Canadian actor and filmmaker Aaron Poole shared the first details of his arthouse father-daughter road movie “Dada” with Variety this week, shortly after wrapping principal photography of the film on Manitoulin Island, located north of Toronto in Lake Huron.
Working steadily in North American TV (“Most Dangerous Game”) and film since the late 1990s, Poole, a classically trained actor, stepped behind the camera for his Toronto-premiering “Oracle” (2020), which was nominated for best narrative short at Slamdance and won the top prize at Montreal’s Festival Du Nouveau Cinéma.
In “Dada,” Poole’s feature directorial debut, James Gilbert and newcomer Ciara Alexys play a divorced father and teenage daughter who drive around the perimeter of a nuclear facility on the eve of the girl’s 16th birthday, playing nonsense games and reading things.
“The story is a love letter and a suicide note,” Poole told Variety. “It was written in response...
Working steadily in North American TV (“Most Dangerous Game”) and film since the late 1990s, Poole, a classically trained actor, stepped behind the camera for his Toronto-premiering “Oracle” (2020), which was nominated for best narrative short at Slamdance and won the top prize at Montreal’s Festival Du Nouveau Cinéma.
In “Dada,” Poole’s feature directorial debut, James Gilbert and newcomer Ciara Alexys play a divorced father and teenage daughter who drive around the perimeter of a nuclear facility on the eve of the girl’s 16th birthday, playing nonsense games and reading things.
“The story is a love letter and a suicide note,” Poole told Variety. “It was written in response...
- 11/5/2022
- by Jennie Punter
- Variety Film + TV
Works include The Paper Tigers represented by Xyz Films, Amp International.
Frontières has announced the final selection of projects for its annual Cannes platform as it prepares to return for the fourth year to the Marché du Film as part of the upcoming online edition.
They include proof of concepts for Rules For Werewolves, a feature-length adaptation of the SXSW short entry with Finn Wolfhard (Stranger Things) attached to star, Argentinian filmmaker Tamae Garateguy’s Dogman, and Buyer’s Showcase sales title The Paper Tigers represented by Xyz Films and Amp International.
The 2020 slate focuses on emerging voices in...
Frontières has announced the final selection of projects for its annual Cannes platform as it prepares to return for the fourth year to the Marché du Film as part of the upcoming online edition.
They include proof of concepts for Rules For Werewolves, a feature-length adaptation of the SXSW short entry with Finn Wolfhard (Stranger Things) attached to star, Argentinian filmmaker Tamae Garateguy’s Dogman, and Buyer’s Showcase sales title The Paper Tigers represented by Xyz Films and Amp International.
The 2020 slate focuses on emerging voices in...
- 5/13/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Works include The Paper Tigers represented by Xyz Films, Amp International.
Frontières has announced the final selection of projects for its annual Cannes platform as it prepares to return for the fourth year to the Marché du Film as part of the upcoming online edition.
They include proof of concepts for Rules For Werewolves, a feature-length adaptation of the SXSW short entry with Finn Wolfhard (Stranger Things) attached to star, Argentinian filmmaker Tamae Garateguy’s Dogman, and Buyer’s Showcase sales title The Paper Tigers represented by Xyz Films and Amp International.
The 2020 slate focuses on emerging voices in...
Frontières has announced the final selection of projects for its annual Cannes platform as it prepares to return for the fourth year to the Marché du Film as part of the upcoming online edition.
They include proof of concepts for Rules For Werewolves, a feature-length adaptation of the SXSW short entry with Finn Wolfhard (Stranger Things) attached to star, Argentinian filmmaker Tamae Garateguy’s Dogman, and Buyer’s Showcase sales title The Paper Tigers represented by Xyz Films and Amp International.
The 2020 slate focuses on emerging voices in...
- 5/13/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Genre industry initiative Frontières has unveiled the titles taking part in its 2020 Cannes showcase, which this year will be held online as part of the Marché du Film’s digital incarnation.
Presented by the Montreal fest Fantasia and the Marché on June 25, the event involves a buyers’ showcase featuring six projects recently completed or in post, and proof of concept presentations of a further eight early-stage projects.
Among those selected os the Xyz and Amp repped The Paper Tigers, female-driven and directed werewolf thriller Bloodthirsty from the producer of Harpoon, and Rules For Werewolves starring Stranger Things’ Finn Wolfhard.
Access to the showcases will be available to professionals accredited to this year’s Marche, as well as select industry representatives invited by Frontières organizers. There are also networking events planned.
Here’s the full list of projects.
Buyers’ Showcase
Bloodthirsty (Canada)
Director: Amelia Moses
Producer: Michael Peterson (775 Media Corp...
Presented by the Montreal fest Fantasia and the Marché on June 25, the event involves a buyers’ showcase featuring six projects recently completed or in post, and proof of concept presentations of a further eight early-stage projects.
Among those selected os the Xyz and Amp repped The Paper Tigers, female-driven and directed werewolf thriller Bloodthirsty from the producer of Harpoon, and Rules For Werewolves starring Stranger Things’ Finn Wolfhard.
Access to the showcases will be available to professionals accredited to this year’s Marche, as well as select industry representatives invited by Frontières organizers. There are also networking events planned.
Here’s the full list of projects.
Buyers’ Showcase
Bloodthirsty (Canada)
Director: Amelia Moses
Producer: Michael Peterson (775 Media Corp...
- 5/13/2020
- by Tom Grater
- Deadline Film + TV
Exclusive: Finn Wolfhard will topline Rules For Werewolves, a dramatic thriller based on the short film that is premiering next month at SXSW in Austin. Jeremy Schaulin-Rioux directed the short and will also helm the feature-length pic, which will go before cameras late in 2020 or in early 2021. Peter Harvey, Jonathan Duffy, and Kelly Williams are producing.
Playwright and novelist Kirk Lynn adapted the screenplay for the short based on his debut novel. It’s told mostly through a single take and investigates the rituals and rhythms of a pack of wild teens as they break in and loot a new home, leaving someone (or something) behind for the cops to find.
Check out the teaser for the short below.
“This short film represents the fourth time I’ve worked with Jeremy Schaulin-Rioux,” said Wolfhard. “He’s one of Canada’s most imaginative directors, and I...
Playwright and novelist Kirk Lynn adapted the screenplay for the short based on his debut novel. It’s told mostly through a single take and investigates the rituals and rhythms of a pack of wild teens as they break in and loot a new home, leaving someone (or something) behind for the cops to find.
Check out the teaser for the short below.
“This short film represents the fourth time I’ve worked with Jeremy Schaulin-Rioux,” said Wolfhard. “He’s one of Canada’s most imaginative directors, and I...
- 2/28/2020
- by Amanda N'Duka
- Deadline Film + TV
Winners of the 2017 Whistler Film Festival were announced at the Awards Celebration this morning on the final day of the 17th annual Festival. Ian Lagarde’s first feature All You Can Eat Buddha and Jason and Carlos Sanchez’s A Worthy Companion tied for the $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and the $15,000 post-production prize sponsored by Encore Vancouver in the 14th edition of the coveted Borsos Competition for Best Canadian Feature Film. The jury states “each in their own way convey unique visions and creative storytelling the jury believes have made and will make powerful contributions to the world of cinema.”A Worthy Companion
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
- 12/5/2017
- by Sydney Levine
- Sydney's Buzz
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