Creative Capital, the granting and artist support organization, announced this week its 2024 awardees in the categories of Visual Arts and Film/Moving Image, totaling $2.5 million in grants to artists chosen from 5,600 applications. The Film/Moving Image recipients include 25 New Faces of Film Ephraim Asili and Marnie Ellen Hertzler. The full list follows below, and click here to learn more about the individual projects. Visual Arts Jordan Ann Craig, Santa Fe, Nm Brigit Johnson, Placerville, CA Emily Barker, Los Angeles, CA Andrea Carlson, Grand Marais, Mn and Chicago, Il Nani Chacon, Albuquerque, Nm Christy Chan, Richmond, CA william cordova, […]
The post Creative Capital Announces 2024 “Wild Futures: Art, Culture, Impact” Awards first appeared on Filmmaker Magazine.
The post Creative Capital Announces 2024 “Wild Futures: Art, Culture, Impact” Awards first appeared on Filmmaker Magazine.
- 1/25/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Creative Capital, the granting and artist support organization, announced this week its 2024 awardees in the categories of Visual Arts and Film/Moving Image, totaling $2.5 million in grants to artists chosen from 5,600 applications. The Film/Moving Image recipients include 25 New Faces of Film Ephraim Asili and Marnie Ellen Hertzler. The full list follows below, and click here to learn more about the individual projects. Visual Arts Jordan Ann Craig, Santa Fe, Nm Brigit Johnson, Placerville, CA Emily Barker, Los Angeles, CA Andrea Carlson, Grand Marais, Mn and Chicago, Il Nani Chacon, Albuquerque, Nm Christy Chan, Richmond, CA william cordova, […]
The post Creative Capital Announces 2024 “Wild Futures: Art, Culture, Impact” Awards first appeared on Filmmaker Magazine.
The post Creative Capital Announces 2024 “Wild Futures: Art, Culture, Impact” Awards first appeared on Filmmaker Magazine.
- 1/25/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
As an end-of-year gift to our writers and readers, we've compiled a user-friendly overview of our publishing highlights from 2023. The collection is broken down by category: essays, interviews, festival coverage, and recurring columns.Browse at your leisure, and raise a glass to our brilliant contributors!Meanwhile, you can catch up with all of our end-of-year coverage here.{{notebook_form}}ESSAYSContemporary Cinema:Cinema as Sacrament: The Limitations of Killers of the Flower Moon by Adam PironA Change of Season: Trần Anh Hùng and Frederick Wiseman's Culinary Cinema by Phuong LeWalking, Talking, & Hurting Feelings: Nicole Holofcener's Everyday Dramas by Rafaela BassiliThe Limits of Control: Lines of Power in Todd Field's Tár by Helen CharmanThe Art of Losing: Joanna Hogg's Haunted Houses by Laura StaabTreading Water: Avatar: The Way of Water by Evan Calder WilliamsThe African Accent and the Colonial Ear by Maxine SibihwanaTen Minutes, but a Few Meters Longer:...
- 1/3/2024
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.The Deep Blue Sea.REMEMBERINGTerence Davies has died, aged 77. Michael Koresky, who wrote a monograph on Davies in 2014, penned a beautiful Sight & Sound obituary, in which he wrote that “no one made movies like Davies, who precisely sculpted out of a subjective past, creating films that glided on waves of contemplation and observation, inviting viewers to join him in the burnished darkness of a past about which he felt complex, contradictory feelings.” Last year, Dan Schindel wrote for Notebook about the role of poetry in Benediction (2022), and in 2012, Michael Guillen interviewed Davies about The Deep Blue Sea (2011). "The problem with film is that it's always in the eternal present,” says Davies. “But it's closest, I think, to music. You don't have to be a musician to follow a symphonic argument. If you love the music,...
- 10/11/2023
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSKillers of the Flower Moon.Amid brewing Cannes selection rumors, a US theatrical release date has been announced for Martin Scorsese’s Killers of the Flower Moon, which is being co-distributed by Apple and Paramount. The film will open in limited release on October 6 before expanding nationwide on October 21. This speaks to Apple’s new strategy to spend $1 billion a year on theatrical releases, geared toward raising its profile in the film industry.Unions representing screenwriters in the US are currently negotiating for better working conditions and equitable wages in a new three-year contract. The New York Times looks at whether or not a strike might be likely after the current agreement expires on May 1.Recommended VIEWINGWe’re thrilled to exclusively premiere Mdff...
- 3/29/2023
- MUBI
The singular styles of filmmakers in the Woche der Kritik (aka Berlin Critics’ Week) often result in some of the year’s most under-appreciated and formally exciting cinema. I’ve covered this section of Berlinale for the past three years and each year, I find at least a few movies that I continue to think about long after watching them. The unfortunate reality remains that many of these films don’t find distribution or seem to get lost in the shuffle––especially the short films––because of their experimental nature. A few movies from the past few years I’d like to single out here as absolutely worth going out of your way to find and watch: Adam Khalil & Bailey Sweitzer’s Nosferasta: First Bite, Ekaterina Selenkina’s Detours, Manoj Leonel Jahson & Shyam Sunder’s Kuthiraivaal, and Kamal Aljafari’s An Unusual Summer.
Now for my favorites from this year...
Now for my favorites from this year...
- 3/3/2023
- by Soham Gadre
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Alcarràs (Carla Simón)
Big agriculture and a renewable energy company (of all people) threaten the livelihood of a Catalonian peach farming family in Alcarràs, Carla Simón’s latest sunny pastoral and her first since the 2017 debut Summer 1993. Alcarràs is set in the present day, though you’d hardly notice, and like many of its characters it looks towards the past. That idea––that time has a way of sometimes flattening out––feels central to Simón’s film and distinguishes it from similar works of social realism: Alcarràs appears simple, even slight at first, but is deceptively far-reaching; enough at least to have impressed a Berlinale jury led by M. Night Shyamalan (and including no less than Ryusuke Hamaguchi), who collectively awarded Simón the Golden Bear.
Alcarràs (Carla Simón)
Big agriculture and a renewable energy company (of all people) threaten the livelihood of a Catalonian peach farming family in Alcarràs, Carla Simón’s latest sunny pastoral and her first since the 2017 debut Summer 1993. Alcarràs is set in the present day, though you’d hardly notice, and like many of its characters it looks towards the past. That idea––that time has a way of sometimes flattening out––feels central to Simón’s film and distinguishes it from similar works of social realism: Alcarràs appears simple, even slight at first, but is deceptively far-reaching; enough at least to have impressed a Berlinale jury led by M. Night Shyamalan (and including no less than Ryusuke Hamaguchi), who collectively awarded Simón the Golden Bear.
- 2/23/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Alice, Darling (Mary Nighy)
Everything you need to know about Alice’s (Anna Kendrick) state of mind concerning the abuse inflicted by her boyfriend Simon (Charlie Carrick) are the words “it’s not like he hurts me.” We feel Sophie’s (Wunmi Mosaku) wince in our bones—”hurt” doesn’t only become noteworthy when wrought by a physical altercation. Alice is glued to her phone to ensure she doesn’t miss a call or text. She wakes up super early to apply make-up and style her hair to Simon’s preference. Parrots all the soundbites he uses to police her eating habits about the toxicity of sugar. And literally pulls her hair out of her head whenever she has a spare second...
Alice, Darling (Mary Nighy)
Everything you need to know about Alice’s (Anna Kendrick) state of mind concerning the abuse inflicted by her boyfriend Simon (Charlie Carrick) are the words “it’s not like he hurts me.” We feel Sophie’s (Wunmi Mosaku) wince in our bones—”hurt” doesn’t only become noteworthy when wrought by a physical altercation. Alice is glued to her phone to ensure she doesn’t miss a call or text. She wakes up super early to apply make-up and style her hair to Simon’s preference. Parrots all the soundbites he uses to police her eating habits about the toxicity of sugar. And literally pulls her hair out of her head whenever she has a spare second...
- 2/3/2023
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSShadow of the Vampire.Willem Dafoe will join Robert Eggers’s Nosferatu film, news that comes 23 years after he played a fictitious version of Murnau's lead actor, Max Schreck, in Shadow of the Vampire. Dafoe’s supporting role is currently “unknown,” according to Deadline, though Eggers's vampire will be Bill Skarsgard.Sight & Sound continues their rollout of the Greatest Films of All Time, now unveiling the critics’ top 250.The great cinematographer Caroline Champetier will be honored with the Berlinale Camera award at this year’s festival, marking a career of beautifully lensed films for Jean-Marie Straub & Danièle Huillet, Jean-Luc Godard, Margarethe von Trotta, Claude Lanzmann, and Leos Carax, among many others.Following Sundance’s closing awards ceremony, we’ve compiled the full list of winners here on Notebook.
- 2/1/2023
- MUBI
As 2022 came to a close, we asked seven writers and filmmakers to reflect on Jean-Luc Godard's memory. Starting from a single aspect of his filmmaking—a particular film, image, sound cue, or affecting experience with his work—their responses evoke the breadth of his revolutionary legacy. We're thankful they found the words.The pieces below are written by Ephraim Asili, Richard Brody, A.S. Hamrah, Rachel Kushner, Miguel Marías, Andréa Picard, and Lucía Salas.In Memoriam JLGWhen I was in high school in the 1980s, I drove 50 miles with some friends to see Breathless at a student screening in a big auditorium at UConn. How did we know this screening was happening? How did we know how to get there? How did we even know anything was happening anywhere, ever? We saw listings in newspapers and paid attention to flyers. We had maps in our cars. But above all, it...
- 1/30/2023
- MUBI
February, marking both Black History Month and Valentine’s Day, is the kind of stretch from which a programmer can mine plenty. Accordingly the Criterion Channel have oriented their next slate around both. The former is mostly noted in a series comprising numerous features and shorts: Shirley Clarke and William Greaves up to Ephraim Asili and Garrett Bradley, among them gems such as Varda’s Black Panthers and Kathleen Collins’ Losing Ground; a six-film series on James Baldwin; and 10 works by Oscar Micheaux.
Meanwhile, the 23-film “All You Need Is Love” will cover the blinding romance of L’Atalante, the heartbreak of Happy Together, and youthful whimsy of Stolen Kisses; four Douglas Sirk rarities should leave their mark, but I’m perhaps most excited about three starring Rock Hudson and Doris Day. Perhaps more bracing are 12 movies by Derek Jarman and four by noir maestro Robert Siodmak. Also a major...
Meanwhile, the 23-film “All You Need Is Love” will cover the blinding romance of L’Atalante, the heartbreak of Happy Together, and youthful whimsy of Stolen Kisses; four Douglas Sirk rarities should leave their mark, but I’m perhaps most excited about three starring Rock Hudson and Doris Day. Perhaps more bracing are 12 movies by Derek Jarman and four by noir maestro Robert Siodmak. Also a major...
- 1/26/2023
- by Nick Newman
- The Film Stage
Mubi has announced its lineup of streaming offerings for next month, including Carla Simón’s Golden Bear winner Alcarràs, Ruth Beckermann’s Mutzenbacher, a series celebrating Black cinema with works from Charles Burnett, Julie Dash, Ephraim Asili, Bill Duke, and more.
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
Additional highlights include Sarah Polley’s Away From Her, Richard Linklater’s Before Midnight, Albert Brooks’ Modern Romance, Bong Joon Ho’s The Host, Lars von Trier’s Nymphomaniac, shorts by Emilija Škarnulytė, and the beginning of a series spotlighting Akio Jissoji’s Buddhist Trilogy.
Check out the lineup below and get 30 days free here.
February 1 – Softie, directed by Samuel Theis | From France with Love
February 2 – The Sleeping Negro, directed by Skinner Myers
February 3 – Before Midnight, directed by Richard Linklater
February 4 – To Sleep with Anger, directed by Charles Burnett
February 5 – Guess Who’s Coming to Dinner, directed by Stanley Kramer | Performers We Love
February 6 – Aphotic Zone, directed by Emilija...
- 1/19/2023
- by Jordan Raup
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe 2022 poster for Cannes' Directors' Fortnight.Cannes’ Directors’ Fortnight has announced the seven programmers and four consultants who will be supporting incoming artistic director Julien Rejl in his selection processes. Amongst the team is ex-Sheffield DocFest director Cintia Gil, Another Gaze founder Daniella Shreir, and Ming-Jung Kuo, former Program Director of the Taipei Film Festival.Dutch documentary festival IDFA has released the lineups for the first few strands of their 2022 edition, including the short and youth documentary competitions, plus a tribute to the late Lithuanian filmmaker Mantas Kvedaravičius.David Cronenberg’s Scanners is being remade as a TV series. Yann Demange (executive producer of Lovecraft Country and Top Boy) will direct, with Cronenberg also on board as an executive producer.Recommended VIEWINGAfter premiering in competition at the Venice International Film Festival, A Couple, Frederick Wiseman’s new fiction feature,...
- 9/27/2022
- MUBI
Though we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold, new voices. It’s why we venture to festivals and pore over a variety of different features that might bring to light some emerging talent. This year was an especially notable time for new directors making their stamp, and we’re highlighting the handful of 2021 debuts that most impressed us.
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
Azor (Andreas Fontana)
An almost suffocating air of secrecy permeates Azor, a Swiss-Argentinean coproduction concerning the mutual suspicion and damnable complicity of patrician North Atlantic capitalism and repressive regimes in the postcolonial Global South. The year is 1980, and a private banker from Geneva circulates among the Buenos Aires elite.
Below one can check out a list spanning a variety of different genres, and many are available to stream here. In years to come, take note as these helmers (hopefully) ascend.
Azor (Andreas Fontana)
An almost suffocating air of secrecy permeates Azor, a Swiss-Argentinean coproduction concerning the mutual suspicion and damnable complicity of patrician North Atlantic capitalism and repressive regimes in the postcolonial Global South. The year is 1980, and a private banker from Geneva circulates among the Buenos Aires elite.
- 12/13/2021
- by The Film Stage
- The Film Stage
FuturaBefore Wavelengths, and the Toronto International Film Festival (TIFF) in general, were so rudely interrupted by a global pandemic, the section was known for reliably presenting some of the most innovative filmmaking happening around the world. 2020, as you may recall, featured a considerably scaled-back TIFF. Only three films that year carried the Wavelengths designation, but they were good ones: Sofia Bohdanowicz’s lovely short film Point and Line to Plane, and two feature films, Ephraim Asili’s The Inheritance and Nicolás Pereda’s Fauna.Now Wavelengths is getting back up to full-tilt, although still with a smaller-than-usual slate of films. The 2021 edition contains six feature films and only seven experimental shorts. The decision to ease back into the presentation of complicated film and media work is understandable on some level. Covid is still a concern, and the festival has to balance a number of considerations, including the exposure of festival staff during live screenings,...
- 9/17/2021
- MUBI
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Hottest August (Brett Story)
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all—with its streets and avenues named for numbers and letters and states and cities and presidents and Revolutionary War generals spanning an archipelago, intersecting at a million little data points at which to measure class, race, culture, history, architecture and infrastructure. And time, too—from this human density emerge daily and seasonal rituals, a set of biorhythms, reliable as the earth’s, against which to mark gradual shifts and momentary fashions. Summer is for lounging on fire escapes, always, and, today, for Mister Softee. Yesterday it was shaved ice.
The Hottest August (Brett Story)
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all—with its streets and avenues named for numbers and letters and states and cities and presidents and Revolutionary War generals spanning an archipelago, intersecting at a million little data points at which to measure class, race, culture, history, architecture and infrastructure. And time, too—from this human density emerge daily and seasonal rituals, a set of biorhythms, reliable as the earth’s, against which to mark gradual shifts and momentary fashions. Summer is for lounging on fire escapes, always, and, today, for Mister Softee. Yesterday it was shaved ice.
- 8/6/2021
- by Jordan Raup
- The Film Stage
Next month’s lineup at The Criterion Channel has been unveiled, featuring no shortage of excellent offerings. Leading the pack is a massive, 20-film retrospective dedicated to John Huston, featuring a mix of greatest and lesser-appreciated works, including Fat City, The Dead, Wise Blood, The Man Who Would Be King, and Key Largo. (The Treasure of the Sierra Madre will join the series on October 1.)
Also in the lineup is series on the works of Budd Boetticher (specifically his Randolph Scott-starring Ranown westerns), Ephraim Asili, Josephine Baker, Nikos Papatakis, Jean Harlow, Lee Isaac Chung (pre-Minari), Mani Kaul, and Michelle Parkerson.
The sparkling new restoration of La Piscine will also debut, along with Amores perros, Kiyoshi Kurosawa’s To the Ends of the Earth, Cate Shortland’s Lore, both Oxhide films, Moonstruck, and much more.
See the full list of August titles below and more on The Criterion Channel.
Abigail Harm,...
Also in the lineup is series on the works of Budd Boetticher (specifically his Randolph Scott-starring Ranown westerns), Ephraim Asili, Josephine Baker, Nikos Papatakis, Jean Harlow, Lee Isaac Chung (pre-Minari), Mani Kaul, and Michelle Parkerson.
The sparkling new restoration of La Piscine will also debut, along with Amores perros, Kiyoshi Kurosawa’s To the Ends of the Earth, Cate Shortland’s Lore, both Oxhide films, Moonstruck, and much more.
See the full list of August titles below and more on The Criterion Channel.
Abigail Harm,...
- 7/26/2021
- by Jordan Raup
- The Film Stage
As the film industry attempts to regain its footing from a tumultuous year, it seems many of our most-anticipated (some long-delayed) titles will be arriving in the back half of 2021. But the midway point still has plenty to recommend. As we do each year, we’ve rounded up our favorite films thus far.
While year’s end will bring personal favorites from all our writers, think of the below entries (and honorable mentions) as a comprehensive rundown of what should be seen before heading forward. As a note: this feature is based solely on U.S. theatrical and digital releases from 2021, with the majority widely available, where listed.
We should also note a number of films that premiered on the festival circuit last year also had a qualifying award, therefore making them 2020 films by our standards—including I Carry You With Me, Minari, The Truffle Hunters, and The Father. Check out our picks below,...
While year’s end will bring personal favorites from all our writers, think of the below entries (and honorable mentions) as a comprehensive rundown of what should be seen before heading forward. As a note: this feature is based solely on U.S. theatrical and digital releases from 2021, with the majority widely available, where listed.
We should also note a number of films that premiered on the festival circuit last year also had a qualifying award, therefore making them 2020 films by our standards—including I Carry You With Me, Minari, The Truffle Hunters, and The Father. Check out our picks below,...
- 6/23/2021
- by The Film Stage
- The Film Stage
As with so many festivals, it’s easy to feel a little overawed when first glancing at the full program of films on offer at Sheffield DocFest (June 4-13).
Despite the challenges of programming during a pandemic, the Sheffield team has pulled together an impressive lineup of 78 features and 88 shorts in its films program.
Among the 55 world premieres are Oscar winner Steve McQueen’s 1981-set race relations series “Uprising,” “Leaving Neverland: Michael Jackson and Me” director Dan Reed’s latest “In the Shadow of 9/11,” Peabody Award winner Mark Cousins’ meditation on sight, “The Story of Looking,” and Nick Green’s biopic of the fugitive former CEO of Renault-Nissan “Carlos Ghosn: The Last Flight.”
It’s the second edition of DocFest to be led former DocLisboa director Cintia Gil, both of them realized during the pandemic.
Casting her eye over a lineup that has offerings from Senegal to Latvia,...
Despite the challenges of programming during a pandemic, the Sheffield team has pulled together an impressive lineup of 78 features and 88 shorts in its films program.
Among the 55 world premieres are Oscar winner Steve McQueen’s 1981-set race relations series “Uprising,” “Leaving Neverland: Michael Jackson and Me” director Dan Reed’s latest “In the Shadow of 9/11,” Peabody Award winner Mark Cousins’ meditation on sight, “The Story of Looking,” and Nick Green’s biopic of the fugitive former CEO of Renault-Nissan “Carlos Ghosn: The Last Flight.”
It’s the second edition of DocFest to be led former DocLisboa director Cintia Gil, both of them realized during the pandemic.
Casting her eye over a lineup that has offerings from Senegal to Latvia,...
- 6/1/2021
- by Tim Dams
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Killers of the Flower Moon (2021)From Osage News, the first official image from Martin Scorsese’s upcoming Killers of the Flower Moon, featuring Lily Gladstone and Leonardo DiCaprio. Recommended VIEWINGFollowing the release of his series The Underground Railroad, Barry Jenkins has also released The Gaze, a 50-minute non-narrative video piece that captures the show's background actors in moments of stillness. The film challenges the notion of the "white gaze" by pursuing what Jenkins refers to as "the Black gaze; or the gaze distilled." Shudder has released an official trailer for George A. Romero's The Amusement Park, a restoration of the long-lost 1973 film. Originally a commissioned work by the Lutheran Society, The Amusement Park was shelved for its terrifying depiction of elder abuse. The film will premiere on Shudder on June 8. Over at Ecstatic Static,...
- 5/12/2021
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe winners of this year's socially distanced Academy Awards ceremony include Daniel Kaluuya, Youn Yuh Jung, and Chloé Zhao. Find our full list of winners and nominees here.The legendary layout artist Roy Naisbitt has died at 90. Best known for his intricate and interweaving visions, Naisbitt worked on films like Who Framed Roger Rabbit, Space Jam, Balto and 2001: A Space Odyssey. Recommended VIEWINGAn extension of This Long Century, Ecstatic Static is a database of films and information from a broad community of artists. The site is currently screening films like Simon Liu's Signal 8, and also has an extensive library featuring new notes on filmmaking by Jodie Mack, Helena Wittmann, and more. Anthology Film Archives has announced a new online festival, presented in partnership with production company Vanda. Entitled Vanda Duarte: Dissident Films by Latin American Women Directors,...
- 4/28/2021
- MUBI
The Inventory Will Be Drawn Up At 11a.m. In The Presence Of The Poet’s Wife wins the French competition while the US-directed feature film dominates the international selection. Composed of Rémi Bonhomme (artistic director of the Marrakech Film Festival) and filmmakers Yolande Zauberman, Hassen Ferhani, Laetitia Moreau and Juruna Mallon, the Feature Films Jury of the 43rd Cinéma du Réel Film Festival (which unspooled online) has named the first feature film of US director Ephraim Asili, The Inheritance, its victor within the international competition. The title interlaces the histories of the West Philadelphia–based Move Organization and of the Black Arts Movement with dramatizations of the filmmaker’s life when he was a member of a black activist collective. The Institut Français - Louis Marcorelles Prize for Best Film in the French selection went to The Inventory Will Be Drawn Up At 11a.m. In The Presence Of...
Are you ready for the weekend? Specifically, are you ready for a Long Weekend? Of course, we’re referring to the rom-com from Sony Pictures Worldwide Acquisitions’ Stage 6 Films.
Long Weekend will make its debut in theaters today and marks the feature directorial debut of Steve Basilone, who also wrote the script.
The rom-com stars Finn Wittrock as Bart who has a serendipitous meeting with Vienna played by Zoë Chao. She’s a little bit of a mystery, but the two end up having a connection and they spend a whirlwind weekend together (hence the title of the movie). As the two fall fast and hard for each other, they dont realize that both carry secrets that could be their undoing… or the chance for a fresh start.
The film also features Casey Wilson, Jim Rash and Damon Wayans, Jr. Long Weekend is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap,...
Long Weekend will make its debut in theaters today and marks the feature directorial debut of Steve Basilone, who also wrote the script.
The rom-com stars Finn Wittrock as Bart who has a serendipitous meeting with Vienna played by Zoë Chao. She’s a little bit of a mystery, but the two end up having a connection and they spend a whirlwind weekend together (hence the title of the movie). As the two fall fast and hard for each other, they dont realize that both carry secrets that could be their undoing… or the chance for a fresh start.
The film also features Casey Wilson, Jim Rash and Damon Wayans, Jr. Long Weekend is produced by Deanna Barillari, Laura Lewis, Theodora Dunlap,...
- 3/12/2021
- by Dino-Ray Ramos
- Deadline Film + TV
Activism Fission: Asili Gets Godardian in Expressive Personal/Political Homage
A unique marriage of the vintage and modern, topical and archaic, personal and political, pretentious and genuine, Ephraim Asili’s personable and intellectual debut The Inheritance is ultimately a novel throwback to cinema as the ultimate nexus of cultural impact and creative expression.
While his title sounds like any number of generic horror films which have utilized this moniker, Asili’s intention is something much more profound as it concerns the notion of passing down wealth, and therefore, opportunity for the next generation, something historically denied Black Americans. This privilege provides the seeds for a septet of motivated young adults in West Philadelphia to form a makeshift Marxist commune.…...
A unique marriage of the vintage and modern, topical and archaic, personal and political, pretentious and genuine, Ephraim Asili’s personable and intellectual debut The Inheritance is ultimately a novel throwback to cinema as the ultimate nexus of cultural impact and creative expression.
While his title sounds like any number of generic horror films which have utilized this moniker, Asili’s intention is something much more profound as it concerns the notion of passing down wealth, and therefore, opportunity for the next generation, something historically denied Black Americans. This privilege provides the seeds for a septet of motivated young adults in West Philadelphia to form a makeshift Marxist commune.…...
- 3/12/2021
- by Nicholas Bell
- IONCINEMA.com
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Black Westerns
An often overlooked aspect of the western genre is the emergence of the Black-led films born around the Civil Rights era and continuing throughout the century. With essential context from guest programmer and film scholar Mia Mask, The Criterion Channel is now presenting a series of these works, including Rutledge (1960), Duel at Diablo (1966), The Learning Tree (1969), El Condor (1970), Skin Game (1971), Black Rodeo (1972), Buck and the Preacher (1972), The Legend of Black Charley (1972), Thomasine and Bushrod (1974), Posse (1993), Buffalo Soldiers (1997), and Rosewood (1997).
Where to Stream: The Criterion Channel
Center Stage (Stanley Kwan)
Following her breakout with Jackie Chan in Police Story and before her iconic roles in the films of Wong Kar-wai and Olivier Assayas,...
Black Westerns
An often overlooked aspect of the western genre is the emergence of the Black-led films born around the Civil Rights era and continuing throughout the century. With essential context from guest programmer and film scholar Mia Mask, The Criterion Channel is now presenting a series of these works, including Rutledge (1960), Duel at Diablo (1966), The Learning Tree (1969), El Condor (1970), Skin Game (1971), Black Rodeo (1972), Buck and the Preacher (1972), The Legend of Black Charley (1972), Thomasine and Bushrod (1974), Posse (1993), Buffalo Soldiers (1997), and Rosewood (1997).
Where to Stream: The Criterion Channel
Center Stage (Stanley Kwan)
Following her breakout with Jackie Chan in Police Story and before her iconic roles in the films of Wong Kar-wai and Olivier Assayas,...
- 3/12/2021
- by Jordan Raup
- The Film Stage
(Click here to read part one of Gerima and Asili’s conversation.) Gerima: Since we’re talking about the realities of Black cinema: when you don’t have time or money, a lot of times rehearsal plays an important part. I wanted to ask you about your process with your actors before you got to the studio. Did you have time to rehearse? Asili: Not as much as I would’ve liked, but what we did have, that I would say was even better than rehearsals was, I had written about half of the script, but I had pretty elaborate backstories. So, when I went […]
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part Two) first appeared on Filmmaker Magazine.
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part Two) first appeared on Filmmaker Magazine.
- 3/11/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
(Click here to read part one of Gerima and Asili’s conversation.) Gerima: Since we’re talking about the realities of Black cinema: when you don’t have time or money, a lot of times rehearsal plays an important part. I wanted to ask you about your process with your actors before you got to the studio. Did you have time to rehearse? Asili: Not as much as I would’ve liked, but what we did have, that I would say was even better than rehearsals was, I had written about half of the script, but I had pretty elaborate backstories. So, when I went […]
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part Two) first appeared on Filmmaker Magazine.
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part Two) first appeared on Filmmaker Magazine.
- 3/11/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The Inheritance Review: History, Art, Ideology, and Love Converge in Thrillingly Alive Debut Feature
History, art, ideology, and love make up the four pillars of Ephraim Asili’s The Inheritance, a thrillingly alive debut feature that resides both inside the square rooms of a West Philadelphia house and outside the boundaries of genre. As its title suggests, to assume the past experiences, lessons, and artistic creations of others can be liberating. But there’s also great personal responsibility to pass on that knowledge in some productive way.
With every jarring cut, temporal jump, and splash of vibrant color, Asili seems to be asking one central question: what do we do with the brimming feelings accumulated from learning about tragic events, listening to social justice leaders, experiencing the poems of living legends, and hearing live music? It’s a central conundrum facing young people immediately after experiencing a genuine moment of epiphany.
That sense of untapped energy fuels the scripted drama about a group of...
With every jarring cut, temporal jump, and splash of vibrant color, Asili seems to be asking one central question: what do we do with the brimming feelings accumulated from learning about tragic events, listening to social justice leaders, experiencing the poems of living legends, and hearing live music? It’s a central conundrum facing young people immediately after experiencing a genuine moment of epiphany.
That sense of untapped energy fuels the scripted drama about a group of...
- 3/11/2021
- by Glenn Heath Jr.
- The Film Stage
Ephraim Asili calls his first feature-length film a remix of La Chinoise, Jean-Luc Godard’s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating “a critique and an homage at the same time,” but you don’t need to be familiar with the earlier work to appreciate The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.
The New Wave auteur’s movie was fueled by one generation’s rejection of another: ...
The New Wave auteur’s movie was fueled by one generation’s rejection of another: ...
- 3/11/2021
- The Hollywood Reporter - Movie News
Ephraim Asili calls his first feature-length film a remix of La Chinoise, Jean-Luc Godard’s 1967 mélange of Maoist politics among idealistic young Parisians. With energy and wit, he achieves his goal of creating “a critique and an homage at the same time,” but you don’t need to be familiar with the earlier work to appreciate The Inheritance. It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with roommates.
The New Wave auteur’s movie was fueled by one generation’s rejection of another: ...
The New Wave auteur’s movie was fueled by one generation’s rejection of another: ...
- 3/11/2021
- The Hollywood Reporter - Film + TV
At the start of “The Inheritance” — an experimental film about the formation of a Black collective, set in the early ’90s — Julian (Eric Lockley) rummages through a wooden crate of books he found in the West Philadelphia row house his grandmother left him. In it is a trove of poetic and political thought circa the late ’60s and beyond: There’s Malcolm X and Alice Walker, James Baldwin and Toni Morrison, as well as Charles Mingus and a stack of Ebony magazines.
In the next scene, Julian’s friend, maybe girlfriend, Gwen (Nozipho Mclean) helps him tug and shove the crate across the floor of the near empty abode. He asks her to move in. She reminds him that the last time they saw each other was at least a month ago. They’d gone to see Andrei Tarkovsky’s “The Sacrifice”;” he cried and grew quiet. No wonder they...
In the next scene, Julian’s friend, maybe girlfriend, Gwen (Nozipho Mclean) helps him tug and shove the crate across the floor of the near empty abode. He asks her to move in. She reminds him that the last time they saw each other was at least a month ago. They’d gone to see Andrei Tarkovsky’s “The Sacrifice”;” he cried and grew quiet. No wonder they...
- 3/11/2021
- by Lisa Kennedy
- Variety Film + TV
As I wrote last year in my 25 New Face profile of Ephraim Asili, his first feature, The Inheritance, begins when “Julian (Eric Lockley) moves into his late grandmother’s house and initiates an experiment in Black collective living. The influence of Jean-Luc Godard’s La Chinoise, evident in the film’s poster onscreen and the house’s boldly painted walls, is mixed with Asili’s personal memories of Philadelphia’s Move members (the Philadelphia native first met them as a teenager) and living in a Black Marxist collective. Shot, per Asili’s usual practice, on 16mm, The Inheritance marks a shift from overtly experimental to essentially narrative work. […]
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part One) first appeared on Filmmaker Magazine.
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part One) first appeared on Filmmaker Magazine.
- 3/10/2021
- by Filmmaker Staff
- Filmmaker Magazine - Blog
As I wrote last year in my 25 New Face profile of Ephraim Asili, his first feature, The Inheritance, begins when “Julian (Eric Lockley) moves into his late grandmother’s house and initiates an experiment in Black collective living. The influence of Jean-Luc Godard’s La Chinoise, evident in the film’s poster onscreen and the house’s boldly painted walls, is mixed with Asili’s personal memories of Philadelphia’s Move members (the Philadelphia native first met them as a teenager) and living in a Black Marxist collective. Shot, per Asili’s usual practice, on 16mm, The Inheritance marks a shift from overtly experimental to essentially narrative work. […]
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part One) first appeared on Filmmaker Magazine.
The post Shot Reverse Shot: The Inheritance Director Ephraim Asili in Conversation with Residue Director Merawi Gerima (Part One) first appeared on Filmmaker Magazine.
- 3/10/2021
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Jean-Luc Godard’s Le chinoise, an iconically playful and richly naïve snapshot of quasi-revolutionary bourgeoise youth made shortly before France’s May ‘68 uprisings, is very much en vogue at the moment. The 1967 film has been ingeniously reinvented in contemporary Black America by Ephraim Asili last year, in the essential The Inheritance, and now has been extended and expanded by Belgian artist Vincent Meessen with his essay film Just a Movement, which is being presented, like The Inheritance, in the Forum section of the Berlinale.Rather than effectively adapt the film’s premise to a new context, as Asili does, Meessen follows a key but frequently overlooked figure in the original film: the bracing presence of the only Black character in La chinoise, the Senegalese student, activist, and writer Omar Blondin Diop. This young man would return shortly after the shoot to a newly independent Senegal governed by Léopold Sédar Senghor...
- 3/5/2021
- MUBI
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Audition (Takashi Miike)
Perhaps I’ve been subconsciously squeamishly avoiding it, but I’ve been waiting to see Takashi Miike’s Audition for some time and now the opportunity has easily arrived courtesy of Mubi. As Daisy Phillipson writes for Little White Lies, “On closer inspection, however, Miike asks us to consider the cultural context in which the film is set. Based on a novel by Ryu Murakami, who often uses social commentary to skewer concerns facing modern Japan, Audition offers an ingenious twist on national femininity by subverting the passive female horror narrative.”
Where to Stream: Mubi (free for 30 days)
The Conformist (Bernardo Bertolucci)
One of the most ravishing movies ever made,...
Audition (Takashi Miike)
Perhaps I’ve been subconsciously squeamishly avoiding it, but I’ve been waiting to see Takashi Miike’s Audition for some time and now the opportunity has easily arrived courtesy of Mubi. As Daisy Phillipson writes for Little White Lies, “On closer inspection, however, Miike asks us to consider the cultural context in which the film is set. Based on a novel by Ryu Murakami, who often uses social commentary to skewer concerns facing modern Japan, Audition offers an ingenious twist on national femininity by subverting the passive female horror narrative.”
Where to Stream: Mubi (free for 30 days)
The Conformist (Bernardo Bertolucci)
One of the most ravishing movies ever made,...
- 2/26/2021
- by Jordan Raup
- The Film Stage
"Playful, erudite, and boundary blurring." Grasshopper Film has revealed an official trailer for an indie docu-drama titled The Inheritance, which originally premiered at both the Toronto and New York Film Festivals last fall. The film marks the first feature from Ephraim Asili - "a filmmaker, artist, educator and DJ whose work focuses on the African diaspora as a cultural force." A young man inherits his grandmother's house and, with the encouragement of his girlfriend, turns it into a Black socialist collective where the local community forms the basis of its family. It's a scripted drama with documentary elements. Grasshopper says: "Ceaselessly finding commonalties between politics, humor, and philosophy, with Black authors and radicals at its edges, The Inheritance is a remarkable film about the world as we know it." This sounds rad! And it looks like something quite unique and dynamic, experimental cinema for today's times. Check it out. Here's...
- 2/24/2021
- by Alex Billington
- firstshowing.net
A breakout hit of last year’s fall-festival circuit, Ephraim Asili’s The Inheritance shocked audiences with its Godardian-comedic vision of a Black collective living under one west Philadelphia roof. Shot on 16mm and absolutely vibrant with color, the movie is equal parts stimulating and upsetting—within its confines is documentary footage of the Philadelphia liberation group Move, who were victim of a police bombing in 1985. It arrives on March 12 via Grasshopper Film, who have debuted a trailer.
Doing well to capture the thrust of Asili’s project, said trailer is a forceful meeting of music, activists, testimonials, the bombing itself. It’s one of the 40 best movies we’ve already seen this year but sure to endure further—a sign of what’s to come from major new talent.
See the preview and poster below:
The Inheritance opens on March 12.
The post Trailer for Ephraim Asili's Godardian Comedy The...
Doing well to capture the thrust of Asili’s project, said trailer is a forceful meeting of music, activists, testimonials, the bombing itself. It’s one of the 40 best movies we’ve already seen this year but sure to endure further—a sign of what’s to come from major new talent.
See the preview and poster below:
The Inheritance opens on March 12.
The post Trailer for Ephraim Asili's Godardian Comedy The...
- 2/24/2021
- by Leonard Pearce
- The Film Stage
Artist Ephraim Asili describes his feature debut “The Inheritance” as a “speculative re-enactment” of his time in a West Philadelphia Black Marxist collective. The result is an experimental collage that surely name-checks Jean-Luc Godard, and bends genres and time to create a shape-shifting kaleidoscope of Blackness. Acclaimed during its fall festival run including in Toronto and New York, “The Inheritance” arrives from Grasshopper Film in virtual cinemas on March 12. Watch the exclusive trailer below.
Following almost a decade exploring the African diaspora, Asili sets his ensemble work almost entirely within a brightly colored, West Philadelphia house occupied by a community of Black activists and artist. Woven into a documentary recollection of the Philadelphia liberation group Move — the victim of a notorious police bombing in 1985 — is a scripted drama of characters working toward political consensus, and grappling with their own interpersonal relationships, romantic and otherwise.
From IndieWire’s TIFF review:
Shot...
Following almost a decade exploring the African diaspora, Asili sets his ensemble work almost entirely within a brightly colored, West Philadelphia house occupied by a community of Black activists and artist. Woven into a documentary recollection of the Philadelphia liberation group Move — the victim of a notorious police bombing in 1985 — is a scripted drama of characters working toward political consensus, and grappling with their own interpersonal relationships, romantic and otherwise.
From IndieWire’s TIFF review:
Shot...
- 2/24/2021
- by Ryan Lattanzio
- Indiewire
Day 2 of this week’s Berlinale announcements see the selections for its Forum, Forum Expanded and Shorts programs revealed.
The Forum program contains 17 movies, primarily from filmmakers at the beginning of their careers, though with some establish directors included such as Israeli documentarian Avi Mograbi and Berlin directors Chris Wright and Stefan Kolbe. In total, 14 are world premieres.
The Forum Expanded selection consists of shorts, medium-length films and features, and will screen 17 films as well as art installations. In the Shorts program, a total of 20 titles will compete for the Berlinale prizes this year. Scroll down for the full line-ups.
Yesterday, the festival unveiled its Generation and Retrospective programs.
As previously reported, buyers will get the chance to view these movies during the virtual EFM, which runs March 1-5. Juries will also be appointed to decide on the festival’s awards during this period. Audiences will hopefully have a chance...
The Forum program contains 17 movies, primarily from filmmakers at the beginning of their careers, though with some establish directors included such as Israeli documentarian Avi Mograbi and Berlin directors Chris Wright and Stefan Kolbe. In total, 14 are world premieres.
The Forum Expanded selection consists of shorts, medium-length films and features, and will screen 17 films as well as art installations. In the Shorts program, a total of 20 titles will compete for the Berlinale prizes this year. Scroll down for the full line-ups.
Yesterday, the festival unveiled its Generation and Retrospective programs.
As previously reported, buyers will get the chance to view these movies during the virtual EFM, which runs March 1-5. Juries will also be appointed to decide on the festival’s awards during this period. Audiences will hopefully have a chance...
- 2/9/2021
- by Tom Grater
- Deadline Film + TV
The selection is half the size of last year’s line-up.
The Berlin International Film Festival has revealed the 17 features selected for this year’s Forum line-up, which will first be seen at the industry-focused, online-only event from March 1-5.
The strand aims to highlight challenging and thought-provoking filmmaking that brings together film with visual art, theatre and literature.
The 17-title selection, which includes 14 world premieres, is just half of last year’s line-up of 35 titles, as the festival slims down for its first virtual edition.
Physical screenings of the selection are planned to take place during the Berlinale’s first Summer Special event,...
The Berlin International Film Festival has revealed the 17 features selected for this year’s Forum line-up, which will first be seen at the industry-focused, online-only event from March 1-5.
The strand aims to highlight challenging and thought-provoking filmmaking that brings together film with visual art, theatre and literature.
The 17-title selection, which includes 14 world premieres, is just half of last year’s line-up of 35 titles, as the festival slims down for its first virtual edition.
Physical screenings of the selection are planned to take place during the Berlinale’s first Summer Special event,...
- 2/9/2021
- by Michael Rosser
- ScreenDaily
The Berlin Film Festival has unveiled the titles that will screen in its Forum section this year, which focuses on cutting-edge and experimental cinema.
The 17 films picked for Berlin’s Forum range across style and genre from Ski, a combination of documentary and drama from first-timer director Manque La Banca, to Ephraim Asili’s The Inheritance and Vincent Meessen’s Just A Movement, both of which use Jean-Luc Godard’s 1967 classic La chinoise as a jumping-off point for seperate cinematic revisions. Director Sabrina Zhao adapts a work by German playwright Bertolt Brecht for her feature-length debut, The Good Woman of Sichuan, which will premiere at Berlin’...
The 17 films picked for Berlin’s Forum range across style and genre from Ski, a combination of documentary and drama from first-timer director Manque La Banca, to Ephraim Asili’s The Inheritance and Vincent Meessen’s Just A Movement, both of which use Jean-Luc Godard’s 1967 classic La chinoise as a jumping-off point for seperate cinematic revisions. Director Sabrina Zhao adapts a work by German playwright Bertolt Brecht for her feature-length debut, The Good Woman of Sichuan, which will premiere at Berlin’...
The Berlin Film Festival has unveiled the titles that will screen in its Forum section this year, which focuses on cutting-edge and experimental cinema.
The 17 films picked for Berlin’s Forum range across style and genre from Ski, a combination of documentary and drama from first-timer director Manque La Banca, to Ephraim Asili’s The Inheritance and Vincent Meessen’s Just A Movement, both of which use Jean-Luc Godard’s 1967 classic La chinoise as a jumping-off point for seperate cinematic revisions. Director Sabrina Zhao adapts a work by German playwright Bertolt Brecht for her feature-length debut, The Good Woman of Sichuan, which will premiere at Berlin’...
The 17 films picked for Berlin’s Forum range across style and genre from Ski, a combination of documentary and drama from first-timer director Manque La Banca, to Ephraim Asili’s The Inheritance and Vincent Meessen’s Just A Movement, both of which use Jean-Luc Godard’s 1967 classic La chinoise as a jumping-off point for seperate cinematic revisions. Director Sabrina Zhao adapts a work by German playwright Bertolt Brecht for her feature-length debut, The Good Woman of Sichuan, which will premiere at Berlin’...
New York-based outfit Grasshopper Film has acquired North American rights to Ephraim Asili’s debut feature, “The Inheritance,” following its premiere at Toronto and screening at the New York Film Festival.
Grasshopper Film is planning to have “The Inheritance” open on March 12 in New York at Film at Lincoln Center, as well as in other cities.
The ensemble film takes place almost entirely in a West Philadelphia house, where a community of young people come together to form a collective of Black artists and activists. Shot in 16 mm, the movie interweaves a scripted drama with a documentary recollection of the Philadelphia liberation group Move, which was the victim of a notorious police bombing in 1985.
A Pennsylvania-born filmmaker, Asili has been exploring different facets of the African diaspora for nearly a decade and “The Inheritance” is based on his own experiences in a Black liberationist group.
The film references legacies of the Black Arts Movement,...
Grasshopper Film is planning to have “The Inheritance” open on March 12 in New York at Film at Lincoln Center, as well as in other cities.
The ensemble film takes place almost entirely in a West Philadelphia house, where a community of young people come together to form a collective of Black artists and activists. Shot in 16 mm, the movie interweaves a scripted drama with a documentary recollection of the Philadelphia liberation group Move, which was the victim of a notorious police bombing in 1985.
A Pennsylvania-born filmmaker, Asili has been exploring different facets of the African diaspora for nearly a decade and “The Inheritance” is based on his own experiences in a Black liberationist group.
The film references legacies of the Black Arts Movement,...
- 12/16/2020
- by Elsa Keslassy
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe prolific Rhonda Fleming, a "movie star made for Technicolor" who shone in films like Alfred Hitchcock's Spellbound, Jacques Tourneur's Out of the Past, and especially Allan Dwan's Slightly Scarlet and Tennessee's Partner, has died at 97. Recommended VIEWINGBarry Jenkins has released a "preamble" for his upcoming Amazon series The Underground Railroad, based on the novel by Colson Whitehead. The series follows two slaves who escape a Georgia plantation by following the Underground Railroad. The trailer for Werner Herzog and Clive Oppenheimer's Apple TV+ documentary, Fireball: Visitors from Darker Worlds, which focuses on the impact of meteorites on our planet. Roni Moore and James Blagden's Midnight in Paris follows a group of teenagers in Flint, Michigan, during the lead-up to their senior prom. The film will have its online...
- 10/26/2020
- MUBI
Time (dir. Garrett Bradley)Top Picksdoug DIBBERN1. Time (Garrett Bradley)2. Days (Tsai Ming-liang)3. Gunda (Viktor Kossakovsky)4. The Woman Who Ran (Hong Sang-Soo)5. The Disciple (Chaitanya Tamhane)6. The Salt of Tears (Philippe Garrel)7. Red, White and Blue (Steve McQueen)8. The Calming (Song Fang)9. Night of Kings (Philippe Lacôte)10. Malmkrog (Cristi Puiu)Daniel KASMAN1. Figure Minus Fact (Mary Helena Clark)2. Her Socialist Smile (John Gianvito)3. Untitled Sequence Of Gaps (Vika Kirchenbauer)4. Labor of Love (Sylvia Schedelbauer)5. Beginning (Dea Kulumbegashvili)6. The Disciple (Chaitanya Tamhane)7. Red, White and Blue (Steve McQueen)8. Isabella (Matías Piñeiro)9. The Calming (Song Fang)10. Humongous! (Aya Kawazoe)Michael SICINSKI1. Figure Minus Fact (Mary Helena Clark)2. Lovers Rock (Steve McQueen)3. Her Socialist Smile (John Gianvito)4. The Inheritance (Ephraim Asili)5. Apiyemiyeki? (Ana Vaz)6. The Human Voice (Pedro Almodóvar)7. Time (Garrett Bradley)8. Isabella (Matías Piñeiro)9. The Last City (Heinz Emigholz)10. Trust Study #1 (Shobun Baile)Correpondences#1 Daniel Kasman introduces the 2020 festival and reviews Lovers...
- 10/14/2020
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Jean-Luc Godard at the 2018 press conference for The Image Book.From longtime collaborator Fabrice Aragno on Facebook comes word of a new Jean-Luc Godard project. We don't know much, but it appears that the movie will be shot on film, perhaps Godard's first since Notre Musique in 2004 and a shift from his 2018 digital essay film, The Image Book. Park Chan-wook's new film will be a romantic murder mystery starring Tang Wei and Park Hae-il (who previously starred in The Host), entitled Decision to Leave. The film is said to be the story of a police officer who suspects a dead man's wife of his murder. Recommended VIEWINGThe Wexner Center for the Arts' series Cinetracts '20 is now available for free online. Artists from around the world including Charles Burnett, Cauleen Smith, Tony Buba,...
- 10/14/2020
- MUBI
Above: The Inheritance.For the past fifteen years, the African-American experimental filmmaker Ephraim Asili has been excavating the intellectual and cultural history of Black lives in the United States, Africa, and Brazil. In Asili’s riveting films, there’s a passionate expansiveness, across forms and diasporic locations, which also often circle back home, be it to Harlem, Detroit, or Philadelphia.Asili’s latest film, his debut feature, The Inheritance, shot in a performance studio at the Rensselaer Polytechnic Institute over the span of four days, is a result of his extended scriptwriting and workshopping process. For the core story, Asili drew on his experience of living in a collective, in Philadelphia. From this raw material, through a series of vignettes and archival footage, the film reconstructs the process of political and activist education that Asili underwent for about six years, starting when he was 20, when he became close to the activist Black-thought organization Move.
- 10/12/2020
- MUBI
As the New York Film Festival concludes its first fully socially distanced iteration, for which selected screenings at drive-ins in Queens, Brooklyn, and the Bronx were supplemented by a nearly complete streaming slate, we’re left to wonder what comes next. I suspect few will disagree that having access to the festival online has been a positive, democratizing experience. At the same time, I don’t think anyone is particularly interested in a future without live, in-person film festivals. There is an existential joy that comes from gathering together, from being together. And when it is safe to do so, I think that rekindling those basic collective experiences will be a large part of reestablishing our sense of what being human means. And once they resume, film festivals will probably look a bit different. One of the intriguing things about this year’s NYFF is that, for most of its “attendees,...
- 10/7/2020
- MUBI
Just judging by the slate, last year’s New York Film Festival offered a testament to the nearly six-decade-old fest’s place in the fall awards circuit firmament, and in New York filmgoing culture. Martin Scorsese’s “The Irishman” world premiered on opening night last year, and a strong slate of future Oscar nominees all had their Gotham bows at the fest.
This year is a different story, for reasons that should be all too obvious, and the festival is making no bones about its off-year status, right down to a cheeky John Waters-designed poster that brags: “No awards! No world premieres! Fewer films than Toronto!” Not that many New Yorkers are likely to care about such old-normal measuring sticks, especially when the festival is offering a cornucopia of well-curated cinema that will unspool over a leisurely pace, starting Sept. 25 and extending through Oct. 11. Below are some highlights.
At...
This year is a different story, for reasons that should be all too obvious, and the festival is making no bones about its off-year status, right down to a cheeky John Waters-designed poster that brags: “No awards! No world premieres! Fewer films than Toronto!” Not that many New Yorkers are likely to care about such old-normal measuring sticks, especially when the festival is offering a cornucopia of well-curated cinema that will unspool over a leisurely pace, starting Sept. 25 and extending through Oct. 11. Below are some highlights.
At...
- 9/24/2020
- by Andrew Barker
- Variety Film + TV
Joyce Chopra and Joyce Carol Oates will discuss Smooth Talk Photo: Anne-Katrin Titze
Film at Lincoln Center has announced that directors Garrett Bradley (Time); Ephraim Asili (The Inheritance); Valeria Sarmiento (The Tango Of The Widower And Its Distorting Mirror); Nicolás Pereda (Fauna); John Gianvito (Her Socialist Smile); Matías Piñeiro (Isabella); Gianfranco Rosi (Notturno) Heinz Emigholz; Filip Jan Rymsza and Bob Murawski; Tsai Ming-liang (Days), Sam Pollard (MLK/FBI); John Gianvito (Her Socialist Smile), and Christian Petzold (Undine) will participate in Free Talks during the 58th New York Film Festival. In addition, Marie-Claude Treilhou talks with Serge Bozon on Simone Barbes or Virtue; Steve McQueen speaks about The Making of Small Axe, and Joyce Chopra and Joyce Carol Oates will discuss Smooth Talk.
Marie-Claude Treilhou talks with Serge Bozon on Simone Barbes or Virtue Photo: Anne-Katrin Titze
“Several roundtable discussions highlight thematic trends within this year’s program: Outside the Canon,...
Film at Lincoln Center has announced that directors Garrett Bradley (Time); Ephraim Asili (The Inheritance); Valeria Sarmiento (The Tango Of The Widower And Its Distorting Mirror); Nicolás Pereda (Fauna); John Gianvito (Her Socialist Smile); Matías Piñeiro (Isabella); Gianfranco Rosi (Notturno) Heinz Emigholz; Filip Jan Rymsza and Bob Murawski; Tsai Ming-liang (Days), Sam Pollard (MLK/FBI); John Gianvito (Her Socialist Smile), and Christian Petzold (Undine) will participate in Free Talks during the 58th New York Film Festival. In addition, Marie-Claude Treilhou talks with Serge Bozon on Simone Barbes or Virtue; Steve McQueen speaks about The Making of Small Axe, and Joyce Chopra and Joyce Carol Oates will discuss Smooth Talk.
Marie-Claude Treilhou talks with Serge Bozon on Simone Barbes or Virtue Photo: Anne-Katrin Titze
“Several roundtable discussions highlight thematic trends within this year’s program: Outside the Canon,...
- 9/16/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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