Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Burning (Lee Chang-dong)
After Poetry, it makes sense that Lee Chang-dong would find himself interested in deconstructing another literary genre: the murder mystery. Adapting Haruki Murakami’s short story “Barn Burning” for the screen, the South Korean master has created something that feels akin to a real page turner, with each cut, the tensions, and the mystery rise as we become desperate to know whatever happened to Shin Hae-mi (Jeon Jong-seo), the young woman who went missing, leaving her childhood friend Lee Jong-su (Yoo Ah-in) searching for her. With pulpy characters, including a delicious Steven Yeun as a mysterious Gatsby-like figure, and a dark sense of humor, the film also serves as a study of class and the way in which the...
Burning (Lee Chang-dong)
After Poetry, it makes sense that Lee Chang-dong would find himself interested in deconstructing another literary genre: the murder mystery. Adapting Haruki Murakami’s short story “Barn Burning” for the screen, the South Korean master has created something that feels akin to a real page turner, with each cut, the tensions, and the mystery rise as we become desperate to know whatever happened to Shin Hae-mi (Jeon Jong-seo), the young woman who went missing, leaving her childhood friend Lee Jong-su (Yoo Ah-in) searching for her. With pulpy characters, including a delicious Steven Yeun as a mysterious Gatsby-like figure, and a dark sense of humor, the film also serves as a study of class and the way in which the...
- 6/17/2022
- by Jordan Raup
- The Film Stage
Mubi’s U.S. lineup for next month has been unveiled, including some essential recent releases, notably James Vaughan’s Friends and Strangers, Radu Muntean’s Întregalde, Alice Diop’s We (Nous), the Isabel Sandoval-led short The Actress, Ougie Pak’s Clytaemnestra, and the new restoration of Hong Sangsoo’s Virgin Stripped Bare by Her Bachelors.
As part of Pride month and fitting as his latest film arrives, Andrew Ahn’s Spa Night is among the selections, alongside And Then We Danced, Being 17, and Lilting. Lee Chang-dong’s Burning, a pair of films by Hirokazu Kore-eda, and Kim Bora’s House of Hummingbird are also in the lineup.
Check out the lineup below and get 30 days free here.
June 1 – Wet Sand, directed by Elene Naveriani | Viewfinder | Pride
June 2 – And Then We Danced, directed by Levan Akin | Pride Unprejudiced: LGBTQ+ Cinema
June 3 – Friends and Strangers, directed by James Vaughan | Mubi Spotlight
June 4 – Final Set,...
As part of Pride month and fitting as his latest film arrives, Andrew Ahn’s Spa Night is among the selections, alongside And Then We Danced, Being 17, and Lilting. Lee Chang-dong’s Burning, a pair of films by Hirokazu Kore-eda, and Kim Bora’s House of Hummingbird are also in the lineup.
Check out the lineup below and get 30 days free here.
June 1 – Wet Sand, directed by Elene Naveriani | Viewfinder | Pride
June 2 – And Then We Danced, directed by Levan Akin | Pride Unprejudiced: LGBTQ+ Cinema
June 3 – Friends and Strangers, directed by James Vaughan | Mubi Spotlight
June 4 – Final Set,...
- 5/24/2022
- by Leonard Pearce
- The Film Stage
“Clytaemnestra”, the full-length debut by Ougie Pak, was written and shot during a workshop for actors in Greece. The movie premiered at BAMcinemaFest 2021.
“Clytaemnestra” is screening at San Diego Asian Film Festival
Hye Bin (Haru Kim) arrives in Greece for the rehearsals of a new rendition of Aeschylus’ “Agamemnon”. Though initially set to play Clytemnestra, the young actress is soon changed by the famous but domineering director (Jongman Kim) with the famous and subservient actress Ian Kim (Taehee Kim). As Hye Bin starts getting bullied the other actress and her skills are constantly questioned by the director and the entire crew, the young woman begins feeling desperation.
Early on in the film, the director of the play plays a clip of “Agamemnon” to the actors and asks them about the themes of the ancient tragedy. Some of them say it is Han, using Korean concept for a Greek piece, while others,...
“Clytaemnestra” is screening at San Diego Asian Film Festival
Hye Bin (Haru Kim) arrives in Greece for the rehearsals of a new rendition of Aeschylus’ “Agamemnon”. Though initially set to play Clytemnestra, the young actress is soon changed by the famous but domineering director (Jongman Kim) with the famous and subservient actress Ian Kim (Taehee Kim). As Hye Bin starts getting bullied the other actress and her skills are constantly questioned by the director and the entire crew, the young woman begins feeling desperation.
Early on in the film, the director of the play plays a clip of “Agamemnon” to the actors and asks them about the themes of the ancient tragedy. Some of them say it is Han, using Korean concept for a Greek piece, while others,...
- 11/1/2021
- by Martin Lukanov
- AsianMoviePulse
Greek tragedy echos through the modern-day Korean #MeToo movement in Ougie Pak’s Clytaemnestra. Made on the fly at an acting workshop in Greece, the film follows an actress as she struggles with the text of Agamemnon and against her domineering director, exploring power dynamics and the artistic process. Though very slight indeed, the film plays a bit like a more on-the-nose version of one of Hong Sang-soo’s sequentially shot explorations of sexist microaggressions and meta-cinematic reflexivity.
Hye Bin (Haru Kim) arrives in Athens with her hard-shell wheelie suitcase to begin rehearsals with a director played by Jongman Kim, an actor who in fact invited Pak to come to Greece and make a movie out of a two-week acting workshop he was leading there. Flying out with just a cinematographer and a production coordinator, and shooting on a Canon C100 “since it was the free camera available to us...
Hye Bin (Haru Kim) arrives in Athens with her hard-shell wheelie suitcase to begin rehearsals with a director played by Jongman Kim, an actor who in fact invited Pak to come to Greece and make a movie out of a two-week acting workshop he was leading there. Flying out with just a cinematographer and a production coordinator, and shooting on a Canon C100 “since it was the free camera available to us...
- 6/28/2021
- by Mark Asch
- The Film Stage
While the 2020 edition was understandably canceled due to the pandemic, BAMcinemaFest will be returning this year for a virtual edition from June 23-39, the same month that Bam Rose Cinemas will reopen––specifically on June 11.
The lineup for the annual festival, which celebrates some of the finest new offerings in indie filmmaking, is pared down from the standard in-person edition but still features five New York premieres, including Bassam Tariq’s Mogul Mowgli starring Riz Ahmed; the world premiere of BAMcinemaFest alum Ougie Pak’s Clytaemnestra; an artist spotlight on the work of Fox Maxy; as well as documentary and experimental shorts programs, and filmmaker Q&As.
“I’m absolutely thrilled to have BAMcinemaFest back virtually this year,” said Jesse Trussell, Bam’s senior film programmer. “We’re so happy to present work by this collection of pathbreaking, incisive, formally and politically daring filmmakers—and to help these films find...
The lineup for the annual festival, which celebrates some of the finest new offerings in indie filmmaking, is pared down from the standard in-person edition but still features five New York premieres, including Bassam Tariq’s Mogul Mowgli starring Riz Ahmed; the world premiere of BAMcinemaFest alum Ougie Pak’s Clytaemnestra; an artist spotlight on the work of Fox Maxy; as well as documentary and experimental shorts programs, and filmmaker Q&As.
“I’m absolutely thrilled to have BAMcinemaFest back virtually this year,” said Jesse Trussell, Bam’s senior film programmer. “We’re so happy to present work by this collection of pathbreaking, incisive, formally and politically daring filmmakers—and to help these films find...
- 5/18/2021
- by Leonard Pearce
- The Film Stage
After being closed for over a year due to Covid-19, Bam Rose Cinemas will reopen Friday, June 11 for in-person screenings of first-run and repertory films, the Brooklyn mainstay has today announced. All four screens will reopen, with approximately 20 to 50 seats available in each theater, in accordance with reduced capacity New York State guidelines.
The theater will also be implementing a variety of enhanced safety measures, including mandatory masks unless eating or drinking (concessions will be available), socially-distanced seating, enhanced Hvac filtration, and increased time between screenings to facilitate thorough cleaning and minimize interactions.
The theater will play a variety of new releases and older selections when it opens, including several titles that initially premiered as virtual cinema titles, such as Ousmane Sembène’s “Mandabi,” which first played on the virtual platform in February. “Sembène is an artist I love to see on the big screen,” senior film programmer Jesse Trussell told IndieWire.
The theater will also be implementing a variety of enhanced safety measures, including mandatory masks unless eating or drinking (concessions will be available), socially-distanced seating, enhanced Hvac filtration, and increased time between screenings to facilitate thorough cleaning and minimize interactions.
The theater will play a variety of new releases and older selections when it opens, including several titles that initially premiered as virtual cinema titles, such as Ousmane Sembène’s “Mandabi,” which first played on the virtual platform in February. “Sembène is an artist I love to see on the big screen,” senior film programmer Jesse Trussell told IndieWire.
- 5/18/2021
- by Kate Erbland
- Indiewire
This week the team at BAMcinemaFest has given a platform to an incredible collection of innovative films from around the world. But what do these short, documentary and scripted narrative directors do when they aren’t showcasing their films at a festival? How do they make a living when they aren’t busy making personal films? IndieWire asked the 2019 BAMcinemaFest directors that exact question.
Jessie Jeffrey Dunn Rovinelli (“So Pretty”): Editor and colorist for commercial and independent film and video. I moonlight as a German live-subtitler for unsubtitled 35mm prints at art houses around the city.
Ben Berman (“The Amazing Johnathan Documentary”): What I do when I’m not making films is mainly question what I do for a living. So at least we’re on the same page about that. I’ve directed and edited some comedy tv shows: “Tim and Eric,” “Lady Dynamite,” “Man Seeking Woman,...
Jessie Jeffrey Dunn Rovinelli (“So Pretty”): Editor and colorist for commercial and independent film and video. I moonlight as a German live-subtitler for unsubtitled 35mm prints at art houses around the city.
Ben Berman (“The Amazing Johnathan Documentary”): What I do when I’m not making films is mainly question what I do for a living. So at least we’re on the same page about that. I’ve directed and edited some comedy tv shows: “Tim and Eric,” “Lady Dynamite,” “Man Seeking Woman,...
- 6/22/2019
- by Chris O'Falt
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.