Hitman dramedy “Knok,” pandemic-thriller “Lt-21,” and dystopian sendup “Rictus” will head off Have A Good One’s (Hago) Mipcom slate, as the Paris-based TV development and sales company has boarded two additional series currently in production.
Produced by Mifa Pictures (Groupe StoryPlus) and N22 Productions for 13ème Rue France, and created by Guillaume Duhesme, Bastien Ughetto and Lucie Moreau, the off-kilter “Knok” follows a hapless single-dad inducted into the underworld and made an unwilling contract-killer after accidentally witnessing a hit. César-winner Sylvie Testud (“Fear and Trembling”) and up-and-comer Johann Cuny lead the cast for a loopy six-part season that won acclaim at the La Rochelle Fiction Festival earlier this year.
Given the spotlight at the Biarritz Unifrance Rendez-vous last month, eco-thriller “Lt-21” tracks a disquieting pandemic plot about an international virus that forces amnesia on those afflicted. Actors Arnaud Valois (“Bpm”) and Léonie Simaga (“The Eddy”) play a pair doctors...
Produced by Mifa Pictures (Groupe StoryPlus) and N22 Productions for 13ème Rue France, and created by Guillaume Duhesme, Bastien Ughetto and Lucie Moreau, the off-kilter “Knok” follows a hapless single-dad inducted into the underworld and made an unwilling contract-killer after accidentally witnessing a hit. César-winner Sylvie Testud (“Fear and Trembling”) and up-and-comer Johann Cuny lead the cast for a loopy six-part season that won acclaim at the La Rochelle Fiction Festival earlier this year.
Given the spotlight at the Biarritz Unifrance Rendez-vous last month, eco-thriller “Lt-21” tracks a disquieting pandemic plot about an international virus that forces amnesia on those afflicted. Actors Arnaud Valois (“Bpm”) and Léonie Simaga (“The Eddy”) play a pair doctors...
- 10/16/2023
- by Ben Croll
- Variety Film + TV
Exploring Paris’ working-class suburbs with a fresh set of eyes while reframing the immigrant experience under a more incisive lens, a dynamic generation is blazing new trails in French cinema.
And if artists like “Saint Omer” filmmaker Alice Diop, “Athena” co-writer Ladj Ly, and “The Gravity” writer/director Cedric Ido share little in common but age – interestingly enough, all were born within one or two years of one another – the group’s shared spotlight in Venice and Toronto certainly reflects a rise in opportunity for diverse perspectives.
“Today, we do see renewal,” says Unifrance managing director Daniela Elstner. “There’s an altogether new breath, a young generation looking to change, to dare, and to propose new kinds of films, [and with that] a willingness on the part of festival programmers to welcome these filmmakers into main competitions a little bit faster than before.”
Of course, opportunities tend to compound and build, so before...
And if artists like “Saint Omer” filmmaker Alice Diop, “Athena” co-writer Ladj Ly, and “The Gravity” writer/director Cedric Ido share little in common but age – interestingly enough, all were born within one or two years of one another – the group’s shared spotlight in Venice and Toronto certainly reflects a rise in opportunity for diverse perspectives.
“Today, we do see renewal,” says Unifrance managing director Daniela Elstner. “There’s an altogether new breath, a young generation looking to change, to dare, and to propose new kinds of films, [and with that] a willingness on the part of festival programmers to welcome these filmmakers into main competitions a little bit faster than before.”
Of course, opportunities tend to compound and build, so before...
- 8/31/2022
- by Ben Croll
- Variety Film + TV
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