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Colorist Michael Hatzer of Picture Shop received a FilmLight Color Award in feature film for his work on Steven Spielberg’s Janusz Kaminski-lensed West Side Story, during the EnergaCamerimage international cinematography film festival.
On Sunday in Toruń, Poland, jury president and The Banshees of Inisherin Dp Ben Davis presented the Awards, recognizing colorists in five categories.
Initiated by color grading system developer FilmLight, the awards program is organized in conjunction with EnergaCamerimage with support from groups including the American Society of Cinematographers. ASC president Stephen Lighthill was among the members of the jury.
Ana Escorse at Studio Feather topped the music video category for grading the Rachel Reis-lensed “Lovezinho.” She received enthusiastic applause when, as accepting the trophy, she commented that as a Latina woman, “Today I feel like I belong.”
Additional winners were colorists Tom Poole of Company 3 for...
Colorist Michael Hatzer of Picture Shop received a FilmLight Color Award in feature film for his work on Steven Spielberg’s Janusz Kaminski-lensed West Side Story, during the EnergaCamerimage international cinematography film festival.
On Sunday in Toruń, Poland, jury president and The Banshees of Inisherin Dp Ben Davis presented the Awards, recognizing colorists in five categories.
Initiated by color grading system developer FilmLight, the awards program is organized in conjunction with EnergaCamerimage with support from groups including the American Society of Cinematographers. ASC president Stephen Lighthill was among the members of the jury.
Ana Escorse at Studio Feather topped the music video category for grading the Rachel Reis-lensed “Lovezinho.” She received enthusiastic applause when, as accepting the trophy, she commented that as a Latina woman, “Today I feel like I belong.”
Additional winners were colorists Tom Poole of Company 3 for...
- 11/13/2022
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Sean Bobbitt and Reed Morano have a common perspective. Both have been cinematographers on scores of projects, and each sees a script from a visual point of view. And when Bobbitt shot 2012’s “The Place Beyond the Pines,” Morano was there as second unit director. So when Morano invited Bobbitt aboard “The Rhythm Section,” a daughter-turned-assassin thriller starring Blake Lively and Jude Law and produced by “Bond” franchise matriarch Barbara Broccoli, he didn’t hesitate to sign up.
“[Reed] has very strong ideas — visual ideas — which is what you’d expect from a fellow cinematographer,” says Bobbitt, well known for his work with Steve McQueen. “It was all about Reed.”
His challenge with “The Rhythm Section” was to create two visual worlds for Lively’s Stephanie Patrick, a woman who begins the movie as a drug-addicted prostitute, damaged and unstable, and transitions into a highly motivated assassin seeking to avenge her...
“[Reed] has very strong ideas — visual ideas — which is what you’d expect from a fellow cinematographer,” says Bobbitt, well known for his work with Steve McQueen. “It was all about Reed.”
His challenge with “The Rhythm Section” was to create two visual worlds for Lively’s Stephanie Patrick, a woman who begins the movie as a drug-addicted prostitute, damaged and unstable, and transitions into a highly motivated assassin seeking to avenge her...
- 1/30/2020
- by Valentina I. Valentini
- Variety Film + TV
“Widows” director Steve McQueen and cinematographer Sean Bobbitt have been working together for 18 years. It’s a collaboration that spawned from a friendship based on talking about art, photography, and politics. According to both men, with “Widows” they reached a point in their creative marriage where they barely talk about the look of the film.
“Sean is gorgeous in how he looks at things and what we don’t want to do is something decorative – not interested, we’re interested in getting something much more textural, that you can actually feel it in your hands,” said McQueen in a recent interview with IndieWire. “It gets under your skin, because unfortunately we don’t have smell, but we do have color grading, which is very important.”
One of the things that is important to both Bobbitt and McQueen, who have shot all of McQueen’s films on 35mm film stock, is this work is captured in-camera.
“Sean is gorgeous in how he looks at things and what we don’t want to do is something decorative – not interested, we’re interested in getting something much more textural, that you can actually feel it in your hands,” said McQueen in a recent interview with IndieWire. “It gets under your skin, because unfortunately we don’t have smell, but we do have color grading, which is very important.”
One of the things that is important to both Bobbitt and McQueen, who have shot all of McQueen’s films on 35mm film stock, is this work is captured in-camera.
- 11/28/2018
- by Chris O'Falt
- Indiewire
In a moment of sweet synchronicity with the upcoming Season 2 premiere of Bates Motel, award-winning singer/songwriter Melinda Ortner has followed up the hit music video for her single “Heartbeats” with a stylish and sensual ode to Alfred Hitchcock's classic Psycho, recreating the look and feel in her latest clip “One More Day.” The clip even features a clever gender reversal of the film's most memorable scene... and that's not the only twist. Directed by Donlee Brussel & Max Meehan (whose recent music video credits include Kurtis Blow Jr's "Californication") and featuring color treatment by Tom Poole (Drive, Oldboy, The Place Beyond the Pines, Twelve Years a Slave and the just-released Non-Stop), the film comes with an impressive cinema pedigree; sharp-eyed fans may also recognize some of the locations used in the psycho-thriller Identity. Ortner's debut full-length album I Wanna Be Ok is available now, and if you like what you've heard & seen here,...
- 2/28/2014
- by Gregory Burkart
- FEARnet
The Artist, The Dark Knight Rises, The Girl with the Dragon Tattoo, Hugo and The Avengers will compete for the award for best film editing at the 2012 Hollywood Post Alliance Awards, which will be held Nov. 1 at the Skirball Cultural Center in Los Angeles. The Hpa announced its nominations in 12 craft categories on Thursday. The nominees are: Outstanding Color Grading using a Di process – Feature Film “Drive” Tom Poole // Company 3 “Prometheus” Stephen Nakamura // Company 3 “Once Upon a Time in Anatolia” James Norman // 1000volt “The Best Exotic Marigold Hotel” Adam Glasman //
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- 9/14/2012
- by Gregg Kilday
- The Hollywood Reporter - Movie News
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