The Nantucket Film Festival has set the lineup for its 2024 edition and will honor Emmy-nominated writer-producer Kerry Ehrin, Oscar-winning documentary filmmaker Roger Ross Williams and Girls5Eva showrunner Meredith Scardino.
The 29th edition of the festival will open with Josh Margolin’s June Squibb-starrer Thelma, close with Ian Bonhôte and Peter Ettedgui’s Christopher Reeve documentary Super/Man and Jeff Zimbalist’s documentary Skywalkers: A Love Story, about a daredevil couple who secretly filmed themselves climbing the world’s last super skyscraper. The festival will also continue its tradition of screening a Disney or Pixar film on its opening day, with a festival screening of Inside Out 2.
The festival also announced several honorees: Ehrin will receive the Excellence in Television Writing Award; Williams will receive the Career Achievement in Filmmaking Award and his latest feature Stamped From the Beginning, based on the book of the same name by Ibram X. Kendi,...
The 29th edition of the festival will open with Josh Margolin’s June Squibb-starrer Thelma, close with Ian Bonhôte and Peter Ettedgui’s Christopher Reeve documentary Super/Man and Jeff Zimbalist’s documentary Skywalkers: A Love Story, about a daredevil couple who secretly filmed themselves climbing the world’s last super skyscraper. The festival will also continue its tradition of screening a Disney or Pixar film on its opening day, with a festival screening of Inside Out 2.
The festival also announced several honorees: Ehrin will receive the Excellence in Television Writing Award; Williams will receive the Career Achievement in Filmmaking Award and his latest feature Stamped From the Beginning, based on the book of the same name by Ibram X. Kendi,...
- 4/23/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
When the Oscar shortlist of feature documentaries was announced in December, it was dominated by films that premiered at the Sundance Film Festival – films like Going to Mars: The Nikki Giovanni Project, The Eternal Memory, Beyond Utopia and A Still Small Voice.
The shortlist announcement provided the latest evidence of the festival’s status as the prime launchpad for the best in documentary filmmaking – and whets the appetite for the upcoming 40th edition of Sundance, which starts Thursday.
In the new edition of Deadline’s Doc Talk podcast, we talk with Sundance programmers Basil Tsiokos and Sudeep Sharma about what to expect from the festival’s nonfiction lineup. They tell us about Will & Harper, a road trip movie with Will Ferrell and his close friend Harper Steele that explores their evolving relationship after Harper’s transition, and Super/Man, the film about Christopher Reeve that features the late star’s children.
The shortlist announcement provided the latest evidence of the festival’s status as the prime launchpad for the best in documentary filmmaking – and whets the appetite for the upcoming 40th edition of Sundance, which starts Thursday.
In the new edition of Deadline’s Doc Talk podcast, we talk with Sundance programmers Basil Tsiokos and Sudeep Sharma about what to expect from the festival’s nonfiction lineup. They tell us about Will & Harper, a road trip movie with Will Ferrell and his close friend Harper Steele that explores their evolving relationship after Harper’s transition, and Super/Man, the film about Christopher Reeve that features the late star’s children.
- 1/16/2024
- by The Deadline Team
- Deadline Film + TV
Documentary lovers are digesting the announcement of the Sundance nonfiction lineup, a slate of films certain to factor in awards conversation into next Oscar season.
“I think there’s a lot of discoveries in there,” Sundance Senior Nonfiction Programmer Basil Tsiokos says of the lineup revealed on Wednesday. “It’s a nice blend of new filmmakers and alumni, lots of different kinds of approaches to filmmaking… There’s biodocs, but there’s also films that are political. There’s films that are dealing with the environment. There’s lots of other things happening, so it’s a nice mix we think.”
Will Ferrell and Harper Steele ‘in Will & Harper’
Among the most eye-popping titles are Will & Harper, Josh Greenbaum’s nonfiction road movie about comedian Will Ferrell and Harper Steele, his close friend of 30 years who came out as trans. “The two decide to embark on a cross-country...
“I think there’s a lot of discoveries in there,” Sundance Senior Nonfiction Programmer Basil Tsiokos says of the lineup revealed on Wednesday. “It’s a nice blend of new filmmakers and alumni, lots of different kinds of approaches to filmmaking… There’s biodocs, but there’s also films that are political. There’s films that are dealing with the environment. There’s lots of other things happening, so it’s a nice mix we think.”
Will Ferrell and Harper Steele ‘in Will & Harper’
Among the most eye-popping titles are Will & Harper, Josh Greenbaum’s nonfiction road movie about comedian Will Ferrell and Harper Steele, his close friend of 30 years who came out as trans. “The two decide to embark on a cross-country...
- 12/8/2023
- by Matthew Carey
- Deadline Film + TV
The Sundance Film Festival has outlined some of the specific details for how it intends to go hybrid for the 2023 event, announcing Tuesday that the festival will begin exclusively in person in Utah for its first few days before opening up its online component.
Sundance 2023 runs Jan. 19-29, but the online component of the festival will then become available beginning on Jan. 24. Audiences will be able to view select films from the official selection online, though that includes all competition titles playing at the festival — including in the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary and Next sections — as well as others across the film, episodic and shorts programs. Finally, on Jan. 28-29, the award-winning films from the year’s festival will be available both at in-person screenings and online.
In in an additional tweak, Sundance is requiring masks in all Sundance Film Festival spaces,...
Sundance 2023 runs Jan. 19-29, but the online component of the festival will then become available beginning on Jan. 24. Audiences will be able to view select films from the official selection online, though that includes all competition titles playing at the festival — including in the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary and Next sections — as well as others across the film, episodic and shorts programs. Finally, on Jan. 28-29, the award-winning films from the year’s festival will be available both at in-person screenings and online.
In in an additional tweak, Sundance is requiring masks in all Sundance Film Festival spaces,...
- 8/30/2022
- by Brian Welk
- The Wrap
In-person attendance to be prioritised with limited number of online P&i badges available.
Sundance Film Festival will take place from January 19-29, 2023, as an in-person event in Utah and will expand online on January 24.
In the first details to emerge on next year’s festival, Sundance Institute hierarchy said the digital offering will present an on-demand, curated selection of features. This will comprise all competition titles from the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and Next strands, as well as other work from the overall selection.
The 2023 festival will take place in-person in Park City,...
Sundance Film Festival will take place from January 19-29, 2023, as an in-person event in Utah and will expand online on January 24.
In the first details to emerge on next year’s festival, Sundance Institute hierarchy said the digital offering will present an on-demand, curated selection of features. This will comprise all competition titles from the U.S. Dramatic, U.S. Documentary, World Cinema Dramatic, World Cinema Documentary, and Next strands, as well as other work from the overall selection.
The 2023 festival will take place in-person in Park City,...
- 8/30/2022
- by Jeremy Kay
- ScreenDaily
Racism and women’s rights are two timely, urgent issues that numerous directors with films at Sundance tackle via fictional or documentary films.
Mariama Diallo’s “Master” and Carey Williams’ “Emergency” are two examples of narrative features heading to the fest that address the issue of race and racism in America. While Diallo’s “Master” portrays racism in an academic setting, Williams’ “Emergency” follows a group of Black and Latino college students who weigh the pros and cons of calling the police when faced with an emergency situation.
“As always, our program is a reflection of artists’ response to the times we live in,” says Kim Yutani, Sundance Film Festival’s director of programming.
“We are very aware that this festival comes after a year of serious and much-needed racial reckoning in the U.S. The work speaks to that and brings insight and nuance to this complex conversation.”
Racial...
Mariama Diallo’s “Master” and Carey Williams’ “Emergency” are two examples of narrative features heading to the fest that address the issue of race and racism in America. While Diallo’s “Master” portrays racism in an academic setting, Williams’ “Emergency” follows a group of Black and Latino college students who weigh the pros and cons of calling the police when faced with an emergency situation.
“As always, our program is a reflection of artists’ response to the times we live in,” says Kim Yutani, Sundance Film Festival’s director of programming.
“We are very aware that this festival comes after a year of serious and much-needed racial reckoning in the U.S. The work speaks to that and brings insight and nuance to this complex conversation.”
Racial...
- 1/20/2022
- by Addie Morfoot
- Variety Film + TV
The 35 feature documentaries heading to this year’s Sundance Film Festival address a wide array of issues, including the U.S. maternal-mortality crisis (Paula Eiselt and Tonya Lewis Lee’s “Aftershock”); the battle over control of women’s bodies (Tia Lessin and Emma Pildes’ “The Janes”); corporate greed (Rory Kennedy’s “Downfall: The Case Against Boeing”); and climate change (Rachel Lears’ “To the End”).
But this year’s nonfiction lineup also includes several portrait documentaries: Kanye West (“jeen-yuhs: A Kanye Trilogy”), Bill Cosby (“We Need to Talk About Cosby”), Sinéad O’Connor (“Nothing Compares”) and Princess Diana (“The Princess”) are among the many famous and infamous figures being explored.
Clarence “Coodie” Simmons and Chike Ozah’s “jeen-yuhs” is arguably the most anticipated doc heading to Park City. The three-parter boasts 21 years of never-before-seen footage from the rapper. Simmons says after meeting West 20-some years ago, he realized that “this dude was...
But this year’s nonfiction lineup also includes several portrait documentaries: Kanye West (“jeen-yuhs: A Kanye Trilogy”), Bill Cosby (“We Need to Talk About Cosby”), Sinéad O’Connor (“Nothing Compares”) and Princess Diana (“The Princess”) are among the many famous and infamous figures being explored.
Clarence “Coodie” Simmons and Chike Ozah’s “jeen-yuhs” is arguably the most anticipated doc heading to Park City. The three-parter boasts 21 years of never-before-seen footage from the rapper. Simmons says after meeting West 20-some years ago, he realized that “this dude was...
- 1/19/2022
- by Addie Morfoot
- Variety Film + TV
Doc NYC, America’s largest documentary festival and staple of the New York film community, announced the lineup for its 11th edition, running online November 11-19 and available to viewers across the US. The program includes new films about John Belushi, Pope Francis, Bill T. Jones, Jamal Khashoggi, Martin Luther King, Jr., Frank Zappa, and many more. The 2020 festival lineup includes 107 feature-length documentaries among over 200 films and dozens of events. Included are 23 World Premieres, 12 international or North American premieres, and 7 US premieres. Fifty-seven features (53% of the lineup) are directed or co-directed by women and 36 by Bipoc directors (34% of the feature program).
World Premieres at the festival include Nelson G. Navarrete and Maxx Caicedo’s “A La Calle,” Petra Epperlein and Michael Tucker’s “The Meaning of Hitler,” Gong Cheng and Yung Chang’s “Wuhan Wuhan,” Sian-Pierre Regis’s “Duty Free,” Noah Hutton’s “In Silico,” Nancy Buirski’s “A Crime on the Bayou,...
World Premieres at the festival include Nelson G. Navarrete and Maxx Caicedo’s “A La Calle,” Petra Epperlein and Michael Tucker’s “The Meaning of Hitler,” Gong Cheng and Yung Chang’s “Wuhan Wuhan,” Sian-Pierre Regis’s “Duty Free,” Noah Hutton’s “In Silico,” Nancy Buirski’s “A Crime on the Bayou,...
- 10/15/2020
- by Jude Dry
- Indiewire
Overwhelming by design — that’s the first impression offered by the 2019 edition of Doc NYC, the packed-to-the-rafters non-fiction film event currently underway in New York until November 15. Celebrating its tenth anniversary, the festival boasts over 300 events, including 28 world premieres, an expanded Doc NYC Pro seminar series, and 46 doc works in progress shown to industry attendees. Says director of programming Basil Tsiokos, “It’s our tenth anniversary, and we wanted to make it bigger and better. We just kept pushing [during the programming process] to include more and more films. “Every year we’ve tried to grow the […]...
- 11/8/2019
- by Scott Macaulay
- Filmmaker Magazine - Blog
Overwhelming by design — that’s the first impression offered by the 2019 edition of Doc NYC, the packed-to-the-rafters non-fiction film event currently underway in New York until November 15. Celebrating its tenth anniversary, the festival boasts over 300 events, including 28 world premieres, an expanded Doc NYC Pro seminar series, and 46 doc works in progress shown to industry attendees. Says director of programming Basil Tsiokos, “It’s our tenth anniversary, and we wanted to make it bigger and better. We just kept pushing [during the programming process] to include more and more films. “Every year we’ve tried to grow the […]...
- 11/8/2019
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
The 10th-anniversary edition of Doc NYC — which bills itself as America’s largest documentary film festival — boasts more than 300 movies and special events for 2019. The lineup includes new works from documentary veterans and fledgling filmmakers alike, plus U.S. and NYC premieres of films we’ve already seen making the rounds on the festival circuit. This year, according to the fest, is Doc NYC’s biggest slate ever.
“Our 10th-anniversary lineup reflects a more international scope than in previous years, drawing compelling stories from all over the world, in addition to a rich selection of American nonfiction,” said director of programming Basil Tsiokos in a statement. “Where better to experience this diversity of documentary storytelling than NYC?” Tsiokos leads the Doc NYC programming team alongside artistic director Thom Powers.
This year’s festival is dedicated to the memory of D.A. Pennebaker, a constant presence at Doc NYC since its first year,...
“Our 10th-anniversary lineup reflects a more international scope than in previous years, drawing compelling stories from all over the world, in addition to a rich selection of American nonfiction,” said director of programming Basil Tsiokos in a statement. “Where better to experience this diversity of documentary storytelling than NYC?” Tsiokos leads the Doc NYC programming team alongside artistic director Thom Powers.
This year’s festival is dedicated to the memory of D.A. Pennebaker, a constant presence at Doc NYC since its first year,...
- 10/10/2019
- by Ryan Lattanzio
- Indiewire
Next year’s Academy Award for Best Documentary Feature will go to “Apollo 11,” “The Cave,” “Diego Maradona,” “For Sama,” “Knock Down the House” or one of 10 other nonfiction films, if the track record for Doc NYC’s annual Short List proves to be as accurate as it has been in past years.
Those five films were included on the documentary festival’s 2019 list, along with “American Factory,” “The Apollo,” “Ask Dr. Ruth,” “The Biggest Little Farm,” “The Edge of Democracy,” “The Elephant Queen,” “The Great Hack,” “Honeyland,” “The Kingmaker” and “One Child Nation.”
All of the films will screen at this year’s festival, which runs in New York City from Nov. 6 through Nov. 15, and will be eligible for juried awards in four categories for the first time.
Doc NYC has been compiling its Short List, which identifies the documentaries that its programming team considers to be the year’s strongest awards contenders,...
Those five films were included on the documentary festival’s 2019 list, along with “American Factory,” “The Apollo,” “Ask Dr. Ruth,” “The Biggest Little Farm,” “The Edge of Democracy,” “The Elephant Queen,” “The Great Hack,” “Honeyland,” “The Kingmaker” and “One Child Nation.”
All of the films will screen at this year’s festival, which runs in New York City from Nov. 6 through Nov. 15, and will be eligible for juried awards in four categories for the first time.
Doc NYC has been compiling its Short List, which identifies the documentaries that its programming team considers to be the year’s strongest awards contenders,...
- 9/26/2019
- by Steve Pond
- The Wrap
The Nantucket Film Festival has set Danny Boyle’s Beatles-themed fantasy “Yesterday” as the opening night selection for its 24th edition.
Universal Pictures’ “Yesterday,” which stars Himesh Patel as a struggling singer-songwriter who wakes up one day to realize he’s the only person who remembers that the Beatles ever existed, will open the fest, which runs June 19-24.
The Sony Pictures Classics documentary “Maiden” will close the festival with an appropriately themed story of a 24-year-old woman who leads the first female crew to enter the Whitbread Round the World Yacht Race. The fest’s Centerpiece title is A24’s “The Farewell,” starring Awkwafina as a Chinese-American woman who returns to China to say goodbye to her grandmother.
“We are thrilled to announce the lineup for this year’s edition. Nff’s 2019 program continues our tradition of diverse and entertaining content for the whole community. From musicals and...
Universal Pictures’ “Yesterday,” which stars Himesh Patel as a struggling singer-songwriter who wakes up one day to realize he’s the only person who remembers that the Beatles ever existed, will open the fest, which runs June 19-24.
The Sony Pictures Classics documentary “Maiden” will close the festival with an appropriately themed story of a 24-year-old woman who leads the first female crew to enter the Whitbread Round the World Yacht Race. The fest’s Centerpiece title is A24’s “The Farewell,” starring Awkwafina as a Chinese-American woman who returns to China to say goodbye to her grandmother.
“We are thrilled to announce the lineup for this year’s edition. Nff’s 2019 program continues our tradition of diverse and entertaining content for the whole community. From musicals and...
- 4/23/2019
- by Cynthia Littleton
- Variety Film + TV
From the Academy Awards to the young adult TV networks, the last five years have seen an explosion of lesbian, gay, bisexual, and transgender stories across all manner of film and television projects. It’s an embarrassment of riches completely unimaginable 30 years ago, when NewFest: New York’s Lgbt Film Festival was founded in 1988 by two friends energized by The Second National March on Washington for Lesbian and Gay Rights in 1987 and the specter of the AIDS crisis.
Thirty years later, the festival boasts sponsors from HBO to Stoli to Twitter, and has plastered Times Square with billboards advertising genres such as bisexual glam-rock opera, trans-Filipino fairytale, and queer Muslim thriller. The 30th annual festival includes programming such as Trans and Non-Binary Shorts, the New York premiere of banned Kenyan lesbian film “Rafiki,” and a 20th anniversary screening of “High Art,” with filmmaker Lisa Cholodenko and Patricia Clarkson in attendance.
Thirty years later, the festival boasts sponsors from HBO to Stoli to Twitter, and has plastered Times Square with billboards advertising genres such as bisexual glam-rock opera, trans-Filipino fairytale, and queer Muslim thriller. The 30th annual festival includes programming such as Trans and Non-Binary Shorts, the New York premiere of banned Kenyan lesbian film “Rafiki,” and a 20th anniversary screening of “High Art,” with filmmaker Lisa Cholodenko and Patricia Clarkson in attendance.
- 10/27/2018
- by Jude Dry
- Indiewire
Nantucket, Mass. — Andrew Heckler’s “Burden” and the documentary “Bathtubs Over Broadway” took top film honors at the 23rd annual Nantucket Film Festival.
“Burden,” the story of a man’s attempt to break from the Kkk, won for narrative feature. “Juliet, Naked,” Jesse Peretz’s sweet-natured romantic comedy starring Rose Byrne, Chris O’Dowd, and Ethan Hawke, was runner up for narrative feature. Rudy Valdez’s “The Sentence,” the story of a woman’s “Orange Is the New Black”-esque odyssey through the criminal justice system, was runner up in the documentary field.
“Bathtubs,” directed by Dava Whisenant, tells the story of “Late Show With David Letterman” writer Steve Young whose life is changed when he stumbles into the “hidden world” of corporate musicals, or Broadway-style musical recordings commissioned to burnish corporate images and promote their products.
The short film nod went to “Homeless: The Soundtrack” from Irene Taylor Brodsky.
“Burden,” the story of a man’s attempt to break from the Kkk, won for narrative feature. “Juliet, Naked,” Jesse Peretz’s sweet-natured romantic comedy starring Rose Byrne, Chris O’Dowd, and Ethan Hawke, was runner up for narrative feature. Rudy Valdez’s “The Sentence,” the story of a woman’s “Orange Is the New Black”-esque odyssey through the criminal justice system, was runner up in the documentary field.
“Bathtubs,” directed by Dava Whisenant, tells the story of “Late Show With David Letterman” writer Steve Young whose life is changed when he stumbles into the “hidden world” of corporate musicals, or Broadway-style musical recordings commissioned to burnish corporate images and promote their products.
The short film nod went to “Homeless: The Soundtrack” from Irene Taylor Brodsky.
- 6/25/2018
- by Cynthia Littleton
- Variety Film + TV
The 23rd Nantucket Film Festival will open June 20 with Sony Pictures Classics’ Boundaries, which is written and directed by Shana Feste and stars Christopher Plummer and Vera Farmiga in the lead father-daughter roles. Bobby Cannavale, Peter Fonda, Christopher Lloyd and Kristen Schaal also star.
Organizers said the festival will close June 25 with Love, Gilda, the CNN Films documentary about Gilda Radner that just had its world premiere last week at the Tribeca Film Festival. The centerpiece presentation will be Morgan Neville’s Fred Rogers documentary Won’t You Be My Neighbor.
For a ninth straight year, Nff will also screen a Pixar film on opening day. This year’s is Incredibles 2, which opens commercially June 15. Also continuing a tradition, the Berklee Silent Film Orchestra will accompany a screening of Universal’s 1928 film The Man Who Laughs. One of its notable features is Conrad Veidt’s character, which has been...
Organizers said the festival will close June 25 with Love, Gilda, the CNN Films documentary about Gilda Radner that just had its world premiere last week at the Tribeca Film Festival. The centerpiece presentation will be Morgan Neville’s Fred Rogers documentary Won’t You Be My Neighbor.
For a ninth straight year, Nff will also screen a Pixar film on opening day. This year’s is Incredibles 2, which opens commercially June 15. Also continuing a tradition, the Berklee Silent Film Orchestra will accompany a screening of Universal’s 1928 film The Man Who Laughs. One of its notable features is Conrad Veidt’s character, which has been...
- 4/24/2018
- by Dade Hayes
- Deadline Film + TV
The nonfiction organization Cinema Eye and its nominations committee of top international documentary film programmers, curators, and filmmakers has picked their annual list of “Unforgettables” who helped to define documentary cinema in 2017. They selected 30 individuals from 15 different films to be in the running for this year’s Cinema Eye awards. Like the Doc NYC shortlist, many of the films on this curated list are in the running for the year’s top awards, including the Oscar. “Jane,” “Faces Places,” “City of Ghosts,” and “Strong Island” continue to lead the documentary awards pack.
The full slate of Cinema Eye nominations for nonfiction feature, short, and broadcast films/series will be be announced on Friday, November 3 in San Francisco at Sffilm’s Doc Stories event. Awards will be presented in New York City at the Museum of the Moving Image on Thursday, January 11, 2018.
Read More:doc NYC Announces Its Awards Short List, Including ‘Icarus,...
The full slate of Cinema Eye nominations for nonfiction feature, short, and broadcast films/series will be be announced on Friday, November 3 in San Francisco at Sffilm’s Doc Stories event. Awards will be presented in New York City at the Museum of the Moving Image on Thursday, January 11, 2018.
Read More:doc NYC Announces Its Awards Short List, Including ‘Icarus,...
- 10/18/2017
- by Anne Thompson
- Thompson on Hollywood
The nonfiction organization Cinema Eye and its nominations committee of top international documentary film programmers, curators, and filmmakers has picked their annual list of “Unforgettables” who helped to define documentary cinema in 2017. They selected 30 individuals from 15 different films to be in the running for this year’s Cinema Eye awards. Like the Doc NYC shortlist, many of the films on this curated list are in the running for the year’s top awards, including the Oscar. “Jane,” “Faces Places,” “City of Ghosts,” and “Strong Island” continue to lead the documentary awards pack.
The full slate of Cinema Eye nominations for nonfiction feature, short, and broadcast films/series will be be announced on Friday, November 3 in San Francisco at Sffilm’s Doc Stories event. Awards will be presented in New York City at the Museum of the Moving Image on Thursday, January 11, 2018.
Read More:doc NYC Announces Its Awards Short List, Including ‘Icarus,...
The full slate of Cinema Eye nominations for nonfiction feature, short, and broadcast films/series will be be announced on Friday, November 3 in San Francisco at Sffilm’s Doc Stories event. Awards will be presented in New York City at the Museum of the Moving Image on Thursday, January 11, 2018.
Read More:doc NYC Announces Its Awards Short List, Including ‘Icarus,...
- 10/18/2017
- by Anne Thompson
- Indiewire
Doc NYC Artistic Director Thom Powers at the IFC Center Photo: Anne-Katrin Titze
This year's Doc NYC will open with Valentino: The Last Emperor director Matt Tyrnauer's latest, Citizen Jane: Battle For The City, and close with John Scheinfeld's Chasing Trane: The John Coltrane Documentary. Thom Powers and I covered a wide range of films including Dawn Porter's Trapped, Kirsten Johnson's Cameraperson, Werner Herzog's Into The Inferno, Roger Ross Williams's Life, Animated, Ben Bowie and Geoff Luck's Naledi: A Baby Elephant's Tale, Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's David Lynch: The Art Life, Claire Simon's Le Concours, Richard Ladkani and Kief Davidson's The Ivory Game, Tom Hanks, John Mayer and Sam Shepard in Doug Nichol's California Typewriter, Lara Stolman's Swim Team, Adam Irving's Off The Rails and scads more when I sat down with the...
This year's Doc NYC will open with Valentino: The Last Emperor director Matt Tyrnauer's latest, Citizen Jane: Battle For The City, and close with John Scheinfeld's Chasing Trane: The John Coltrane Documentary. Thom Powers and I covered a wide range of films including Dawn Porter's Trapped, Kirsten Johnson's Cameraperson, Werner Herzog's Into The Inferno, Roger Ross Williams's Life, Animated, Ben Bowie and Geoff Luck's Naledi: A Baby Elephant's Tale, Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's David Lynch: The Art Life, Claire Simon's Le Concours, Richard Ladkani and Kief Davidson's The Ivory Game, Tom Hanks, John Mayer and Sam Shepard in Doug Nichol's California Typewriter, Lara Stolman's Swim Team, Adam Irving's Off The Rails and scads more when I sat down with the...
- 11/3/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Full Lineup Announcements
– “3-D Auteurs,” a 19-day, 34-film festival spotlighting stereoscopic movies by some of history’s most distinguished directors, will run at Film Forum November 11 – 29. The festival spans 3-D’s earliest days (including some turn-of-the-century films by pioneer Georges Méliès) to the present, and represents virtually every genre, including Westerns, Film Noir, and Science Fiction. Hollywood’s first big 3-D craze (sometimes called 3-D’s “golden era”), intended to offset the threat of television, came in the early 1950s, with such movies as Hitchcock’s “Dial M For Murder,” André De Toth’s “House of Wax” and Jack Arnold’s “Creature From the Black Lagoon” (all included in the series).
Hollywood produced roughly 50 movies in the process from 1952 to 1954, before fizzling out and being overtaken by...
Full Lineup Announcements
– “3-D Auteurs,” a 19-day, 34-film festival spotlighting stereoscopic movies by some of history’s most distinguished directors, will run at Film Forum November 11 – 29. The festival spans 3-D’s earliest days (including some turn-of-the-century films by pioneer Georges Méliès) to the present, and represents virtually every genre, including Westerns, Film Noir, and Science Fiction. Hollywood’s first big 3-D craze (sometimes called 3-D’s “golden era”), intended to offset the threat of television, came in the early 1950s, with such movies as Hitchcock’s “Dial M For Murder,” André De Toth’s “House of Wax” and Jack Arnold’s “Creature From the Black Lagoon” (all included in the series).
Hollywood produced roughly 50 movies in the process from 1952 to 1954, before fizzling out and being overtaken by...
- 10/20/2016
- by Kate Erbland
- Indiewire
One day back in September of 2006, I met three people that would drastically alter the direction of my life: Eugene Hernandez, Brian Brooks and James Israel. At the time, they made up pretty much the entire staff of indieWIRE (as it was then written), and they had been looking for a local writer to help them cover the Toronto International Film Festival. Based on the recommendation of a friend of a friend (thanks, Brad Horvath and Basil Tsiokos!), they chose me — and I can't really fathom what my life would be like now if they hadn't. The following year they hired me on permanently, setting my initial task as going to Cannes to cover the festival, no less (which will always remain the exceptionally glamorous reason I got my first passport). I've been employed in some capacity ever since, which makes saying goodbye pretty daunting. Read More: For Your Consideration...
- 12/30/2015
- by Peter Knegt
- Indiewire
Barbara Kopple's glorious Miss Sharon Jones! opened Doc NYC Photo: Anne-Katrin Titze
2015 Doc NYC Lifetime Achievement Award honoree at the second annual Visionaries Tribute luncheon, Best Documentary Oscar winner for Harlan County, USA and American Dream, Barbara Kopple, presented Miss Sharon Jones! with Sharon Jones, who sang a gospel song for the audience.
Doc NYC Executive Director Raphaela Neihausen, Artistic Director Thom Powers, Director of Programming Basil Tsiokos and Senior Vice President and General Manager of the IFC Center, John Vanco, hosted the evening at the Sva Theatre in Chelsea.
John Vanco kicks off Doc NYC with Thom Powers, Raphaela Neihausen and Basil Tsiokos Photo: Anne-Katrin Titze
Sharon Jones has a powerful voice and an even more impressive personality. Barbara Kopple filmed the singer's battle with cancer, her comeback show at the Beacon Theater in New York and what lead up to the successful new album with her band The Dap-Kings.
2015 Doc NYC Lifetime Achievement Award honoree at the second annual Visionaries Tribute luncheon, Best Documentary Oscar winner for Harlan County, USA and American Dream, Barbara Kopple, presented Miss Sharon Jones! with Sharon Jones, who sang a gospel song for the audience.
Doc NYC Executive Director Raphaela Neihausen, Artistic Director Thom Powers, Director of Programming Basil Tsiokos and Senior Vice President and General Manager of the IFC Center, John Vanco, hosted the evening at the Sva Theatre in Chelsea.
John Vanco kicks off Doc NYC with Thom Powers, Raphaela Neihausen and Basil Tsiokos Photo: Anne-Katrin Titze
Sharon Jones has a powerful voice and an even more impressive personality. Barbara Kopple filmed the singer's battle with cancer, her comeback show at the Beacon Theater in New York and what lead up to the successful new album with her band The Dap-Kings.
- 11/14/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Read More: Anne Thompson's Oscar Predictions For the past three years, the Oscar for Best Documentary Feature has gone to...the film everyone expected to win. "Searching For Sugar Man," "20 Feet From Stardom" and "Citizenfour" each claimed frontrunner status early on, and stayed there all the way to the Oscar stage. But this year seems like it could be a different story. "I think it's been harder this year to get a sense of what the short list will look like," said Basil Tsiokos, who programs documentaries for the Sundance Film Festival, Nantucket Film Festival and Doc NYC. "There are just a broader range of solid to good docs that could make the cut." Thom Powers — who leads the documentary programming team at the Toronto International Film Festival, among other gigs — agreed. "I don’t think this year has an obvious front runner the way 'Searching for Sugar Man' or...
- 9/29/2015
- by Peter Knegt
- Indiewire
Demon On Wheels tells the story of a former hot rodder turned rusty engineer. For some time he has put the passion at rest, allowing time for the rest of his life to finally catch up. But will his choice to return to his passion come between him, his wife, and his worsening health? You’ll have to see Christina Eliopoulos’s love story muscle-car hybrid documentary Demon On Wheels, to find out.
Watch the trailer here
“Rest assured that Mustang buffs and fans of a good love story will walk away from Demon On Wheels smiling!” – The Detroit Free Press
“There’s something incredibly likeable and relatable about Ondish and his friends… They’re gifted storytellers. On a deeper level, the film addresses an awareness of mortality and aging in a poignant but light manner.” – Basil Tsiokos, What Not To Doc
Demon On Wheels — shot on location in the beautiful Catskill Mountains,...
Watch the trailer here
“Rest assured that Mustang buffs and fans of a good love story will walk away from Demon On Wheels smiling!” – The Detroit Free Press
“There’s something incredibly likeable and relatable about Ondish and his friends… They’re gifted storytellers. On a deeper level, the film addresses an awareness of mortality and aging in a poignant but light manner.” – Basil Tsiokos, What Not To Doc
Demon On Wheels — shot on location in the beautiful Catskill Mountains,...
- 9/16/2015
- by feeds@cinelinx.com (Aaron Hunt)
- Cinelinx
Doc NYC Director of Programming Basil Tsiokos Photo: Anne-Katrin Titze
What do Wim Wenders and Juliano Ribeiro Salgado's portrait of Sebastião Salgado in The Salt Of The Earth, Ben Cotner and Ryan White's The Case Against 8, Rory Kennedy's Last Days In Vietnam, Life Itself, based on Roger Ebert's memoir directed by Steve James, D.A. Pennebaker and William Ray's David on jazz trumpeter David Allen, Tracy Droz Tragos and Andrew Droz Palermo's Rich Hill and Divide In Concord directed by Kris Kaczor and Dave Regos have in common?
All of these documentaries and more are screening in the 2014 Doc NYC Film Festival.
David
Albert Maysles, D.A. Pennebaker and Chris Hegedus will receive Lifetime Achievement Awards, Citizenfour director Laura Poitras will receive the Robert and Anne Drew Award for Documentary Excellence and Dan Cogan the Leading Light Award which honours "an individual making a crucial...
What do Wim Wenders and Juliano Ribeiro Salgado's portrait of Sebastião Salgado in The Salt Of The Earth, Ben Cotner and Ryan White's The Case Against 8, Rory Kennedy's Last Days In Vietnam, Life Itself, based on Roger Ebert's memoir directed by Steve James, D.A. Pennebaker and William Ray's David on jazz trumpeter David Allen, Tracy Droz Tragos and Andrew Droz Palermo's Rich Hill and Divide In Concord directed by Kris Kaczor and Dave Regos have in common?
All of these documentaries and more are screening in the 2014 Doc NYC Film Festival.
David
Albert Maysles, D.A. Pennebaker and Chris Hegedus will receive Lifetime Achievement Awards, Citizenfour director Laura Poitras will receive the Robert and Anne Drew Award for Documentary Excellence and Dan Cogan the Leading Light Award which honours "an individual making a crucial...
- 11/10/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The falling leaves are a sure sign it’s now the beginning of awards season, with Oscar short lists starting to leak out, Ida Awards prepping their program and the Emmy’s already handing out golden statues. Also, on the festival circuit this month we have a whole host of big lineup announcements coming from a hefty set of acronym loving non-fiction fests the world over, from Cph:dox and Doc NYC, to Idfa and Ridm. Best of Fests Docs is a monthly snapshot of the films and filmmakers that are the make-up of the docu film festival and awards circuit. Check out the full rundown below:
Cph:dox - Denmark – November 6th-16th
The festival, also known as Copenhagen International Documentary Festival , has announced its 2014 lineup, which was guest curated this year by Citizenfour director Laura Poitras. Over 200 films (with the likes of Robert Greene’s Actress, Joshua Oppenheimer’s The Look of Silence,...
Cph:dox - Denmark – November 6th-16th
The festival, also known as Copenhagen International Documentary Festival , has announced its 2014 lineup, which was guest curated this year by Citizenfour director Laura Poitras. Over 200 films (with the likes of Robert Greene’s Actress, Joshua Oppenheimer’s The Look of Silence,...
- 10/28/2014
- by Jordan M. Smith
- IONCINEMA.com
Cyrus and Jeff, Who Lives At Home filmmaker Mark Duplass will return to South by Southwest to keynote the 2015 edition of the annual Austin film conference, organizers announced today. Like 2014’s popular keynote speaker Lena Dunham, Duplass is making a homecoming of sorts to SXSW where he launched his career in 2005 by winning the SXSW Audience Award with brother Jay for The Puffy Chair. Last year at SXSW he and director/co-writer/co-star Patrick Brice debuted their microbudget horror Creep which Radius-twc and Blumhouse Tilt jointly acquired.
Also stopping by the Austin fest held from March 13-21, 2015 will be Bollywood actor and director Shekhar Kapur (Elizabeth, The Four Feathers), who will lead a Conversation session. Over 150 keynotes, conversations, panels, and mentor sessions are in the works for the annual confab, which has yet to announce its full lineup.
As for film panels, I’ll be talking shop at “So You...
Also stopping by the Austin fest held from March 13-21, 2015 will be Bollywood actor and director Shekhar Kapur (Elizabeth, The Four Feathers), who will lead a Conversation session. Over 150 keynotes, conversations, panels, and mentor sessions are in the works for the annual confab, which has yet to announce its full lineup.
As for film panels, I’ll be talking shop at “So You...
- 10/21/2014
- by Jen Yamato
- Deadline
Aaron Sorkin, the screenwriter behind "The Social Network" and creator of "The West Wing" and "The Newsroom" is set to be awarded with the Screenwriters Tribute at the 19th Annual Nantucket film festival. And Emily Mortimer, who stars "The Newsroom," will present him with the award on June 28th. Previous winners of this award include Judd Apatow, Steve Martin, and David O. Russell. Some of the previous presenters were Glenn Close, Diane Keaton, and Jim Carrey. The 19th Annual Nantucket Film Festival will take place this year from June 25th to 30th. Basil Tsiokos, a regular contributor to Indiewire, was recently appointed as the new Film Program & Education. The festival will kick off after a special screening of Harold Lloyd's 1923 silent film, "Safety Last!" accompanied by a short documentary on the creation of the score for the film (performed live by the Berklee Silent Film Orchestra).
- 2/4/2014
- by Taylor Lindsay
- Indiewire
For some years now Tom Prasek and I have commiserated about the need for a serious networking solution and overview organization about (for lack of a better term) 'the film festival world'.
I think Ffa might be on to something and I am really glad to lend support. I urge filmmakers, market participants and festival folks and press to pay close attention.
Where: Amphitheater, Elinor Bunin Munroe Film Center, Lincoln Center, NYC
When: 27th/28th September 2012
As each industry event produced by the Film Festival Academy is specifically curated in light of the requirements of the hosting festival or organisation, the first theme of our event in New York is New York film programming, looking at all the very many different institutions – festivals, cinemas, museums, galleries – involved in programming specifically for New York audiences.
The second theme focuses on film festival form, and here again we're looking to kick-start a debate that will run on longer via the Film Festival Academy website and related blogs etc.
Confirmed speakers and timetable:
Thursday 27th – Focus on New York-specific Film Programming
09:30–10:00 Registration, coffee
10:00–10:15 Welcome
10:15–12:15 Mapping the Landscape of New York Programming and Connecting with Audiences
Comprising a panel of NYC-based film programmers and moving image museum/gallery curators discussing various aspects of their responsibilities programming specifically for NYC audiences, and the various institutional freedoms and constraints they have, ie a general introduction to the practical context of NYC-specific film programming.
– Scott Foundas (New York Film Festival)
– David Schwartz (Museum of the Moving Image)
– Thom Powers (Doc NYC)
– Cristina Cacciopo (92Y Tribeca)
– Jon Dieringer (Screen Slate)
12:15–13:30 Lunch (provided, for all participants/attendees)
13:30–14:45 A Detailed Look at New York Cinephilia
A moderated conversation between Richard Peña (New York Film Festival) and Lisa Schwartzbaum (Entertainment Weekly) discussing in greater depth the theory and practice behind NYC-specific programming and festival programming more generally, from viewpoints that encompass experience in actual programming as well as academia/film history and film criticism.
14:45–15:00 Coffee
15:15–16:45 Programming for Niche Audiences
A session focusing on the specific issues involved in programming for target constituents, and exploring issues of reach and retention of interest from core communities, whether 'genre' focused or more 'ethnically/culturally' defined.
– Chair: Brian Gordon (festival consultant)
– Lisa Vandever (CineKink)
– Basil Tsiokos (festival consultant)
– Stephen Kent Jusick (Mix)
– Bradford Nordeen (Dirty Looks)
16:45–17:00 Coffee
17:00–18:30 Exploring the Nature of Contemporary Scholarly Film Festival Studies
Comprising a panel of scholars working in the fast-growing area of academic film festival studies, providing an overview of their area of research and thereby shedding light on more theoretical, historical issues, and developing the specific focus on NYC back out to wider considerations; note, these will Not be academic papers in any conventional sense, but rather informal accounts given by people professionally engaged in researching this field, providing insight into what, and why, and so balancing the NYC-specific practical considerations above with more theoretical considerations of the nature and role of film festivals generally.
– Faye Ginsburg (New York University)
– Toby Lee (Harvard University)
– Dennis Broe (Long Island University)
Friday 28th – Focus on Film Festival Form
09:45–10:00 Coffee
10:00–12:00 An Interrogation of Film Festival Form
A focus on theoretical and practical considerations of film festival form; this will be instigated by a manifesto on film festival form proposed by Mark Cousins that will then responded to by a panel that, again, represents the various interested constituents from festival programming, film criticism, and academic film festival studies, but will very much be an open session.
– Chair: Sean Farnel (festival consultant)
– David Sterritt (Columbia University)
– Ingrid Kopp (Tribeca Film Institute Digital Initiatives)
– Dan Nuxoll (Rooftop Films)
12:00 Closing remarks
Free registration is available to all Premium Members of the Film Festival Academy. Places currently remaining:32
Attendees already confirmed include:
– Mitch Levine (The Film Festival Group)
– Peter Belsito (festival consultant)
– Claus Mueller (Hunter College, City University of New York)
– Jose Augusto Barriga (Boston Latino International Film Festival)
– Goran Topalovic (New York Asian Film Festival)
– Elizabeth Weatherford (Native American Film and Video Festival)
– Michal Chacinski (Gdynia Film Festival, Poland)
– Joe Bateman (Rushes Short Film Festival, London, UK)
– Bryce Renninger (Rutgers University, indieWIRE)
– Christina Marouda (Los Angeles Indian Film Festival)
– Miriam Bale (freelance film curator)
– Ania Trebiatowska (Off Plus Camera International Festival of Independent Cinema, Krakow, Poland)
– Sylvie Vitaglione (New York University)...
I think Ffa might be on to something and I am really glad to lend support. I urge filmmakers, market participants and festival folks and press to pay close attention.
Where: Amphitheater, Elinor Bunin Munroe Film Center, Lincoln Center, NYC
When: 27th/28th September 2012
As each industry event produced by the Film Festival Academy is specifically curated in light of the requirements of the hosting festival or organisation, the first theme of our event in New York is New York film programming, looking at all the very many different institutions – festivals, cinemas, museums, galleries – involved in programming specifically for New York audiences.
The second theme focuses on film festival form, and here again we're looking to kick-start a debate that will run on longer via the Film Festival Academy website and related blogs etc.
Confirmed speakers and timetable:
Thursday 27th – Focus on New York-specific Film Programming
09:30–10:00 Registration, coffee
10:00–10:15 Welcome
10:15–12:15 Mapping the Landscape of New York Programming and Connecting with Audiences
Comprising a panel of NYC-based film programmers and moving image museum/gallery curators discussing various aspects of their responsibilities programming specifically for NYC audiences, and the various institutional freedoms and constraints they have, ie a general introduction to the practical context of NYC-specific film programming.
– Scott Foundas (New York Film Festival)
– David Schwartz (Museum of the Moving Image)
– Thom Powers (Doc NYC)
– Cristina Cacciopo (92Y Tribeca)
– Jon Dieringer (Screen Slate)
12:15–13:30 Lunch (provided, for all participants/attendees)
13:30–14:45 A Detailed Look at New York Cinephilia
A moderated conversation between Richard Peña (New York Film Festival) and Lisa Schwartzbaum (Entertainment Weekly) discussing in greater depth the theory and practice behind NYC-specific programming and festival programming more generally, from viewpoints that encompass experience in actual programming as well as academia/film history and film criticism.
14:45–15:00 Coffee
15:15–16:45 Programming for Niche Audiences
A session focusing on the specific issues involved in programming for target constituents, and exploring issues of reach and retention of interest from core communities, whether 'genre' focused or more 'ethnically/culturally' defined.
– Chair: Brian Gordon (festival consultant)
– Lisa Vandever (CineKink)
– Basil Tsiokos (festival consultant)
– Stephen Kent Jusick (Mix)
– Bradford Nordeen (Dirty Looks)
16:45–17:00 Coffee
17:00–18:30 Exploring the Nature of Contemporary Scholarly Film Festival Studies
Comprising a panel of scholars working in the fast-growing area of academic film festival studies, providing an overview of their area of research and thereby shedding light on more theoretical, historical issues, and developing the specific focus on NYC back out to wider considerations; note, these will Not be academic papers in any conventional sense, but rather informal accounts given by people professionally engaged in researching this field, providing insight into what, and why, and so balancing the NYC-specific practical considerations above with more theoretical considerations of the nature and role of film festivals generally.
– Faye Ginsburg (New York University)
– Toby Lee (Harvard University)
– Dennis Broe (Long Island University)
Friday 28th – Focus on Film Festival Form
09:45–10:00 Coffee
10:00–12:00 An Interrogation of Film Festival Form
A focus on theoretical and practical considerations of film festival form; this will be instigated by a manifesto on film festival form proposed by Mark Cousins that will then responded to by a panel that, again, represents the various interested constituents from festival programming, film criticism, and academic film festival studies, but will very much be an open session.
– Chair: Sean Farnel (festival consultant)
– David Sterritt (Columbia University)
– Ingrid Kopp (Tribeca Film Institute Digital Initiatives)
– Dan Nuxoll (Rooftop Films)
12:00 Closing remarks
Free registration is available to all Premium Members of the Film Festival Academy. Places currently remaining:32
Attendees already confirmed include:
– Mitch Levine (The Film Festival Group)
– Peter Belsito (festival consultant)
– Claus Mueller (Hunter College, City University of New York)
– Jose Augusto Barriga (Boston Latino International Film Festival)
– Goran Topalovic (New York Asian Film Festival)
– Elizabeth Weatherford (Native American Film and Video Festival)
– Michal Chacinski (Gdynia Film Festival, Poland)
– Joe Bateman (Rushes Short Film Festival, London, UK)
– Bryce Renninger (Rutgers University, indieWIRE)
– Christina Marouda (Los Angeles Indian Film Festival)
– Miriam Bale (freelance film curator)
– Ania Trebiatowska (Off Plus Camera International Festival of Independent Cinema, Krakow, Poland)
– Sylvie Vitaglione (New York University)...
- 9/25/2012
- by Peter Belsito
- Sydney's Buzz
With the premiere of their film coming up fast, two of the producers from "Winnebago Man" joined in on the fun at the premiere of "Life During Wartime" Wednesday night in New York. Producers Malcolm Pullinger (left) and Joel Heller (middle with plaid shirt) hung out with friends Margaret Brown ("The Order of the Myths") and Sundance programming associate and "The Canal Street Madam" co-producer, Basil Tsiokos. And poking in his ...
- 7/9/2010
- Indiewire
NEW YORK -- At NewFest, the New York Lesbian, Gay, Bisexual, and Transgender Film Festival, which concluded Sunday, two coming-out comedies emerged as winners. Pete Jones' Outing Riley won best U.S. narrative feature, and Regis Musset's French comic drama Times Have Been Better won best foreign narrative feature at the 19th annual fest.
At the awards ceremony, NewFest artistic director Basil Tsiokos and administrative director Kerry Weldon also unveiled plans for a new screenplay competition, a staged screenplay reading series and a youth filmmakers initiative during the upcoming year.
The unofficial launch of a screenplay reading series took Tuesday evening with a performance of the Todd Stephens' sequel "Another Gay Movie 2: Gays Gone Wild." Several stars from the original film and drag entertainers RuPaul and The Lady Bunny were set to read the new script at New York's Zipper Theater.
Other NewFest award recipients included Saving Marriage, Mike Roth and John Henning's chronicle of the Massachusetts fight over gay marriage, which won best documentary.
At the awards ceremony, NewFest artistic director Basil Tsiokos and administrative director Kerry Weldon also unveiled plans for a new screenplay competition, a staged screenplay reading series and a youth filmmakers initiative during the upcoming year.
The unofficial launch of a screenplay reading series took Tuesday evening with a performance of the Todd Stephens' sequel "Another Gay Movie 2: Gays Gone Wild." Several stars from the original film and drag entertainers RuPaul and The Lady Bunny were set to read the new script at New York's Zipper Theater.
Other NewFest award recipients included Saving Marriage, Mike Roth and John Henning's chronicle of the Massachusetts fight over gay marriage, which won best documentary.
- 6/14/2007
- The Hollywood Reporter - Movie News
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