Exclusive: The independent film Mama Duck, a dark comedy written and directed by the award-winning team of Jack Gorman and Shannon Walsh, is set to begin production on July 6, 2024, in the Greater Los Angeles area. Catharine Daddario and Austin Woods are attached to star alongside Walsh.
Mama Duck follows Caeli (Walsh), an aspiring animator who moves across the country to escape her overbearing family. Her promising new start is derailed by the reappearance of her college sweetheart Sabrina (Daddario) and the news of her brother Jake’s (Woods) cancer diagnosis, forcing her to confront the delicate balance between her personal struggles and the pursuit of her dreams.
Mama Duck expands on the themes explored in Gorman and Walsh’s highly-acclaimed short, A Dinner. Gorman and Walsh were named Top 10 Filmmakers to Watch by the Hollywood Times ahead of the 2023 Los Angeles Independent Film Festival.
Mama Duck follows Caeli (Walsh), an aspiring animator who moves across the country to escape her overbearing family. Her promising new start is derailed by the reappearance of her college sweetheart Sabrina (Daddario) and the news of her brother Jake’s (Woods) cancer diagnosis, forcing her to confront the delicate balance between her personal struggles and the pursuit of her dreams.
Mama Duck expands on the themes explored in Gorman and Walsh’s highly-acclaimed short, A Dinner. Gorman and Walsh were named Top 10 Filmmakers to Watch by the Hollywood Times ahead of the 2023 Los Angeles Independent Film Festival.
- 5/16/2024
- by Valerie Complex
- Deadline Film + TV
Exclusive: Rotterdam competition title Small Hours of the Night from Daniel Hui and SXSW premiere Adrianne & The Castle by Shannon Walsh have landed international reputation via non-fiction agency Indox.
Launched by former Dogwoof exec Luke Brawley, Indox provides international festival management for non-fiction projects. The company is entirely independent and run solely by Brawley, who will be on the ground at Cannes, Sheffield DocFest, and Docs Ireland, where he will present the two films to programmers and producers.
Hui’s experimental docu-fiction Small Hours of the Night premiered at the Rotterdam Film Festival in January, before moving on to its North American premiere at Doc Fortnight in February. Shot on 16mm in crisp black and white, and primarily confined within the walls of a claustrophobic interrogation chamber, Hui’s Small Hours of the Night is described as a captivating blend of docu-fiction and hybrid storytelling.
Launched by former Dogwoof exec Luke Brawley, Indox provides international festival management for non-fiction projects. The company is entirely independent and run solely by Brawley, who will be on the ground at Cannes, Sheffield DocFest, and Docs Ireland, where he will present the two films to programmers and producers.
Hui’s experimental docu-fiction Small Hours of the Night premiered at the Rotterdam Film Festival in January, before moving on to its North American premiere at Doc Fortnight in February. Shot on 16mm in crisp black and white, and primarily confined within the walls of a claustrophobic interrogation chamber, Hui’s Small Hours of the Night is described as a captivating blend of docu-fiction and hybrid storytelling.
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Every year, SXSW seems to grow in size and breadth. The opportunities to glimpse the future and connect with its architects in an intersection of disciplines—music, technology, television, and cinema included—can be overwhelming. And in 2024 alone, there were more than 115 films and 80 short features at the fest.
It is impossible to see everything, yet our team of critics and journalists made a concerted effort to give it the old college try. Of the more than 40 projects we did glean between us, here were the ones that stood out most and we think should probably be on your radar. Also to note, the list is in alphabetical order.
Adrianne & the Castle
Given the sheer volume and variety of films at this festival, rarely does one do a double-take when reading loglines or hearing directors or producers soft pitch their films in passing. But that was absolutely the case...
It is impossible to see everything, yet our team of critics and journalists made a concerted effort to give it the old college try. Of the more than 40 projects we did glean between us, here were the ones that stood out most and we think should probably be on your radar. Also to note, the list is in alphabetical order.
Adrianne & the Castle
Given the sheer volume and variety of films at this festival, rarely does one do a double-take when reading loglines or hearing directors or producers soft pitch their films in passing. But that was absolutely the case...
- 3/18/2024
- by David Crow
- Den of Geek
While studio-backed crowdpleasers tend to dominate the headlines generated by the SXSW Film & TV Festival (like rowdy opener “Road House” and steamy closer “The Idea of You”), this year’s festival was chock-a-block with smaller offerings that a) delighted audiences and b) are still looking for distributions deals so that the may delight still more audiences. These titles run the gamut: debuts and follow-up features, narrative films and documentaries, comedies and horror joints, bonafide award winners and seemingly instant cult classics, and at least one film that hinges on the possibilities of “Grand Theft Auto.”
And while it’s still early days, given the incredible assortment of films still looking for homes, we can’t help but tout their allure to all interested buyers. These aren’t just the best available films from SXSW, they’re some of the very best of the fest, full stop, and wider audiences deserve to see them,...
And while it’s still early days, given the incredible assortment of films still looking for homes, we can’t help but tout their allure to all interested buyers. These aren’t just the best available films from SXSW, they’re some of the very best of the fest, full stop, and wider audiences deserve to see them,...
- 3/18/2024
- by Kate Erbland and David Ehrlich
- Indiewire
“Reality is for those who lack imagination” is one of the many witticisms dispensed by Adrianne Blue Wakefield St. George, the star and subject of Shannon Walsh’s documentary “Adrianne & The Castle” and a woman who also once proclaimed: “I am my own art.” Indeed she was. A gloriously Rubenesque force of nature who appeared to take her fashion and beauty tips from Divine, Adrianne was muse not only to herself but likewise to her adoring husband Alan St. George, who built a castle for — and his entire life around — his beloved wife of 30-plus years.
Now, in the wake of her death almost two decades ago, Alan has become the keeper of his late partner’s story; of Adrianne’s voluminous journals and the extensive collection of home videos Alan shot of her, in addition to “The Day the Queen of Cold Got a Face Lift” and the...
Now, in the wake of her death almost two decades ago, Alan has become the keeper of his late partner’s story; of Adrianne’s voluminous journals and the extensive collection of home videos Alan shot of her, in addition to “The Day the Queen of Cold Got a Face Lift” and the...
- 3/11/2024
- by Lauren Wissot
- Indiewire
Shannon Walsh’s documentary “Adrianne & the Castle”, which will make its world premiere at the South by Southwest Film & TV Festival on March 9, tells the love story of Alan St. George and his late wife, Adrianne, via fantastical musical re-enactments. Before her death, St. Georges, a mascot-maker and artist, hand-built Havencrest Castle, a medieval castle in rural Illinois that represented the love between the couple. Walsh follows St. George as he puts the finishing touches on Havencrest Castle while also grappling with his grief over the passing of his wife.
“We say it’s the greatest love story you’ve never heard of,” says Walsh, whose previous films include “The Gig Is Up.” “It’s really a story of love and grief and the risk that you take whenever you fall in love. Grief is really the central thread. But it’s also about imagination and our ability to create...
“We say it’s the greatest love story you’ve never heard of,” says Walsh, whose previous films include “The Gig Is Up.” “It’s really a story of love and grief and the risk that you take whenever you fall in love. Grief is really the central thread. But it’s also about imagination and our ability to create...
- 2/29/2024
- by Addie Morfoot
- Variety Film + TV
March fest announces multiple competition sections.
SXSW announced on Wednesday that Netflix series 3 Body Problem from Game Of Thrones co-creators David Benioff and D. B. Weiss is the festival’s opening night TV premiere, while Universal’s action comedy The Fall Guy with Ryan Gosling and Emily Blunt is the centrepiece screening.
Top brass at the Austin, Texas, festival (March 8-16) also unveiled feature and short competitions and Midnighters and Global sections, as well as select titles from other categories and Xr Experience for the 31st edition.
Headliners selections include world premieres of Pamela Adlon’s Babes starring Ilana Glazer,...
SXSW announced on Wednesday that Netflix series 3 Body Problem from Game Of Thrones co-creators David Benioff and D. B. Weiss is the festival’s opening night TV premiere, while Universal’s action comedy The Fall Guy with Ryan Gosling and Emily Blunt is the centrepiece screening.
Top brass at the Austin, Texas, festival (March 8-16) also unveiled feature and short competitions and Midnighters and Global sections, as well as select titles from other categories and Xr Experience for the 31st edition.
Headliners selections include world premieres of Pamela Adlon’s Babes starring Ilana Glazer,...
- 1/10/2024
- by Jeremy Kay
- ScreenDaily
"We've replaced the tyranny of a boss with the tyranny of an algorithm." Gravitas has released another official US trailer for the documentary The Gig Is Up, the latest from award-winning Canadian filmmaker Shannon Walsh. We featured a teaser trailer earlier this year before it premiered at both Hot Docs and the Cph:dox Film Festivals this year. The film is all about the gig economy and the pitfalls and problems with it. App developers lured a massive labor force by promising flexible hours with no offices or bosses-but with gig workers from Uber, Amazon, Lyft and more in front of the camera, the human cost of disruption runs deep. "A very human tech doc, The Gig Is Up uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo." The film tells the stories of the workers...
- 9/2/2021
- by Alex Billington
- firstshowing.net
Being your own boss sounds like a dream. But for gig workers, that very premise has turned into a nightmare, as Shannon Walsh makes clear in her latest documentary, “The Gig Is Up.”
“I’ve been interested in questions around capitalism and exploitation, and technology has always interested me as well,” says Walsh. “And I’m really interested in how this evolution of technology gives us a kind of a utopianism that so often isn’t the case.”
“The Gig Is Up,” which received its U.K. premiere at the Edinburgh International Film Festival on Friday, focuses on the so-called “ghost workers” who do a myriad of unseen jobs at the touch of a button: Uber drivers, Deliveroo riders and Amazon Mechanical Turk workers.
(Better known as “MTurk,” Amazon describes the platform as follows: “A crowdsourcing website for businesses to hire remotely located ‘crowdworkers’ to perform discrete on-demand tasks that...
“I’ve been interested in questions around capitalism and exploitation, and technology has always interested me as well,” says Walsh. “And I’m really interested in how this evolution of technology gives us a kind of a utopianism that so often isn’t the case.”
“The Gig Is Up,” which received its U.K. premiere at the Edinburgh International Film Festival on Friday, focuses on the so-called “ghost workers” who do a myriad of unseen jobs at the touch of a button: Uber drivers, Deliveroo riders and Amazon Mechanical Turk workers.
(Better known as “MTurk,” Amazon describes the platform as follows: “A crowdsourcing website for businesses to hire remotely located ‘crowdworkers’ to perform discrete on-demand tasks that...
- 8/24/2021
- by K.J. Yossman
- Variety Film + TV
Gravitas Ventures has acquired U.S. rights to The Gig Is Up, Shannon Walsh’s feature documentary that explores the real costs of the controversial gig economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. The deal comes after London-based sales outfit Dogwoof acquired world rights at the European Film Market. Gravitas will now release the film October 8 in theaters and on-demand.
From delivering food and driving ride shares to tagging images for AI, millions of people are finding work task by task online, with the gig economy worth more than $5 trillion and growing worldwide. The pic tells the stories of the workers behind this tech revolution who have gone largely neglected amid often dangerous work conditions, inconsistent pay and the threat of being effectively fired through deactivation or a bad rating.
“We are thrilled to be releasing The Gig Is Up...
From delivering food and driving ride shares to tagging images for AI, millions of people are finding work task by task online, with the gig economy worth more than $5 trillion and growing worldwide. The pic tells the stories of the workers behind this tech revolution who have gone largely neglected amid often dangerous work conditions, inconsistent pay and the threat of being effectively fired through deactivation or a bad rating.
“We are thrilled to be releasing The Gig Is Up...
- 8/13/2021
- by Patrick Hipes
- Deadline Film + TV
Canadian documentary cinema takes center stage at Hot Docs, with films screening across programming strands, and pitch events—such as Forum and Deal Maker—connecting the global doc marketplace to the Canadian industry on its home turf.
The 2021 slate includes 17 Canadian-produced features, most world premiering in the competitive Canadian Spectrum program, and seven international feature co-productions, most also world premieres.
For this year’s virtual edition, Toronto’s famously doc-savvy local audience—which enjoys the big-screen doc experience year round at Hot Docs’ cinema (now via its streaming platform)—is joined by viewers from across Canada.
As of Wednesday, world premiering Spectrum titles “One of Ours” (CBC), “Kímmapiiyipitssini: The Meaning of Empathy” (Nfb), “Hell or Clean Water” (CBC), and “Still Max” were among the top 10 audience faves. Social-media chatter—which follows every shift in position on the Top 20 list, refreshed daily on the Hot Docs website—is more crucial than ever to festival buzz.
The 2021 slate includes 17 Canadian-produced features, most world premiering in the competitive Canadian Spectrum program, and seven international feature co-productions, most also world premieres.
For this year’s virtual edition, Toronto’s famously doc-savvy local audience—which enjoys the big-screen doc experience year round at Hot Docs’ cinema (now via its streaming platform)—is joined by viewers from across Canada.
As of Wednesday, world premiering Spectrum titles “One of Ours” (CBC), “Kímmapiiyipitssini: The Meaning of Empathy” (Nfb), “Hell or Clean Water” (CBC), and “Still Max” were among the top 10 audience faves. Social-media chatter—which follows every shift in position on the Top 20 list, refreshed daily on the Hot Docs website—is more crucial than ever to festival buzz.
- 5/6/2021
- by Jennie Punter
- Variety Film + TV
Consider the mighty smartphone. For the app-happy consumer, it’s a convenience machine, a wand for conjuring food, a ride, maybe a carpenter to handle a home-improvement chore. On the other side of the equation, where The Gig Is Up shines an urgently needed light, that device is a heartless and ever-present boss, an algorithm monitoring speed of performance and customer ratings, and given to slashing wages or even “deactivating” workers — chilling tech-speak for “firing” — without warning or discussion. “Like you’re nothing,” one delivery rider says.
Subtitled A Very Human Tech Doc, Shannon Walsh’s ...
Subtitled A Very Human Tech Doc, Shannon Walsh’s ...
Consider the mighty smartphone. For the app-happy consumer, it’s a convenience machine, a wand for conjuring food, a ride, maybe a carpenter to handle a home-improvement chore. On the other side of the equation, where The Gig Is Up shines an urgently needed light, that device is a heartless and ever-present boss, an algorithm monitoring speed of performance and customer ratings, and given to slashing wages or even “deactivating” workers — chilling tech-speak for “firing” — without warning or discussion. “Like you’re nothing,” one delivery rider says.
Subtitled A Very Human Tech Doc, Shannon Walsh’s ...
Subtitled A Very Human Tech Doc, Shannon Walsh’s ...
"There is a cost to convenience." Dogwoof has revealed a promo teaser trailer for the indie documentary titled The Gig Is Up, the latest from award-winning Canadian filmmaker Shannon Walsh. Her new doc about the gig economy is premiering at both Hot Docs and the Cph:dox Film Festivals this spring, which is why this first trailer is dropping now to build buzz in the doc marketplace. App developers lured a massive labor force by promising flexible hours with no offices or bosses-but with gig workers from Uber, Amazon, Lyft and more in front of the camera, the human cost of disruption runs deep. "A very human tech doc, The Gig Is Up uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo." The film tells the stories of the workers giving up everything just to make a living.
- 4/29/2021
- by Alex Billington
- firstshowing.net
When the coronavirus pandemic began sweeping across the globe last year, Canada’s Hot Docs, one of the world’s leading documentary film festivals, was among the first international fests forced to pivot to an online edition. But while the abrupt shift might’ve caught the organizing team off-guard, the result hardly felt like a compromise: along with virtual screenings of more than 200 films, the festival attracted a record number of buyers to its doc market.
One year later, audiences and industry players alike have grown accustomed to a virtual festival experience, and Hot Docs is poised to build on the success of last year’s trial by fire. “We’ve done it once, and the bar keeps getting raised,” says programming director Shane Smith. “We’re constantly looking at what other festivals were doing, how they were doing it, how to engage the audience, but also how to engage the industry and the filmmakers,...
One year later, audiences and industry players alike have grown accustomed to a virtual festival experience, and Hot Docs is poised to build on the success of last year’s trial by fire. “We’ve done it once, and the bar keeps getting raised,” says programming director Shane Smith. “We’re constantly looking at what other festivals were doing, how they were doing it, how to engage the audience, but also how to engage the industry and the filmmakers,...
- 4/29/2021
- by Christopher Vourlias
- Variety Film + TV
Californian Uber driver Annette breaks down in tears at the wheel of the car she can scarcely afford to fill with gas. In Lagos, Mitchell rarely sleeps through the night for fear of missing out on one of the more lucrative online tasks listed on Mechanical Turk. In Paris, Leila tries to wrangle backpay for a fellow Deliveroo rider who was grievously injured on the job. These and dozens of other stories are the bite-sized examples of the everyday cruelty and dehumanization of the gig economy, the ever-expanding system of global capitalist exploitation that Shannon Walsh’s almost paradoxically fresh-faced and accessible documentary “The Gig Is Up” aims to highlight.
The gig economy itself is bigger even than Walsh’s globetrotting film suggests, also involving offline seasonal jobs, on-call work and all manner of temporary contracts (a freelance film critic clears her throat nervously). But here the focus is on...
The gig economy itself is bigger even than Walsh’s globetrotting film suggests, also involving offline seasonal jobs, on-call work and all manner of temporary contracts (a freelance film critic clears her throat nervously). But here the focus is on...
- 4/24/2021
- by Jessica Kiang
- Variety Film + TV
Exclusive: London-based sales outfit Dogwoof has acquired world rights to The Gig Is Up, Shannon Walsh’s latest documentary feature which explores the controversial gig economy.
The acquisition comes off the back of this weekend’s ruling in the UK Supreme Court that Uber drivers must be treated as workers, rather than as self-employed, which has multiple implications for their rights such as minimum wage and holiday pay.
The film takes a deep dive into the gig economy and its various aspects such as zero hours contracts. Aside from Uber, numerous other companies such as Deliveroo, Lyft, and TaskRabbit have been in the spotlight for their practices. By talking to various workers, from couriers to mechanical turks, the doc aims to reveal the hidden costs of this new digital economy.
Ina Fichman...
The acquisition comes off the back of this weekend’s ruling in the UK Supreme Court that Uber drivers must be treated as workers, rather than as self-employed, which has multiple implications for their rights such as minimum wage and holiday pay.
The film takes a deep dive into the gig economy and its various aspects such as zero hours contracts. Aside from Uber, numerous other companies such as Deliveroo, Lyft, and TaskRabbit have been in the spotlight for their practices. By talking to various workers, from couriers to mechanical turks, the doc aims to reveal the hidden costs of this new digital economy.
Ina Fichman...
- 2/22/2021
- by Tom Grater
- Deadline Film + TV
Everything from street hustlers and school teachers to Nobel prize winners and Islamist extremists in a feast of African film
We have selected eight films from five African countries to look out for in 2013 – the year of the 23rd edition of Fespaco – the bi-annual pan-African film and television festival of Ouagadougou.
Burn it up Djassa by Lonesome Solo (Cote d'Ivoire)
Labelled "a film by the people for the people", Burn it up Djassa is about a young street hustler in Abidjan looking for a break. After shooting his first feature, Lonesome Solo escaped the war torn Cote d'Ivoire and has not been seen since.
Half of a Yellow Sun by Biyi Bandele (Nigeria/UK)
The adaptation of Nigerian writer Chimamanda Ngozi-Adiche's Orange Prize-winning and bestselling epic, stars Thandie Newton and Chewitel Ejiofor. Nigerian investors contributed with 80% of the budget to fellow Nigerian director and writer Bandele's feature debut.
Jeppe on a Friday by Shannon Walsh,...
We have selected eight films from five African countries to look out for in 2013 – the year of the 23rd edition of Fespaco – the bi-annual pan-African film and television festival of Ouagadougou.
Burn it up Djassa by Lonesome Solo (Cote d'Ivoire)
Labelled "a film by the people for the people", Burn it up Djassa is about a young street hustler in Abidjan looking for a break. After shooting his first feature, Lonesome Solo escaped the war torn Cote d'Ivoire and has not been seen since.
Half of a Yellow Sun by Biyi Bandele (Nigeria/UK)
The adaptation of Nigerian writer Chimamanda Ngozi-Adiche's Orange Prize-winning and bestselling epic, stars Thandie Newton and Chewitel Ejiofor. Nigerian investors contributed with 80% of the budget to fellow Nigerian director and writer Bandele's feature debut.
Jeppe on a Friday by Shannon Walsh,...
- 1/23/2013
- The Guardian - Film News
St-Henri, the 26th of August
Directed by Shannon Walsh
2011, Canada, 86 mins.
The people behind St-Henri, the 26th of August seem to be of the mind that even the ordinary can be extraordinary – a noble sentiment, to be sure, but unfortunately not a terribly engaging one. St-Henri is a neighborhood in Montreal subject to a host of struggles familiar to many Canadian towns. Gentrification, disappearing jobs, and a fractured community often unaware of each other challenge the continuity of St-Henri. As for the other half of the title, the twenty-sixth of August is just an average day of no extra-special significance, aside from being the first day of school. Put the two together, and what we have is a twenty-four hour portrait of a neighborhood. I have no doubt that this sort of film appeals to someone out there – but alas, I am not one of them.
If anything, St-Henri, the 26th of August is thorough.
Directed by Shannon Walsh
2011, Canada, 86 mins.
The people behind St-Henri, the 26th of August seem to be of the mind that even the ordinary can be extraordinary – a noble sentiment, to be sure, but unfortunately not a terribly engaging one. St-Henri is a neighborhood in Montreal subject to a host of struggles familiar to many Canadian towns. Gentrification, disappearing jobs, and a fractured community often unaware of each other challenge the continuity of St-Henri. As for the other half of the title, the twenty-sixth of August is just an average day of no extra-special significance, aside from being the first day of school. Put the two together, and what we have is a twenty-four hour portrait of a neighborhood. I have no doubt that this sort of film appeals to someone out there – but alas, I am not one of them.
If anything, St-Henri, the 26th of August is thorough.
- 4/28/2011
- by DaveRobson
- SoundOnSight
Greenberg (15)
(Noah Baumbach, 2010, Us) Ben Stiller, Greta Gerwig, Rhys Ifans, Jennifer Jason Leigh. 107 mins
Usually Ben Stiller is the guy you like in the movie, and the guy you laugh at. Here he's bravely subdued and unsympathetic – a self-absorbed slacker with extreme empathy issues – but you can still laugh at him. After a while, you might even like him. Drifting back to La, he picks at old relationship wounds and opens up fresh ones (with the winningly pathetic Gerwig) in a charming character study with indie values (and soundtrack) that under-achievers of a certain age will relate to.
Brooklyn's Finest (18)
(Antoine Fuqua, 2009, Us) Richard Gere, Don Cheadle, Ethan Hawke. 132 mins
Breaking news: law enforcement in the sketchier areas of New York is sometimes quite difficult. This three-pronged assault hammers the cliches home relentlessly, self-importantly detailing the trials of its compromised lawmen as if it's saying something new. Or something at all.
(Noah Baumbach, 2010, Us) Ben Stiller, Greta Gerwig, Rhys Ifans, Jennifer Jason Leigh. 107 mins
Usually Ben Stiller is the guy you like in the movie, and the guy you laugh at. Here he's bravely subdued and unsympathetic – a self-absorbed slacker with extreme empathy issues – but you can still laugh at him. After a while, you might even like him. Drifting back to La, he picks at old relationship wounds and opens up fresh ones (with the winningly pathetic Gerwig) in a charming character study with indie values (and soundtrack) that under-achievers of a certain age will relate to.
Brooklyn's Finest (18)
(Antoine Fuqua, 2009, Us) Richard Gere, Don Cheadle, Ethan Hawke. 132 mins
Breaking news: law enforcement in the sketchier areas of New York is sometimes quite difficult. This three-pronged assault hammers the cliches home relentlessly, self-importantly detailing the trials of its compromised lawmen as if it's saying something new. Or something at all.
- 6/11/2010
- by The guide
- The Guardian - Film News
The 28th annual Vancouver International Film Festival (Viff) will be held October 1-16, 2009. Founded in 1982, Viff's mandate is "...to encourage the understanding of other nations through the art of cinema, to foster the art of cinema, to facilitate the meeting in British Columbia of cinema professionals from around the world and to stimulate the motion picture industry in British Columbia and Canada..." Over 150,000 people are expected to attend 640 screenings of 360 films from 80 countries. Here is an up-to-date list of directors, confirmed to attend Viff 2009, along with their films : "1428" Du Haibin "1999" Lenin Sivam "65_RedRoses" Philip Lyall & Nimisha Mukerji "Adelaide" Liliana Greenfield-Sanders "The Agony and the Ecstasy of Phil Spector" Vikram Jayanti "Ana & Arthur" Larry Young "The Anchorage" Anders Edström & Curtis Winter "Antoine" Laura Bari "Argippo Resurrected" Dan Krames "The Art of Drowning" Diego Maclean "At Home By Myself... With You" Kris Booth "At The Edge Of The World" Dan Stone...
- 9/27/2009
- HollywoodNorthReport.com
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