Scott Menzel, founder of The Hollywood Critics Association, said in an email to members Wednesday that the organization is restructuring and bringing in a Diversity, Equity, and Inclusion advisor. The announcement arrives the same day former board president Nikki Fowler went public with accusations of racism against Menzel.
Fowler resigned earlier this month, citing a “hostile, biased and dismissive” work environment. On Wednesday, she shared a long tweet in which went into details, including that every time she mentioned racial bias, she was met with “hostility” by Menzel, Hca treasurer Alisa Gichon and vice president Nestor Bentancor.
“In my opinion, they wanted a Black female public-facing token President but brought in without any announcement, a white female Treasurer, Alisa, to be studio-facing with financial transparency alongside Menzel,” Fowler wrote.
Due to the overwhelming amount of support from some of my former co-members of the Hollywood Critics Association, including those that...
Fowler resigned earlier this month, citing a “hostile, biased and dismissive” work environment. On Wednesday, she shared a long tweet in which went into details, including that every time she mentioned racial bias, she was met with “hostility” by Menzel, Hca treasurer Alisa Gichon and vice president Nestor Bentancor.
“In my opinion, they wanted a Black female public-facing token President but brought in without any announcement, a white female Treasurer, Alisa, to be studio-facing with financial transparency alongside Menzel,” Fowler wrote.
Due to the overwhelming amount of support from some of my former co-members of the Hollywood Critics Association, including those that...
- 6/14/2023
- by Sharon Knolle
- The Wrap
When Grammy-nominated record producer Harvey Mason Jr. saw an early edit of the short film “Regret to Inform You,” he “was blown away” after just the first two minutes.
Yusuf Nasir’s live-action short vying for Oscar consideration follows Nasir, a day in the life of an aging male performer and his rejections. A new rejection sets him back into a dance sequence fantasy that becomes a liberating space for him. Said Mason Jr., a producer on the short, “When the dancing started, I learned he choreographed that too.”
Nasir, who makes his directorial debut, thought an interesting concept would be to take images that were opposites and see where they land. Nasir explained, “I wanted to structure this in a way to where, in the beginning, you almost don’t know whether to like me or hate me. But, when the dance starts, it makes you reevaluate why I was so angry and frustrated.
Yusuf Nasir’s live-action short vying for Oscar consideration follows Nasir, a day in the life of an aging male performer and his rejections. A new rejection sets him back into a dance sequence fantasy that becomes a liberating space for him. Said Mason Jr., a producer on the short, “When the dancing started, I learned he choreographed that too.”
Nasir, who makes his directorial debut, thought an interesting concept would be to take images that were opposites and see where they land. Nasir explained, “I wanted to structure this in a way to where, in the beginning, you almost don’t know whether to like me or hate me. But, when the dance starts, it makes you reevaluate why I was so angry and frustrated.
- 12/14/2022
- by Jazz Tangcay
- Variety Film + TV
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