — Cory McAbee’s 2009 follow up to The American Astronaut features writer-director McAbee as Stingray Sam and “Crugie” as The Quasar Kid, two space convicts in a series of episodic adventures narrated by David Hyde Pierce (Frasier). (2009 Sundance Film Festival)
to.get.her (Director and screenwriter: Erica Dunton) — Five teenage girls with a shared secret get together for a weekend of “no consequences” in this 2011 Sundance Film Festival premiere that won the Best of Next <=> Audience Award. Actress-model Jazzy De Lisser stars in a “mystery” written and directed by Erica Dunton (The 27 Club). (2011 Sundance Film Festival)
Wave Twisters (Directors: Eric Henry and Syd Garon) — Animators Syd Garon (Superheroes, Last Call at the Oasis) and Eric Henry’s “turntablism-based musical” won the 2001 Midnight Films Audience Award at the 2001 SXSW Film Festival. Scripted to a recording by “scratch” artist DJ Qbert, Wave Twisters follows a group of heroes traveling through inner-space on a quest to save the lost art of Hip Hop. (2001 Sundance Film Festival)
We're Not Broke (Directors: Karin Hayes and Victoria Bruce) — A timely exposé on how the government has allowed U.S. corporations to avoid paying taxes, and the growing wave of discontent that is has fostered. A 2012 Sundance Film Festival premiere from the filmmakers of The Kidnapping of Ingrid Betancourt. (2012 Sundance Film Festival)
Sundance Institute
Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.
“With the proliferation of new digital outlets these days, Sundance Institute saw a real need to help filmmakers and producers easily access these platforms and to provide information on how best to navigate and take advantage of independent distribution,” said Keri Putnam, Executive Director, Sundance Institute. “ It's exciting to see these filmmakers charting their own path towards finding audiences.”
In addition, to making it easier for audiences to find Sundance Institute and Film Festival films all year long, this year’s online film guide and mobile app for the 2013 Sundance Film Festival includes a new feature from GoWatchIt.com which creates a universal ‘queue’ so fans can be notified as soon as films they are interested in become available in the marketplace. Sundance Institute has also installed GoWatchIt on the Now Playing page (www.sundance.org/nowplaying) for the titles accessing distribution through its Artist Services.
Look for the Artist Services films on iTunes, Amazon Instant Video, Hulu, Microsoft Xbox, Netflix, SnagFilms, Sony Entertainment Network, SundanceNOW, Vudu and YouTube. Special bonus video content from the Institute’s archives is available for select titles. The Artist Services program provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work. New Video, a Cinedigm company, is the exclusive aggregation partner for distribution across all portals in the program. The Artist Services initiative is made possible by The Bertha Foundation. These deals were brokered via pro bono legal services generously provided by law firm O’Melveny & Myers, which has built the legal framework for the Artist Services program and participating filmmakers since its inception.
Titles That Are Available:
The American Astronaut (Director and Screenwriter: Cory McAbee) — Sundance Institute Screenwriter’s Lab Fellow Cory McAbee stars in his sci-fi feature film as an interplanetary trader. The film also stars 2012 Independent Spirit Award nominee James Ransone (Starlet, HBO’s Treme and The Wire) as Bodysuit. (2001 Sundance Film Festival)
The Atomic States of America (Directors: Don Argott and Sheena M. Joyce) — Don Argott and Sheena M. Joyce’s provocative documentary takes viewers on a journey to nuclear reactor communities across the country. (2012 Sundance Film Festival)
Budrus (Director: Julia Bachas) — Documentary filmmaker Julia Bacha’s award-winning 2009 documentary follows a Palestinian community organizer who unites local Fatah and Hamas members along with Israeli supporters in an unarmed movement to save the village of Budrus from destruction by Israel's Separation Barrier. Budrus was produced by Just Vision, a nonprofit dedicated to increasing the power and legitimacy of Palestinians and Israelis working nonviolently to end the occupation and resolve the conflict. (2009 Sundance Documentary Film Grant)
Detropia (Directors: Heidi Ewing and Rachel Grady) — Winner of the Best Documentary Editing Award at the 2012 Sundance Film Festival and nominated for Gotham and Cinema Eye awards, Detropiachronicles the lives of several Detroiters trying to survive and make sense of what is happening to their city – once an industrial utopia, now on the brink of bankruptcy. (2012 Sundance Documentary Film Grant, 2012 Sundance Film Festival)
High School Record (Director and Screenwriter: Ben Wolfinsohn) — In Ben Wolfinsohn’s semi-improvised 2005 “mock doc,” four exceptionally awkward 17-year-olds struggle through their senior year as moments of humiliation and triumph are caught on tape in a documentary shot by fellow classmates at a performing arts high school. (2005 Sundance Film Festival)
I Am Not A Hipster (Director and Screenwriter: Destin Daniel Cretton) — Featuring music by indie electronic band, Canines, and a break-out performance by Dominic Bogart (Flash Forward), Cretton’s music-focused drama premiered at sold-out screenings at the 2012 Sundance Film Festival. (2011 and 2012 Cinereach Project at Sundance Institute Grant, 2012 Sundance Film Festival)
Primer (Director and Screenwriter: Shane Carruth) — Shane Carruth’s cult classic won the Grand Jury Prize and Alfred P. Sloan Prize at the 2004 Sundance Film Festival. Timed to the premiere of the director’s much-anticipated follow-up film, Upstream Color, at the 2013 Sundance Film Festival. (2004 Sundance Film Festival)
Pursuit of Loneliness (Director and Screenwriter: Laurence Thrush) — Award-winning director Laurence Thrush’s (Left Handed) 2012 Sundance Film Festival premiere stars a cast of non-professional actors depicted in their own workplace roles. (2012 Sundance Film Festival)
The Slaughter Rule (Directors: Alex Smith and Andrew Smith) — David Morse (Treme) and Ryan Gosling (Drive) star in Alex and Andrew Smith’s feature writing-directorial debut about a fatherless high-school quarterback. Nominated for the Independent Spirit Awards’ John Cassavetes Award.. (2002 Sundance Film Festival)
Stingray Sam (Director and screenwriter: Cory McAbee) — Cory McAbee’s 2009 follow up to The American Astronaut features writer-director McAbee as Stingray Sam and “Crugie” as The Quasar Kid, two space convicts in a series of episodic adventures narrated by David Hyde Pierce (Frasier). (2009 Sundance Film Festival)
to.get.her (Director and screenwriter: Erica Dunton) — Five teenage girls with a shared secret get together for a weekend of “no consequences” in this 2011 Sundance Film Festival premiere that won the Best of Next <=> Audience Award. Actress-model Jazzy De Lisser stars in a “mystery” written and directed by Erica Dunton (The 27 Club). (2011 Sundance Film Festival)
Wave Twisters (Directors: Eric Henry and Syd Garon) — Animators Syd Garon (Superheroes, Last Call at the Oasis) and Eric Henry’s “turntablism-based musical” won the 2001 Midnight Films Audience Award at the 2001 SXSW Film Festival. Scripted to a recording by “scratch” artist DJ Qbert, Wave Twisters follows a group of heroes traveling through inner-space on a quest to save the lost art of Hip Hop. (2001 Sundance Film Festival)
We're Not Broke (Directors: Karin Hayes and Victoria Bruce) — A timely exposé on how the government has allowed U.S. corporations to avoid paying taxes, and the growing wave of discontent that is has fostered. A 2012 Sundance Film Festival premiere from the filmmakers of The Kidnapping of Ingrid Betancourt. (2012 Sundance Film Festival)
Sundance Institute
Sundance Institute is a global nonprofit organization founded by Robert Redford in 1981. Through its artistic development programs for directors, screenwriters, producers, composers and playwrights, the Institute seeks to discover and support independent film and theatre artists from the United States and around the world, and to introduce audiences to their new work. The Institute promotes independent storytelling to inform, inspire, and unite diverse populations around the globe. Internationally recognized for its annual Sundance Film Festival, Sundance Institute has nurtured such projects as Born into Brothels, Trouble the Water, Son of Babylon, Amreeka, An Inconvenient Truth, Spring Awakening, I Am My Own Wife, Light in the Piazza and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.
- 1/18/2013
- by Sydney Levine
- Sydney's Buzz
We’ve yet to see little Miss Mackenzie Foy in Breaking Dawn, but the actress is already on to other projects. Variety is reporting that Mackenzie has been cast in the new indie project, Plastic Jesus. The story will center on a coming-of-age story with Mackenzie being featured as one of the two main leads. Read more below:
Fresh off winning an Audience Award at Sundance for the teen thriller “To.get.her,” director Erica Dunton is turning her attention to “Plastic Jesus,” a new indie project written by Bryan Bertino starring “Twilight Saga” moppet Mackenzie Foy and Chandler Canterbury.
Production is under way in North Carolina on the coming-of-age story in the vein of “Stand By Me,” which follows three small-town kids who encounter mystery, loss and hope. Foy and Canterbury play the two young leads, while Paul Schneider and Hilarie Burton (“One Tree Hill”) will play their parents.
Indie fixture Joshua Leonard (“Higher Ground”) co-stars alongside Bryce Hurless.
Bertino, whose last produced script was the 2008′s sleeper hit “The Strangers,” produces with Adrienne Biddle under their Unbroken Pictures banner along with Heather Rae (“Frozen River”) and Stephanie Caleb, while Global Creative’s Christopher Rockwell will co-produce.
Rae recently produced another coming-of-age indie, Leah Meyerhoff’s “Unicorns,” a Sundance Lab finalist and Ifp grant winner that stars Natalia Dyer (“The Healer”).
Foy, who has a handful of TV appearances on her resume, will soon be seen as Renesmee, the spawn of Kristen Stewart and Robert Pattinson’s characters in “The Twilight Saga: Breaking Dawn — Part 2.”
Read the full story at Variety here.
What do you think of Mackenzie’s new role?...
Fresh off winning an Audience Award at Sundance for the teen thriller “To.get.her,” director Erica Dunton is turning her attention to “Plastic Jesus,” a new indie project written by Bryan Bertino starring “Twilight Saga” moppet Mackenzie Foy and Chandler Canterbury.
Production is under way in North Carolina on the coming-of-age story in the vein of “Stand By Me,” which follows three small-town kids who encounter mystery, loss and hope. Foy and Canterbury play the two young leads, while Paul Schneider and Hilarie Burton (“One Tree Hill”) will play their parents.
Indie fixture Joshua Leonard (“Higher Ground”) co-stars alongside Bryce Hurless.
Bertino, whose last produced script was the 2008′s sleeper hit “The Strangers,” produces with Adrienne Biddle under their Unbroken Pictures banner along with Heather Rae (“Frozen River”) and Stephanie Caleb, while Global Creative’s Christopher Rockwell will co-produce.
Rae recently produced another coming-of-age indie, Leah Meyerhoff’s “Unicorns,” a Sundance Lab finalist and Ifp grant winner that stars Natalia Dyer (“The Healer”).
Foy, who has a handful of TV appearances on her resume, will soon be seen as Renesmee, the spawn of Kristen Stewart and Robert Pattinson’s characters in “The Twilight Saga: Breaking Dawn — Part 2.”
Read the full story at Variety here.
What do you think of Mackenzie’s new role?...
- 9/14/2011
- by Evie
- twilightersanonymous.com
Position Among the Stars directed by Leonard Retel Helmrich from Netherlands won the World Cinema Special Jury Prize for Documentary Films while Being Elmo: A Puppeteer’s Journey, directed by Constance Marks was declared the Winner of the Special Jury Prize, U.S. Documentary Competition. Sundance Film Festival 2011 announced its awards on Monday.
India’s co-production venture with UK and USA, The Bengali Detective, directed by Philip Cox, was presented in the World Cinema Documentary Competition.
List of Awards:
Winner of the World Cinema Special Jury Prize for Documentary Film:
Position Among the Stars (Stand van de Sterren), directed by Leonard Retel Helmrich (Netherlands)
Winner of the World Cinema Cinematography Award for Documentary Filmmaking:
Hell and Back Again, cinematography by Danfung Dennis (U.S.A./U.K.)
Winner of the World Cinema Documentary Editing Award:
The Black Power Mixtape 1967-1975, edited by Goran Hugo Olsson and Hanna Lejonqvist, and directed by Goran Hugo Olsson.
India’s co-production venture with UK and USA, The Bengali Detective, directed by Philip Cox, was presented in the World Cinema Documentary Competition.
List of Awards:
Winner of the World Cinema Special Jury Prize for Documentary Film:
Position Among the Stars (Stand van de Sterren), directed by Leonard Retel Helmrich (Netherlands)
Winner of the World Cinema Cinematography Award for Documentary Filmmaking:
Hell and Back Again, cinematography by Danfung Dennis (U.S.A./U.K.)
Winner of the World Cinema Documentary Editing Award:
The Black Power Mixtape 1967-1975, edited by Goran Hugo Olsson and Hanna Lejonqvist, and directed by Goran Hugo Olsson.
- 2/1/2011
- by NewsDesk
- DearCinema.com
The Sundance Film Festival Juries have selected the winners of the 2011 awards. Since they give out so many awards, the list is extremely long. We shound be playing catch up on the festival now that it is over and things are a little less chaotic. In the meantime here are the winners.
The 2011 Sundance Film Festival Juries consisted of:
U.S. Documentary Competition: Jeffrey Blitz, Matt Groening, Laura Poitras, Jess Search, Sloane Klevin U.S. Dramatic Competition: America Ferrera, Todd McCarthy, Tim Orr, Kimberly Peirce, Jason Reitman World Cinema Documentary Competition: José Padilha, Mette Hoffmann Meyer, Lucy Walker World Cinema Dramatic Competition: Susanne Bier, Bong Joon-Ho, Rajendra Roy Shorts Competition: Barry Jenkins, Kim Morgan, Sara Bernstein Alfred P. Sloan Award: Jon Amiel, Paula Apsell, Sean Carroll, Clark Gregg -
2011 Sundance Film Festival Award Winners:
The Grand Jury Prize: Documentary was presented to How to Die in Oregon, directed by Peter D.
The 2011 Sundance Film Festival Juries consisted of:
U.S. Documentary Competition: Jeffrey Blitz, Matt Groening, Laura Poitras, Jess Search, Sloane Klevin U.S. Dramatic Competition: America Ferrera, Todd McCarthy, Tim Orr, Kimberly Peirce, Jason Reitman World Cinema Documentary Competition: José Padilha, Mette Hoffmann Meyer, Lucy Walker World Cinema Dramatic Competition: Susanne Bier, Bong Joon-Ho, Rajendra Roy Shorts Competition: Barry Jenkins, Kim Morgan, Sara Bernstein Alfred P. Sloan Award: Jon Amiel, Paula Apsell, Sean Carroll, Clark Gregg -
2011 Sundance Film Festival Award Winners:
The Grand Jury Prize: Documentary was presented to How to Die in Oregon, directed by Peter D.
- 1/30/2011
- by Ricky
- SoundOnSight
The Sundance Institute announced the award winners for the 2011 Sundance Film Festival. Like Crazy ended up winning the Dramatic Grand Jury Prize, and Circumstance won the dramatic audience award. I thought Like Crazy was a good film, but it definitely was not one of my favorites or one of the best movie there. I didn't end up getting to see Circumstance.
Check out the full list of winners below:
2011 Sundance Film Festival Award Winners:
The Grand Jury Prize: Documentary was presented to How to Die in Oregon, directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and...
Check out the full list of winners below:
2011 Sundance Film Festival Award Winners:
The Grand Jury Prize: Documentary was presented to How to Die in Oregon, directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and...
- 1/30/2011
- by Venkman
- GeekTyrant
Festivalgoers came out of screenings of Alrick Brown’s “Kinyarwanda” feeling it had changed their lives. The film, the first to come out of Rwanda since the war, won the World Cinema Audience award
By Christy Karras
(from the 2011 Sundance Film Festival)
It’s time to wrap up the Sundance blog. I’ll miss you … until next year. In the meantime, here are the award winners (presented Saturday night by Tim Blake Nelson, who appeared wearing a snowflake costume, apparently in honor of the sheer cold of much of this year’s festival), along with some thoughts from me on notable films. In short, here’s the Good, the Bad and the Ugly of Sundance 2011:
The Good
The world cinema categories have long been among my favorite at the festival, for several reasons. The quality is uniformly higher than that of the U.S. entries. The films tend to...
By Christy Karras
(from the 2011 Sundance Film Festival)
It’s time to wrap up the Sundance blog. I’ll miss you … until next year. In the meantime, here are the award winners (presented Saturday night by Tim Blake Nelson, who appeared wearing a snowflake costume, apparently in honor of the sheer cold of much of this year’s festival), along with some thoughts from me on notable films. In short, here’s the Good, the Bad and the Ugly of Sundance 2011:
The Good
The world cinema categories have long been among my favorite at the festival, for several reasons. The quality is uniformly higher than that of the U.S. entries. The films tend to...
- 1/30/2011
- by admin
- Moving Pictures Network
Festivalgoers came out of screenings of Alrick Brown’s “Kinyarwanda” feeling it had changed their lives. The film, the first to come out of Rwanda since the war, won the World Cinema Audience award
By Christy Karras
(from the 2011 Sundance Film Festival)
It’s time to wrap up the Sundance blog. I’ll miss you … until next year. In the meantime, here are the award winners (presented Saturday night by Tim Blake Nelson, who appeared wearing a snowflake costume, apparently in honor of the sheer cold of much of this year’s festival), along with some thoughts from me on notable films. In short, here’s the Good, the Bad and the Ugly of Sundance 2011:
The Good
The world cinema categories have long been among my favorite at the festival, for several reasons. The quality is uniformly higher than that of the U.S. entries. The films tend to...
By Christy Karras
(from the 2011 Sundance Film Festival)
It’s time to wrap up the Sundance blog. I’ll miss you … until next year. In the meantime, here are the award winners (presented Saturday night by Tim Blake Nelson, who appeared wearing a snowflake costume, apparently in honor of the sheer cold of much of this year’s festival), along with some thoughts from me on notable films. In short, here’s the Good, the Bad and the Ugly of Sundance 2011:
The Good
The world cinema categories have long been among my favorite at the festival, for several reasons. The quality is uniformly higher than that of the U.S. entries. The films tend to...
- 1/30/2011
- by admin
- Moving Pictures Magazine
Tonight the Sundance Institute announced the award winners for the 2011 Sundance Film Festival. Like Crazy won the Dramatic Grand Jury Prize, and Circumstance won the dramatic audience award. You can find the full list of winners in the press release after the jump. 2011 Sundance Film Festival Announces Awards Happy, Happy, Hell and Back Again, How to Die in Oregon and Like Crazy Earn Grand Jury Prizes Audience Favorites Include Buck, Circumstance, Kinyawaranda and Senna to.get.her Awarded Best of Next! Audience Award Park City, Ut–The Jury, Audience, Next! and other special award-winners of the 2011 Sundance Film Festival were announced tonight at the Festival’s Awards Ceremony hosted by Tim Blake Nelson (star of Flypaper which premiered in this year’s Premieres section) in Park City, Utah. Highlights from the Awards Ceremony can be seen on the Festival website, www.sundance.org/festival. Films receiving Jury Awards were selected from four categories: U.
- 1/30/2011
- by Peter Sciretta
- Slash Film
The Sundance Film Festival is now over and here is the recognition. Sundance Film Festival announced the Jury, Audience, Next! And other special award-winners during a ceremony in Park City, Utah. Highlights of the awards ceremony can be seen on the Sundance’s web site here. The Jury Awards were selected in four categories, including U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition and World Cinema Documentary Competition. The Audience Awards were selected by the festival’s audiences. “Success at Sundance can be measured in terms of attendance, sponsorships, acquisitions, even the weather,” said Sundance Film Festival director John Cooper in a press release. “Ultimately, it’s about the films themselves – were they well received? Did they resonate with the audience enough to have a life beyond these 10 days? And this year, the answer is resounding yet.” The film festival featured 118 films, representing 29 countries and 40 first-time filmmakers.
- 1/30/2011
- LRMonline.com
2011 Sundance Film Festival Award Winners
The Grand Jury Prize:Documentary was presented to How to Die in Oregon, directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.
The World Cinema Jury Prize: Documentary was presented to Hell and Back Again, directed by Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.
The Grand Jury Prize:Documentary was presented to How to Die in Oregon, directed by Peter D. Richardson. In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
The Grand Jury Prize: Dramatic was presented to Like Crazy, directed by Drake Doremus; written by Drake Doremus and Ben York Jones. A young American guy and a young British girl meet in college and fall in love. Their love is tested when she is required to leave the country and they must face the challenges of a long-distance relationship.
The World Cinema Jury Prize: Documentary was presented to Hell and Back Again, directed by Danfung Dennis. Told through the eyes of one Marine from the start of his 2009 Afghanistan tour to his distressing return and rehabilitation in the U.
- 1/30/2011
- by Manny
- Manny the Movie Guy
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