‘Never Too Late’ (Photo credit: Bradley Patrick).
The launches of the Liam Neeson action drama Honest Thief and Australian ‘geezer’ comedy Never Too Late helped reverse a three-week slide at cinemas last weekend.
But ticket sales remain depressed and the year-to-date national Bo total through Sunday is $334 million, a woeful 67.5 per cent down on last year’s $1.03 billion.
Among the limited releases, Polish drama Corpus Christi posted the weekend’s highest per-screen average while US indie comedy-drama Kajillionaire struggled. The Taika Waititi-produced Kiwi comedy Baby, Done did not resonate either.
Numero reported the top 20 titles generated $2.28 million, 7 per cent up on the previous frame.
The feature writing and directing debut of Ozark co-creator Mark Williams, Honest Thief stole $696,000 on 206 screens and $722,000 with previews for Rialto, in line with the US results where it’s been No. 1 for three weeks in a Covid-19 devastated market.
Neeson plays Tom Carter, a...
The launches of the Liam Neeson action drama Honest Thief and Australian ‘geezer’ comedy Never Too Late helped reverse a three-week slide at cinemas last weekend.
But ticket sales remain depressed and the year-to-date national Bo total through Sunday is $334 million, a woeful 67.5 per cent down on last year’s $1.03 billion.
Among the limited releases, Polish drama Corpus Christi posted the weekend’s highest per-screen average while US indie comedy-drama Kajillionaire struggled. The Taika Waititi-produced Kiwi comedy Baby, Done did not resonate either.
Numero reported the top 20 titles generated $2.28 million, 7 per cent up on the previous frame.
The feature writing and directing debut of Ozark co-creator Mark Williams, Honest Thief stole $696,000 on 206 screens and $722,000 with previews for Rialto, in line with the US results where it’s been No. 1 for three weeks in a Covid-19 devastated market.
Neeson plays Tom Carter, a...
- 10/26/2020
- by Don Groves
- IF.com.au
‘Relic’s’ Robyn Nevin with Natalie Erika James.
Natalie Erika James’ Relic continued its reign as the top title in its second weekend in the fractured US theatrical market while Mark Lamprell’s Never Too Late launched on a combination of virtual cinemas and hard tops.
Released by IFC Midnight, the psychological horror movie co-scripted by James and Christian White, rang up $US192,000 in its first weekend at 69 drive-ins: the biggest opening weekend in almost three months.
Last weekend the haunted house movie featuring Emily Mortimer, Robyn Nevin and Bella Heathcote expanded to 126 locations, generating $US236,000, which brings the 10-day total to $US581,000, according to Box Office Mojo.
Produced by Carver Films’ Anna McLeish and Sarah Shaw with Nine Stories Productions’ Jake Gyllenhaal and Riva Marker, Relic premiered on Stan on July 10 as a Stan Original.
The US distributor Blue Fox Entertainment launched Never Too Late in 15 hard tops plus...
Natalie Erika James’ Relic continued its reign as the top title in its second weekend in the fractured US theatrical market while Mark Lamprell’s Never Too Late launched on a combination of virtual cinemas and hard tops.
Released by IFC Midnight, the psychological horror movie co-scripted by James and Christian White, rang up $US192,000 in its first weekend at 69 drive-ins: the biggest opening weekend in almost three months.
Last weekend the haunted house movie featuring Emily Mortimer, Robyn Nevin and Bella Heathcote expanded to 126 locations, generating $US236,000, which brings the 10-day total to $US581,000, according to Box Office Mojo.
Produced by Carver Films’ Anna McLeish and Sarah Shaw with Nine Stories Productions’ Jake Gyllenhaal and Riva Marker, Relic premiered on Stan on July 10 as a Stan Original.
The US distributor Blue Fox Entertainment launched Never Too Late in 15 hard tops plus...
- 7/13/2020
- by The IF Team
- IF.com.au
‘Onward’ (Photo credit: Disney).
In his 63 years as a film programmer, Bob Parr had never experienced anything like the current crisis as ticket sales flatlined across the country over the past few weeks.
“All exhibitors and distributors are losing a lot of money,” the Wallis Cinemas consultant told If on Sunday. “Many cinemas have closed because there are no patrons.
“Many small exhibitors make their living in school holidays and barely break even except for blockbusters during the remaining time. They are in the business because they love it.”
Later that day the Prime Minister Scott Morrison announced all cinemas and entertainment venues, registered and licensed clubs, hotels, pubs, casinos and nightclubs will close today.
Exhibitors and distributors had been steeling themselves for that decision after cinemas were shuttered in the Us, the UK and myriad other markets.
Now facing zero cash flow, they have to lay off permanent and casual staff,...
In his 63 years as a film programmer, Bob Parr had never experienced anything like the current crisis as ticket sales flatlined across the country over the past few weeks.
“All exhibitors and distributors are losing a lot of money,” the Wallis Cinemas consultant told If on Sunday. “Many cinemas have closed because there are no patrons.
“Many small exhibitors make their living in school holidays and barely break even except for blockbusters during the remaining time. They are in the business because they love it.”
Later that day the Prime Minister Scott Morrison announced all cinemas and entertainment venues, registered and licensed clubs, hotels, pubs, casinos and nightclubs will close today.
Exhibitors and distributors had been steeling themselves for that decision after cinemas were shuttered in the Us, the UK and myriad other markets.
Now facing zero cash flow, they have to lay off permanent and casual staff,...
- 3/23/2020
- by The IF Team
- IF.com.au
‘Never Too Late’ (Photo credit: Bradley Patrick).
Blue Fox Entertainment has bought the Us rights to Mark Lamprell’s Never Too Late and will release the comedy-drama on about 25 screens, followed by transactional VOD two weeks later.
That’s the distributor’s third Aussie acquisition following Stephan Elliott’s Swinging Safari and Russell Mulcahy’s In Like Flynn last year.
Starring Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing as Vietnam veterans who plan to break out of their nursing home, the film scripted by Luke Preston will open the Young at Heart Senior Film Festival at Palace cinemas across Australia on February 19.
It will play each day for a couple of weeks in the festival then go out on a broader national release on April 23 via R&r Films.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier whom she met...
Blue Fox Entertainment has bought the Us rights to Mark Lamprell’s Never Too Late and will release the comedy-drama on about 25 screens, followed by transactional VOD two weeks later.
That’s the distributor’s third Aussie acquisition following Stephan Elliott’s Swinging Safari and Russell Mulcahy’s In Like Flynn last year.
Starring Jack Thompson, James Cromwell, Dennis Waterman and Roy Billing as Vietnam veterans who plan to break out of their nursing home, the film scripted by Luke Preston will open the Young at Heart Senior Film Festival at Palace cinemas across Australia on February 19.
It will play each day for a couple of weeks in the festival then go out on a broader national release on April 23 via R&r Films.
Jacki Weaver plays Norma, the long-lost love of Cromwell’s character Bronson, formerly a Us soldier whom she met...
- 2/11/2020
- by The IF Team
- IF.com.au
James Cromwell and Jacki Weaver in ‘Never Too Late’. (Photo credit: Bradley Patrick).
Screen Australia’s head of content Sally Caplan rates 2019 as a good year for Australian films at home and abroad – and she is even more optimistic about the 2020 slate.
Having seen a sizable number of the upcoming Aussie releases in completed form, rough cut or in post, arguably she is uniquely placed to provide an overview.
“There is a lot of doom and gloom about films not working but they can work,” the six-year agency veteran tells If. Here are her comments on a selection of the year’s releases, in no particular order.
Robert Connolly’s The Dry, which stars Eric Bana as a cop who returns to his drought-stricken hometown after 20 years to investigate an apparent murder-suicide committed by his childhood friend: “I’ve seen the locked cut and it’s looking great, based on...
Screen Australia’s head of content Sally Caplan rates 2019 as a good year for Australian films at home and abroad – and she is even more optimistic about the 2020 slate.
Having seen a sizable number of the upcoming Aussie releases in completed form, rough cut or in post, arguably she is uniquely placed to provide an overview.
“There is a lot of doom and gloom about films not working but they can work,” the six-year agency veteran tells If. Here are her comments on a selection of the year’s releases, in no particular order.
Robert Connolly’s The Dry, which stars Eric Bana as a cop who returns to his drought-stricken hometown after 20 years to investigate an apparent murder-suicide committed by his childhood friend: “I’ve seen the locked cut and it’s looking great, based on...
- 1/29/2020
- by The IF Team
- IF.com.au
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