Triumph of the Will
Written by Leni Riefenstahl, Walter Ruttmann, Eberhard Taubert
Directed by Leni Riefenstahl
Germany, 1935
It is never easy to look at Leni Riefenstahl’s Triumph of the Will as anything other than what Dr. Anthony Santoro quite rightly calls a “supreme propaganda film.” As that, it is nearly unparalleled in the dubious annals of film history. Contributing to its difficulty in terms of analysis, however, is the fact that it is, at the same time, more than simply a notorious document of evil in bloom. For all the troublesome features that recurrently arise through the course of this film—the domineering presence of Adolf Hitler being just one obvious example—this is one remarkably well-crafted motion picture. Its status as the ultimate work of cinematic propaganda is, indeed, a direct result of just how superbly powerful, sadly persuasive, and expertly realized the documentary is, for better or worse.
Written by Leni Riefenstahl, Walter Ruttmann, Eberhard Taubert
Directed by Leni Riefenstahl
Germany, 1935
It is never easy to look at Leni Riefenstahl’s Triumph of the Will as anything other than what Dr. Anthony Santoro quite rightly calls a “supreme propaganda film.” As that, it is nearly unparalleled in the dubious annals of film history. Contributing to its difficulty in terms of analysis, however, is the fact that it is, at the same time, more than simply a notorious document of evil in bloom. For all the troublesome features that recurrently arise through the course of this film—the domineering presence of Adolf Hitler being just one obvious example—this is one remarkably well-crafted motion picture. Its status as the ultimate work of cinematic propaganda is, indeed, a direct result of just how superbly powerful, sadly persuasive, and expertly realized the documentary is, for better or worse.
- 1/3/2016
- by Jeremy Carr
- SoundOnSight
The Beat caught this one: At Saturday’s Creative Arts Emmys, Dean Haspiel won the Outstanding Main Title Design Emmy for HBO's Bored To Death, along with collaborators Tom Barham, Marci Ichimura and Anthony Santoro. Haspiel is shown here with series creator Jonathan Ames and their Emmy. The Zach Galifianakis character, graphic novelist Ray Hueston, may also be based on Dean.
If you don't have HBO and have never seen the show, here's the opening sequence:
Congrats to Dean, and here's hoping that Galifianakis doesn't make him look too goofy next season-- which starts next month on HBO.
If you don't have HBO and have never seen the show, here's the opening sequence:
Congrats to Dean, and here's hoping that Galifianakis doesn't make him look too goofy next season-- which starts next month on HBO.
- 8/23/2010
- by Glenn Hauman
- Comicmix.com
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