Tania Lambert shoots a Toyota Tvc.
If speaks to cinematographers Anna Howard, Tania Lambert, Katie Milwright, Mandy Walker, Bonnie Elliott, Emma Paine, Velinda Wardell, Sky Davies and Ashley Barron about rising up the ranks, the gender gap and the DPs that inspire them.
No woman has ever won the Oscar for best cinematography. In fact, no woman has ever been nominated. In Australia, Abs statistics to 2011 put the percentage of female directors of photography at around 6 percent. Were you aware of the gender divide at the beginning of your career?
Lambert: I was keenly aware of the gender imbalance in the camera department when I first started as a camera assistant. It didn.t bother me a huge deal, but I felt I had to work extra hard to be respected in that role. There were only a few female camera assistants I knew of and one female Dop, Anna Howard,...
If speaks to cinematographers Anna Howard, Tania Lambert, Katie Milwright, Mandy Walker, Bonnie Elliott, Emma Paine, Velinda Wardell, Sky Davies and Ashley Barron about rising up the ranks, the gender gap and the DPs that inspire them.
No woman has ever won the Oscar for best cinematography. In fact, no woman has ever been nominated. In Australia, Abs statistics to 2011 put the percentage of female directors of photography at around 6 percent. Were you aware of the gender divide at the beginning of your career?
Lambert: I was keenly aware of the gender imbalance in the camera department when I first started as a camera assistant. It didn.t bother me a huge deal, but I felt I had to work extra hard to be respected in that role. There were only a few female camera assistants I knew of and one female Dop, Anna Howard,...
- 9/15/2016
- by Harry Windsor
- IF.com.au
One Less God, an Australian psychological thriller inspired by the terrorist attacks in Mumbai in 2008, starts principal photography on Monday.
It.s the feature debut of writer-director Lliam Worthington, whose background is in music videos, corporate films and theatre.
Worthington says he will aim to recreate the kind of emotions and tension experienced by the people who were held hostage by members of Lashkar-e-Taiba terrorist organisation for three days in two Mumbai hotels.
His film is set in an Indian hotel where a bunch of international tourists is trapped for 48 hours. .It.s real theatre-of-the-mind, not a survival story or an action thriller,. Worthington tells If.
He.s producing the self-financed film with Greg Buchanan, his partner in New Realms Films, as executive producer, in association with Unravel Media, a post and production company owned by Brad Allen. The Dop is Ashley Barron and Maren Smith is associate producer.
The...
It.s the feature debut of writer-director Lliam Worthington, whose background is in music videos, corporate films and theatre.
Worthington says he will aim to recreate the kind of emotions and tension experienced by the people who were held hostage by members of Lashkar-e-Taiba terrorist organisation for three days in two Mumbai hotels.
His film is set in an Indian hotel where a bunch of international tourists is trapped for 48 hours. .It.s real theatre-of-the-mind, not a survival story or an action thriller,. Worthington tells If.
He.s producing the self-financed film with Greg Buchanan, his partner in New Realms Films, as executive producer, in association with Unravel Media, a post and production company owned by Brad Allen. The Dop is Ashley Barron and Maren Smith is associate producer.
The...
- 1/8/2014
- by Don Groves
- IF.com.au
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