Heading into Cannes, where it has four films in official selection and three projects participating in the Great 8 showcase, BBC Film has unveiled further details about its upcoming slate.
Among new projects in advanced development is Remi Weekes’ follow-up to His House, which is being produced by Tanya Segatchian and John Woodward’s Bright Star. Details for the untitled feature are being kept under wraps but BBC Film director Eva Yates told Screen: “It’s not a horror.”
Also in advanced development is Raine Allen-Miller’s second feature after Rye Lane, a south London-set heist comedy that she has also written.
Among new projects in advanced development is Remi Weekes’ follow-up to His House, which is being produced by Tanya Segatchian and John Woodward’s Bright Star. Details for the untitled feature are being kept under wraps but BBC Film director Eva Yates told Screen: “It’s not a horror.”
Also in advanced development is Raine Allen-Miller’s second feature after Rye Lane, a south London-set heist comedy that she has also written.
- 5/10/2024
- ScreenDaily
Cillian Murphy is J. Robert Oppenheimer and Robert Downey Jr is Lewis Strauss in ‘Oppenheimer’ (Photo by Melinda Sue Gordon © Universal Pictures)
Oppenheimer went into the 2024 Ee BAFTA Film Awards with the most nominations with 13, and earned the most wins overall with seven. Christopher Nolan took home his first BAFTA Best Director win, and the film also earned Best Film, Leading Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr), Editing, Cinematography, and Original Score awards.
Poor Things followed with five wins in the Leading Actress (Emma Stone), Costume, Make Up & Hair, Production Design and Special Visual Effects categories. The Zone of Interest collected three wins: Outstanding British Film, Film Not in the English Language, and Sound. And The Holdovers was recognized with Supporting Actress (Da’Vine Joy Randolph) and Casting honors.
David Tennant (Good Omens) hosted the 2024 Ee BAFTA Film Awards which took place on February 18th at The Royal Festival Hall in London.
Oppenheimer went into the 2024 Ee BAFTA Film Awards with the most nominations with 13, and earned the most wins overall with seven. Christopher Nolan took home his first BAFTA Best Director win, and the film also earned Best Film, Leading Actor (Cillian Murphy), Supporting Actor (Robert Downey Jr), Editing, Cinematography, and Original Score awards.
Poor Things followed with five wins in the Leading Actress (Emma Stone), Costume, Make Up & Hair, Production Design and Special Visual Effects categories. The Zone of Interest collected three wins: Outstanding British Film, Film Not in the English Language, and Sound. And The Holdovers was recognized with Supporting Actress (Da’Vine Joy Randolph) and Casting honors.
David Tennant (Good Omens) hosted the 2024 Ee BAFTA Film Awards which took place on February 18th at The Royal Festival Hall in London.
- 2/18/2024
- by Rebecca Murray
- Showbiz Junkies
The stars and artists behind the biggest films of 2023 descended on London this weekend for the BAFTA Film Awards. British film’s biggest night is often seen as the best predictor of Oscar momentum before the Academy Awards and the results often mirror each other.
If that’s the case this year, it will be all “Oppenheimer” all the time. Universal’s Christopher Nolan epic took home many of the night’s biggest categories, winning the top prize of Best Film along with Best Director for Nolan, Leading Actor for Cillian Murphy, and Supporting Actor for Robert Downey Jr. The film also picked up major craft wins for Cinematography, Editing, and Original Score.
While the dominant showing makes an “Oppenheimer” Oscar sweep seem even more likely, Yorgos Lanthimos’ “Poor Things” won for Costume Design, Makeup & Hair, Production Design, and Visual Effects, and star Emma Stone won Leading Actress for her...
If that’s the case this year, it will be all “Oppenheimer” all the time. Universal’s Christopher Nolan epic took home many of the night’s biggest categories, winning the top prize of Best Film along with Best Director for Nolan, Leading Actor for Cillian Murphy, and Supporting Actor for Robert Downey Jr. The film also picked up major craft wins for Cinematography, Editing, and Original Score.
While the dominant showing makes an “Oppenheimer” Oscar sweep seem even more likely, Yorgos Lanthimos’ “Poor Things” won for Costume Design, Makeup & Hair, Production Design, and Visual Effects, and star Emma Stone won Leading Actress for her...
- 2/18/2024
- by Christian Zilko
- Indiewire
It’s the biggest day in the British Film Industry’s calendar as the 2024 BAFTA Awards Ceremony is held at the Royal Festival Hall on the South Bank in London. Hosted by David Tennant and attended by British Academy of Film and Television Arts President Hrh Prince William, Hannah Waddingham will deliver an exclusive live music performance, in addition to Sophie Ellis-Bextor who will perform her iconic hit ‘Murder on the Dancefloor’. Samantha Morton to receive BAFTA Fellowship and June Givanni to receive Outstanding British Contribution to Cinema Award.
A full list of BAFTA winners can be found below the interviews.
Scott Davis and Colin Hart were on the red carpet for HeyUGuys. All the red carpet interviews follow.
2024 BAFTA Red Carpet + Winners Room Interviews
BAFTA 2024 Winners Room Interviews
BAFTA 2024 Winners Best Film
“Anatomy of a Fall” — Marie-Ange Luciani, David Thion
“The Holdovers” — Mark Johnson
“Killers of the Flower Moon” — Dan Friedkin,...
A full list of BAFTA winners can be found below the interviews.
Scott Davis and Colin Hart were on the red carpet for HeyUGuys. All the red carpet interviews follow.
2024 BAFTA Red Carpet + Winners Room Interviews
BAFTA 2024 Winners Room Interviews
BAFTA 2024 Winners Best Film
“Anatomy of a Fall” — Marie-Ange Luciani, David Thion
“The Holdovers” — Mark Johnson
“Killers of the Flower Moon” — Dan Friedkin,...
- 2/18/2024
- by Jon Lyus
- HeyUGuys.co.uk
When rising star (and recently minted breakthrough star) Vivian Oparah was nominated for her first BAFTA, in the stacked Best Actress in a Leading Role category, she did what any young, hip, and stunned star might: she took her feelings to Instagram. Upon learning she was nominated for her charming work in Raine Allen-Miller’s rom-com “Rye Lane” — her first leading film role — alongside such heavy-hitters as Fantasia Barrino, Sandra Huller, Carey Mulligan, Margot Robbie, and Emma Stone, Oparah shared a picture of the nominees and simply wrote: “I’ve run out of words. what insane company like wtaf.”
“I wish I could have been more articulate in that moment,” Oparah told IndieWire during a recent interview. “But I literally was like, ‘What the hell?’”
Oparah still remembers when she got the script: it was early days with Covid, and she’d gone on a day trip to the Seven...
“I wish I could have been more articulate in that moment,” Oparah told IndieWire during a recent interview. “But I literally was like, ‘What the hell?’”
Oparah still remembers when she got the script: it was early days with Covid, and she’d gone on a day trip to the Seven...
- 2/14/2024
- by Kate Erbland
- Indiewire
Vivian Oparah is aware of the spotlight on her following her BAFTA Film Awards nomination for her breakthrough performance in Searchlight’s romance movie Rye Lane, but she feels it’s imperative that she “stay grounded” because it’s a more disparate path towards stardom for Black actresses.
“For me, this is just the beginning of my career in so many ways, and to be recognized at this level so early on feels super special,” she tells me, “But I still understand that the trajectory of a Black female actor is very different to everyone else’s, so you can’t rest on your laurels because there isn’t a well trodden track that you can just jump on.”
Raine Allen-Miller’s debut feature Rye Lane, a rom-com scripted by Nathan Byron and Tom Melia and set in South London, sees Oparah playing opposite David Jonsson as strangers who have a chance encounter in a gender-neutral toilet and spend the day getting to know each other. Deadline critic Anna Smith called it “a big, energetic bounce forward” for the rom-com genre and called in a “sunny, irreverent take on life and love” that’s at its “most exhilarating when playing out in real time, Before Sunrise-style.” Oparah and Jonsson were lauded for their performances, landing them a Best Joint Lead Performance nomination and Oparah a Breakthrough Performance win at British Independent Film Awards, where the film competed in 16 categories. Then came the BAFTA nom.
“I’m grateful but you also need to stay grounded,” Oparah tells me from Los Angeles, where she’s been meeting her U.S. reps at CAA. She’ll be back in time for the BAFTA ceremony at London’s Southbank Centre on Sunday, February 18.
Yes, the attention that winning the BIFA for Breakthrough Performance and being up for a BAFTA brings is indeed “super special” but Oparah’s mantra is simply: Stay proactive, level-headed “and hard-working.”
I wonder, perhaps somewhat provocatively, whether she felt that a young white female actor in her situation would have had her face splashed all over the British press? Maybe, she answers, but then white female actors “have been working visibly for a lot longer time.”
And, she notes, that “if a moment like this happens in someone [from a traditional acting background]’s career” there’s “a clear path” to their next job. “I feel like for us, because we’ve we’ve only just been let into these spaces, that path hasn’t really been defined yet. It’s just a matter of continuing to work hard and sometimes defining that path for yourself.”
The good news is she is up for the challenge. ”That doesn’t intimidate me,” she says. “It excites me. The playing field still isn’t level and that’s fine. I don’t really internalise it. I just know that I can’t get swept away in the moment.”
David Jonsson,Raine Allen-Miller and Vivian Oprah at Sundance 2023
Oparah’s table at the BIFAs was next to where I was seated, and the stunned surprise on her face when her name was called brightened into the most gorgeous smile. If she initially looked stunned, it’s because, well, she was.
Equally, she calls the BAFTA nomination “insane and disorienting” because the category has so many people on it “that I am inspired by or look up to. I’m just so happy to be there, man, honestly.” It’s indeed top-level competition: Fantasia Barrino for The Color Purple, Sandra Hüller for Anatomy of a Fall, Carey Mulligan fir Maestro, Margot Robbie for Barbie and Emma Stone for Poor Things.
The movie’s also up for outstanding British Film, and those recognized on the nomination sheet are director Allen-Miller, producers Yvonne Isimeme Ibazebo and Damian Jones, and screenwriters Bryon and Melia.
The film was shot the film in 2021 during the Covid pandemic, with additional photography filmed a year later. Oparah laughs when she notes, “And now here we are three years on.”
The film’s available on Disney+ and every now and again I sneak a look at it, not only to marvel at the fact that a romcom featuring a Black, seemingly mismatched, couple of strangers — who meet cute in a lavatory in — got made, but also that the characters aren’t your stereotypical Black drug dealer or single mother with five kids. That’s a theme, by the way, that director Cord Jefferson observes in his brilliant American Fiction.
In Allen-Miller’s feature debut, Oparah’s Yas is a costume designer, who offers David Jonsson’s Dom, an accountant, a shoulder to cry on when she hears him wailing in the loo. Yes, Black people lead normal lives.
Yas is a bit of a live-wire, and Oparah loves that she’s not a measured, strait-laced romantic lead. ”She is messy and chaotic and is unapologetic in her mess, and I loved that they wanted to portray that,” she says, though she confesses it required “a lot of stamina.”
“They’re picking us because they want us“
When her agent at Independent Talent Group suggested she send in a self-tape to audition for Rye Lane — remember this was during lockdown and self-taping was novel — she scoffed at the idea, thinking, ‘No-one’s watching all of this’.”
Lo and behold, a month later she was meeting casting director Kharmel Cochrane, who was telling her to “just act cool” reading for the audition. “I was like, ‘I don’t know what that means… Have you been in my house?,'” she says laughing over our Zoom call.
After the audition, she did a chemistry read and got the part. She’s still shocked she got it.
“I was like, ‘You would want me to be in a romantic comedy?’ Usually, if you have a dark-skinned male lead you might have a light-skinned woman, and we’re both dark-skinned. I was like, ’They’re picking us because they want us.”
She admires Allen-Miller for creating “such a loving set” and because the director “cherry picks people that she thinks are extremely talented” but also has “a ‘no dickhead’ policy,” which was felt during filming as “everyone was so warm and collaborative.” For that reason, Oparah happily refers to the shoot as “my best filming experience.”
Hailing Allen-Miller as the “captain of the ship,” she was cheered to see “so early in my career, an example of someone who’s incredibly talented and unwavering in their kindness,” she says warmly. “Everyday you’re looking forward to be at work and seeing someone crafting something really masterfully.”
Meeting with her CAA agents has given her a boost, she says. “I have a lot of writing aspirations and everything that I thought that I wanted, but didn’t know how to access now seems accessible, and that’s the most exciting part for sure.” She adds, “I really want to actualise these writing projects.”
Writing was her first career arc, she jokes, “when I was literally a kid, when I was ten.” While she was appearing in a junior production of Snow White, gleefully playing the Wicked Witch, she and a friend wrote a book called Roxie and Dynamite, about two girls who were adopted and left to their own devices by the mother. “That was so fun to write,” she says, adding: “And I won a poetry contest when I was in primary school — I was like a book worm.” The tome has been carefully preserved by her mother.
Upcoming is a TV series, a comedy thriller called Dead Hot for Amazon’s Prime Video, directed by Sam Arbor and David Sant, and written by Charlotte Coben. Oparah plays Jess — “a very insecure, grief-stricken girl,” according to the actress. The role follows key parts in television shows that include Intelligence season 2, I May Destroy You and Class, a Doctor Who spin-off series.
I saw her at the Old Vic in Fanny & Alexander, but I really noticed her in Brandon Jacobs Jenkins’s exhilarating An Octoroon at the Orange Tree Theatre in Richmond, my old stomping ground, and when it transferred to the Dorfman at the National Theatre.
She’s definitely up for more theatre. “Something boundary-pushing. I’d be down for that, for sure,” she says.
Out of nowhere, a line she utters in Rye Lane comes into my head [very mild spoiler follows]. It’s where Yas announces that she’s always wanted to own a restaurant called Maggots by Candlelight. I dunno, it’s silly and just makes me smile. I wonder whether some of the lines in Rye Lane will catch on with the public, the way, say, people quote from Notting Hill and Love Actually?
Oparah indulges me, and thinks my point isn’t as daft as it sounds.
“Rye Lane means so much to people in our community and that means the world to me,” she says. “The Black community isn’t a monolith, and we know that, and there are different pockets that this film still manages to resonate with: People from 17 to 60. I hope that it chrysalises in British culture.”
Now this is important: Oparah is a north Londoner, now based in Tottenham, though her early childhood was spent in Highbury. Soccer fans will know where this is headed.
Is she a Tottenham Hotspur supporter? Anticipating the question, Oparah quietly announces that she’s always been a follower of Arsenal. I raise my arms in delight.
“Oh, wow, you too!,” she cries.
Vivian Oparah will go far.
“For me, this is just the beginning of my career in so many ways, and to be recognized at this level so early on feels super special,” she tells me, “But I still understand that the trajectory of a Black female actor is very different to everyone else’s, so you can’t rest on your laurels because there isn’t a well trodden track that you can just jump on.”
Raine Allen-Miller’s debut feature Rye Lane, a rom-com scripted by Nathan Byron and Tom Melia and set in South London, sees Oparah playing opposite David Jonsson as strangers who have a chance encounter in a gender-neutral toilet and spend the day getting to know each other. Deadline critic Anna Smith called it “a big, energetic bounce forward” for the rom-com genre and called in a “sunny, irreverent take on life and love” that’s at its “most exhilarating when playing out in real time, Before Sunrise-style.” Oparah and Jonsson were lauded for their performances, landing them a Best Joint Lead Performance nomination and Oparah a Breakthrough Performance win at British Independent Film Awards, where the film competed in 16 categories. Then came the BAFTA nom.
“I’m grateful but you also need to stay grounded,” Oparah tells me from Los Angeles, where she’s been meeting her U.S. reps at CAA. She’ll be back in time for the BAFTA ceremony at London’s Southbank Centre on Sunday, February 18.
Yes, the attention that winning the BIFA for Breakthrough Performance and being up for a BAFTA brings is indeed “super special” but Oparah’s mantra is simply: Stay proactive, level-headed “and hard-working.”
I wonder, perhaps somewhat provocatively, whether she felt that a young white female actor in her situation would have had her face splashed all over the British press? Maybe, she answers, but then white female actors “have been working visibly for a lot longer time.”
And, she notes, that “if a moment like this happens in someone [from a traditional acting background]’s career” there’s “a clear path” to their next job. “I feel like for us, because we’ve we’ve only just been let into these spaces, that path hasn’t really been defined yet. It’s just a matter of continuing to work hard and sometimes defining that path for yourself.”
The good news is she is up for the challenge. ”That doesn’t intimidate me,” she says. “It excites me. The playing field still isn’t level and that’s fine. I don’t really internalise it. I just know that I can’t get swept away in the moment.”
David Jonsson,Raine Allen-Miller and Vivian Oprah at Sundance 2023
Oparah’s table at the BIFAs was next to where I was seated, and the stunned surprise on her face when her name was called brightened into the most gorgeous smile. If she initially looked stunned, it’s because, well, she was.
Equally, she calls the BAFTA nomination “insane and disorienting” because the category has so many people on it “that I am inspired by or look up to. I’m just so happy to be there, man, honestly.” It’s indeed top-level competition: Fantasia Barrino for The Color Purple, Sandra Hüller for Anatomy of a Fall, Carey Mulligan fir Maestro, Margot Robbie for Barbie and Emma Stone for Poor Things.
The movie’s also up for outstanding British Film, and those recognized on the nomination sheet are director Allen-Miller, producers Yvonne Isimeme Ibazebo and Damian Jones, and screenwriters Bryon and Melia.
The film was shot the film in 2021 during the Covid pandemic, with additional photography filmed a year later. Oparah laughs when she notes, “And now here we are three years on.”
The film’s available on Disney+ and every now and again I sneak a look at it, not only to marvel at the fact that a romcom featuring a Black, seemingly mismatched, couple of strangers — who meet cute in a lavatory in — got made, but also that the characters aren’t your stereotypical Black drug dealer or single mother with five kids. That’s a theme, by the way, that director Cord Jefferson observes in his brilliant American Fiction.
In Allen-Miller’s feature debut, Oparah’s Yas is a costume designer, who offers David Jonsson’s Dom, an accountant, a shoulder to cry on when she hears him wailing in the loo. Yes, Black people lead normal lives.
Yas is a bit of a live-wire, and Oparah loves that she’s not a measured, strait-laced romantic lead. ”She is messy and chaotic and is unapologetic in her mess, and I loved that they wanted to portray that,” she says, though she confesses it required “a lot of stamina.”
“They’re picking us because they want us“
When her agent at Independent Talent Group suggested she send in a self-tape to audition for Rye Lane — remember this was during lockdown and self-taping was novel — she scoffed at the idea, thinking, ‘No-one’s watching all of this’.”
Lo and behold, a month later she was meeting casting director Kharmel Cochrane, who was telling her to “just act cool” reading for the audition. “I was like, ‘I don’t know what that means… Have you been in my house?,'” she says laughing over our Zoom call.
After the audition, she did a chemistry read and got the part. She’s still shocked she got it.
“I was like, ‘You would want me to be in a romantic comedy?’ Usually, if you have a dark-skinned male lead you might have a light-skinned woman, and we’re both dark-skinned. I was like, ’They’re picking us because they want us.”
She admires Allen-Miller for creating “such a loving set” and because the director “cherry picks people that she thinks are extremely talented” but also has “a ‘no dickhead’ policy,” which was felt during filming as “everyone was so warm and collaborative.” For that reason, Oparah happily refers to the shoot as “my best filming experience.”
Hailing Allen-Miller as the “captain of the ship,” she was cheered to see “so early in my career, an example of someone who’s incredibly talented and unwavering in their kindness,” she says warmly. “Everyday you’re looking forward to be at work and seeing someone crafting something really masterfully.”
Meeting with her CAA agents has given her a boost, she says. “I have a lot of writing aspirations and everything that I thought that I wanted, but didn’t know how to access now seems accessible, and that’s the most exciting part for sure.” She adds, “I really want to actualise these writing projects.”
Writing was her first career arc, she jokes, “when I was literally a kid, when I was ten.” While she was appearing in a junior production of Snow White, gleefully playing the Wicked Witch, she and a friend wrote a book called Roxie and Dynamite, about two girls who were adopted and left to their own devices by the mother. “That was so fun to write,” she says, adding: “And I won a poetry contest when I was in primary school — I was like a book worm.” The tome has been carefully preserved by her mother.
Upcoming is a TV series, a comedy thriller called Dead Hot for Amazon’s Prime Video, directed by Sam Arbor and David Sant, and written by Charlotte Coben. Oparah plays Jess — “a very insecure, grief-stricken girl,” according to the actress. The role follows key parts in television shows that include Intelligence season 2, I May Destroy You and Class, a Doctor Who spin-off series.
I saw her at the Old Vic in Fanny & Alexander, but I really noticed her in Brandon Jacobs Jenkins’s exhilarating An Octoroon at the Orange Tree Theatre in Richmond, my old stomping ground, and when it transferred to the Dorfman at the National Theatre.
She’s definitely up for more theatre. “Something boundary-pushing. I’d be down for that, for sure,” she says.
Out of nowhere, a line she utters in Rye Lane comes into my head [very mild spoiler follows]. It’s where Yas announces that she’s always wanted to own a restaurant called Maggots by Candlelight. I dunno, it’s silly and just makes me smile. I wonder whether some of the lines in Rye Lane will catch on with the public, the way, say, people quote from Notting Hill and Love Actually?
Oparah indulges me, and thinks my point isn’t as daft as it sounds.
“Rye Lane means so much to people in our community and that means the world to me,” she says. “The Black community isn’t a monolith, and we know that, and there are different pockets that this film still manages to resonate with: People from 17 to 60. I hope that it chrysalises in British culture.”
Now this is important: Oparah is a north Londoner, now based in Tottenham, though her early childhood was spent in Highbury. Soccer fans will know where this is headed.
Is she a Tottenham Hotspur supporter? Anticipating the question, Oparah quietly announces that she’s always been a follower of Arsenal. I raise my arms in delight.
“Oh, wow, you too!,” she cries.
Vivian Oparah will go far.
- 2/9/2024
- by Baz Bamigboye
- Deadline Film + TV
BAFTA threw up plenty of surprises and snobs in their nominations lineups this year with Best Actress one of the most intriguing and head-scratching categories of the year. “Killers of the Flower Moon” star Lily Gladstone was snubbed while Annette Bening (“Nyad”) also didn’t make the cut. Both of those performers were nominated at the Oscars, however.
Instead, the BAFTA nominees for Best Actress are Fantasia Barrino (“The Color Purple”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”), Margot Robbie (“Barbie”), Emma Stone (“Poor Things”), and Vivian Oparah (“Rye Lane”). Stone is the obvious frontrunner and the thespian at the top of our BAFTA odds chart for this category but one name in that list sticks out as a potential challenger: Oparah.
The British actress had a breakout year in 2023 with her role in Searchlight Pictures/Disney’s charming”Rye Lane,” which follows Oparah (Yas) and David Jonsson...
Instead, the BAFTA nominees for Best Actress are Fantasia Barrino (“The Color Purple”), Sandra Hüller (“Anatomy of a Fall”), Carey Mulligan (“Maestro”), Margot Robbie (“Barbie”), Emma Stone (“Poor Things”), and Vivian Oparah (“Rye Lane”). Stone is the obvious frontrunner and the thespian at the top of our BAFTA odds chart for this category but one name in that list sticks out as a potential challenger: Oparah.
The British actress had a breakout year in 2023 with her role in Searchlight Pictures/Disney’s charming”Rye Lane,” which follows Oparah (Yas) and David Jonsson...
- 2/6/2024
- by Jacob Sarkisian
- Gold Derby
Cillian Murphy is J. Robert Oppenheimer and Robert Downey Jr is Lewis Strauss in ‘Oppenheimer’ (Photo by Melinda Sue Gordon © Universal Pictures)
Oppenheimer continues with its awards season domination, picking up 13 2024 Ee BAFTA Film Awards nominations. BAFTA also found a lot to admire in Poor Things, nominating it 11 times in categories including Best Film and Leading Actress (Emma Stone).
Killers of the Flower Moon and The Zone of Interest received nine nominations, followed by Anatomy of a Fall, The Holdovers, and Maestro with seven. All of Us Strangers was nominated in six categories, and Barbie and Saltburn received five nominations.
“The 38 films nominated by BAFTA voters today span an extraordinary range of genres and stories. The field this year is incredibly strong. More films were entered, making the selection process particularly tough for our voting members. The films and talented people nominated represent some of the most talked about films of the year,...
Oppenheimer continues with its awards season domination, picking up 13 2024 Ee BAFTA Film Awards nominations. BAFTA also found a lot to admire in Poor Things, nominating it 11 times in categories including Best Film and Leading Actress (Emma Stone).
Killers of the Flower Moon and The Zone of Interest received nine nominations, followed by Anatomy of a Fall, The Holdovers, and Maestro with seven. All of Us Strangers was nominated in six categories, and Barbie and Saltburn received five nominations.
“The 38 films nominated by BAFTA voters today span an extraordinary range of genres and stories. The field this year is incredibly strong. More films were entered, making the selection process particularly tough for our voting members. The films and talented people nominated represent some of the most talked about films of the year,...
- 1/18/2024
- by Rebecca Murray
- Showbiz Junkies
The 2024 BAFTA Award nominees have been unveiled, with Christopher Nolan’s “Oppenheimer” leading with 13 total nominations.
The epic period piece is up for Best Film, Best Director, Best Adapted Screenplay, Best Leading Actor for Cillian Murphy, Best Supporting Actress for Emily Blunt, and Best Supporting Actor for Robert Downey Jr., as well as a slew of crafts categories.
The 77th BAFTA Awards will take place Sunday, February 18 at London’s Royal Festival Hall. David Tennant is hosting the ceremony.
Behind “Oppenheimer,” Yorgos Lanthimos’ “Poor Things” landed 11 nominations including Best Film, Outstanding British Film, Best Adapted Screenplay, and Best Leading Actress for Emma Stone. Lanthimos, however, was shut out of the Best Director category.
The BAFTA Award snubs don’t stop there: Despite “Killers of the Flower Moon” earning nine nominations including Best Film, director Martin Scorsese and Golden Globe-winning actress Lily Gladstone are not recognized in their respective categories. “Barbie...
The epic period piece is up for Best Film, Best Director, Best Adapted Screenplay, Best Leading Actor for Cillian Murphy, Best Supporting Actress for Emily Blunt, and Best Supporting Actor for Robert Downey Jr., as well as a slew of crafts categories.
The 77th BAFTA Awards will take place Sunday, February 18 at London’s Royal Festival Hall. David Tennant is hosting the ceremony.
Behind “Oppenheimer,” Yorgos Lanthimos’ “Poor Things” landed 11 nominations including Best Film, Outstanding British Film, Best Adapted Screenplay, and Best Leading Actress for Emma Stone. Lanthimos, however, was shut out of the Best Director category.
The BAFTA Award snubs don’t stop there: Despite “Killers of the Flower Moon” earning nine nominations including Best Film, director Martin Scorsese and Golden Globe-winning actress Lily Gladstone are not recognized in their respective categories. “Barbie...
- 1/18/2024
- by Samantha Bergeson
- Indiewire
This afternoon the full list of nominations for the 2024 BAFTA Film Awards were announced in London, with Christopher Nolan’s Oppenheimer and Yorgos Lanthimos’ Poor Things leading the nominees.
Jonathan Glazer’s adaptation of Martin Amis’s The Zone of Interest received nine nominations, the same as Martin Scorsese’s Killers of the Flower Moon. Other notable films we’ll be looking out for on the night include Andrew Haigh’s brilliant and touching film All of Us Strangers, and the enthralling Anatomy of a Fall.
British films are well represented with Rye Lane, Scrapper and How to Have Sex among the nominees.
The 77th annual British Academy of Film and Television Arts Awards will be held on Sunday, the 18th of February. We’ll see you there.
Full List of 2024 BAFTA Nominations
Best Film
Anatomy Of A Fall Marie-Ange Luciani, David Thion
The Holdovers Mark Johnson
Killers Of The Flower Moon Dan Friedkin,...
Jonathan Glazer’s adaptation of Martin Amis’s The Zone of Interest received nine nominations, the same as Martin Scorsese’s Killers of the Flower Moon. Other notable films we’ll be looking out for on the night include Andrew Haigh’s brilliant and touching film All of Us Strangers, and the enthralling Anatomy of a Fall.
British films are well represented with Rye Lane, Scrapper and How to Have Sex among the nominees.
The 77th annual British Academy of Film and Television Arts Awards will be held on Sunday, the 18th of February. We’ll see you there.
Full List of 2024 BAFTA Nominations
Best Film
Anatomy Of A Fall Marie-Ange Luciani, David Thion
The Holdovers Mark Johnson
Killers Of The Flower Moon Dan Friedkin,...
- 1/18/2024
- by Jon Lyus
- HeyUGuys.co.uk
Nominations for the 2024 BAFTAs have been revealed!
This year, Oppenheimer scored the most nominations with a total of 13. Poor Things received the second-most nominations this year with a total of 11.
There are some big surprises within the nominations including no nomination for Lily Gladstone and her director Martin Scorsese for Killers of the Flower Moon. In addition, Barbie’s Greta Gerwig and Poor Things‘ Yorgos Lanthimos were not nominated in the Best Director category.
The British Academy announced the nominees for their annual awards on Thursday (January 10).
This year’s ceremony is set to take place on February 18 live from London, England with David Tennant hosting.
Keep reading to see the full list of nominees…
Outstanding British Film
“All of Us Strangers” — Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey
“How to Have Sex” — Molly Manning Walker, Emily Leo, Ivana MacKinnon, Konstantinos Kontovrakis
“Napoleon” — Ridley Scott, Mark Huffam, Kevin J. Walsh,...
This year, Oppenheimer scored the most nominations with a total of 13. Poor Things received the second-most nominations this year with a total of 11.
There are some big surprises within the nominations including no nomination for Lily Gladstone and her director Martin Scorsese for Killers of the Flower Moon. In addition, Barbie’s Greta Gerwig and Poor Things‘ Yorgos Lanthimos were not nominated in the Best Director category.
The British Academy announced the nominees for their annual awards on Thursday (January 10).
This year’s ceremony is set to take place on February 18 live from London, England with David Tennant hosting.
Keep reading to see the full list of nominees…
Outstanding British Film
“All of Us Strangers” — Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey
“How to Have Sex” — Molly Manning Walker, Emily Leo, Ivana MacKinnon, Konstantinos Kontovrakis
“Napoleon” — Ridley Scott, Mark Huffam, Kevin J. Walsh,...
- 1/18/2024
- by Just Jared
- Just Jared
The winners of the British Independent Film Awards (BIFA) were announced at the annual ceremony at Old Billingsgate with BIFA patron Ray Winstone kicking off the celebration of independent film.
The award for Best British Independent Film, presented by Fiona Shaw, went to Andrew Haigh’s ‘All of Us Strangers’, a beautifully unsettling tale of a writer revisiting his past, starring Andrew Scott. Haigh, who was previously BIFA nominated for 2015’s 45 Years and 2018’s Lean on Pete, also came away with the coveted awards for Best Director sponsored by Sky Cinema and Best Screenplay sponsored by Apple Original Films.
There were two winners announced for Best Supporting Performance from a field of ten nominees and Paul Mescal took one of those trophies for his role in the film. All of Us Strangers won four awards on the night.
Best Lead Performance went to Mia McKenna-Bruce in Molly Manning Walker...
The award for Best British Independent Film, presented by Fiona Shaw, went to Andrew Haigh’s ‘All of Us Strangers’, a beautifully unsettling tale of a writer revisiting his past, starring Andrew Scott. Haigh, who was previously BIFA nominated for 2015’s 45 Years and 2018’s Lean on Pete, also came away with the coveted awards for Best Director sponsored by Sky Cinema and Best Screenplay sponsored by Apple Original Films.
There were two winners announced for Best Supporting Performance from a field of ten nominees and Paul Mescal took one of those trophies for his role in the film. All of Us Strangers won four awards on the night.
Best Lead Performance went to Mia McKenna-Bruce in Molly Manning Walker...
- 12/4/2023
- by Zehra Phelan
- HeyUGuys.co.uk
Andrew Haigh’s touching new drama All Of Us Strangers was the big winner at the 2023 British Independent Film Awards (BIFA).
As the calendar year draws to a close, we’re also inching close toward the season that will see multiple prestigious awards bodies, in theory, hand the best films of the year a golden statuette. The season kicked off with the British Independent Film Awards, also known as BIFA 2023, which were held in London on the 3rd of December.
Lolly Adefope and Kiell Smith-Bynoe hosted the event which celebrated British cinema, especially the slightly lesser-seen films with budgets far smaller than that of Oppenheimer. There were some terrific films nominated this year, and the roster of winners was as surprising as it was satisfying.
Andrew Haigh’s All Of Us Strangers was the biggest winner of the night, taking home a total of four awards plus three previously announced ones.
As the calendar year draws to a close, we’re also inching close toward the season that will see multiple prestigious awards bodies, in theory, hand the best films of the year a golden statuette. The season kicked off with the British Independent Film Awards, also known as BIFA 2023, which were held in London on the 3rd of December.
Lolly Adefope and Kiell Smith-Bynoe hosted the event which celebrated British cinema, especially the slightly lesser-seen films with budgets far smaller than that of Oppenheimer. There were some terrific films nominated this year, and the roster of winners was as surprising as it was satisfying.
Andrew Haigh’s All Of Us Strangers was the biggest winner of the night, taking home a total of four awards plus three previously announced ones.
- 12/4/2023
- by Maria Lattila
- Film Stories
Andrew Haigh‘s Oscar hopeful had a wonderful night at the British Independent Film Awards on Sunday as it took home seven gongs including Best Picture, the most of any film. Haigh won two awards — Best Director and Best Screenplay. Paul Mescal won Best Supporting Performance alongside “How to Have Sex” actor Shaun Thomas while it also won Best Cinematography, Best Editing, and Best Music Supervision.
“Rye Lane” won a trio of prizes: Raine Allen Miller was Best Debut Director while Vivian Oparah was awarded Best Breakthrough Performance. It also won Best Original Music.
Mia McKenna-Bruce won Best Lead Performance for “How to Have Sex” in a stacked gender-neutral category that also included Jodie Comer (“The End We Start From”), Tia Nomore (“Earth Mama”), Nabhaan Rizwan (“In Camera”), Andrew Scott (“All of Us Strangers”), and Tilda Swinton (“The Eternal Daughter”). And Nathan Stewart-Jarrett and George MacKay shared in Best Joint Lead Performance for “Femme.
“Rye Lane” won a trio of prizes: Raine Allen Miller was Best Debut Director while Vivian Oparah was awarded Best Breakthrough Performance. It also won Best Original Music.
Mia McKenna-Bruce won Best Lead Performance for “How to Have Sex” in a stacked gender-neutral category that also included Jodie Comer (“The End We Start From”), Tia Nomore (“Earth Mama”), Nabhaan Rizwan (“In Camera”), Andrew Scott (“All of Us Strangers”), and Tilda Swinton (“The Eternal Daughter”). And Nathan Stewart-Jarrett and George MacKay shared in Best Joint Lead Performance for “Femme.
- 12/4/2023
- by Jacob Sarkisian
- Gold Derby
Once more we celebrate another remarkable year for British talent, as the 2023 British Independent Film Awards rolled out their red carpet this evening. We were there once again on the carpet to talk with the nominees and presenters, all to champion a fierce and fulsome chorus of new cinematic voices.
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2023 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film All Of Us Strangers – Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey Femme – Sam H Freeman, Ng Choon Ping, Myles Payne, Sam Ritzenberg How To Have Sex – Molly Manning Walker, Ivana MacKinnon, Emily Leo, Konstantinos Kontovrakis Rye Lane – Raine Allen-Miller, Nathan Bryon, Tom Melia, Yvonne Isimeme Ibazebo, Damian Jones Scrapper – Charlotte Regan, Theo Barrowclough Best Joint Lead Performance David Jonsson, Vivian Oparah – Rye Lane Nathan Stewart-Jarrett,...
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2023 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film All Of Us Strangers – Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey Femme – Sam H Freeman, Ng Choon Ping, Myles Payne, Sam Ritzenberg How To Have Sex – Molly Manning Walker, Ivana MacKinnon, Emily Leo, Konstantinos Kontovrakis Rye Lane – Raine Allen-Miller, Nathan Bryon, Tom Melia, Yvonne Isimeme Ibazebo, Damian Jones Scrapper – Charlotte Regan, Theo Barrowclough Best Joint Lead Performance David Jonsson, Vivian Oparah – Rye Lane Nathan Stewart-Jarrett,...
- 12/3/2023
- by Jon Lyus
- HeyUGuys.co.uk
The British Independent Film Awards took place on Sunday, December 3 in London, honoring the best independent films from around the world. “Rye Lane” led the pack with 16 nominations, followed by “All of Us Strangers” and “Scrapper,” which both earned 13 nominations a piece. But it was Andrew Haigh’s “All of Us Strangers” that walked away with most of the night’s top prizes. In addition to the coveted Best British Independent Film, Haigh won Best Screenplay and Best Director while Paul Mescal shared the Best Supporting Performance award with Shaun Thomas from “How to Have Sex.”
The ceremony also honored the best independent films from outside of the United Kingdom, with Justine Triet’s “Anatomy of a Fall” winning Best International Independent Film.
Keep reading for a complete list of nominees at the 2023 British Independent Film Awards, with winners listed in bold.
Best British Independent Film
Winner “All Of Us Strangers” – Andrew Haigh,...
The ceremony also honored the best independent films from outside of the United Kingdom, with Justine Triet’s “Anatomy of a Fall” winning Best International Independent Film.
Keep reading for a complete list of nominees at the 2023 British Independent Film Awards, with winners listed in bold.
Best British Independent Film
Winner “All Of Us Strangers” – Andrew Haigh,...
- 12/3/2023
- by Christian Zilko
- Indiewire
‘How To Have Sex’ and ‘Femme’ also clinched key prizes.
Andrew Haigh’s All Of Us Strangers was the major winner at the British Independent Film Awards (Bifas), with How To Have Sex and Femme also scooping key prizes.
The awards unfurled tonight (December 3) in London’s Old Billingsgate, with a ceremony hosted by stars of TV comedy Ghosts, Lolly Adefope and Kiell Smith-Bynoe. The joyous hosts opened the ceremony with a tribute to British independent film. “This is going to be the best night of our lives,” said Smith-Bynoe. Adefope described UK indie cinema as the “much-needed remedy” for Hollywood franchise features,...
Andrew Haigh’s All Of Us Strangers was the major winner at the British Independent Film Awards (Bifas), with How To Have Sex and Femme also scooping key prizes.
The awards unfurled tonight (December 3) in London’s Old Billingsgate, with a ceremony hosted by stars of TV comedy Ghosts, Lolly Adefope and Kiell Smith-Bynoe. The joyous hosts opened the ceremony with a tribute to British independent film. “This is going to be the best night of our lives,” said Smith-Bynoe. Adefope described UK indie cinema as the “much-needed remedy” for Hollywood franchise features,...
- 12/3/2023
- by Mona Tabbara¬Ellie Calnan
- ScreenDaily
The ceremony commences at 20:00 GMT, with ’Rye Lane’, ‘Scrapper’, ‘All Of Us Strangers’ and ‘How To Have Sex’ among the hot contenders.
The British Independent Film Awards (Bifas) will be unveiling the 2023 winners today (December 3) from a ceremony at London’s Old Billingsgate, kicking off at 20:00 GMT.
Screen will be updating this page live from the ceremony as the winners are announced, so refresh this page for the latest winners.
Scroll down for the winners - live
Raine Allen-Miller’s south London-set romantic comedy Rye Lane leads the nominations, followed closely by Charlotte Regan’s Scrapper and Andrew Haigh...
The British Independent Film Awards (Bifas) will be unveiling the 2023 winners today (December 3) from a ceremony at London’s Old Billingsgate, kicking off at 20:00 GMT.
Screen will be updating this page live from the ceremony as the winners are announced, so refresh this page for the latest winners.
Scroll down for the winners - live
Raine Allen-Miller’s south London-set romantic comedy Rye Lane leads the nominations, followed closely by Charlotte Regan’s Scrapper and Andrew Haigh...
- 12/3/2023
- by Mona Tabbara¬Ellie Calnan
- ScreenDaily
“Rye Lane”, “Scrapper”, “All of Us Strangers”, “How to Have Sex” y “Femme” encabezan las nominaciones a los premios BIFA.
El jueves se anunciaron los nominados a los premios BIFA (British Independent Film Awards). Estos premios son galardones cinematográficos que se otorgan en el Reino Unido para destacar y honrar las películas independientes británicas. Los ganadores de los premios BIFA 2023 se darán a conocer el 3 de diciembre. Aquí os dejamos con la lista de los nominados de esta edición:
Mejor PELÍCULA Independiente BRITÁNICA
All Of Us Strangers, Andrew Haigh
Femme, Sam H Freeman & Ng Choon Ping
How To Have Sex, Molly Manning Walker
Rye Lane, Raine Allen-Miller
Scrapper, Charlotte Regan
Mejor PELÍCULA Independiente Internacional
Anatomy Of A Fall, Justine Triet
Fallen Leaves, Aki Kauriskmäki
Fremont, Babak Jalali
Monster, Hirokazu Kore-eda
Past Lives, Celine Song
Mejor DIRECCIÓN
Raine Allen-Miller, Rye Lane
Sam H Freeman & Ng Choon Ping, Femme
Andrew Haigh, All of Us Strangers...
El jueves se anunciaron los nominados a los premios BIFA (British Independent Film Awards). Estos premios son galardones cinematográficos que se otorgan en el Reino Unido para destacar y honrar las películas independientes británicas. Los ganadores de los premios BIFA 2023 se darán a conocer el 3 de diciembre. Aquí os dejamos con la lista de los nominados de esta edición:
Mejor PELÍCULA Independiente BRITÁNICA
All Of Us Strangers, Andrew Haigh
Femme, Sam H Freeman & Ng Choon Ping
How To Have Sex, Molly Manning Walker
Rye Lane, Raine Allen-Miller
Scrapper, Charlotte Regan
Mejor PELÍCULA Independiente Internacional
Anatomy Of A Fall, Justine Triet
Fallen Leaves, Aki Kauriskmäki
Fremont, Babak Jalali
Monster, Hirokazu Kore-eda
Past Lives, Celine Song
Mejor DIRECCIÓN
Raine Allen-Miller, Rye Lane
Sam H Freeman & Ng Choon Ping, Femme
Andrew Haigh, All of Us Strangers...
- 11/4/2023
- by Marta Medina
- mundoCine
The British Independent Film Award nominations have been unveiled, with “Rye Lane” leading the honors.
The BIFA ceremony will take place Sunday, December 3. “Rye Lane” tops the nominations with 16 nods, followed by 14 nominations for both “All of Us Strangers” and “Scrapper.” “How to Have Sex” follows with 13 nominations, plus 11 nods for “Femme.”
In total, 26 British feature films were recognized. Hosts Susan Wokoma and Morfydd Clark announced the 2023 nominations from One Hundred Shoreditch, London on November 2. Previous BIFA nominees like Tilda Swinton, Paul Mescal, Jamie Bell, and Amir El-Masry are recognized this year, with Andrew Scott being the sole male nominee for Best Lead Performance.
Raine Allen-Miller’s romantic comedy “Rye Lane” is dually nominated for Best Director and the Best Debut Director (The Douglas Hickox Award), as well as Best Screenplay, Best Debut Screenwriter, and leads Vivian Oparah and David Jonsson for Best Joint Lead Performance. Oparah is additionally recognized in the Breakthrough Performance category.
The BIFA ceremony will take place Sunday, December 3. “Rye Lane” tops the nominations with 16 nods, followed by 14 nominations for both “All of Us Strangers” and “Scrapper.” “How to Have Sex” follows with 13 nominations, plus 11 nods for “Femme.”
In total, 26 British feature films were recognized. Hosts Susan Wokoma and Morfydd Clark announced the 2023 nominations from One Hundred Shoreditch, London on November 2. Previous BIFA nominees like Tilda Swinton, Paul Mescal, Jamie Bell, and Amir El-Masry are recognized this year, with Andrew Scott being the sole male nominee for Best Lead Performance.
Raine Allen-Miller’s romantic comedy “Rye Lane” is dually nominated for Best Director and the Best Debut Director (The Douglas Hickox Award), as well as Best Screenplay, Best Debut Screenwriter, and leads Vivian Oparah and David Jonsson for Best Joint Lead Performance. Oparah is additionally recognized in the Breakthrough Performance category.
- 11/2/2023
- by Samantha Bergeson
- Indiewire
Rye Lane Photo: Courtesy of Sundance Institute
This year's British Independent Film Awards (Bifas) were announced today, dominated by Raine Allen-Miller's London-set comedy Rye Lane, with 16 awards. All Of Us Strangers, Scrapper and How To Have Sex provided close competition, while Sam H Freeman and Ng Choon Ping's noir thriller Femme also scoring well.
The winners will be revealed on 3 December.
Those nominations in full:
Best British Independent Film All Of Us Strangers - Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey Femme - Sam H Freeman, Ng Choon Ping, Myles Payne, Sam Ritzenberg How To Have Sex - Molly Manning Walker, Ivana MacKinnon, Emily Leo, Konstantinos Kontovrakis Rye Lane - Raine Allen-Miller, Nathan Bryon, Tom Melia, Yvonne Isimeme Ibazebo, Damian Jones Scrapper - Charlotte Regan, Theo Barrowclough
Best International Independent Film Anatomy Of A Fall - Justine Triet, Arthur Harari, Marie-Ange Luciani, David Thion Fallen...
This year's British Independent Film Awards (Bifas) were announced today, dominated by Raine Allen-Miller's London-set comedy Rye Lane, with 16 awards. All Of Us Strangers, Scrapper and How To Have Sex provided close competition, while Sam H Freeman and Ng Choon Ping's noir thriller Femme also scoring well.
The winners will be revealed on 3 December.
Those nominations in full:
Best British Independent Film All Of Us Strangers - Andrew Haigh, Graham Broadbent, Pete Czernin, Sarah Harvey Femme - Sam H Freeman, Ng Choon Ping, Myles Payne, Sam Ritzenberg How To Have Sex - Molly Manning Walker, Ivana MacKinnon, Emily Leo, Konstantinos Kontovrakis Rye Lane - Raine Allen-Miller, Nathan Bryon, Tom Melia, Yvonne Isimeme Ibazebo, Damian Jones Scrapper - Charlotte Regan, Theo Barrowclough
Best International Independent Film Anatomy Of A Fall - Justine Triet, Arthur Harari, Marie-Ange Luciani, David Thion Fallen...
- 11/2/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Even by its own ridiculously high standards, 2023 has been one hell of a year for British independent cinema. Whilst Hollywood has been all but shut down by the WGA and SAG-AFTRA strikes, over on this side of the pond, it feels like the candle for British indie cinema – and our collective love for those who make it possible – has never burned brighter. As such, it comes as no surprise to see today’s announcement of the nominations for the British Independent Film Awards 2023 filled with wall-to-wall bangers that represent the very best that British filmmaking has to offer.
Raine Allen-Miller’s whipsmart rom-com refresh :a[Rye Lane]{href='https://www.empireonline.com/movies/reviews/rye-lane/' target='_blank' rel='noreferrer noopener'} leads the line with 16 nods, including Best Director, Best British Independent Film, and Best Debut Director as well as Screenplay. It’s closely followed by Charlotte Regan’s working class wonder :a[Scrapper]{href='https://www.
Raine Allen-Miller’s whipsmart rom-com refresh :a[Rye Lane]{href='https://www.empireonline.com/movies/reviews/rye-lane/' target='_blank' rel='noreferrer noopener'} leads the line with 16 nods, including Best Director, Best British Independent Film, and Best Debut Director as well as Screenplay. It’s closely followed by Charlotte Regan’s working class wonder :a[Scrapper]{href='https://www.
- 11/2/2023
- by Jordan King
- Empire - Movies
Raine Allen-Miller’s debut feature Rye Lane leads this year’s British Independent Film Award nominations with 16 nods, including Best Director and Best British Independent Film.
Allen-Miller’s Peckham-set feature also has nominations for Best Screenplay and Best Debut Screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a nod for Yvonne Isimeme Ibazebo for Breakthrough Producer. The film’s leads Vivian Oparah and David Jonsson scored a Best Joint Lead Performance nomination. Oparah is also nominated in Breakthrough Performance.
Rye Lane is trailed by Scrapper and All Of Us Strangers, which both clocked 14 nominations. Scrapper received four nominations for debut feature filmmaker Charlotte Regan, including Best Director and Best Screenplay. All Of Us Strangers clocked Best Director. In the performance categories, Andrew Scott picked up a Best Lead Performance nomination, and Jamie Bell, Claire Foy, and Paul Mescal grabbed a Best Supporting Performance nod each. Seven...
Allen-Miller’s Peckham-set feature also has nominations for Best Screenplay and Best Debut Screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a nod for Yvonne Isimeme Ibazebo for Breakthrough Producer. The film’s leads Vivian Oparah and David Jonsson scored a Best Joint Lead Performance nomination. Oparah is also nominated in Breakthrough Performance.
Rye Lane is trailed by Scrapper and All Of Us Strangers, which both clocked 14 nominations. Scrapper received four nominations for debut feature filmmaker Charlotte Regan, including Best Director and Best Screenplay. All Of Us Strangers clocked Best Director. In the performance categories, Andrew Scott picked up a Best Lead Performance nomination, and Jamie Bell, Claire Foy, and Paul Mescal grabbed a Best Supporting Performance nod each. Seven...
- 11/2/2023
- by Zac Ntim
- Deadline Film + TV
Feature debutant Raine Allen-Miller’s “Rye Lane” led the nominations at the 2023 British Independent Film Awards (BIFA) with 16 nods.
“Scrapper” by debutant Charlotte Regan and veteran Andrew Haigh’s “All of Us Strangers” scored 14 nominations each while Molly Manning Walker’s “How to Have Sex” had 13, Sam H. Freeman and Ng Choon Ping’s “Femme” 11 and Mahalia Belo’s “The End We Start From” nine. The nominations were revealed by actors Susan Wokoma (“Enola Holmes”) and Morfydd Clark (“Saint Maud”) at an announcement event at One Hundred Shoreditch, London.
From 2022, the awards went permanently gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The winners will be announced at the BIFA ceremony on Dec. 3.
BIFA Nominations 2023
The Richard...
“Scrapper” by debutant Charlotte Regan and veteran Andrew Haigh’s “All of Us Strangers” scored 14 nominations each while Molly Manning Walker’s “How to Have Sex” had 13, Sam H. Freeman and Ng Choon Ping’s “Femme” 11 and Mahalia Belo’s “The End We Start From” nine. The nominations were revealed by actors Susan Wokoma (“Enola Holmes”) and Morfydd Clark (“Saint Maud”) at an announcement event at One Hundred Shoreditch, London.
From 2022, the awards went permanently gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The winners will be announced at the BIFA ceremony on Dec. 3.
BIFA Nominations 2023
The Richard...
- 11/2/2023
- by Naman Ramachandran
- Variety Film + TV
The British Independent Film Awards (BIFAs) nominations were unveiled Thursday morninh by star hosts Susan Wokoma and Morfydd Clark at One Hundred Shoreditch, London.
“Casting a spotlight on the incredible talent working in the British film industry, this year’s list once again includes exceptional debuts from the U.K.’s brightest new talent alongside previous BIFA nominees, such as Tilda Swinton, Paul Mescal, Jamie Bell and Amir El-Masr,” the organization said.
Leading the nominations with 16 is Rye Lane, Raine Allen-Miller’s London-set romantic comedy following a pair of semi-reluctant lovers on an impromptu tour of Peckham. Among others, it scores nominations for Allen-Miller for best director and best debut director, best screenplay debut screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a best joint lead performance nom for stars Vivian Oparah and David Jonsson. Oparah is also nominated in the breakthrough performance category. Rye Lane...
“Casting a spotlight on the incredible talent working in the British film industry, this year’s list once again includes exceptional debuts from the U.K.’s brightest new talent alongside previous BIFA nominees, such as Tilda Swinton, Paul Mescal, Jamie Bell and Amir El-Masr,” the organization said.
Leading the nominations with 16 is Rye Lane, Raine Allen-Miller’s London-set romantic comedy following a pair of semi-reluctant lovers on an impromptu tour of Peckham. Among others, it scores nominations for Allen-Miller for best director and best debut director, best screenplay debut screenwriter for writing duo Nathan Bryon and Tom Melia, as well as a best joint lead performance nom for stars Vivian Oparah and David Jonsson. Oparah is also nominated in the breakthrough performance category. Rye Lane...
- 11/2/2023
- by Georg Szalai
- The Hollywood Reporter - Movie News
Films set in London dominate the nominations.
Raine Allen-Miller’s London-set romantic comedy Rye Lane leads the nominations for the 2023 British Independent Film Awards (Bifas), followed closely by Charlotte Regan’s Scrapper and Andrew Haigh’s All Of Us Strangers.
Rye Lane has scored 16 nominations, including best British independent film, director and debut director for Allen-Miller; plus best screenplay and debut screenwriter for Nathan Bryon and Tom Melia. Vivian Oparah is nominated for breakthrough performance, as well as for best joint lead performance alongside David Jonsson.
Scroll down for the full list of nominations
Scrapper, another London-set first film, received 14 nominations,...
Raine Allen-Miller’s London-set romantic comedy Rye Lane leads the nominations for the 2023 British Independent Film Awards (Bifas), followed closely by Charlotte Regan’s Scrapper and Andrew Haigh’s All Of Us Strangers.
Rye Lane has scored 16 nominations, including best British independent film, director and debut director for Allen-Miller; plus best screenplay and debut screenwriter for Nathan Bryon and Tom Melia. Vivian Oparah is nominated for breakthrough performance, as well as for best joint lead performance alongside David Jonsson.
Scroll down for the full list of nominations
Scrapper, another London-set first film, received 14 nominations,...
- 11/2/2023
- by Ben Dalton
- ScreenDaily
“The Kitchen” co-director and co-writer Daniel Kaluuya and “Polite Society” writer-director Nida Manzoor are among the emerging talents recognized at the British Independent Film Awards’ (BIFA) New Talent categories.
Both have been longlisted twice, in the debut director and debut screenwriter categories. In all, 20 fiction and 15 documentary features have been longlisted in the four debut filmmaking categories. Nineteen first-time fiction feature directors, 17 first-time feature documentary directors, 17 first-time writers and 24 breakthrough producers have been recognized by BIFA voters this year.
BIFA Springboard, an annual program supporting second-time feature filmmakers will launch in early 2024. BIFA will reveal the Netflix-sponsored 2023 breakthrough performance longlist, which highlights British acting talent in their first significant role in a British feature film, on Oct. 24. The final five nominations in each category will be unveiled on Nov. 2. Winners will be revealed at the 26th BIFA ceremony on Dec. 3.
The Douglas Hickox Award (Best Debut Director) Sponsored By...
Both have been longlisted twice, in the debut director and debut screenwriter categories. In all, 20 fiction and 15 documentary features have been longlisted in the four debut filmmaking categories. Nineteen first-time fiction feature directors, 17 first-time feature documentary directors, 17 first-time writers and 24 breakthrough producers have been recognized by BIFA voters this year.
BIFA Springboard, an annual program supporting second-time feature filmmakers will launch in early 2024. BIFA will reveal the Netflix-sponsored 2023 breakthrough performance longlist, which highlights British acting talent in their first significant role in a British feature film, on Oct. 24. The final five nominations in each category will be unveiled on Nov. 2. Winners will be revealed at the 26th BIFA ceremony on Dec. 3.
The Douglas Hickox Award (Best Debut Director) Sponsored By...
- 10/18/2023
- by Naman Ramachandran
- Variety Film + TV
Eight films listed in three of the four categories.
Charlotte Regan’s Scrapper, Raine Allen-Miller’s Rye Lane and Molly Manning Walker’s How To Have Sex are among the 35 features on the British Independent Film Awards (BIFA) Filmmaker New Talent longlists for 2023.
The ceremony has released longlists for four awards: the Douglas Hickox Award (Best Debut Director), Best Debut Screenwriter, Best Debut Director – Feature Documentary (a new award for this year) and Breakthrough Producer.
Scroll down for the full New Talent longlists
Eight films have been longlisted in three of the four categories: Earth Mama, Femme, In Camera, Pretty Red Dress,...
Charlotte Regan’s Scrapper, Raine Allen-Miller’s Rye Lane and Molly Manning Walker’s How To Have Sex are among the 35 features on the British Independent Film Awards (BIFA) Filmmaker New Talent longlists for 2023.
The ceremony has released longlists for four awards: the Douglas Hickox Award (Best Debut Director), Best Debut Screenwriter, Best Debut Director – Feature Documentary (a new award for this year) and Breakthrough Producer.
Scroll down for the full New Talent longlists
Eight films have been longlisted in three of the four categories: Earth Mama, Femme, In Camera, Pretty Red Dress,...
- 10/18/2023
- by Ben Dalton
- ScreenDaily
The renowned annual talent showcase spotlights the hottest up-and-coming actors and filmmakers in the UK and Ireland.
Screen International has unveiled the 2023 edition of Stars of Tomorrow, spotlighting the hottest up-and-coming actors and filmmakers in the UK and Ireland.
This year marks a special milestone for Stars of Tomorrow – its 20th edition, and the annual talent showcase has demonstrated an unparalleled track record for spotting emerging UK and Irish talent, both in front of and behind the camera, since its launch in 2004.
Those selected this time include Heartstopper star Kit Connor, Mia McKenna-Bruce, who played the lead role in Cannes breakout How To Have Sex,...
Screen International has unveiled the 2023 edition of Stars of Tomorrow, spotlighting the hottest up-and-coming actors and filmmakers in the UK and Ireland.
This year marks a special milestone for Stars of Tomorrow – its 20th edition, and the annual talent showcase has demonstrated an unparalleled track record for spotting emerging UK and Irish talent, both in front of and behind the camera, since its launch in 2004.
Those selected this time include Heartstopper star Kit Connor, Mia McKenna-Bruce, who played the lead role in Cannes breakout How To Have Sex,...
- 6/28/2023
- by Screen staff
- ScreenDaily
The 10th Sundance Film Festival: London runs July 6-9 and will feature an industry section with keynote sessions led by A24 Execs Harpa Manku and Tom Lazenby and new London Film Festival head Kristy Matheson.
The trio will all headline events during the festival alongside producers Tristan Goligher and Mary Burke; casting agent Heather Basten; composer Nainita Desai; Elysian CEO Danny Perkins; and Black Bear International’s Luane Gauer.
Filmmakers Alice Lowe, Zeina Durra, Gurinder Chadha, and Marianna Palka will also headline sessions. The festival has also added three panel events to the schedule, with speakers including Past Lives director Celine Song, Girl filmmaker Adura Onashile, Polite Society’s Nida Manzoor, and Molly Manning Walker, writer-director of the buzzy Cannes pic How to Have Sex. Ira Sachs, Gregg Araki, Ita O’Brien, intimacy coordinator and founder of Intimacy on Set, and Lío Mehiel, will shepherd a separate panel, while Anthony Bregman will host an industry keynote.
The trio will all headline events during the festival alongside producers Tristan Goligher and Mary Burke; casting agent Heather Basten; composer Nainita Desai; Elysian CEO Danny Perkins; and Black Bear International’s Luane Gauer.
Filmmakers Alice Lowe, Zeina Durra, Gurinder Chadha, and Marianna Palka will also headline sessions. The festival has also added three panel events to the schedule, with speakers including Past Lives director Celine Song, Girl filmmaker Adura Onashile, Polite Society’s Nida Manzoor, and Molly Manning Walker, writer-director of the buzzy Cannes pic How to Have Sex. Ira Sachs, Gregg Araki, Ita O’Brien, intimacy coordinator and founder of Intimacy on Set, and Lío Mehiel, will shepherd a separate panel, while Anthony Bregman will host an industry keynote.
- 6/15/2023
- by Zac Ntim
- Deadline Film + TV
When filmmaker Raine Allen-Miller pictured her debut film, she had a few ideas she couldn’t shake. It would be set in her own stomping grounds of South London, and it definitely had to be funny. One thing she didn’t consider? “I can tell you that it wouldn’t have been a rom-com. I never really thought I would direct a rom-com,” the director told IndieWire during a recent interview.
Surprise! With “Rye Lane,” Allen-Miller didn’t just make a rom-com, she made a great rom-com. The film, which debuted at Sundance in January to acclaim, winningly mashes up everything from “Before Sunrise” to “Notting Hill” as it follows the charming Dom (David Jonsson) and the effervescent Yas (Vivian Oparah) as they walk and talk their way through South London after a meet-cute in a public bathroom.
“I think it was the right thing because I was able to...
Surprise! With “Rye Lane,” Allen-Miller didn’t just make a rom-com, she made a great rom-com. The film, which debuted at Sundance in January to acclaim, winningly mashes up everything from “Before Sunrise” to “Notting Hill” as it follows the charming Dom (David Jonsson) and the effervescent Yas (Vivian Oparah) as they walk and talk their way through South London after a meet-cute in a public bathroom.
“I think it was the right thing because I was able to...
- 3/30/2023
- by Kate Erbland
- Indiewire
London on screen is usually rendered pretty colorless. The city’s streets, buildings, and sky are various shades of dreary, washed-out gray. Even at its most romantic, London is not exactly vibrant. The comedy film “Rye Lane” – which just got a new trailer in advance of its streaming debut later this month – is a bold, bright exception.
Vivian Oparah (“I May Destroy You”) and David Jonsson (“Industry”) star as Yas and Dom, respectively. They’re stylish young people who are both recovering from bad breakups when they have a chance to meet at an art gallery. Over the course of one hectic day, Yas and Dom help each other deal with their exes and potentially restore each other’s faith in romance.
The film is the directorial debut of Raine Allen-Miller, who paints the South London districts of Peckham and Brixton in striking shades of pink, blue, and green and...
Vivian Oparah (“I May Destroy You”) and David Jonsson (“Industry”) star as Yas and Dom, respectively. They’re stylish young people who are both recovering from bad breakups when they have a chance to meet at an art gallery. Over the course of one hectic day, Yas and Dom help each other deal with their exes and potentially restore each other’s faith in romance.
The film is the directorial debut of Raine Allen-Miller, who paints the South London districts of Peckham and Brixton in striking shades of pink, blue, and green and...
- 3/20/2023
- by Liam Mathews
- Gold Derby
Spring is here, which means so is the first wave of great indie movies that made their debut at the Sundance Film Festival earlier this year. Among them is "Rye Lane," a South London-set rom-com about two people who bond about bad breakups during a walk around the city they call home. /Film's Ben Pearson reviewed "Rye Lane" at Sundance, calling it "a love letter to the beauty and diversity of South London" and "a highly satisfying walk-and-talk romance." Now, "Rye Lane" has a charming new trailer and is set for a release date exclusively on Hulu.
The film follows a woman named Yas ("Class" and "Teen Spirit" actor Vivian Oparah) who meets a guy called Dom ("Industry" star David Jonsson) at a museum when she finds him sobbing in the bathroom. Dom has recently been through a bad breakup -- his girlfriend cheated on him with his best friend...
The film follows a woman named Yas ("Class" and "Teen Spirit" actor Vivian Oparah) who meets a guy called Dom ("Industry" star David Jonsson) at a museum when she finds him sobbing in the bathroom. Dom has recently been through a bad breakup -- his girlfriend cheated on him with his best friend...
- 3/20/2023
- by Valerie Ettenhofer
- Slash Film
Director Raine Allen-Miller makes her acclaimed feature debut with this primary-coloured romance bursting with wit, grit and charm
British director Raine Allen-Miller, who became the toast of Sundance in January, has jokingly characterised her praise-laden debut feature (from a script by Nathan Bryon and Tom Melia) as a tale of two people spending a day together and having a lovely time. That’s a deceptively simple description of a hugely enjoyable romp that effortlessly combines the “limited time” romcom format of Richard Linklater’s Before trilogy with the in-your-face visual cheekiness of Peep Show. Unfolding against the vibrantly photographed backdrop of sunny south London locales, Rye Lane blends the warmth and charm of a formulaic love story with the colourfully street-smart grit of Brit pics such as Shola Amoo’s A Moving Image or more recently Reggie Yates’s Pirates, creating something that is at once playful, poignant and personal.
British director Raine Allen-Miller, who became the toast of Sundance in January, has jokingly characterised her praise-laden debut feature (from a script by Nathan Bryon and Tom Melia) as a tale of two people spending a day together and having a lovely time. That’s a deceptively simple description of a hugely enjoyable romp that effortlessly combines the “limited time” romcom format of Richard Linklater’s Before trilogy with the in-your-face visual cheekiness of Peep Show. Unfolding against the vibrantly photographed backdrop of sunny south London locales, Rye Lane blends the warmth and charm of a formulaic love story with the colourfully street-smart grit of Brit pics such as Shola Amoo’s A Moving Image or more recently Reggie Yates’s Pirates, creating something that is at once playful, poignant and personal.
- 3/19/2023
- by Mark Kermode, Observer film critic
- The Guardian - Film News
Early on in Rye Lane, it becomes very clear that the audience is in for something special. After meeting at an art exhibition, the two leads formally introduce themselves on a busy corner of the eponymous Peckham high street. “Dom, right? I’m Yas,” says Vivian Oparah, rocking a leopard-print scarf, yellow mac and shocking pink fake-fur bag. “Nice to meet you,” says David Jonsson’s Dom, offering a polite handshake. Yas stares at the outstretched palm, grins and returns a pretend curtsey, then playfully adds a street fist-bump to her chest. It’s sweet and funny, with an easy chemistry, and it perfectly captures the culture clash that Raine Allen-Miller’s directorial debut so singularly dismantles.
Because for David Jonsson and Vivian Oparah, being the stars of a major romcom isn’t something that was ever meant to happen. “On paper, we’re not meant to be romantic leads,...
Because for David Jonsson and Vivian Oparah, being the stars of a major romcom isn’t something that was ever meant to happen. “On paper, we’re not meant to be romantic leads,...
- 3/19/2023
- by Nicole Vassell
- The Independent - Film
This week HeyUGuys fell in love, deeply and irrevocably in love, with a couple we’d never met before. We laughed with them, hoped for them, cringed with them and sighed over them. And it all began with a pair of ugly break-ups and a quick chat on Rye Lane…
Dom (David Jonsson) has had his heart broken. Properly stomped and shattered. Forced to return to the sympathetic embrace of his childhood home – where boiled eggs come with soldiers and his every need is catered to – the last place the woebegone accountant wants to be is at a trendy gallery humouring the singular photographic skills of his smug mate.
Yas (Vivian Oparah) appears to have taken her breakup a bit more on the chin. Her ebullient spirit would not allow her to stay crushed by the crapness of an ex so she is bemused to overhear Dom sobbing in a...
Dom (David Jonsson) has had his heart broken. Properly stomped and shattered. Forced to return to the sympathetic embrace of his childhood home – where boiled eggs come with soldiers and his every need is catered to – the last place the woebegone accountant wants to be is at a trendy gallery humouring the singular photographic skills of his smug mate.
Yas (Vivian Oparah) appears to have taken her breakup a bit more on the chin. Her ebullient spirit would not allow her to stay crushed by the crapness of an ex so she is bemused to overhear Dom sobbing in a...
- 3/17/2023
- by Emily Breen
- HeyUGuys.co.uk
The romcom has lapsed into such an anaemic state that Rye Lane feels like a miracle. Here’s an entry into the genre that doesn’t surrender to thinkpiece-ready neuroticism. And doesn’t demand two A-listers shoulder the entire job of summoning chemistry from a dead-eyed script. And, most refreshingly, doesn’t subsist purely on nostalgia for romcoms of old.
Raine Allen-Miller’s breezy, south London-set debut is exactly what we deserve from this genre. With one foot in the present and the other in the past, it follows a day-long flirtation – à la Before Sunrise – between two of life’s loveable losers, Yas (Vivian Oparah) and Dom (David Jonsson). Both are shipwrecked by post-breakup shame. But when Yas catches Dom in the act of a not-so-private sob session in an art gallery bathroom, the pair become unlikely allies in the search for emotional closure. Yas subs in as Dom...
Raine Allen-Miller’s breezy, south London-set debut is exactly what we deserve from this genre. With one foot in the present and the other in the past, it follows a day-long flirtation – à la Before Sunrise – between two of life’s loveable losers, Yas (Vivian Oparah) and Dom (David Jonsson). Both are shipwrecked by post-breakup shame. But when Yas catches Dom in the act of a not-so-private sob session in an art gallery bathroom, the pair become unlikely allies in the search for emotional closure. Yas subs in as Dom...
- 3/16/2023
- by Clarisse Loughrey
- The Independent - Film
Non-Londoners might think of the U.K. capital as a single city, the perceived interchangeability of its regions and locations evident in many a notionally London-set but geographically manic film where characters stroll from Chelsea Bridge to the heart of Soho in a matter of minutes. Residents know that its quadrants are so disparate as to be whole separate ecosystems, with the Thames River that separates north from south London a virtual equator running through the city.
Those who have toured the Big Smoke via the movies — in particular, the idealized, exportable London of Working Title trifles and “Paddington” pictures — are largely familiar with the most leafy, genteel streets of the north and west, with the increasingly bourgeois east lately getting a look-in. But the diverse, dynamic neighborhoods of the south have received less than their due on screen, which is where Raine Allen-Miller’s delightful romantic comedy “Rye Lane” aims to set things right.
Those who have toured the Big Smoke via the movies — in particular, the idealized, exportable London of Working Title trifles and “Paddington” pictures — are largely familiar with the most leafy, genteel streets of the north and west, with the increasingly bourgeois east lately getting a look-in. But the diverse, dynamic neighborhoods of the south have received less than their due on screen, which is where Raine Allen-Miller’s delightful romantic comedy “Rye Lane” aims to set things right.
- 3/16/2023
- by Guy Lodge
- Variety Film + TV
Few feature films in recent memory have generated as much excitement around the city of London as Searchlight’s latest pic Rye Lane.
Directed by debut feature filmmaker Raine Allen-Miller, the romantic comedy, set in the bustling, predominantly Black neighborhood of Peckham, South London, is the talk of the town following its strong debut out of Sundance in January.
Deadline’s Anna Smith described the pic as a “sunny, irreverent take on life and love” that provides an “energetic bounce forward” for the romantic comedy genre.
“I wish I could step back and embrace it all, but I’m so nervous,” Allen-Miller told Deadline shortly before the film’s UK premiere at Peckhamplex, a historic community cinema in South London. “My worst nightmare is that people from South London watch it and think, Oh, God.”
The pic follows Dom, played by David Jonsson (Industry), and Yas (Vivian Oparah), a pair of twentysomethings nursing bad breakups,...
Directed by debut feature filmmaker Raine Allen-Miller, the romantic comedy, set in the bustling, predominantly Black neighborhood of Peckham, South London, is the talk of the town following its strong debut out of Sundance in January.
Deadline’s Anna Smith described the pic as a “sunny, irreverent take on life and love” that provides an “energetic bounce forward” for the romantic comedy genre.
“I wish I could step back and embrace it all, but I’m so nervous,” Allen-Miller told Deadline shortly before the film’s UK premiere at Peckhamplex, a historic community cinema in South London. “My worst nightmare is that people from South London watch it and think, Oh, God.”
The pic follows Dom, played by David Jonsson (Industry), and Yas (Vivian Oparah), a pair of twentysomethings nursing bad breakups,...
- 3/13/2023
- by Zac Ntim
- Deadline Film + TV
It’s little wonder why British romantic comedy “Rye Lane” has been scoring so much positive buzz of late. Directed by Raine Anne-Miller, it’s an infectiously funny and stylish feature debut that tells the story of Dom and Yas, who find connection with each other while getting over their respective breakups.
The film, written by “Bloods” scribes Nathan Bryon and Tom Melia, had its world premiere at Sundance in January. Ahead of the film’s U.K. premiere – taking place at the infamous Peckhamplex, which features in the movie – Variety caught up with Anne-Miller, Jonsson and Oparah in London earlier this week to chat about first meetings, inventive camerawork and much more.
What was your reaction to reading the script for the first time?
Raine Anne-Miller
I went into it feeling like I’m not going to direct a film that I haven’t written. But then I read...
The film, written by “Bloods” scribes Nathan Bryon and Tom Melia, had its world premiere at Sundance in January. Ahead of the film’s U.K. premiere – taking place at the infamous Peckhamplex, which features in the movie – Variety caught up with Anne-Miller, Jonsson and Oparah in London earlier this week to chat about first meetings, inventive camerawork and much more.
What was your reaction to reading the script for the first time?
Raine Anne-Miller
I went into it feeling like I’m not going to direct a film that I haven’t written. But then I read...
- 3/8/2023
- by Amon Warmann
- Variety Film + TV
CAA has signed “Industry” and “Rye Lane” star David Jonsson for representation.
News of Jonsson signing with CAA comes just hours after the actor was confirmed to be part of the cast of the yet-to-be-titled “Alien” movie, written and directed by Fede Alvarez.
20th Century Studios announced that Jonsson would be among the actors joining Cailee Spaeny in the sci-fi film — the ninth in the franchise started by Ridley Scott, who is returning to produce. According to a new plot synopsis provided by the studio, the film will follow “a group of young people on a distant world, who find themselves in a confrontation with the most terrifying life form in the universe.” Also officially joining the project are Archie Renaux (“Shadow and Bone”), Isabela Merced (“Rosaline”), Spike Fearn (“The Batman”) and Aileen Wu (“Away From Home”).
Best known for playing Gus on HBO’s hit series “Industry,” directed by Lena Dunham,...
News of Jonsson signing with CAA comes just hours after the actor was confirmed to be part of the cast of the yet-to-be-titled “Alien” movie, written and directed by Fede Alvarez.
20th Century Studios announced that Jonsson would be among the actors joining Cailee Spaeny in the sci-fi film — the ninth in the franchise started by Ridley Scott, who is returning to produce. According to a new plot synopsis provided by the studio, the film will follow “a group of young people on a distant world, who find themselves in a confrontation with the most terrifying life form in the universe.” Also officially joining the project are Archie Renaux (“Shadow and Bone”), Isabela Merced (“Rosaline”), Spike Fearn (“The Batman”) and Aileen Wu (“Away From Home”).
Best known for playing Gus on HBO’s hit series “Industry,” directed by Lena Dunham,...
- 3/4/2023
- by Angelique Jackson
- Variety Film + TV
British actor Vivian Oparah has signed with CAA.
Best known for playing Tanya Adeola in the “Doctor Who” spinoff “Class,” Oparah currently stars in the forthcoming rom-com “Rye Lane,” which premiered in January at the Sundance Film Festival.
In the film, Oparah stars as Yas, while David Jonsson (“Industry”) plays Dom, two twenty-somethings reeling from bad break-ups who connect over the course of an eventful day in South London. (The film gets its title from the real-life Rye Lane in Peckham.)
The rom-com follows the pair as they “help each other deal with their nightmare exes, potentially restoring their faith in romance.” The Searchlight Pictures movie is directed by Raine Allen Miller, in her feature debut, from a screenplay by Nathan Bryon and Tom Melia. “Rye Lane” will be released on March 31 via Hulu in the U.S. and on Star internationally.
As a musician, stage performer and screen actor,...
Best known for playing Tanya Adeola in the “Doctor Who” spinoff “Class,” Oparah currently stars in the forthcoming rom-com “Rye Lane,” which premiered in January at the Sundance Film Festival.
In the film, Oparah stars as Yas, while David Jonsson (“Industry”) plays Dom, two twenty-somethings reeling from bad break-ups who connect over the course of an eventful day in South London. (The film gets its title from the real-life Rye Lane in Peckham.)
The rom-com follows the pair as they “help each other deal with their nightmare exes, potentially restoring their faith in romance.” The Searchlight Pictures movie is directed by Raine Allen Miller, in her feature debut, from a screenplay by Nathan Bryon and Tom Melia. “Rye Lane” will be released on March 31 via Hulu in the U.S. and on Star internationally.
As a musician, stage performer and screen actor,...
- 3/3/2023
- by Angelique Jackson
- Variety Film + TV
Exclusive: Hot off the heels of their Sundance premiere of Rye Lane, writers Nathan Bryon and Tom Melia have teamed up with Vertigo Films for their next romantic comedy The Whole Hog.
The project follows a newly broken up couple who are forced to temporarily reconcile their differences and travel the food festivals and markets of Britain together as they try and make a success of the food truck that they sunk their savings into before they split up.
Bryon and Melia are currently preparing for the release of youthful Brit pic Rye Lane for Searchlight Pictures, which opened to rave reviews in Sundance last month. Deadline’s Anna Smith described the Raine Allen Miller-directed pic as a “delight” and a “sunny, irreverent take on life and love”
The Whole Hog, which is produced by Vertigo’s Allan Niblo, will apply the same razor sharp and freewheeling insights into...
The project follows a newly broken up couple who are forced to temporarily reconcile their differences and travel the food festivals and markets of Britain together as they try and make a success of the food truck that they sunk their savings into before they split up.
Bryon and Melia are currently preparing for the release of youthful Brit pic Rye Lane for Searchlight Pictures, which opened to rave reviews in Sundance last month. Deadline’s Anna Smith described the Raine Allen Miller-directed pic as a “delight” and a “sunny, irreverent take on life and love”
The Whole Hog, which is produced by Vertigo’s Allan Niblo, will apply the same razor sharp and freewheeling insights into...
- 2/1/2023
- by Diana Lodderhose
- Deadline Film + TV
Early into Raine Allen-Miller’s Rye Lane, the London-set romantic comedy shows a sense of newness. Using fisheye lenses, zooming close-ups, and integrated flashbacks, this directorial debut feels undeniably modern. The comedy wants to reinvent past tropes, underlying British hip-hop and rap beneath the entirety of the speedy 82-minute runtime. It flies with London as a backdrop, a city that’s as alive as ever in this story.
The script, written by Nathan Bryon and Tom Melia, follows Yas (Vivian Oparah) and Dom (David Jonsson), two young people who have recently had bad breakups. They find themselves at the same art showing, then walking in the same general direction. Breakup stories accompany their trip across the city, each of them helping the other with getting over their exes while also getting back at them.
Oparah and Jonsson, both trained theater actors, thrive in these roles, bouncing off one another like...
The script, written by Nathan Bryon and Tom Melia, follows Yas (Vivian Oparah) and Dom (David Jonsson), two young people who have recently had bad breakups. They find themselves at the same art showing, then walking in the same general direction. Breakup stories accompany their trip across the city, each of them helping the other with getting over their exes while also getting back at them.
Oparah and Jonsson, both trained theater actors, thrive in these roles, bouncing off one another like...
- 2/1/2023
- by Michael Frank
- The Film Stage
The “walk-and-talk” filmmaking technique is where characters have a conversation while moving from one location to the next. Richard Linklater’s Before trilogy masterfully executed this storytelling technique thanks to impeccable writing and brilliant performances from Ethan Hawke and Julie Delpy. Raine Allen-Miller’s comedy, Rye Lane, is an absolute charmer, bringing its own unique flavor to the storytelling technique.
‘Rye Lane’ deals with the hurt of a breakup L-r: David Jonsson as Dom and Vivian Oparah as Yas | Chris Harris / Searchlight Pictures
Dom (David Jonsson) is on the edge of a breakdown after his girlfriend, Gia (Karene Peter), broke up with him. He happens to meet Yas (Vivian Oparah) when he’s embarrassingly sobbing in a public toilet stall while trying to mentally prepare himself for having an awkward meal with his now-ex. Gia cheated on him with his best friend, Eric (Benjamin Sarpong-Broni), and they want to clear their guilty conscience.
‘Rye Lane’ deals with the hurt of a breakup L-r: David Jonsson as Dom and Vivian Oparah as Yas | Chris Harris / Searchlight Pictures
Dom (David Jonsson) is on the edge of a breakdown after his girlfriend, Gia (Karene Peter), broke up with him. He happens to meet Yas (Vivian Oparah) when he’s embarrassingly sobbing in a public toilet stall while trying to mentally prepare himself for having an awkward meal with his now-ex. Gia cheated on him with his best friend, Eric (Benjamin Sarpong-Broni), and they want to clear their guilty conscience.
- 1/31/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Two recently-heartbroken 20-somethings spend a day kindling an unexpected romance in Rye Lane, Raine Allen-Miller’s debut feature with a script by Nathan Bryon and Tom Melia. As Dom (David Jonsson) and Yas (Vivian Oparah) galavant through South London’s Peckham neighborhood, they begin to mend lingering wounds from past relationships and inch closer to the prospect of falling in love again. Cinematographer Olan Collardy discusses his desire to subvert rom-com conventions, Rye Lane‘s “eclectic mix of influences” and the challenges of shooting the film’s boat rendezvous scene. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did […]
The post “A Love Letter to South London”: Dp Olan Collardy on Rye Lane first appeared on Filmmaker Magazine.
The post “A Love Letter to South London”: Dp Olan Collardy on Rye Lane first appeared on Filmmaker Magazine.
- 1/27/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Two recently-heartbroken 20-somethings spend a day kindling an unexpected romance in Rye Lane, Raine Allen-Miller’s debut feature with a script by Nathan Bryon and Tom Melia. As Dom (David Jonsson) and Yas (Vivian Oparah) galavant through South London’s Peckham neighborhood, they begin to mend lingering wounds from past relationships and inch closer to the prospect of falling in love again. Cinematographer Olan Collardy discusses his desire to subvert rom-com conventions, Rye Lane‘s “eclectic mix of influences” and the challenges of shooting the film’s boat rendezvous scene. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did […]
The post “A Love Letter to South London”: Dp Olan Collardy on Rye Lane first appeared on Filmmaker Magazine.
The post “A Love Letter to South London”: Dp Olan Collardy on Rye Lane first appeared on Filmmaker Magazine.
- 1/27/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Rye Lane Review: This Winsome Comedy Is Like A Sillier, Funnier Version Of Before Sunrise [Sundance]
Richard Linklater totally nailed the "two people fall in love as they wander around a city" subgenre back in 1995, and you could fill an indie film graveyard with the number of movies that have tried and failed to capture that magic. Thankfully, director Raine Allen-Miller has managed to put her spin on it in delightful fashion with her feature debut, "Rye Lane," which is as much a love letter to the beauty and diversity of South London as it is to the beloved rom-com tropes that came before it.
Dom (David Jonsson) is having a bad day. Like, "crying in a public bathroom" levels of bad. His ex-girlfriend of six years cheated on him three months earlier with his idiotic best friend, and Dom is dreading a meeting between the three of them planned for later that day to "clear the air." Looking at his ex's social media photos, he breaks down,...
Dom (David Jonsson) is having a bad day. Like, "crying in a public bathroom" levels of bad. His ex-girlfriend of six years cheated on him three months earlier with his idiotic best friend, and Dom is dreading a meeting between the three of them planned for later that day to "clear the air." Looking at his ex's social media photos, he breaks down,...
- 1/24/2023
- by Ben Pearson
- Slash Film
Take the plot of one of Richard Linklater’s Before movies, combine it with the eye-popping aesthetic of Wes Anderson, then set it within the ethnically diverse, highly photogenic South London enclave of Peckham, and you’ll wind up with Rye Lane.
Starring the charismatic pair of David Jonsson (Industry) and Vivian Oparah (Teen Spirit) as a would-be couple who spend one long, action-packed day checking each other out around the film’s titular thoroughfare, Raine Allen-Miller’s rather addictive feature debut is colorfully clever and sometimes laugh-out-loud funny. But most of all it manages to make an old story feel new. This Sundance premiere from Searchlight Pictures should help put its gifted first-time director on the map.
We’ve seen it before: the meet-cute of two attractive youngsters on the rebound, the stories of their hellish exes, the flirting and the sidestepping, the anticipation of the first kiss, the rejection and the inevitable reunion.
Starring the charismatic pair of David Jonsson (Industry) and Vivian Oparah (Teen Spirit) as a would-be couple who spend one long, action-packed day checking each other out around the film’s titular thoroughfare, Raine Allen-Miller’s rather addictive feature debut is colorfully clever and sometimes laugh-out-loud funny. But most of all it manages to make an old story feel new. This Sundance premiere from Searchlight Pictures should help put its gifted first-time director on the map.
We’ve seen it before: the meet-cute of two attractive youngsters on the rebound, the stories of their hellish exes, the flirting and the sidestepping, the anticipation of the first kiss, the rejection and the inevitable reunion.
- 1/24/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
A chance meeting between two jilted strangers leads to chaotic imposture and a vinyl rescue mission in this freewheeling feature debut from director Raine Allen Miller
Feature first-timer Raine Allen Miller directs this romcom urban-pastoral, goofing and freewheeling around the streets of south London with an almost childlike innocence – shot by Olan Collardy in rich colour with cartoony wide-angle streetscapes, and scripted by Nathan Bryon and Tom Melia. Unsubtle and on-the-nose though it undoubtedly is, there is also an amiable, upbeat energy.
It benefits from two sympathetic leads: Vivian Oparah (from BBC TV’s Dr Who spin-off Class) and David Jonsson. Oparah plays Yas, a wannabe fashion designer, waiting for people to call her back for interviews for jobs. She finds herself in the gender-neutral lavatories at a photography exhibition and overhears recently heartbroken Dom (Jonsson) sobbing in one of the stalls; Dom’s humiliation is then complete when Yas...
Feature first-timer Raine Allen Miller directs this romcom urban-pastoral, goofing and freewheeling around the streets of south London with an almost childlike innocence – shot by Olan Collardy in rich colour with cartoony wide-angle streetscapes, and scripted by Nathan Bryon and Tom Melia. Unsubtle and on-the-nose though it undoubtedly is, there is also an amiable, upbeat energy.
It benefits from two sympathetic leads: Vivian Oparah (from BBC TV’s Dr Who spin-off Class) and David Jonsson. Oparah plays Yas, a wannabe fashion designer, waiting for people to call her back for interviews for jobs. She finds herself in the gender-neutral lavatories at a photography exhibition and overhears recently heartbroken Dom (Jonsson) sobbing in one of the stalls; Dom’s humiliation is then complete when Yas...
- 1/24/2023
- by Peter Bradshaw
- The Guardian - Film News
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